The Argentine Great Western Railway [ Ferrocarril Gran Oeste Argentino ], British-owned Argentinian railway company, founded in 1887 [ Walter Heald, Secretary; J. S. Morgan & Co., merchant bankers ]
The Argentine Great Western Railway, 4 Finsbury Circus, London E.C. 1893 and 1894.
The company, founded in 1887, operated a broad gauge railway network in the Argentine provinces of San Luis, San Juan and Mendoza, and was taken over on a lease by the Buenos Aires and Pacific Railway in 1907. It features in three studies: Colin M. Lewis, 'British Railways in Argentina 1857-1914: A Case Study of Foreign Investment' (1983); H. R. Stones, 'British Railways in Argentina 1860-1948' (1993); and Winthrop R. Wright, 'British-Owned Railways in Argentina – Their Effect on Economic Nationalism, 1854-1948' (1974).
Review published in the "Quarterly Review, vol.LXXXI, 120-162" (1829), and in Miscellaneous Works.
MS, thirteen lines, piece of paper 20 x 7.5 cm, paginated by Scott top left corner "22", minor excisions and additions in his hand. The text goes from "Every species to oppression" to "inflicted by the Picts alone but by". A comparison between the text of the MS fragment and the Article yields the following: Scott's light punctuation is made more weighty (editor?); AND Scott has made changes including: a. "The Britons" to "The free Britons"; b. was effeminate" to "effeminate"; c. "would" to "could"; d. "mutual descent" to "common descent"; e. "reasons" to "motives"; f.
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
 + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.
Stephen Wheeler, editor of the poems of Walter Savage Landor [Robert Eyres Landor; Dr Samuel Parr]
Undated. [Around 1915?]
4to, [iv] + 50 + [i]. Text clear and complete. Good and tight in worn cloth quarter-binding, with labels on spine and front board. On the rectos of twenty-four of the leaves is a diplomatic transcription of a copy of the first edition, with notes by Wheeler on some of the reverses. At the end of the volume are three more pages of 'NOTES [S. Wheeler's]'. Laid down on both sides of the front free endpaper is a cutting of the entry on 'The Dun Cow' from Wise and Wheeler's 'Bibliography of the writings in prose and verse of Walter Savage Landor' (1919).
Henry Southgate (1818-1888), London auctioneer with premises in the Strand, and anthologist; his son Walter Venning Southgate (b. 1844, fl. 1884)
Manuscript title date 'London. MDCCCXLIV ', but containing material from between 1844 and 1883.
Folio, 110 pp, comprising [i] + 68 + [ii] + 39 pp. Handsome volume in slipcase, tight and internally in very good condition, on lightly-aged thick Whatman paper. Well bound in black leather morocco, all edges gilt. Binding blind-tooled and with 'Early Days' and 'W. V. S.' in gilt on spine and motto on front board: 'Nourish the sentiments thy principles approve and put thy trust and confidence in God.' Binding worn and rebacked, in worn black cloth slipcase.
October 26, 1991. Lenart Auditorium, Fowler Museum of Cultural History, UCLA. A program of UCLA Extension's Department of Humanities, Sciences, and Social Sciences.
Jackson/Ashley A272. Unpublished. 43 pages in A4 (unpaginated title and pages 1-42). Perfect bound with black cloth spine in light-green wraps with title duplicated on front wrap. Very good, with top corner of front wrap slightly dogeared. With four photocopied A4 pages of typescript loosely inserted: the first carrying 'The Naked Tongue' by Diane Miller; the second 'Religious Views of Life'; the third, headed 'Remembering Henry Miller: A Collage', giving details of cast and crew; the fourth headed 'Celebrating Henry Miller: A Collage includes selections from the following:'. Scarce.
Bryan Walter Guinness, 2nd Baron Moyne [ Lord Moyne ] (1905-1992), poet, novelist and brewing heir [ J. H. Dingwall [ John Hubert Dingwall ] (c.1913-2001), Wimbledon bookseller ]
On letterhead of Biddesden House, Andover [ Kent ]. 18 February 1960.
3pp., landscape 12mo. In good condition, lightly-aged, with two punch holes for placement in album to margins of each of the three leaves. He congratulates him on his catalogue, states that he is attaching a wants list (not present) and that he is leaving it to the recipient 'to make out the account as I am not good at adding - & also dont know the postage. | The Librarian at the House of Lords showed great interest in your catalogue & is writing to you for one'. He suggests sending a copy to John Hayward, and gives his address.
E. W. F. Tomlin [ Eric Walter Frederick Tomlin ] (1913-1988), philosopher and essayist [ R. G. Collingwood ]
From 'Ratio', vol. 1 no. 2, December 1958. [ Basil Blackwell, Broad Street, Oxford, England. ]
20pp., 12mo., paginated 116-135. Side stitched in grey card wraps with cover including contents on front. In good condition, lightly aged, in worn wraps. Inscribed at head of front cover: 'To Michael Cullis | "30 Years After" | from | E. W. F. T. | 24. viii. 43'. No copies of this offprint traced on OCLC WorldCat or on COPAC.
On his embossed letterhead, 2 Frederick Place, Old Jewry. 27 June 1869.
1p., 12mo. In fair condition, lightly aged and worn. The note reads: 'This is to certify that Mr. Turner has been under my care; and will be unable to return to business for the next ten days. | Walter J Coulson | Fellow of the Royal College of Surgeons.' For more on Coulson, see his obituary in the British Medical Journal, 14 September 1889.
Anthony Ashley Cooper, 1st Earl of Shaftesbury (1621-1683), Whig statesman [ Sir Robert Long (1600-1673) ]
Whitehall. 22 November 1672.
1p., small 4to. Irregular shaped leaf of paper, aged and worn, laid down on a piece of paper 21 cm. square. Fourteen lines of text in a secretarial hand, regarding the payment of an annuity of £500 to 'David Walter - Esqr. one of the Groomes of his Mats. Bedchambr.' Signed at bottom right by Shaftesbury, and addressed at bottom left by the secretary 'To oure loving freind Sr. Robt. Long Bart. Audr. of the Receipt of ye. Excheqr.'
Walter Scott, London publisher; Nathan Haskell Dole (1852-1935), American editor and translator; Count Leo Tolsoy [ 'Count Lyof N. Tolstoi' ], Russian novelist
London: Walter Scott, 24 Warwick Lane, Paternoster Row. Regarding the Tolstoy edition: 'Vol. I ready October 25th.' [ 1888 ].
The handbill is 4pp., 8vo. on a bifolium. In good condition, on aged paper. The upper half of the first page carries the advertisement for 'Count Tolstoi's Works', headed 'Vol. I ready October 25th.' With coloured illustration of the book's design, captioned 'Reduced fac-simile of binding'. Regarding what is the earliest edition of Tolstoy's collected works in English (predating those of Wiener and Garnett by more than ten years), the publisher writes: 'Mr.
T. D. Clarke [ Tom Clarke ], Licensee and Manager, The Argyle Theatre, Birkenhead [ the Wirral; Merseyside; music hall; W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre historian ]
On illustrated letterhead of the Argyle Theatre, Birkenhead. 28 July 1945.
The Clarke family ran the Argyle for fifty years from 1890 to 1940, during which period it was one of the best-known provincial theatres. It opened as the Argyle Music Hall in 1868, and between 1876 and 1890 was named the Prince Of Wales Theatre, being used mainly to stage plays. In 1890 the focus returned to music hall and variety and it was renamed the Argyle Theatre. Its archives are in the University of Sheffield. 2pp., 12mo. In fair condition, on lightly-aged paper, somehwhat grubby and creased at foot of leaf.
10 + pp., 8vo. Unbound stitched pamphlet, no wraps called for. On aged and discoloured paper. Begins: '33 Conduit Street, | London, W.1. | ELKIN MATHEWS LTD wish to acquaint their customers and other book-collectors with the improved services which their removal to larger premises now enables them to offer.
At foot: 'published by Kilburn VSC, 329a West End Lane, London NW6' [ 1968 ].
1p., folio. Printed in red. Sixty lines of text. In fair conditon, lightly aged and worn. The first paragraph reads: 'The Soviet invasion of Czechoslovakia has provoked the expected emotional outburst from the reformist Left, tailing as usual behind the hypocritical phrases of the British ruling class, who weep over "poor Czechoslovakia" while actively supporting the 100-times-worse suffering inflicted by the US on the Vietnamese.
Frank Wilson (1859-1918), ninth Premier of Western Australia, serving two terms, 1910-1911, 1916-1917 [ The Diggers' Club, London; Walter Bramall ]
15 Victoria Street, SW [ London, England ], on deleted 1890s letterhead of the Premier's Office, Perth [ Australia ]. 31 May 1911.
1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.
Michael Martin Harvey (1897-1975), British actor, son of Sir John Martin-Harvey (1863-1944) [ W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre manager and historian ]
Both letter and typescript from Rowstock Cottage, Rowstock, Didcot, Berkshire. Both undated.
ONE: Letter. 1p., 8vo. In fair condition, on aged paper. Smudged signature. He is sending the play, which he thinks has 'originality and charm and would be very funny. Who could play "Chapeau"? - I could, but I expect I'm too old!!!!' TWO: Typescript of play. 91pp., 4to. With autograph emendations. In good condition, on aged paper, in worn card covers.
[ W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre manager and historian ]
'The property of W. Macqueen Pope. | 33, Etheldene Avenue. | Muswell Hill. | N.'
 + 15pp., 4to. In good condition, lightly aged. Nicely presented, attached by brass studs in grey covers, with paper labels on front. Unpublished. 'Who's Who in the Theatre' records this title among 4 plays by Macqueen-Pope.
Basil Francis [ W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre manager and historian ]
Letter on Francis's letterhead of 115 Kenilworth Court, S.W.15. 14 November 1950. Both typescript with same address; neither dated.
ONE: Letter. 1p., landscape 12mo. Aged and creased. Addressed to 'My dear Popie'. He is sending the revised version of the play, 'which has been tightened up considerably from the earlier draft', asking whether it has 'commercial possibilities', or 'stinks'. He feels that five minutes with Pope gives him 'more practical dope on the theatre than 5 years at the RADA!' TWO: Early typescript of 'Death in Act IV'. The letter ends with a reference to 'Fanny K', Francis's 1950 biography 'Fanny Kelly of Drury Lane'. 68pp., 8vo. In fair condition, on aged and worn paper.
'Dick M. Adelar' (pseudonym of J. B. Platnauer) [ W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre manager and historian ]
Letter from the Ministry of Works Press Office, on government letterhead of Lambeth Bridge House, London. 7 May 1946. Typescript undated, to be returned to Platnauer at 43 Arlington Lodge, Baytree Rd, London SW2.
ONE: Letter: 1p., 12mo. In good condition. Pope's 'stimulating verve' over 'an excellent lunch', at which 'Stoll' (a member of the family of Sir Oswald Stoll) was present, emboldens Platnauer to hope that his play might be 'a commercial success, despite the admittedly rational principles upon which theatrical choice is based today? Tastes change - usually before the pundits are aware of it.
Jonathan Routh (1927-2008), television presenter who brought 'Candid Camera' to Britain [ W. Macqueen-Pope (1888-1960), theatre historian; Lily Brayton (1876-1963), actress and singer ]
On 'Everybody's' letterhead, 114 Fleet Street, London. 20 December [ no year ].
1p., 8vo. On aged and creased paper. Lily Braytonis is a 'vague relative' of his, and she sends her 'good wishes [...] a propos the Chu Chin Chow article'. She would like to 'read through the relevant proofs' and Routh sends on her address. Brayton appeared in more than 2000 performances of 'Chu Chin Chow'. For more on Routh, see his obituary in the Independent, 8 June 2008.
John Pye (1782-1874), English landscape painter [ Walter Field (1837-1901), artist ]
17 Gloucester Crescent, NW [ London ]. 3 March 1871.
3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.
Charles Cheers Wakefield (1859-1941), 1st Viscount [ The Camden Town Murder, 1907; Emily Dimmock; Robert Wood; the Central Criminal Court [ Old Bailey ]; Edward Marshall Hall; Walter Sicket ]
The Central Criminal Court (Old Bailey), London. Stamped first day of trial, 12 December 1907.
On one side of a 10 x 12.5 cm piece of card. In fair condition, lightly aged and worn. Signed 'C C Wakefield' and granting admission to 'the representative of the [ Pall Mall ]', the trial beginning on 12 December 1907. Annotated around Wakefield's signature: 'For the trial of Robert Wood for the murder of Emily Dimmock, of St Paul's Road, Camden Town | Judge - W Justice Grantham | Leading Conuncil - Sir Charles Mathews for the prosecution; Mr Marshall Halll for the defence. | Verdict - Not guilty.'
Paschoal Carlos Magno (1906-1980), Brazilian author [ Evelyn Dagnall [ Mrs T. C. Dagnall ], English dramatic agent; Walter James Macqueen-Pope (1888-1960), theatre manager and historian ]
The play without place or date. Evelyn Dagnall's letter on her letterhead as 'Mrs. T. C. Dagnall | Dramatic Agent | in association with | A. M. Heath & Company Ltd.', London. 13 May 1946.
Both items in good condition, on lightly-aged paper. ONE: Typed playscript. 85pp., 4to. Typed in black and red on rectos only. Typed by May Hemery of London. Bound into black card covers, with label on front. TWO: Typed Note Signed to theatre historian W. J. Macqueen-Pope from 'Evelyn Dagnall', i.e. the dramatic critic Mrs T. C. Dagnall.
Edward Fitzball (1792-1873), English playwright [ Charles Kean (1811-1868), English actor, born in Ireland; Walter James Macqueen-Pope (1888-1960), theatre manager and historian ]
9 Upper Fitzroy Street, Fitzroy Square [ London ]. 18 May 1858.
1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'
H. Hugh Harvey, English musicologist and broadcaster [ The Gaiety Theatre, Aldwych, London; Walter James Macqueen-Pope (1888-1960), theatre manager and historian ]
Both on his letterhead, 24 Wessex Gardens, Golder Green, NW11 [ London ]. 12 and 16 January 1950.
Both in good condition, on aged paper. ONE: 2pp., 4to. He reminds Macqueen-Pope that two years previously he was 'kind enough to receive me at your Office and, after a long and most interesting chat on things theatrical (over an hour, as I recall!) you wrote into my copies of your "Drury Lane" and "Carriages at Eleven" two very greatly appreciated inscriptions, by way of friendship'. He now has his 'delightful "Gaiety" and splendid 'Haymarket", and asks for 'another pow-wow' at 359 Strand.
C. B. Cochran [ Sir Charles Blake Cochran ] (1872-1951), English theatre impressario [ Walter James Macqueen-Pope (1888-1960), theatre historian; Edward John Henley (1864-1921), actor ]
On his Old Bond Street letterhead. 30 November 1949.
1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.
Blanche Robey [ née Littler ] (b. 1899), wife of music hall comedian Sir George Robey [ born George Edward Wade ] (1869-1954) [ Walter James Macqueen-Pope (1888-1960), theatre manager and historian ]
On letterhead of 'The Lawns', Arundel Road East [amended in autograph to Arundel Drive], Saltdean Essex. 26 August [no year, but between 1948 and 1954].
2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.