FICTION

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Mr Scarr: / I’m sorry but I have already engaged myself for three talks besides my offical three and, not being an extemporizer, can’t undertake any more. / Yours sincerely / Robert Graves’. See Image.

See his entry in the Oxford DNB. Both items are somewhat sunned, but in good overall condition. ONE: ALS. 1p, 4to. Folded three times for postage. Signed ‘John Masefield’.

See his entry in the Oxford DNB. The three items are in good condition, each with his firm signature ‘Compton Mackenzie’. Each is 1p, 4to, in good condition, folded for postage.Despite being scored through, one can see that the first and last salutation are addressed to ‘Mrs Raymont’, and the second to ‘Mr Raymond’. ONE: 23 November 1961. He is pleased that she enjoyed his book ‘Mezzotint’: ‘The setting is really the Seychelles but of course I had to lay it in the South Atlantic instead of the Indian Ocean.’ He agrees with her ‘about these efforts at modernity by some of my contemporaries.

See Wheatley's entry in the Oxford DNB. In good condition, lightly aged. The aquatint bookplate, in black and white, is 10.5 x 14.5 cm (plate dimensions 9 x 12.5 cm). It was designed by Wheatley himself, and is everything you would hope from a writer in his field. A naked Wheatley, with slicked-back 1920s hairstyle, sits at the feet of a cloven-footed devil (Wheatley’s mentor G. Eric Gordon-Tombe, and the man he is alleged to have murdered) under the Tree of Life in the Garden of Eden.

Reade was a fellow of Magdalen College, Oxford, from 1836 to his death. According to his entry in the Oxford DNB: ‘in the years of his fame, and particularly in the early 1860s, he did much of his writing in his rooms at Magdalen, using them as a retreat. His tenure of the fellowship was contingent on his remaining unmarried, a stipulation he complained of bitterly but continued to put up with, even when he was earning thousands a year as a writer’. 1p, 12mo. In fair condition, lightly discoloured, on thin wove paper. Folded once.

Of his activities around this time the Oxford DNB writes: 'he 'wrote film scripts in Hollywood in 1934–5 for classics such as David Copperfield (MGM, 1935), in which he played a bit part, and Little Lord Fauntleroy (1936)'. The subject of the letter may be his novel 'The Inquisitor', published by Macmillan in 1935. 1p, 12mo. In fair condition, lightly aged and worn. Folded once. Reads: ‘Dear Mr. Hunt / Here is a proof. The quotations are from the [?] Version. to me the only [last word underlined] version. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Reads: ‘Dear Miss Jennings / Thank you for your letter. There was however no half crown in the envelope. I searched carefully. / Yours sincerely / Hugh Walpole’.

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

Mason was, according to E. V. Lucas, ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years, and the films made from them, notably The Drum (1938), for which he wrote his own scenario, and The Four Feathers (1939), were among the most popular in their time.’ 1p, 12mo. In good condition, lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'.

In a letter to ‘John O’London’s’ in 1921, Fletcher boasted of having ‘written (and published) seventy-three novels, twelve volumes of collected short stories, and fifteen historical and topographical works, the last-named mostly of considerable length’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once for postage. Annotated by recipient with date of response. Addressed to ‘Mr D. Webster.’ and signed ‘J. S. Fletcher.’ He thanks him for ‘the two Chichester pamphlets duly to hand’, noting that one was ‘The Accompt Cleared’ by Roger L’Estrange.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

See her entry in the Oxford DNB. 2pp, 12mo. On grey paper. In fair condition, with blocks of discoloration. Addressed to 'Dear Madam' and signed ' M Yonge'. She cannot tell her 'how late the final proof must be, as it depends on the printers, and the Christmas week so disturbs arrangements that they generally wish to have all finished earlier than usual'. She suggests sending he a card 'when the proofs come in to me', as there will be a few days to spare, 'while the other ladies are correcting them'.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

An excellent letter to enthusiastic autograph collector Eileen Margaret Cond (1911-1984). It shows Cond’s ability to draw a more than perfunctory response from her targets. 1p, 8vo. In fair condition, lightly aged and folded for postage. Signed ‘Francis Vivian’. He is ‘very grateful’ for her ‘appeciation of my book, The Three Short Men. I have to confess that I thoroughly enjoyed writing it, even though both Pam and Hathersage at times refused to obey my orders, and went their own sweet way.

Good letters, the second with biographical content about a prolific yet elusive author. The recipient Eileen Margaret Cond (1911-1984) was an enthusiastic collector of autographs, with the ability to draw a more than perfunctory response from her targets. Both letters in good condition, on lightly aged paper folded for postage. Each bearing large stylized signature ‘Francis Gerard’ and addressed to ‘Dear Miss Cond’. ONE (12 March 1950). 1p, 4to.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

For such a prolific author, it is odd that so little is to be gleaned about Dorothy Jarman (1902-1978; Fellow of the Institute of Arts and Letters, widow of Roy H. Jarman), who claims in this letter, written as ‘Dorothy Desana’, that ‘Ann Trent’ is her pseudonym, while in the 1971 edition of ‘The Author’s and Writer’s Who’s Who’, ‘Ann Trent’ is given as her real name, while ‘Dorothy Desana’ is one of four pseudonyms. Whatever the case, twenty-six books were published under the name ‘Davide Sernicoli’ between 1936 and 1953, with twenty more books published by her under other names.

See her entry in the Oxford DNB. She published around two hundred books under seven pseudonyms, and these are said to have sold a hundred million copies and been translated into twenty languages. The recipient Eileen Cond was an enthusiastic collector of autographs, and had the ability to draw a more than perfunctory response from her targets. 1p, 4to. In fair condition, lightly aged and creased. Folded for postage. Good bold signature: ‘Victoria Holt.’ Addressed to ‘Miss Cond, / Stream Cottage, / Sidbury, / Sidmouth, Devon.’ She has signed Cond’s bookplate and is sending it back.

Two pages, 12mo, marking and residue of tipping in (sellotape), mainly good. My dear Bright, | I have been waiting for the result of your operation, and was delighted that things are now going well. | Your many friends here were greatly distressed to know that it was necessary; but we knew, too, that you would face it with that cheerful courage you so often showed when we did not know from day to day what would be the fate of the Library you and we love so well.

1p, 4to. Twenty-three lines. Large sprawling signature ‘Lawrence G. Blochman’. In fair condition, worn and creased on lightly-discoloured paper. The recipient, an enthusiastic autograph collector, has evidently asked him to sign a bookplate to be stuck in his latest book ‘’Recipe for Homicide’. Her note has finally reached him ‘through channels (via my English publisher through my London agent to my New York agent)’. He is glad she finds the book entertaining, ‘even though you had not yet, at the time of writing, discovered the culprit’.

Jane Aiken Hodge was author of many works, mainly romantic fiction. Her most popular book was a study of Georgette Heyer, and she was also responsible for a biography of Jane Austen. 1p, landscape 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed in type ‘Jane Hodge’, with the following in type: ‘Mrs. Alan Hodge’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

On one side of a 12.5 x 8.5 cm piece of thin white card. Clearly given in response to a request for an autograph. Written in a large somewhat old-fashioned hand, with ‘Edith Pargeter.’ centred towards the head of the page, and ‘‘Ellis Peters’.’ at bottom right. See image.

The book collector Percival M. Stone (1886-1965) of Waltham, Massachusetts, was a Harvard alumnus. He was an expert in the field of crime fiction, and in particular the 'Dr Thorndyke' stories of R. Austin Freeman. Stone edited an American collection of Freeman's stories, titled 'Dr Thorndyke's Crime File' (1941), to which he contributed the essay '5a King's Walk'. The eight long and informative letters in this collection reveal Stone's association with the Harvard Theatre Collection (whose curator William B.

1p, 12mo. On laid paper, folded once. Informing her that ‘Fanny’ will be returning in a few days, and that ‘we shall be very happy to come to your Garden Party on Thursday 10th. which is one of my chief pleasures of the Season’.