Sir Edward Marshall Hall (1858-1927, 'The Great Defender'), distinguished advocate [ Carl Vandyk (1851-1931), Bertram Park (1883-1972), Kohler and Sons, and Jack Myer Blake, London photographers ]
[ London. Early twentieth century. ]
For more information on Marshall Hall's illustrious career, see his entry in the Oxford DNB. Fifteen items, the collection in fair overall condition, lightly aged and worn. ONE: Ten original photographic portraits of Hall, ranging in size from 14 x 9 cm. (carte-de-visite by 'The Biograph Studio | 107 Regent St, W.') to 29 x 21 cm (on mount stamped '185 Piccadilly W1', the studio of Kohler & Sons). Eight of the ten are mounted on paper or card, with printed photographers' details, and three of these are signed (two photographs by Carl Vandyk, both signed in pencil by 'C.
[ Thomas Gibson Bowles (1841-1922), grandfather of the six Mitford sisters (Diana, Jessica, Unity, Nancy, Deborah and Pamela), daughters of David Freeman-Mitford, 2nd Baron Redesdale ]
Doune, Scotland; One captioned 1907. Another (of Nancy Mitford) c.1904.
Nine original black and white photographs, ranging in size from 8.5 x 13.5 cm to 7 x 4.5 cm. All in good condition, lightly-aged, and each laid down on a piece of card cut from leaves of an album, the card carrying manuscript captions. One of the photographs, captioned 'Father, on the Hoyden', is of a middle-aged Thomas Gibson Bowles in nautical attire, at the wheel of his yacht. The caption gives a clue to the provenance of the album. His daughter Sydney (1880-1963) – the future Lady Redesdale – features in four of the photographs as 'Honble.
[Doctor L. M. Shuster; A. A. Bogomoletz National Medical University, Kiev, of the Medical Institute of the Ukraine]
A. A. Bogomoletz National Medical University, Kiev, of the Medical Institute of the Ukraine. 112th Graduation of Pediatric Faculty Doctors, 1950-1956.
Landscape 8vo album, containing eighteen leaves in embossed light-green card, each carrying a 17.5 x 23.5 cm black and white photograph. In embossed brown waxed imitation-leather cloth. Lightly-aged but good. The first photograph is of Shuster, and this is followed by three photographs each carrying numerous portraits of tutors, the rest of the photographs each carrying a portraits of a number of students, superimposed over images of Kiev, and of the students on their courses. A few photographs carry texts in Russian by Russian leaders.
Alfred D. Kissack; Hills & Saunders; Eton photographers [Raymond Coxe Radcliffe (1852-1929), King's College, Cambridge, Assistant Master in Mathematics and Classics, Eton College]
Possibly a presentation to Radcliffe and his wife. 4to photograph album, in heavily-worn leather binding, all edges gilt, lacking clasp and spine, containing a total of 113 photographs, including 108 albumen cartes-de-visite, each print approximately 9 x 5.5 cm, and each laid down on a gilt-edged card mount roughly 10.5 x 6 cm. The large majority of the photographs are in excellent condition, with some carrying a small pinhole at the head (obscured by their mounts). Three pages of the album carry minor damage, otherwise good and tight internally. Almost all from the studio of Alfred D.
[Victorian mountaineering in Switzerland; Oberammergau; Tonneson Sisters of Chicago]
[American?] Circa 1900.
Album, in maroon cloth and fake leather half-binding, containing 24 leaves of thick paper (dimensions 36 x 26.5 cm). Small stamp on front paste-down: 'D.A.I. LONDON | No. 20' (last digit added in manuscript). The binding is heavily-worn, with spine lacking, and the pages are somewhat discoloured with age, but the 82 photographs are in good condition, with four creased before insertion into the album, and one with slight discoloration. One photograph has been removed. Can be dated from picture of the 'Kreuzigung.
ALS, on letterhead of Millais House, Cromwell Place, South Kensington; 22 June 1915, one page, 4to, He is glad he 'liked the parboils - it was a great pleasure to me to make them'. Asks him to accept two copies: 'I have a library of signed Author's Copies and if you can spare me a copy of one of your admirable books I should treasure its possession.' Brief note at top by Maire on identity of letter-writer.
Eileen Chandler [ born Eileen Harris ] (1904-1993), English artist who worked in Los Angeles on portraits of Hollywood children [ Liza Minnelli; Mia Farrow; Deborah Kerr; Maureen O'Sullivan ]
Undated [ 1950s and 1960s ]. Mainly relating to her time in Los Angeles, California.
For more information about Chandler, see the appreciative obituary by Vy Reiners in the Independent, 5 February 1993, which describes how 'An article in the Illustrated London News launched her on a successful career that took her to Hollywood, painting sensitive, charming watercolour portraits of the children of the stars, and many of the stars themselves.' The present item contains 70 photographs in a 24 x 33 cm album. The photographs, ranging in size from 19 x 23 cm. downwards, are in good condition, with light signs of age and wear.
Geraldine Knight (1933-2008), English sculptor, wife of the artist Mark Churchill (1935-2011) [ Gilbert Adams (1906-1996), photographer; Rosalind Thuillier (1939-2015), critic; Magor Brewery, Wales ]
Each photograph with stamp on reverse of Gilbert Adams, East Stowell, Marlborough, Wiltshire. Thuillier's text on her Wiltshire letterhead. Undated, but circa 1979.
All items in good condition. The photographs range in size from 21.5 x 14.5 cm. to 18.5 x 16.5 cm., and show Knight at work on the sculpture, with her husband Mark Churchill present in one. Thuillier's text (1p., 12mo) reads: 'Geraldine Knight seen with her giant 10 ft. fibreglass and resin (GRP) Hinds Head which has been commissioned by Whitbreads for their new Brewery at Magor near Newport. The work has taken her a year to complete. She lives and works in a converted Bakery at Woodborough in Wiltshire where she has 4 large studios.
Ern Shaw (1891-1986), cartoonist and illustrator from Hull, Yorkshire [ Marcus Adams (1875-1959)), children's photographer, patronised by the British Royal Family ]
On his letterhead, Hassall House, 29 West End Road, Cottingham, Hull. 4 January 1954.
1p., 4to. In good condition, lightly aged. He is enclosing 'Squeaker Toys', which are 'a few of a large series which I designed for a toy Firm'. He thinks they may assist Adams 'to get interesting "expressions" on the faces of some of your less sophisticated sitters!' He concludes: 'They would be a variation of the old request to "Watch for the dickey bird."' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys.
Connie Christie [ Constance Mary Charlotte Christie ] (1908-1989), Australian children's writer and illustrator [ Marcus Adams (1875-1959)), children's photographer patronised by British royalty ]
9 Millah Road, Balwyn, Victoria, Australia, on her illustrated letterhead. Undated.
1p., landscape 12mo. In fair condition, on lightly aged and creased paper. Letterhead in brown and black, with childlike self-portrait with dripping pallette. She is enclosing 'a few of my small picture books', thinking that they 'would be entertaining in a waiting room' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys. From the Adams family archive.
[ Patrick Waldberg (1913-1985), poet and expert on Surrealism; Ernst, Miro, Arp, Malkine, Tanguy, Dali, Giacometti, Magritte, Masson and Man Ray ]
'Dossier 5-306 et 307 Juin-Juillet 1970'. 'Droits de reproduction reserves S. P. A. D. E. M., Syndicat de la Propriete Artistique, et A. D. A. G. P., Association pour la Diffusion des Arts Graphiques et Plastiques, Paris.'
In very good condition, in transparent plastic waller. Accompanied by two booklets in French, containing extensive scholarly text on each painting. From the Philip West archive.
21 Devonshire St, Portland Place [London], 17 January [no year given].
Four pages, 12mo, bifolium, good condition. "Many thanks to you for the photographs- they are delightful remembrances or rather they recall a delightful visit for if truth must be told, I don't think the Photo by any means a successful one - you look dreadfully ill, your son worse Mrs Spiers a Mulatto, Hull [or Hall] - all four, Mrs Hull[Hall] & Mrs Hawthorne very [?underlined] would not be made frights of.
Millicent Fawcett [ Dame Millicent Garrett Fawcett ] (1847-1929), English feminist, suffragist and union organiser
W. & D. Downey, 57 & 61 Ebury Street, London. [ Published by Cassell & Company, London, 1890. ]
14 x 9 cm black and white photograph. Laid down on a 24 x 18 cm card mount, with printed photographers' details. Photograph in good condition, lightly aged, on aged and worn mount with slight damage at rear. The image shows a seated Fawcett with a book in her lap. The National Portrait Gallery entry provides the publication details, the photograph having possibly appeared in a book.
Sir Richard Owen (1804-1892), biologist and leading opponent of Charles Darwin [ Herbert Rose Barraud (1845-1896), London photographer ]
Mounted on printed card of 'Mr. Barraud | 96 Gloucester Place | Portman Square | London. W.' Undated [ 1888 ]. Card printed by Marion Imprimerie, Paris.
14.5 x 10 cm sepia print, mounted on 16.5 x 11 cm photographer's printed card with rounded edges, printed by Marion Imprimerie, Paris. The photograph in good condition, the card with slight wear at foot. A striking image of an elderly Owen, his dapper velvet cap and cravat contrasting with his dishevelled hair, thick-set mouth, and watery determined eyes, which stare to the left of the viewer in what is (appropriately for a Lancastrian) almost a gurn. The National Portrait Gallery has an uncropped version of the image, dated by them to 1888.
Marcus Adams (), royal photographer [ Neville Chamberlain [ Arthur Neville Chamberlain ] (1869-1940), British Conservative Prime Minister ]
Without place or date. (Late 1930s.)
Neither print is ascribed, but in an unpublished typescript in the Adams Papers, Rosalind Thuillier (author of a 1985 monograph on Adams) quotes her husband Gilbert Adams (Marcus's son) as follows: 'Another phase of his activities as a photographer was into a device called "photo sculpture". [...] At the time of Munich he went round to the photo-sculpture's studio, and I accompanied him, to photograph Neville Chamberlain. Neville Chamberlain was photographed in this way and some many hundreds of these casts were made of him.
Will Till (c.1893-1971), photographer, 'the greatest South African pictorialist' [ Marcus Adams (1875-1959), English royal photographer ]
On letterhead of Will Till, Hon. F.R.P.S., "Bryro", 3 Grays Terrace, Kensington, Johannesburg, South Africa. 2 July 1956.
4pp., 4to. In good condition, lightly-aged and worn. Long closely-written letter, friendly and informative. Topics include the breaking of his right arm, the weather in Johannesburg ('I do not take my landscapes in winter - but our Transvaal summer is my time to operate with the camera to record the trees - the clouds & all the mood that goes with it'), Adams's support for 'the London Salon panel of prints'.
Will Day [ Wilfred Ernest Lytton Day ] (1873-1936), cinema historian, showman and dealer in film equipment [ Marcus Adams (1875-1959), royal photographer ]
On letterhead of Will Day, Ltd, Wireless Apparatus, 19 Lisle Street, Wardour Street, W.C., London. 22 May 1928.
1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.
J.F. W. Herschel [ Sir John Frederick William Herschel, 1st Baronet KH FRS (1792–1871), mathematician, astronomer, chemist, inventor, and experimental photographer ]
Collingwood, 14 Feb. 1860.
One page, 12mo, good condition. A difficult hand. "I send by book post some more Copy for Part 1 of 'Light' in Good Words & to morrow or next day you shall have the rest - which [will make?] somewhere about 12 or 13 more Columns more of letterpress. | The figures are [?][open?] so that they may be put into the wood-engravers hand without the MS. | Be so good reduce the MS & let me have proofs in duplicate." Note: These articles on "Light" did not appear in "Good Words" until 1865. This leeter is presumably to the Editor, Norman Macleod.
Bertram Park [ Bertram Charles Percival Park ] (1883-1972), British photographer, author and horticulturalist [ Marcus Adams (1875-1959), royal photographer; his son Gilbert Adams (1906-1996) ]
Either on letterheads of 43 Dover Street, Mayfair ('Studios: Bertram Park, Marcus Adams Ltd., Yvonne Gregory, James Vintner.'), or the Old Shooting Box, Eastcote High Road, Pinner, Middlesex. One dated 1950, the rest from between 1954 and 1962.
Thirteen Typed Letters Signed: seven to Marcus Adams, four to Gilbert Adams, and one apiece to 'Miss Farr' and 'Mr Murray'. Totalling 16pp., and with eight on Dover Street letterheads, and five on Park's personal Pinner letterheads. Five signed 'Bertram', one 'B.P.'', the other seven 'Bertram Park'. The thirteen items in good condition, with light signs of age and wear.
Walton Adams [ Arthur Walton Adams ] (1842-1934), pioneering British photographer, co-inventor of the dry-plate process, father of Marcus Adams (1875-1959) and grandfather of Gilbert Adams (1906-1996)
Without place or date, but written after May 1932, when he was living in Caversham, Reading, Berkshire.
4pp., 8vo, paginated 1-4. On two bifoliums. Aged and worn, but with the text clear and complete. From the Adams family papers, which also include an extensive archive of Walton Adams's papers relating to the British Israelites. An interesting artefact relating to an important figure in the history of British photography. (See also his obituary in The Times, 15 June 1934.) Untitled and unsigned, the unpublished account begins: 'As I am now over 90 years of age I believe that I am the oldest living British photographer, my first Studio was opened in 1864'.
Walton Adams [ Arthur Walton Adams ] (1842-1931), pioneering British photographer, co-inventor of the dry-plate process [ British Israelites; Knights of Tara; millenarianism ]
Dolwyn, Kidmore Road, Caversham, Reading, Berkshire, and Delamore, Parkstone Avenue, Lower Parkstone, Dorset. One article dated 20 August 1917, and the others from around the time of the Great War.
The collection consists of 21 typewritten articles, with some drafts of the same; two folders of miscellaneous typed and autograph texts, a cloth map, a folding card model of 'The Pyramid' and a diagram of the 'City & Temple to scale'. BACKGROUND: Walton Adams, the founder of a family of notable British photographers and artists, including his son Marcus (1875-1959) and grandson Gilbert (1906-1996), was at his death 'believed to be the oldest professional photographer in the country' and 'the first photographer to use dry plates' (see his obituary, Times, 15 June 1934).
Gracie Fields [ stage name of Grace Stansfield ] (1898-1979), English singer and stage and screen actress [ Cyril Leeston, London photographer; A. T. P. Studios]
The 'Sing As We Go' photograph has the stamp on the reverse of Cyril Leeston, London, and is captioned in pencil '1935 A.T.P. Studios'. The 'Look Up And Laugh' photograph is captioned on reverse 'A.T.P. Studio 1935'.
The two prints are in good condition, with light signs of age and wear. The 'Sing As We Go' (1934) photograph is 24 x 19.5 cm. In pencil on the reverse: 'Gracie Fields | S.G.P 4 | "Sing as we go" 1935 [sic] A.T.P. Studios' and is stamped 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. It is a head and shoulders shot of Fields, leaning slightly forwards as she looks straight into the camera, smiling. The 'Look Up And Laugh' (1935) photograph is 25.5 x 19.5 cm. It has in pencil on reverse: 'LL | P.24 | Gracie Fields in "Look up & Laugh" | A.T.P. Studios 1935'.
'Baron' [ Sterling [ Stirling ] Henry Nahum ] (1906-1956) ], London dance, film and celebrity photographer
The reference on the letterhead of 'Baron | Camera Studies. 23 Grosvenor Street W.1. Mayfair 5069 [ London ]'. 2 August 1940. Some of the photographs are dated, between 1936 and 1947.
The collection of 26 items is in fair condition, aged and lightly worn. The 24 black and white photographic prints, of which there are 23 different images and one image duplicated in a smaller size, range in size from 29 x 24.5 cm to 8.5 x 11.5 cm. The pictures are tender and affectionate, in an informal style unusual for Baron. One picture, stamped 'UNRETOUCHED ROUGH PR<...>', shows Owen sitting on Baron's knee, on a wooden bench, the two smiling. The four largest are studies of Owen's smiling face, staring into the camera.
Tony Armstrong Jones [ Antony Armstrong-Jones, 1st Earl of Snowdon [ Lord Snowdon ] ] (born 1930), photographer and husband of Princess Margaret [ Sir Peter Hall (b.1930), theatre director ]
Invoice on letterhead of Armstrong Jones Ltd., 20 Pimlico Road, London, SW1. 2 February 1960. Print with stamp from same address, undated.
Both items in good condition, with minor signs of age and wear. The black and white photographic print is 24.5 x 19.5 cm, and depicts a chubby Hall, in shirtsleeves and tie, leaning over a seat at the back of a darkened theatre, with a positive look of concentration on his face, as he stares at the stage, a playscript in his hand. The reverse carries two stamps by 'Tony Armstrong Jones, one of them declaring his copyright. Also on the reverse are pencil calculations of dimensions for cropping for publication.
Underwood & Underwood, Publishers. New York. London. Toronto - Canada. Ottawa - Kansas. Works and Studios, Washington, D.C. Arlington, N.J. Littleton, N.H. [Copyright 1897 by Underwood & Underwood.]
In very good condition, on the usual card mount. Each of the two prints roughly 8 x 7.5 cm, with curved top corners, the two on an 8.5 x 17.5 cm. mount. Showing the queen's carriage processing before a grandstand of onlookers in front of a fine building (in the Mall?). The photographs taken over the heads of a crowd held by by three rows of policemen (in the foreground). Caption in English, French, German, Spanish, Swedish and Russian printed on the reverse of the mount.
[La Algaba Filtering Station (1926-1980), designed by Charles Arthur Friend (d.1930), chief engineer of The Seville Water Works Company, Spain; Spanish irrigation]
[The Seville Water Works Company, Spain.] Dated between 1924 and 1926.
144 original black and white photographs, uniformly 6 x 11cm. In excellent condition, in two matching photo albums of worn green cloth, one containing 89 and the other 55 images. Some of the photographs have pencil captions on the mount, giving a date and a number. Loosely inserted is a 3.5 x 8.5cm contact sheet, showing four and a half frames from a film of two men examining a chart.
[Colour Films Movies; Colour Cinematography] Raycol and Anthony Bernardi, inventor
13 November 1928.
Thre leaves, last leaf blan, folion, fold marks, small closed tear on middle fold, mainly good condition. The agreement covers "Improvements in and relating to Colour Photography and Colour Cinematography" a Patent Application #5271/28 20th Febryaury 1928. Signed C.A. Bolton and Anthony Bernardi, with the Company Common Seal of Raycol, witnessed by two directors and a secretary.
Kenneth Macmillan (1929-1992), Scottish ballet dancer and choreographer, artistic director of the Royal Ballet, 1970-1977 [Yolanda Sonnabend (b.1935), theatre designer and portrait painter]
[London?] The fourteen photographs taken in preparation for Sonnabend's portrait, commissioned in 1991.
Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock.
G. Anthony Beales, 'The Celebrated Photographer', 5, South Bar, Banbury ['Private Studio'] or County Studio, George Row, Northampton; Cheney & Sons, General, Commercial & Artistic Printers, Banbury]
G. Anthony Beales, ['Private Studio'] 5, South Bar, Banbury, or County Studio, George Row, Northampton. [Three items with printers' details of 'Cheney & Sons, Printers, Banbury', but the five others also printed by the firm.] None dated [circa 1890].
Beales, also a sign painter and picture framer, was a successful and prolific photographer (he boasts on two of the items below of '3,400 Testimonials'), whose Parade Studio was at 5 South Bar, Banbury, from 1888 to 1911, with a secondary business at the County Studio, George Row, Northampton at around the same time. Beales claimed the Royal patronage of both Queen Victoria and the Prince of Wales, and aimed at the upper end of the market. Seven of the eight items in good condition, lightly-aged, but Item Four with minor damage (see description).
Arthur Campbell of 6 Brooks Road, Gunnersbury, Victorian photographer [Leonard Langsford of the Lisle Press, 24 Whitcomb Street, London, printer; Campbell Studios?]
Memorandum: 17 June 1910. Receipt by Campbell: on letterhead of The Acacias, Brooks Road, Gunnersbury, W. [London]. 8 July 1910. Letter by Langford: on letterhead of The Lisle Press Ltd., 24 Whitcomb Street, Pall Mall. 17 June 1910.
The collection consists of four items. All four in good condition, on lightly-aged paper, with slight creasing. ONE: Typed Memorandum. 3pp., foolscap 8vo. Signed over a stamp by Campbell, and witnessed by Florence Campbell of Newcastle-on-Tyne. Campbell agrees to teach Langsford 'how to prepare the photographic paper called "Gelatino-chloride glossy printing-out paper" by the same formula and process as he uses and put him in the way to start and carry on a business for himself'.