LONDON

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.

See his entry in the Oxford DNB, together with those of his uncles and other members of the newspaper dynasty of which he was a member. The recipient Philip Dosse was the proprietor of the London publishers Hansom Books. Beginning in 1950 with ‘Dance and Dancers’, Dosse built up a stable of seven monthly arts magazines, produced from offices in Artillery Mansions, London, the most influential of which were ‘Books and Bookmen’, ‘Plays and Players’ and ‘Films and Filming’. An elusive figure, Dosse certainly merits a full-length study.

See his entry in the Oxford DNB, which quotes Gordon Cox as stating that Hullah was ‘the fountain head of music education in the nineteenth century’. 1p, 12mo. In good condition, lightly aged. Handwriting and signature in a bold attractive hand. Reads: ‘Dear Mrs. Tail / I have the pleasure to send you a few lines fm Mr. Otto Goldschmidt, about the Bach Choir. / I am, dear Madam / Always Your’s [sic] Truly / John Hullah’.

1p, 12mo. In good condition, lightly aged and worn. Folded for postage. Reads: ‘Dear Mr Keary, / Enclosed is for 1000th Number of Pearson’s Weekly. It is not what I wanted to do for you, but illness and other interruptions have spoiled my work for the last two months. So please reject if necessary. / Faithfully yours / J. J. Bell’.

See his entry in the Oxford DNB. In good condition, lightly aged and folded for postage. Addressed to ‘Dear Burdett’ and signed ‘J Bone’. He will let him know if he hears of anything with regard to Burdett’s ‘young friend’, ‘but one hears so rarely now of newspaper openings, as everyone is holding on tight, and there are so many experienced men on the street’. He is sending Burdett’s note ‘on to Manchester in case there should ever be an opportunity there’.

See the entries in the Oxford DNB for his brother-in-law Sir Samuel Romilly and his son Peter Mark Roget, as well as Joshua Kendall’s 2008 biography of the latter, ‘The Man Who Made Lists’. From the Roget family papers. On one side of a 33 x 23 cm piece of laid paper.

See the entries in the Oxford DNB for his brother-in-law Sir Samuel Romilly and his son Peter Mark Roget, as well as Joshua Kendall’s 2008 biography of the latter, ‘The Man Who Made Lists’. From the Roget family papers, and certainly of later date than the two schoolboy commonplace books by Jean Roget offered separately. Roget is not named as the author, but the handwriting is his, and the spine bears the remains of a blue paper label with the words ‘MSS of the Rev. J. Ro[get]’ on it the same nineteenth-century hand (P. M. Roget's?) as the two commonplace books.

See the entries in the Oxford DNB for his brother-in-law Sir Samuel Romilly and his son Peter Mark Roget, as well as Joshua Kendall’s 2008 biography of the latter, ‘The Man Who Made Lists’. The two items were commenced while Roget was a fifteen-year-old schoolboy in Geneva, and nine years before his 1775 emigration to London. The two volumes of the same dimensions, but not uniform. Vol.1: 179pp, small 4to. Vol.2: 146pp, small 4to. Both tight and internally in good condition, lightly aged, in worn card wraps, each with a different stencilled design on the covers.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Signed ‘John Rothenstein’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. This item is 1p, 4to. In good condition, lightly aged and creased and folded twice for postage. Signed ‘Stuart Hampshire’.

See his entry in the Oxford DNB. From the papers of Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Rees-Mogg’s book was published in 1974, and the present item appeared in ‘Books and Bookmen’ in the same year. A late draft, neatly written out on 5pp, small 4to, with each page on separate leaf. Signed at end ‘Colin R. Coote’.

An elusive figure, Dosse is certainly a candidate for a full-length study. The novelist Sally Emerson gives an excellent account of her time as editor of ‘Books and Bookmen’ in its last days in an article titled ‘Death of a Bookman’ (Standpoint magazine, October 2018). These six items are in good condition, lightly aged and worn. ONE: 2pp, foolscap 8vo, second page numbered. Complete rough draft of typed letter, with manuscript corrections, endorsing ‘Books and Bookmen’.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 12mo. In good condition, lightly aged and creased. Folded once for postage. Signed ‘Peter Quennell’. He ‘can’t co-operate’ with the questionnaire that Dosse has sent him.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. Signed ‘Norman Collins’. In good condition, lightly aged. He is submitting a review of J. B. Priestley’s ‘Instead of the Trees’, in the hope that it is ‘the kind of thing that you had in mind’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. Signed ‘Miron Grindea’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The typed letter is in fair condition, aged and worn; the three cards are in very good condition. The signature on the four items is little more than a squiggle. Of the three cards, only Item Four below is addressed.

Onyeama was the second black boy to go to Eton, and the first to complete his education there. See his obituary in the Guardian, 11 February 2022. His hugely-controversial 1972 book ?Nigger at Eton?, which resulted in him being banned from the school, was reprinted by Penguin Books in 2020 under the title ?Black Boy at Eton?. Philip Dosse, the recipient of the first two letters, was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are in good condition, lightly aged and worn, and folded for postage. All three signed loosely ?Bernard Levin?. ONE: TLS, 6 February 1974. 1p, foolscap 8vo.

See the entries for Angus Wilson and Christina Foyle in the Oxford DNB. ‘Dolly’ is clearly the ‘Mrs. A. G. Dowdeswell’ who was secretary of the Johnson Society of London in the 70s and 80s (arranging luncheons) and named as a member of the Johnson Society at least as late as 1992. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018.

An indication of how slavers spent the fruits of their slaves’ labours. With the advent of slavery studies William Atherton has been the subject of a deal of interest, reflected on his Wikipedia page. Thorpe and Lee are listed as coachmakers at 210 Holborn in 1791; in 1803 the firm is named as Thorpe and Co at the same address. The two items are written out in a secretarial hand, each on a long strip made by cutting a folio leaf in half vertically. Both in fair condition, lightly aged and worn. Each with slight damage from the breaking open of the wafer.

Engraved advertisement printed in dark blue, light blue and pink on both sides of 20 x 14 cm piece of unwatermarked wove paper. An amusing fake bank note or bond, designed to showcase the firm’s competency. The paper stock and layout are entirely consistent with the firm’s work. On one side, instead of a picture of a monarch or president, is the face of a rather imperious young woman (one of the directors’ wives?), together with a design featuring the fasces and motto ‘VIS UNITA FORTIOR’.

An attractive collection of chromolithographs, suited to display. The plates are all in good condition, laid down on the aged and sometimes damaged leaves of a small 4to (17 x 21 cm) album with good tight bevelled-edged binding in dark brown cloth, on which an embossed stylized pattern of foliage and two storks is printed in black with the word ‘ALBUM’ on the front cover and blind-stamped on the back cover. The album has an ornate title page, printed in red, with illustration of flowers, branches and a butterfly, together with the word ‘Album’ and publishers’ details.

Stapled periodical in black and white: iv + 12 pp, 4to. The outer leaves carry advertisements, with the front leaf paginated i-ii and the back leaf iii-iv. Engraved masthead at top of front cover. Containing thirteen articles between ‘Foreword’ (the journal aims ‘to address itself to all who, caring to read about Books, care especially to read about the Best - about those which are, beyond question, always worth reading and worth writing about’) and ‘Editorial Notices’, including ‘Books and Life’ by W. Macdonald, ‘The Birth of a Classic’ (i.e.

See his entries in the Oxford DNB and History of Parliament, the former of which notes his ‘high reputation for courage’ and his presence ‘at Neerwinden and Landen in 1693, covering the retreat on 19 July, and saving William III from capture by the enemy’. 1p, 8vo. On aged and worn paper, with chipping to edges and pitting along a horizontal central line, but with both signatures clear and unblemished. The customary printed document, completed in manuscript. Records in a secretarial hand, the receipt of £25 by ‘Hen: Lumley Esqr. attor to the Rt.

Each of the seven plans is on a 27 x 35.5 cm piece of paper.The source has not been established, and each carries the pencil date 1878 in a modern hand. They are uniform in layout, each with heading of the name of the theatre followed by a plan in the form of a 22 x 15 cm lithographic illustration of the respective theatre, as viewed from the stage, with the seating numbered. Beneath each plan are names of proprietors, lessees and managers, prices of admission, and in every case the details of the two ticket agents ‘Mr.

See Armstrong’s entry in the Oxford DNB.

Not only an interesting item of sigillography, but also a nice item relating to Victorian philanthropy. Eight red wax seals and two black, of varying sizes. Laid down in three rows on reverse of 15 x 11 cm card, tastefully printed in blue, red and gold, with facsimile of the signature of the Secretary, S. J. Aldrich. Originally ten seals were present, those that remain in good condition, most with good impressions of crests.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.