LONDON

In addition to the entry for Prothero in the Oxford DNB, see those of H. W. C. Davis (1874-1928) and H. W. V. Temperley (1879-1939), which reveal the interest all three had in the Paris Peace Conference of 1919. Both items in good condition, lightly aged. Each folded once. Both addressed to 'Davis'. ONE: 7 November [1921]. 4pp, 12mo. Dictated, and entirely (including signature) in the hand of an amanuensis.

Toole’s entry in the Oxford DNB describes how ‘Toole was desolate, and his health broke’, after the Tooles’ twenty-two year-old daughter Florence died from typhoid fever on in November 1888, contracted a week before when visiting her parents who were performing at Cork. Her mother, Toole’s wife Susan, died three and a half months later, in February 1889. Both letter and card are in good condition. They are enclosed in a grubby envelop, with stamp and postmarks, addressed to ‘David Cunningham Esq / Belmont / Antrim / Ireland’. Letter and envelope have thick mourning border. ONE: ALS.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, on lightly aged and creased paper. Folded twice. Signed ‘André Deutsch’ (but note that there is no accent to the name on the letterhead). He thanks him for his letter, and hope that ‘the enclosed postcard [not present] will be of some help. It is rather an amusing one, as Herr von Papen gives a literal translation of the German expression for the appendix’. Here Deutsch adds in autograph: ‘(Physical).’ He ends by stating that he is enclosing ‘a copy of our list for your information’ (also not present).

A scarce piece of English theatrical ephemera, illustrative of the restrictions imposed following the Second World War. From the papers of W. Macqueen-Pope. (See his entry in the Oxford DNB.) The item is a duplicated bulletin of six closely-typed 8vo pages, on three loose leaves. The text is complete and clear, but the item is aged and with wear to edges. The first page is headed by the following, in capitals, above the address and phone number of ‘The Stage’: ‘According to latest directions from the Ministry of Fuel & Power this is for private circulation only and is distributed gratis.

The context appears to be that Wynne-Rushton is supplying Aylesford with ‘inside information’ regarding the ‘shady deals’ of one Soulsby, proprietor of the Westminster Association, a travel agent’s being employed by Aylesford with regard to a pilgrimage to Rome. Lynch’s two letters and that of J. Cleeve’s all in good condition, lightly aged and each folded three times. Letter by ‘J. R.’ in fair condition, on aged paper. Lynch’s letters are both signed ‘Malachy Lynch O. Carm.’ ONE: By Lynch, 21 January [1950]. He explains: ‘I understood that the Agency had made provision already for 1,000.

Keys features in his son’s entry in the Oxford DNB. (John Paddy Carstairs was christened Nelson John Keys.) Three theatrical autographs - Nelson Keys, ‘G. L.’ and ‘Gordon’ - on one side of a 25 x 20.5 cm piece of card. Apparently a gift from fellow cast-members to the actress playing the ‘Spirit of Spring’ in the Arthur Wimperis sketch ‘The Queen of Hearts’, in the C. B. Cochran London Pavilion revue ‘London, Paris and New York’, which ran for 366 performances between 1920 and 1921. J. P.

A nice slice of London ephemera. The three items are in good condition, lightly aged. They were clearly all sent together. ONE: ALS from Westley (‘W. Westley | Hon. Sec.’) to unnamed recipient. 2pp, 12mo. In answer to an application he is sending ‘one New Programme showing Waters &c’, pointing out that not all are ‘Trout Waters’, and that ‘about 30% of the Members only take part in competitions’. He explains that they have had good (he mistakenly writes ‘few’) membership over the previous two years, ‘but at the present time there are a few members’. TWO: Printed ‘C.L.P.S.

See Michael Caine’s affectionate account of Fox in ‘The Elephant to Hollywood’ (2010), from which the anecdote at the end of this entry is taken. 1p, 4to. Addressed to ‘Dear Mr. Hindin’, signed ‘Alwyn Fox’ and headed ‘Pantomime - “Dame”.’ While the twenty lines of text are clear and complete, the item is not in the best of condition, on aged and creased on discoloured paper with closed tears to edges. The letter begins: ‘I am at present free for Dame for coming season pants. and would be glad to negotiate with you.

See his entry in the Oxford DNB. 2pp, 8vo. Nineteen lines of text. Signed ‘F. W. Farrar / Chairm[an]’. In poor condition, ruckled and with fraying and chipping to edges, resulting in loss to the last two letters of the word ‘Chairman’. The recipient is not named. The letter begins: ‘Dear Sir, / May I ask you to kindly read the enclosed?

See his entry in the Oxford DNB. The recipient is William Bernard Crow, and the work referred to in the letter is his University of London thesis, presumably written under Fritsch’s supervision. 1p, 4to. Aged and creased, with chipping to edges. Folded three times. Good firm signature at foot: ‘F. E. Fritsch’. He thanks him for the copy of his book on “Contributions to the Principles of Morphology”, which he hopes to read ‘when the present rush dies down’. He hopes he is ‘getting on well at Huddersfield’.

See his entry in the Oxford DNB. 1p, tall 8vo. In fair condition, lightly aged; folded twice. In the following transcription the manuscript parts are in square brackets: ‘By Command of the Commissioners for Executing the Office of Lord High Admiral of the United Kingdom of Great Britain and Ireland, &c.

See his entry in the Oxford DNB. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once. The recipient’s name is uncertain (‘Knight Sladen’?) He is sorry that he is prevented from ‘coming to the Mansion House on Wedy’ by ‘the demands of practice’. The subject has his sympathy, ‘and, else, 2 Guineas if there is a subscription list & if small amounts be accepted’. He wonders whether his ticket might be used ‘by a patriotic sister & a friend!’ He asks him to simply send a post card ‘to say I may substitute their names for mine’.

See Dilke’s entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to his political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. On one side of a plain 11.5 x 9 cm postcard. In fair condition, lightly aged, with the two right-hand corners creased.

See his entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to Dilke’s political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. 2pp, 12mo. On bifolium. In good condition, on aged and lightly-worn paper. The letter begins: ‘Dear Sir, / I suppose a pamphlet is meant - called I think “Parliamentary Reform” - (but I’m not quite sure), written about 1878 & sold at Smith’s bookstall.

See his entry in the Oxford DNB. 4pp, 12mo. On bifolium. A thin strip (no more than 1 cm deep) has been cut away at the head of the first leaf, with no loss of text, otherwise in good condition. Folded once. Written a few months after Wallace’s return from his duties as Private Secretary to the future King George V on his world tour on HMS Ophir, and during the Second Boer War. Wallace has just been struck by the thought that ‘though I returned the Volume on South Africa to the address in Victoria Street’ he forgot to give her his opinion of it.

1p, 4to. In good condition, lightly aged. Minor staple marks at top right. Writing shortly before his death, he thanks him for sending an inscribed copy of his book ‘Devil’s Decade’, which he enjoyed ‘enormously’.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to ‘My dear Mr Cooke’. Cooke’s ‘friendly note’ about the time he ‘proposed setting out for Deal’ was received on the Thursday, and the Robinsons are ‘glad indeed to hear that your dear Mother is again restored to her usual health’. The Robinsons think that ‘change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad’.

See his entry in the Oxford DNB. On 16 x 10 cm rectangle cut from leaf of an autograph album. In good condition, on wove paper, lightly aged and creased. Nothing on the leaf apart from the signature ‘John Herman Merivale’, with the helpful addition ‘(Dead)’ in a near-contemporary hand beside it.

Jean Forbes-Robertson appeared as Peter Pan between 1927 and 1935, and then again in 1938-1939. Part of a cricket report on the reverse of the present item dates it to 1934. The item is a black and white photograph of around 15 x 11 cm, cut from a newspaper, and showing a seated Forbes-Robertson in the costume of Peter Pan, clutching her left knee and throwing an angular shadow. In fair condition, on brown and lightly worn news stock.

See his entry in the Oxford DNB. 2pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount to blank reverse of second leaf. Folded twice. Le Jeune’s handwriting is strangely childlike. The recipient is not named. He begins: ‘Dear Sir / Your little picture of “The Bather” has been finished some time, & I should be glad to shew it you at your earliest convenience.’ He briefly suggests arrangements for a showing.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded once. In a loose, untidy hand. He is ‘much obliged for the note of the 4th.’, and as she wishes has sent instructions to ‘Davy’, to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose [sic]’ her as a tenant.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

The tickets are all in fair condition, each on one side of a landscape slip of paper (all slips roughly 11 x 7 cm). All five with creases from folding. Each of the five signatures has been scored through in ink, indicating that the ticket was used. All read, ?T. R. D. L. / Admit Two Boxes | Henry R Bishop?, with date at bottom left.

See the entries for writer and recipient in the Oxford DNB. The three items in good condition, lightly aged, with the last carrying minor rusting from paperclip. ONE: 3pp, 8vo. She got his office number from ?Mrs. Popie?, ?but the line has been busy all the time?. She asks for ?a pass for darling Ivor?s [i.e. Ivor Novello?s] memorial service?. The previous week she was ?playing at the Regent Theatre, Hayes, & on the Monday night I was weighed down by a dreadful foreboding of disaster?.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

For more information on writer (one of West End theatre?s ?most dominant and successful landlords?) and recipient (the foremost British theatre historian of the twentieth century), see their entries in the Oxford DNB. The five items (the TNS is Item Three, the others are ALsS) are in good condition, lightly aged; Item Five with slight paperclip damage to a margin. Each folded once. All five signed ?Prince Littler? and addressed to ?Popie?, two at the Theatre Royal, Drury Lane, one at 9 Oakdale, London N14, and one at Coventry House, Coventry St, W1.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

32pp, 8vo. In very good condition, on lightly-aged laid Whatman paper with watermarked date 1830. Ruled in pencil by Campbell, and written out in his attractive calligraphic hand. With occasional emendations, and with an entire revision of the twentieth page made by overlaying another leaf of paper over the top of the original with wafers in each corner. (The two versions can be separated from one another with ease.) Campbell's essay was the leading article in the first issue of 'The Metropolitan', published in London by James Cochrane and Co.

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.