LITERARY

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See his entry, and Craig’s, in the Oxford DNB. 13 x 9 cm envelope, with seal (no impression of any kind) in red wax over the broken flap. In good condition, lightly aged. On the front of the envelope, in Jeffrey’s hand, ‘To / James Gibson Craig Esqre / 7. North St Andrew Street’. Beneath this, at bottom left and between the customary lines is the signature ‘F. Jeffrey’.

An excellent letter, linking leading nineteenth-century writers of the French and English nations. See Daudet's entry in the Encyclopaedia Britannica, and Meredith’s in the Oxford DNB. Daudet’s association with Meredith during his ‘first and only visit to England’ is described on pp.122-124 of the 1911 edition of J. A. Hammerton’s ‘George Meredith, his Life and Art’, which also quotes extensively from Madame Daudet’s account of the Englishman, referred to in the letter. 2pp, 16mo. Twenty-one lines of closely- and neatly-written text. On the rectos of the leaves of a bifolium.

A nice item linking one of late Victorian England’s most popular novelists with its most critically admired. See the entries for Caine and Meredith in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from the autograph album of Meredith’s daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Reads: ‘To / George Meredith / With much admiration / Hall Caine / 23/Sept/91.’ See image.

See Hutton's entry in the Oxford DNB, together with that of the recipient Sir Lovelace Tomlinson Stamer (1829-1908), Anglican Bishop of Shrewsbury. 1p, 12mo. In fair condition, on lightly aged paper, with slight smudging on the first page. With two folds for postage. Addressed to ‘The Revd Sir Lovelace T Stamer Bart’ and signed ‘R H Hutton’. Twenty-five lines of text in a hand that must surely have proved as much of a challenge to Hutton’s compositors as to present-day readers.

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium. Addressed on reverse of second leaf: ‘123456 / [T. W. Naellz?] Esqr / Ambleside’. Aged and worn, with closed tears along folds, and damage to second leaf from breaking of seal. Reads: ‘Dear Sir / If you can send me Madame Cottin’s romance about Saladin you will much oblige me. / Yours truly / John Wilson’. Good large signature. The first edition of ‘The Saracen; Or, Matilda and Melek Adhel: A Crusade Romance, From the French of Madame Cottin, with an Historical Introduction, by J.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 12mo. In good condition, lightly aged and creased. Folded once for postage. Signed ‘Peter Quennell’. He ‘can’t co-operate’ with the questionnaire that Dosse has sent him.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. Signed ‘Miron Grindea’.

See the entries for Angus Wilson and Christina Foyle in the Oxford DNB. ‘Dolly’ is clearly the ‘Mrs. A. G. Dowdeswell’ who was secretary of the Johnson Society of London in the 70s and 80s (arranging luncheons) and named as a member of the Johnson Society at least as late as 1992. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018.

See his long and appreciative entry in the Oxford DNB. 1p, 12mo. Worn and aged, with part of paper mount adhering over half of the reverse. Written in a tight close hand. Begins: ‘My dear Jerdan / The inclosed is for you to do what you like with. / I am off to Lord Albert’s tomorrow morning - the weather is improving.’ He suggests that ‘Smith [i.e.

See the two men's entries in the Oxford DNB. Russell's papers are in the Harry Ransom Center at Texas. 1p, 4to. Aged and worn, with creasing and closed tear along left edge. Folded one. Carrying a neat and controlled signature, ‘Leonard Russell.’ He has ‘just come across’ the books Wilson lent him, ‘buried under a mass of books and papers’, and apologises. He ends by asking how Wilson’s ‘Notes from a Bookshop’ are going. ‘Copy as soon as you like.’ Wilson has ticked across the two paragraphs to signify action taken.

Three scarce items, with no other copies traced. All three carry the Club’s badge. The 1929 menu is in good condition; the other two items are in fair condition, lightly aged and worn. The two ‘Christmas Supper’ menus are uniform in layout. Each is printed on an 8vo piece of white card, with the same photograph of ‘J. Windsor Burgess as Father Christmas’ on one side and the menu on the other. (The menus differ and are dated.) Each menu is wrapped in a grey-paper 8vo bifolium, printed on all four sides. The Menu for 19 December 1927 states on the cover: ‘J. H. Brocklehurst, Esq.

1p, 8vo. In good condition, lightly aged. Removed from an album, and with stub still adhering to inner edge. Folded twice. He asks to be accorded ‘un quart d’heure d’audiénce’, as he is leaving on a journey and needs a passport and letters of recommendation. The recipient is not named, but he has written ‘Samedi à midi’ at top left.

From the Macqueen-Pope papers. (See his entry, and those of Foyle and Mackenzie, in the Oxford DNB.) Apart from damage and rust staining from paperclips, the seven items are in good condition. The correspondence mainly concerns a Foyles Literary Lunch for Macqueen-Pope, which Mackenzie was unable to chair because of an attack of bronchitis. All items 1p, 8vo. Mackenzie’s two letters signed ‘Compton Mackenzie’ and Foyle’s signed ‘Christina Foyle’. ONE: Foyle to MP, 26 February 1951. She is forwarding a letter from Mackenzie.

The second item offers a nice insight into his working practices. After working as a leader-writer for the Standard newspaper, Colles founded the Authors’ Syndicate in 1890, and quickly rose to the top of his field. His clients included J. M. Barrie, Arnold Bennett, E. F. Benson, Ford Madox Ford, Rider Haggard, and Somerset Maugham. His papers are now at UCLA. The two items are in fair condition, on lightly aged and worn paper. Both folded twice for postage. Each 1p, 4to, and each signed in pencil. ONE: ANS to Scoresby Routledge, 5 November 1917. Signed ‘W. M. Colles’.

An interesting letter, casting light on the workings of Victorian literary criticism. See his entry in the Oxford DNB. The subject of the letter, ‘Friendship’s Offering’, was one of the four great nineteenth-century London ‘gift books’, appearing between the 1820s and the 1840s, for some of the period at least under the editorship of Thomas K. Hervey. 1p, 4to. In good condition, lightly aged, with thin neat strip of windowpane mount adhering to edges. Folded four times for postage. Thirteen lines of text. Signed ‘W. Jerdan’, with recipient (‘Dear Sir’) not named.

See the two men’s entries in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Written with a light touch, making the dating doubtful. Signed ‘F Egerton’ and addressed to ‘O. Blewitt Esq.’ Reads: ‘Sir / In reply to your letter I beg to state that it is my intention to vote for you in the election to the Secretaryship of the Literary Fund Society.’

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Curzon, / I have sent, with great pleasure, a fiver to the Literary Fund in honour of your chairmanship; but not [last word underlined] as a successful man of letters.’ He explains that had he been dependant on his books for a livelihood, he would ‘long ago have starved, and, by the Grace of the present Government, I may yet be a burden to the Royal Literary Fund.’ Curzon has minuted the letter at the head of the first page: ‘Hon J Fortescue £5’.

Two charming and moving letters, each sent on a significant occasion: the first Richmond’s resignation from the editorship of the TLS in 1937, and the second his ninetieth birthday in 1961; and with the latter containing interesting reminiscences of the early years of the TLS. See his appreciative entry in the Oxford DNB. Both items in good condition, lightly aged, and both addressed to ‘Dear Orlo’. ONE: 3 January [‘1937’, the year added by Williams]. Signed ‘Bruce L. Richmond.’ 2pp, landscape 12mo. Folded twice.

A good letter, reflective of the mid-Victorian literary milieu; with a successful playwright discussing the writing of his daughter in a letter to another female Victorian writer. See the entries for Bray, his daughter Mrs Mackarness, and the recipient Mrs Bray, in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, with minor traces of stub adhering to one edge. 51 lines of text in a neat, disciplined hand. Planché does not give the year; it is added in pencil in another hand. Addressed to ‘Mrs Bray / the Vicarage / Tavistock’.

See her entry, and that of her husband, in the Oxford DNB. Signed ‘Mary Cowden Clarke’. 1p, 12mo. Laid down on white-paper backing. Brittle and discoloured, with chipping and tears along the outer edge, as a result of clumsy removal from an album. Blind-stamped letterhead of small head of Shakespeare. Endorsed in pencil: ‘To Mrs Kerrison Harvey’. With the usual expressions of gratitude to the writer and ‘Mr. Kerrison Harvey’, she and her husband decline the ‘obliging invitation for the 9th.’, ‘as we have given up visiting, and lead a very quiet home life’.

1p., 12mo. Good, on lightly-aged paper, with small scrap from white label adhering to a margin. He explains that the reason that a letter has not been forwarded to him is that he has not, 'for years, had to do with the management of the Illustrated London News', although he does contribute to it. Nevertheless he will try to get the recipient 'a proof of the Port[rai]t. - with great pleasure'. He adds, in a postscript at the head of the page: 'I think the Memoir was cut out from the Times'.

Paper, 9.5 x 10cm, laid down on larger piece of paper, part of album page, good condition. Vous sentez bien que votre approbation m'est precieuse. Elle l'est par ille-meme & par ce qu'ille suppose - Je suis d'ailleurs toujours un invalide, & ma sante, depuis trois mois et demi, [?] restee avc un grave [accrue?]. | A vous [...]

1p, 8vo. Fifteen lines of text, in green ink. In fair condition, lightly aged, folded twice, with short closed tear to edge of one crease. Signed 'Sybil Thorndike'. Although 'deeply gratified', her 'present duties' will detain her 'at the Theatre every evening until 11 o/c', so that she will not be able to 'act as a Steward at the Anniversary of the Royal Literary Fund at the Guildhall, next Wednesday'.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Reads: 'Dear Sir | I regret that I am an [sic] unable to become a Steward at the Royal Literary Fund dinner, but I have pleasure in sending a small donation to the fund.'

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.