TOM

See his entry in the Oxford DNB. D’Orsey was Professor of Elocution at University College, London. 4pp, 12mo. Bifolium. On aged, brittle paper, with slight wear and discoloration, a few closed tears along folds and traces of stub adhering to second leaf, but with entire text clear and intact. A long untidy letter, with writing up the margin on outer two pages. Addressed to ‘The Revd. A J D’Orsey’ and signed ‘Tom Taylor’. The topic is an outbreak of cholera at Madeira, about which D’Orsey has clearly launched an appeal.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and folded twice for postage. One corner very slightly cropped. Signed ‘Tho. Hughes’. In response to a request for an autograph he writes: ‘My dear Madam / I have only just returned to town where I find your note, with the request contained in which I have much pleasure in complying & sending you my signature below, though it is not a good specimen as I have got hold of a rascally bad pen.’ See Image.

See his entry in Encyclopaedia Britannica, and Taylor's in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once. In worn envelope with Penny Red stamp and postmark, and slight loss around flap. The envelope was no doubt retained because it was addressed by Delaunay to 'Sir Tom Taylor / Lavender Sweet [sic] / Wandsworth'. A neatly laid written and laid out communication, addressed to ‘Cher Monsieur Taylor’ and signed ‘Yours truly / L Delaunay / de la Comedie française’.

See his entry, and that of Taylor, in the Oxford DNB. 3pp, 12mo. On bifolium. In fair condition, lightly aged. Folded twice. Only the sculptors heavily inked signature ‘John Adams-Acton’ is in his hand, the rest more lightly written by an amanuensis. Addressed ‘To, Tom Taylor Esqr.’ Begins: ‘I address you as a representative of the press to solicit you to pay my studio a visit.’ He lists the names of five ‘public and distinguished men’ whose busts he can show, beginning with ‘The Right Honble W. E. Gladstone - Premier’ and including ‘Isaac Holden Esqr.

See the entry for Grey and Taylor in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. Begins: ‘Dear Mr Taylor - / I am just come home from seeing “the ticket of leave man,” & before I go to bed I must thank you for an evening of very great enjoyment.’ It pleased him ‘to see so good a play, not taken from the French, but really English, [the play was in fact adapted from the French] & teaching the public what is true instead of encouraging a popular delusion of the day’.

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged and worn. Folded once. From Taylor’s papers. Addressed to ‘Tom Taylor Esq’. Begins: ‘Dear Mr Taylor / I have profited by your kind instructions, & enrolled myself on the List of the Arundel Society.’ He finds the collection ‘well worth seeing’, and ‘the Van Eyck in particular strikes me as being the most wonderful example of successful reproduction in Chromo Lithography that I have yet seen’. Signed ‘J Walter’. From Taylor’s papers.

See his entry, those of his sons Philip and Robert, and that of Taylor, in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, on discoloured and lightly-worn paper. Addressed to ‘My Dear Mr Taylor’ and signed ‘Alfred P. Graves’. He begins by enquiring after the state of the recipient’s health, before giving details of when Parliament ‘will probably be up’: ‘Otherwise I have no political news to interest you.

The present item is on a 12mo bifolium of light gray paper, with Kate Crowe’s letter on the two outer pages, and Tom Taylor’s unrelated pencil notes on the two inner pages. In good condition, lightly aged and worn. There is an engraved portrait of ‘Miss Kate Bateman’, with a long biographical footnote, on pp.160-161 of ‘The Reminiscences of J. L. Toole’, ed. Hatton (1889). That footnote states, with regard to the subject of this letter: ‘Miss Bateman appeared on the first night of the reopening of Sadler’s Wells under the management of [her mother] Mrs.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

A nice item relating to a famously secretive and influential society. See Taylor’s entry in the Oxford DNB (Ferrar is not to be confused with the Dean of Canterbury Frederic Farrar, who was an Apostle). 2pp, 12mo. On bifolium. Sixteen lines, very neatly written. On aged and creased paper, with part of the leaf torn away at top left (not affecting text). Folded for postage. Addressed to ‘Tom Taylor Esqre. / 8 Richmond Terrace / Whitehall / S.W.’ and signed ‘Fredc: Ferrar. / Genl.

See Michael Coveney?s obituary in the Guardian, 10 August 2011, which states that Wood was ?one of the greatest stage actors of the past century?, and that he ?returned to the West End in 1961 as Henry Albertson in the whimsical off-Broadway musical The Fantasticks, at the Apollo?. 86pp, 4to. Each act separately paginated. Duplicated and bound with metal studs into black waxed-card wraps, with each page on the recto of a separate leaf. Title ?THE FANTASTICKS? printed on front cover, with details of the Studio Duplicating Service. In good condition, lightly aged, in lightly creased wraps.

See his entry in the Oxford DNB. In good condition, lightly aged. On first leaf of a bifolium of wove paper. Folded for postage. Signed ‘Tho. Hughes’. Begins: ‘My dear Ponsonby / Let me introduce the bearer, Mr. Selway, [i.e. William Robbins Selway (c.1822-1893) of Walworth] who was vice Chairman of my Committee in Lambeth, & is one of the most influential & trustworthy men in the South of London’. Selway wishes to see Ponsonby ‘about a building in the Surrey Gardens which certain persons are proposing to convert into a Theatre’.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. He is pleased that Stuart is 'coming along on March 15 to talk to the journalism students, and tell them from a practical point of view what they have to expect when they make a start on a good provincial newspaper'. He agrees with Stuart's plan to 'emphasise that Fleet Street is not the only place in the world', his own view being that 'the best traditions of British journalism are still enshrined in the provincial press'.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items, in fair overall condition, on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these (1p, landscape 8vo) he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this, and the speed with which you tackled it for me.

See the recipient’s entry in the Oxford DNB. 1p, 12mo. Signed ‘Evelyn Lake’. In good condition, lightly aged, with minor traces of paperclip. Folded once. She enjoyed his ‘article in yesterday’s Reynolds News’, and thinks it is ‘Lovely to be able to make people laugh spontaneously.

See his entry in the Oxford DNB. On 9.5 x 11.5 cm leaf of blue paper, with rounded outer corners, torn from an autograph album. In good condition, lightly aged, with spotting on reverse. Reads: ‘Best Wishes / Tom Walls.’ Good bold writing, with stylistic flourish linking the cross-stroke of the T in ‘Tom’ with the S of ‘wishes’, and two small vertical strokes at the centre of the underlining of the signature. See image

See the entry for Thomas Mann in the Oxford DNB. From the papers of Arthur George Liddon Rogers (1864-1944), son and editor of the economist Thorold Rogers [James Edwin Thorold Rogers] (1823-1890), for information regarding whom see his entry in the Oxford DNB. The second letter in good condition, lightly aged and folded once; the first in fair condition, folded three times with a number of short closed tears along creases. Mann is writing in his capacity as Secretary of the London Reform Union (for whose ‘Object’ see the end of this entry). ONE: 12 May 1893. 2pp, 4to.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Clearly and firmly written. The letter would appear to concern an individual who is threatening to resign his membership of the Athenaeum Club, and ends with reference to proxy voting for new members. Hughes begins by reporting that he has 'already written to the good but peppery & impulsive Dr. of whom I am as fond as you are'.

Part of leaf from exercise book (it seems), 12.5 x 11.5cm, laid down on paper slightly larger, good condition. Dear Sir: I comply with your request very willingly, and subscribe myself Yours autographically | and truly | B.P. Chillaber | for sef and | Mrs Partington.

For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. At the time of writing Carlile was in prison for refusal to pay the church rates. The proofs Carlile asks to be allowed to receive in the first letter are presumably those of his journal 'The Gauntlet'. The phrenologist 'Mr. Hohn' referred to in the second of the letters - the 'Mr. Holme' of the accompanying slip - is the German-born physician and phrenologist John Diederick Holm (d.1856).

Maguire was, his entry in the Oxford DNB states, 'one of the most popular orators of his age, and from 1829 until 1843 he addressed huge crowds and packed congregations in churches and at venues throughout England and Ireland'.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

Both items in good condition, lightly aged. ONE: 3 March 1884. 1p, 12mo. Addressed to 'Dear Mr. Kynnersley'. Having received Kynnersley's undated letter he writes: 'I shall meet Blandford as you propose on the 11th. with very great pleasure. He was one of the heroes on whom I used to look with awe as a 3rd. form boy in 1834 in which year I joined & he I think left Rugby.' He is sitting at Congleton on the day of the meeting, and 'there is just a chance that some perverse suitor may be in full blast at my train time in which case (as I never leave a cause part heard) I may be late'.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

Page from an autograph album, 16.5 x 12cm, containing autographs as follows: "Compliments of | Count Primo Magri | from Bologna | Italy || Comtess [sic] M L Magri (Mrs Genl Tom Thumb)", filling the page. Overleaf signatures of C. W. Couldock, American Shakespearian Actor; Theodore Thomas, American conductor; M.W. Whitney and another ("W.. Fort"[?]).

1p., 12mo. In fair condition, lightly aged, laid down on part of a page from an album. Reads: 'Dear Teg. | Miss Elizabeth Philp has sent a batch of Songs of her own Company to the Queen. Will you kindly interest yourself to get them a notice?'

1p., 4to. In good condition, lightly aged, laid down on leaf removed from album. Clarke writes that a King's student, also named Clarke, whom Stuart took 'for vacation work', has returned 'full of enthusiasm & gratitude for all you & your people have taught him'. He only hopes that the student 'made as good an impression on you as you have done on him'. He concludes: 'Why don't you come and give the students a talk one day?' According to an official account: 'The University of London ran courses in journalism from around 1923.

[4] + 78pp., 12mo. In original grey-green printed wraps. Presentation inscription on fly-leaf, dated January 1907. The volume comprises three pieces. First, an untitled memoir, with footnote at end: 'My father begun [sic] this autobiography at the request of my brother Jack, and after his death did not continue it.'; second, an account of a street fight between a policeman and a 'bone-picker', titled 'A Street Adventure, 1845'; lastly, 'The Working Men's College'. Four copies on COPAC, but now uncommon.