Frank E. Tours [ Frank Tours; Frank Edward Tours ] (1877-1963), English-born Hollywood composer and musical director (Marx Brothers; Citizen Kane; The Emperor Jones) [ W. J. Macqueen-Pope (1888-1960)]
South Laguna. 20 January 1951.
3pp., 12mo. In good condition, lightly aged, with slight staining to one corner from paper clip. A good letter, filled with detail. Apart from brief opening and closing paragraphs the whole of the letter is devoted to reminiscences of his life before leaving England for America. At one point he comments: 'it is only when one is thinking back, as I am now, that one realizes the speed with which time fugits; it is now 21 years since I have been home, and 30 years since Bob and I were in "Irene" at the Empire.' The reminiscences begin: 'Barring a trip to U. S. and Australia with G. P.
Anthony Ashley Cooper, 1st Earl of Shaftesbury (1621-1683), Whig statesman [ Sir Robert Long (1600-1673) ]
Whitehall. 22 November 1672.
1p., small 4to. Irregular shaped leaf of paper, aged and worn, laid down on a piece of paper 21 cm. square. Fourteen lines of text in a secretarial hand, regarding the payment of an annuity of £500 to 'David Walter - Esqr. one of the Groomes of his Mats. Bedchambr.' Signed at bottom right by Shaftesbury, and addressed at bottom left by the secretary 'To oure loving freind Sr. Robt. Long Bart. Audr. of the Receipt of ye. Excheqr.'
Anthony Ashley Cooper, 7th Earl of Shaftesbury (1801-1885), Liberal politician and social reformer [ Emily Faithfull (1835-1895), London publisher and campaigner for women's rights ]
No place. 28 April 1871.
2pp., 12mo. In fair condition, lightly aged, and slightly creased at foot. He apologises for being unable to attend a meeting, 'which I had given up, hearing that Sir C. Trevelyan had, already, promised to undertake the duty'. As president, he must attend 'an important Lecture' at the Victoria Institute, 'the Committee having fixed the day, supposing me to be free'.
Anthony Ashley Cooper, 7th Earl of Shaftesbury (1801-1885), Liberal politician, philanthropist and social reformer
No place. <3?> January 1854.
1p., 16mo. In fair condition, on lightly aged and ruckled paper. His return to London having been delayed, he regrets that he 'lost the tea-party'. He would be 'glad to know what is due on the account'.
Dr. Edward McGlynn [ The Anti-Poverty Society, New York ]
London: William Reeves, 185, Fleet Street, E.C. [ Circa 1889. ]
14 +  pp., 12mo. Disbound without covers. In fair condition, lightly aged and worn. 'Delivered under the auspices of the Anti-Poverty Society at the Cooper Institute, New York, on Sunday, March 3, 1889, for the benefit of the Street-Car Drivers and Conductors out of employment through the late strike.' Scarce: the only copy on COPAC in Oxford.
Anthony Ashley Cooper (1801-1885), 7th Earl of Shaftesbury [ Lord Shaftesbury ] , British politician, philanthropist and social reformer
On letterhead of St Giles's House, Cranbourne, Salisbury. 17 January 1856.
2pp., 12mo. In fair condition, on lightly-aged paper. He assures de Boinville that he 'much regrets his want of leisure to peruse the MS. that M de Boinville has been so good as to send him'. He concludes with the complaint that he is 'really so occupied that heh has not time for the discharge of the several duties that are imposed upon him'.
Thomas Baty (1869-1954), English-born jurist and authority on international law, who settled in Japan in 1916 as foreign legal adviser [Nanking Massacre; Second Sino-Japanese War; Spanish Civil War]
'Tokio [Tokyo] 1 October, 1937'.
A letter of the first importance, as Baty had been since 1916 foreign legal adviser to the Japanese Government (following the death of Henry Willard Denison), and had been part of the Japanese delegation to the 1927 Geneva disarmament conference. Such was Baty's support for the Japanese position that the British Government seriously considered trying him for treason following the Second World War, choosing instead to revoke his British citizenship. 5pp., 4to. The first five pages of the letter only, and so lacking the signature, although Baty is without doubt the author.
Violet Helen Attlee [née Millar] (1896-1964), Countess Attlee, wife of Clement Attlee (1883-1967), 1st Earl Attlee, Labour Prime Minister; Elizabeth Sayer, later Cooper, Downing Street secretar
On letterhead of the Prime Minister. Sayer's apology: 30 March 1950. Violet Attlee's reply on the same day.
1p., on 20.5 x 8.5 cm slip, headed by the Prime Minister's official letterhead. Sayer's apology is headed 'Mrs Attlee', and she writes that she feels she 'must apologise in writing for the mistake I made over the arrangements for giving your two seats to the Misses Trevor', hoping that it did not cause inconvenience and promising not to do the like again. Violet Attlee's reply, headed 'Miss Sayer', is at the head of the letter: 'Please don't worry. It is quite a relief to me to find that somebody besides myself makes mistakes! | W H A 30/3'.
1p., 12mo. Bifolium. Addressed on the reverse of the second leaf, with red wax seal and postmark, to '- Stevens Esqr | Surgeon | Redborn'. The letter reads: 'Sir Astley Cooper presents his compliments to Mr Stevens and would feel obliged, if he could bring him the Pheasants on Sunday next, as the place he intends keeping them in will not be ready till then -'.
[First World War South African Police permit, signed by T. W. Cooper; J. J. R. Smythe, mining engineer, of Warren Hill, Klerksdorp, North West Province, South Africa]
Stamp of the South African Police, Klerksdorp. 9 November 1914.
Mimeographed typed form, completed in manuscript, on one side of a slip of paper. In fair condition, heavily-inked on aged and worn paper. Oval stamp in blue in bottom left-hand corner: 'SOUTH AFRICAN POLICE | 9 - NOV. 1914 | KLERKSDORP.' The form reads (with manuscript additions in square brackets): 'MARTIAL LAW REGULATIONS | Permission is hereby granted to [Mrs. J. J. R. Smythe & family] of [Warren Hill] to leave Klerksdorp for [ - ] by [Motor] | [signed] [T W Cooper]'.
Michael J. Cooper [Prof. Juan Bassegoda Nonell; Hedger Wallace; Mark Wenborn; John Alaimo; Fernando Rey]
Mostly from Cooper's company: Michelangelo Productions Ltd., 50 Gray's Inn Road, London. 1973 and 1974.
Regarded as lost for 35 years this drama documentary, directed by John Alaimo, was discovered in a Barcelona bank vault in 2009, and has recently been released on DVD. The nine items are in good condition, on lightly-aged paper. One: 'Gaudi | Treatment by Michael J. Cooper | April 1974'. [i] + 4pp., foolscap 8vo, in plastic folder. Two: 'Story Outline' for 'Antonio Gaudi | The Unfinished Vision | A Special Television Film Production'.
Letter: 1p., 4to. Bifolium. Fair, on lightly-aged paper, with slight damage to second leaf, the reverse of which is addressed to 'Mr. Wm. Lovett | National Hall | 242, Holborn', with postmarks in black and red ink. Cooper begins: 'Dear Lovett | Please announce, in your bill that | "Mr.
William Durrant Cooper (1812-1875), ed. [Laurence Sterne; M. Tollot; John Hall Stevenson; Robert 'Panty' Lascelles; Horace Walpole; John Hope; John Wharton]
London: Printed for Private Circulation, by T. Richards, 100, St. Martin's Lane. 1844.
8vo, vii + 23 pp. Stitched as issued. Text clear and complete. Internally sound, tight and clean; spotting to first and last leaves, with a gummed strip of white paper strengthening the spine. Thin strip along head of title removed, presumably for presentation or ownership inscription. One annotation and two corrections in a contemporary hand. Dedicated by Durrant to John Thomas Wharton of Skelton Castle, 'Bloomsbury Square, London, July 1844.' Three pages of notes at end. Long letter by Tollot, in French. Two Sterne letters, 1764 and 1766, both to Stevenson.
4to, 194 pp. (paginated by Cooper). In original calf half-binding, with marbled boards and endpapers. All texts clear and complete. On aged paper chipped at extremities, and coming away from binding, which has been covered in plastic. With Durrant's armorial bookplate, and signed 'Wm Durrant Cooper' on first page.
Philadelphia: Published by Harrison Hall, 130, Chesnut Street. 1832. [Philadelphia: James Kay, Jun. & Co., Printers, No. 4, Minor Street.]
8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.
Brigit Patmore (1882-1965) [D. H. Lawrence; the London Magazine; Barbara Cooper; Edward Nehls]
Proofs of an article appeared in the London Magazine for June 1957. Nehls's Letter: 7 June 1957; Urbana, Illinois. Cooper's Letter: 18 June 1957; on letterhead of the London Magazine.
The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.
all octavo, in worn nineteenth-century binding, with front hinge loose, lacking spine. New endpapers. All items good, on aged paper with occasional foxing. An invaluable collection, providing a snapshot of secondhand bookselling in provincial Victorian England within an extremely short timescale. Several of the booksellers are not represented in the British Library collection, and others are only represented by catalogues of a later date. Of note are the two catalogues published by Sotheran's Manchester arm, the existence of which is not mentioned in Andrew Block's 'Short History' (1933).
Surgeon, Astley Cooper's mentor (DNB), author of medical works. Three pages, 8vo, crude repairs to tears on folds, laid down, text clear and complete. He writes, "That disorder in a horse which constitutes a Roarer, is caused by a membranous projection in a part of the wind pipe (technically called the larynx). It is a consequence . . . [he continues ] . . . "A Roarer is not therefore a diseased horse . . . When a horse is in strong action, his breathing becomes proportionatley quickened . . . and thus the roaring noise is produced.
William Behnes, Abraham Cooper, Sir William Charles Ross, Henry William Pickersgill, Sir William John Newton, William Etty
Without date or place.
The sculptor Behnes (died 1864) and six painters: Cooper (1787-1868), Ross (1794-1860), Pickersgill (1782-1875), Newton (1785-1869), Etty (1787-1849). Paper dimensions roughly five and a half inches by three. Good, though a touch grubby. Reads 'William Behnes | Ab Cooper. R.A. | W. C. Ross RA. | H W. Pickersgill | Wm. J. Newton | Wm.. Etty'. From a collection of material relating to the Artists' General Benevolent Fund, and docketed by the Fund's secretary, next to Cooper's name, 'not eligible | W J Roper'.
One page, 8vo, some pin-pricks not affecting text which runs as follows: "Mrs Fenimore Cooper presets her compliments to Miss Smith and thanks her for her politeness in sending the information respecting the femme de chambre of Miss Somerville. Had she known of it a little earlier, Mrs Cooper would hav ebeen very happy to have profited by it. But she had already engaged one when Miss Smith's obliging note was received.
both 1967, both with letterhead Barum Lodge, 25 Prideaux Road, Eastbourne, Sussex.
Playwright (1902-1991). The typed letter, 8 February 1967, one page, 8vo. An interesting letter. "I am back again! I have just had a note from Murray Macdonald. He tells me he is going to direct a new play by Tam and Maggie Williams, probaly [sic] in July. The Williams' want Gladys Cooper [English actress, 1888-1971] for it but it is a small part and she has not said "Yes" or "No" yet. She spole to Murray about "The Limit" and told him she would like to do it at Guilford. So please, please convince her that the play to do is the one by ME and not by Williams!