LONDON

In a luxury binding: navy-blue straight-grain morocco covers, watered silk endpapers, internal gilt dentelles and leather hinges. Initial calligraphic address by 'L.J.S.' mounted in card frame, followed by 14pp.of signatures (numbering in excess of 150), on the rectos of 14 pieces of gilt-edged card. In good condition, with slight wear to corners and at head and tail of spine.

2pp., 8vo. In good condition. Clausen is writing to Lucas in the latter's capacity as chairman of the London publishers Methuen & Co., and the letter is a 'note of introduction' for Clausen's 'friend Mr Curnow Vosper, who has written and illustrated a children's book, which he wishes to submit to you. | Mr. Vosper is a painter, a member of the old Water-colour Society, and I have no doubt his work is known to you. I hope that you may find this his latest work, of interest.' Vosper does not appear to have published any book during this period, either with Methuen or anybody else.

The two letters are accompanied by a carbon of a typed reply by Armstrong. Although complete and legible, all three items are in poor condition, with chipping and loss the heads and wear to the other extremities, and punch holes to margin. The recipient is G. G. Armstrong, editor fo the Northern Echo, Darlington. ONE: Stead to Armstrong. 21 May 1907. 1p., 4to. Stead is 'unutterably disgusted to know' that Armstrong has 'not received an invitation for the German Editors' trip'.

The two volumes constitute the first and last volumes (the middle volume is missing) of a three-volume work described by its author as 'a more or less humorous account of a ramble round the Kentish Coast by two men'. This unpublished work constitutes a topographical and social narrative, written by the well-known artist and illustrator when in his eighties. Stylistically indebted to Jerome K.

The three items are from the papers of Winifred M. S. Parry of Plumstead, who was enrolled as a probationer in 1912. ONE: 'State Registration of Nurses'. Pamphlet in small print, 'Reprinted by kind permission of the Editor of The Nineteenth Century and After'. Printed by 'SCHOOL-PRESS, 5, Rupert Street, London, E.' 24pp., 8vo. Stapled in brown printed wraps naming the authors as 'The Hon. Sydney Holland, Chairman, London Hospital | Miss Eva C. E. Lückes, Matron, London Hospital'. Internally in fair condition, on lightly aged paper, in worn and chipped wraps with rusted staples.

A marvellous slice of Victorian social history. The entry for 'Matrimonial News' in 'Frederick May's London Press Dictionary and Advertiser's Handbook, 1871' runs as follows: 'MATRIMONIAL NEWS AND SPECIAL ADVERTISER – 2d. F. Farrah, 282, Strand, W.C.

Printed in black ink on a 9 x 16.5 cm. piece of paper. A scarce piece of ephemera. Grubby, aged and worn. Laid down on part of a page from an album. A pastiche of a Georgian banknote, the main body of the text reading: 'No. 24 . . . . | Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers, or Bearer FIVE Farthings, when Methodism shall have been done away with by the Pious exertions of the established Clergy, and when Iohn Bull's Family shall be no longer scared by the tale of the Devil let loose. | London the 1st. day of Septr 1810.

2pp., 4to. Signed 'Faithfully yours | Eva . C . E. Lückes. | Matron.' In fair condition, lightly aged. On two leaves attached with a brass stud. A circular letter, addressed to 'Miss Winifred M. S. Parry, || 69, Vernham Road, | Plumstead, S.E.' Having received the references and agreement form, she informs her that her name 'has been added to our list of accepted Candidates with a view to filling a vacancy which will occur at our Preliminary Training School on June 1st 1912'.

Two items bound together. 40pp., 8vo, and [2] + 31pp., 8vo. Stapled into black printed wraps, with title in white on cover: 'Two Talks to the Nurses of the London Hospital, Dec. 1897, Dec. 1905.' The first talk (1897) is titled: 'A Talk to the Nurses of the London Hospital'. Holland states: 'I am proud, Nurses, of being at the head of what I believe to be one of the best nursed hospitals in England, and it is an added joy to me to be associated in the work with a woman whose life's work it has been to perfect hospital nursing, [i.e.

Uniform in layout. 40pp., 12mo. (No. 19) and 48pp., 12mo (No. 20). Stapled without wraps. Both worn and aged, with rusted staples. Small print. Both addressed to 'My dear Sisters and Nurses', and both signed in type 'Eva C. E. Lückes' and 'E. C. E. L.' Reviews of the two years, packed with information regarding significant events relating to the hospital. Each ending with a two-page 'List of the Names of our present Sisters', followed by 'Names and Addresses of old “Londoners.”', 'Copied from the Supplementary Register' (12pp. in 1912, and 14pp., in 1913). From the papers of Winifred M. S.

vi + 268pp., 12mo. In sturdy red morocco half-binding, with brownish-black boards in ribbed patterned cloth, and gilt tooling, marbled endpapers. Binders' ticket at rear: 'Bound by Blackie and Son'. On browned high-acidity paper, with slight damage to title-leaf. On the front free endpaper is the ownership inscription of 'Chas Sarolea', i.e. Professor Charles Sarolea [ Charles Louis-Camille Sarolea ] (1870-1953), noted Belgian philologist and author who settled in Scotland. Facing this, on a flyleaf, is the ownership inscription of 'J.

An uncommon theatrical signature from the era of Lamb and Hazlitt. Gilliland was a professional journalist, liked by Monk Lewis and Thomas Moore. His presence in the green-room of Drury Lane Theatre as a 'spy' caused objections from Charles Mathews the elder and other actors. Gilliland was alive in 1816, in which year his name appears in the Biographical Dictionary of Living Authors. There is an 1807 engraving of Gilliland by Thomas Cheesman, after Samuel De Wilde. The present item is 1p., landscape 12mo. In fair condition, on aged paper with wear to extremities.

1p., 12mo. In fair condition, lightly aged. He is enclosing 'the Extract from "Men and Women of the Time"' that the editor sent him, with corrections and additions, and would like to see a proof.

1p., landscape 12mo. In fair condition, on aged and worn paper, with closed tear and tape stain at head. Reads: 'British Museum | Sept. 12. 1842 | My dear Sir | I was not at home when Mr Justice Norton presented your Note of recommendation to our Reading Room. I lose no time in enclosing a Card for him, with our Regulations. | Yours very truly | Henry Ellis'.

Both cards around 9 x 12 cm. The first written on one side and the second on both sides. In fair condition, lightly aged. ONE: Begins: 'My dear Plarr, | We were delighted – for your sake – to see the announcement in the Times of your election to the <?> district, which we hope is well worth your acceptance'. He sure that 'we shall all be very sorry to lose you at King's. However I trust we shall sometimes see you.' Postscript: 'We are off to the Borders & the Roman Wall next week.

On both sides of a piece of thin laid paper, roughly 10 x 12.5 cm, torn from a letter. Aged and worn, with chipping to extremities. The recto reads: '[…] work is to be published? I sh also be much obliged to you i you will give me any informat about America. Is anything done with that distracted countr in the way of early copies? I dare say it is time to sen Baron Tauchnitz the proofs through Williams & Norgate. I trust you will kindly see to that for m We shall be g to the coun […]'.

1p., 12mo. On grey paper. In fair condition, lightly aged. Reads: 'Dear Sir, | Will you please give me an appointment on Thursday next when I am in town? | Faithfully yours, | Lewis Melville'.

1p., 12mo. In fair condition, with central spike-hole and a few burn marks at foot. Reads: 'Lord Harris has just recd the Illustrations to Deserted Village, but retyrns Retsch's Othello by this night's Coach, having received a copy of it about a week since.'

A nice piece of Victorian opera ephemera. On a 10 x 6.5 cm piece of laid paper, with Marimon's monogram of intertwining Ms in plum-coloured ink at head, and with a border in the same colour. In good condition, lightly aged, and laid down on a piece of cream paper. Signed 'Marie Marimon' a third of the way down the page, and with the date at the head: 'Mardi, 4 Juin 1872.' Marimon made her English debut at Drury Lane in 1871, and was performing at the Lyceum as late as 1881.

All three items are in good condition, lightly aged. Both letters are signed 'Richard Bentley'. ONE (ALS, 4 May 1927): 2pp., landscape 12mo. Annotated by Heal at head of first page: 're Writing Masters'. Begins: 'My dear Sir | I thought you MUST have the mezzo of Tomkins! The private schools being adjacent to that of St. Pauls is hardly accidental? It would seem to imply a connection of duties (though not of schools.) and in former times people lived close to their work. No railways – no omnibuses even then. Stage Coaches, pre-Palmer, also slow'.

3pp., 12mo. In poor condition, aged and worn, with the two leaves of the bifolium separated. The letter begins: 'My dear J. McG. | Pardon me, but M. Delormel did not write “The Boulanger” March (“En Revenat de la revue”) nor did he write “Père la Victoire” but I dont say he didn't publish them.' Finck attributes the first to 'M.

Sepia-coloured studio photograph on 19 x 14 cm card. Backed on the reverse with brown paper on which are printed the details of the photographic studio responsible, Swaine's of London and Southsea. The print itself is in good condition, lightly aged and worn; the reverse is heavily-worn with traces of glue from previous mounting. Vachell has written his underlined signature in black ink diagonally upwards at the bottom right-hand corner: 'Horace Annesley Vachell.' This studio photograph of Vachell is not present in the National Portrait Gallery collection.

1p., 12mo. Lithograph engraved facsimile of Garrick's autograph manuscript on unwatermarked wove paper. In fair condition, lightly aged. The origin of the engraving is unclear. Headed: 'Some additional shift to ye Comic part of ye Midsummer Night's dream. | Song for Epilogue | By Quince, Bottom Snug, Flute Starvling, Snout.' The first nine lines of the poem follow, beginning: 'Most noble Duke to us be kind, | Be you and all your Courtiers blind, | […]'. The poem as published in Colman's edition of 1763 does not feature the penultimate line: 'That will not do at Court:'.

Miles published two books with Richards: 'The Teaching of Jesus To-Day' (1899) and 'A History of Rome to 500 a.d.' (1901), the latter having appeared shortly before the writing of the letter. The work proposed by Miles in this letter does not appear to have been published by Richard or anyone else. 2pp., 12mo. Bifolium. In good condition, lightly aged. The letter begins: 'Dear Richards, | Would you be likely to publish a Vol. on | “How to Breathe” | in your “How-to” Series? There wd. Be plain-line illustrations. The Indian Yoga System wd.

The 'Ex-Officers' Book Union' (the apostrophe was omitted in later years) was an obscure business. The firm was certainly active between 1919 and 1936, mostly from 16 Rathgar Avenue, West Ealing. In the early 1930s its address was given as '87 Bishop's Mansions, S.W.6', which was also Redway's residence. It seems likely that the business was a joint-venture between Redway and at least one other former army officer. The present item is 40pp., small 4to. Stapled in brown printed wraps. In fair condition, lightly aged, on worn and creased wraps.

Bentley is without a doubt the author of this anonymous work, and the present copy comes from the Bentley Archives. viii + 67 + [1]pp., 8vo. In attractive paper-vellum quarter-binding, with red cloth boards on the cover of which the title is stamped in gilt. In good condition, lightly aged. Attractively printed, with title-page in black and red. Divided into six parts: 'Events in the Reign of Edward III', 'English Governors of Brittany'; 'Introductory: The Attack on Vannes', 'The Battle of Saintes', 'The Battle of Mauron' and 'After Mauron'.

Half-penny postcard printed in purple. In fair condition, lightly aged, with thin strip along one edge from former mounting obscuring parts of a few words. Addressed to 'F. Davis Esq. | 4 Upper Phillamore [sic] Place | W.' The communication reads: 'Sir, | I beg to inform you that we have bought out Maltons Gt. Treatise on Perpective in the columns of the Forge & Lathe a fortnightly Journal devoted to Practical Mechanics &c. The Preface appeared in our No. Published yesterday price 6d by post 7d Terms for Subscribers 16/- Yearly 8/- ½ Yearly 4/- Quarterly. | A. Absolon | Publisher'.

The two volumes of diaries of Jean Kilgour Hart cast light on the interesting wartime crossover between the Universities of London and Cambridge. On the evacuation of Queen Mary College to Cambridge at the beginning of the Second World War, both the College administration and male staff and students were accommodated at King’s College. Women staff and students were initially provided with accommodation at Girton College, but from 1940 they were housed in two private houses in Hills Road.

The proprietor, T. H. Watkins, was a private tutor in Kensington, west London, who over a number of years placed a series of advertisements in The Times, the last of which, 9 September 1895, boasted that his 'pupils during 25 years have taken the highest places for I.C.S., F.O., Interpreterships, Woolwich Staff Coll., Sandhurst, Coopers-hill, Woods and Forests, Militia, &c.' Watkins was educated at Christ's College, Cambridge, and his entry in Peile's 'Biographical Register' of the college (1913) states that he was 'son of Thomas: born in London. Educated at Bonn University.

The first letter has the damaged signature 'William: Roupe', the second is signed 'W: Roupell'. ONE (March 1857): 1p., 8vo. Signed autograph draft of a circular Roupell made for his election agent at the time of his first parliamentary contest. On the reverse of a letterhead of 4 Wolsingham Place, Lambeth, which was the office of solicitor R. C. Barton, who was Roupell's election agent (see George Hill, 'Electoral History of the Borough of Lambeth', 1879). In poor condition, heavily worn, with loss to the outer edges and text, including the end of Roupell's signature.