MODEL

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

A total of twenty-eight items of correspondence, comprising: nineteen Autograph Letters Signed (two on the backs of cards), two Typed Letters Signed, and seven Autograph Cards Signed. In good condition. All signed 'Mary', and the large part addressed to 'Christopher', with a few to 'Kit' and one to 'Dear Phyl [i.e. Fry's wife Phyllis], dear Christopher'. The correspondence indicates a deep affection and long-standing intimacy.

CARD: Addressed to 'Barry Duncan Esq. | 11, St Martin's Court | London | W.C.2'. In good condition, lightly aged, with 'Puppet Master' letterhead in red ink, with illustration of Mr Punch. He thanks him for being 'attentive' in sending cuttings. LETTER: 1p., 4to. On aged and creased paper. With cancelled 'Puppet Master' letterhead. Addressed to 'B. D.' Sending payment for hired items, and discussing a translation 'done a week ago for Salzburg Marionettes'. Speaking of Edinburgh he writes: 'I like this city v. much - some fine bookshops - but no playbills'.

30 + [1]pp., foolscap 8vo. Stitched. In fair condition, with shelfmarks, stamp and label of the Board of Education Reference Library, London. The full title reads: 'School-Houses (Scotland).

Both items are in an envelope addressed to the Duchess at 3 Belgrave Square. The envelope and its contents are on aged and creased paper. LETTER: 2pp., 12mo. Bifolium. Knowing that the Duchess is 'a well-known artist', she is offering her 'services as a model'. 'I was permanent model to the late Lord Plunket [sic] and have been painted by Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger and several other well-known painters.' She describes her appearance and asks to be granted an interview. POEM: 2pp., 12mo. In pencil. Unsigned, but clearly by Maitland.

The four items total 21pp., foolscap 8vo, on 21 leaves. In good condition, on lightly-aged paper. Comprising the four final chapters of Notley's account, each separately stapled and paginated: Chapter IV (26 October to 4 November), 6pp.; Chapter V (4 to 9 November), 4pp.; Chapter VI (9 to 17 November), 4pp.; Chapter VII (18 to 27 November), 7pp. For more information on Notley, see the appreciative obituary in The Times, 3 September 1962, and the letter by 'C. F. T.' in the same newspaper two days later.

The collection is laid down on the rectos of 43 leaves of a 4to folder, on pages printed with borders and headed with the name of the Museum. Items in good condition, with the usual aging to newspaper cuttings, in worn folder. Folder in original buff wraps with, printed on front wrap, 'Compiled and Edited by WILLIAM E. APPLEBY', and with the subject given in manuscript as 'Atomic Models & Machines (MEL) Zeta.' Last page with note by Appleby: 'Zeta | Science Museum | Made by | [signed] William E Appleby'.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.