artist

[ George Hooper, artist ] Three substantial Autograph Letters Signed George Hooper and George to Brom [ John Bromfield Gay Rees, Welsh artist ] about his experiences in galleries in Englsnd and on continent.

Author: 
George Hooper, artist
Publication details: 
One from his Redhill address (18 April 1935), the second from a Hotel in Amsterdam (16 June 1935) and the third from Urbino , 17 August 1935. All with original envelopes.
£220.00

LETTER ONE (April): Three pages, 12mo, good condition. He discusses their respective illnesses, him recuperating at Minehead. The district round about Minehead is very stimulating, & inspiring. Watchet, a romantic port near by, immediately took my fancy. I tried to do some watercolours here but my efforts met with indifferent success. I learned later that Watchet is the traditional place from which Coleridge's 'Ancient Mariner' sailed. A fellow artist ('Scott') 'assailed' him when he was 'back to school', saying, he was down at Chelsea , & there was quite a group of artists there now.

[ Mervyn Levy, Welsh Artist ] Autograph Letter Signed MERVYN LEVY to My dear old boy [John Bromfield Gay Rees, Welsh artist] about his activities; a meeting; Welsh Art Exhibition. WITH: Two autograph copy letters of Rees's letters to Levy.

Author: 
Mervyn Levy [(1914 – 1996), Welsh artist, art teacher and writer on art].
Publication details: 
3 Army College, Chisledon, Wilts, 21 April 1847. In original envelope.
£200.00

Two pages, 12mo, fold marks, good condition. Text: Faed [fellow-artist] wrote me a letter some little while ago, which I only received on Saturday on my return from Berlin, & the conclusion of a German lecture tour, I am simply delighted to hear of your existence & whereabouts & hope we can soon meet. Please write, and if you could come up to this part of the world, even this coming week-end, I might see you more quickly then i[?] we would until I can get to Bristol. I am going to Gibraltar next month, so let's try & fix something up as soon as possible.

[ Beatrice Webb, social reformer et al ] Typed Letter Signed illegibly Beatrice Webb | [typed] (Mrs Sidney Webb) to [Thomas Lloyd] Humberstone , touching on the authorship of some articles, Sidney's poor health et al.

Author: 
Beatrice Webb [Martha Beatrice Webb, Baroness Passfield, (née Potter; (1858 -1943), sociologist, economist, socialist, labour historian and social reformer]
Publication details: 
[Headed] Passfield Corner, Liphook, Hants, 17 March 1938.
£180.00

One page, 8vo, fold marks, good condition. Text: I regret that my husband's serious breakdown in health prevents him from answering your note of March 14th. He tells me that the aticles in The Times quoted in the book were written by himself: he was very fond of writing unsigned articles in newspapers and then quoting them, as he knew the quotations wouyld be apt! | I fear that he is quite unable to see you, as he is not strong enough to see friends, and especially those who wish to discuss serious questions with him. Do you happen to know Mr. R.W. Bell, an official of the L.C.C.?

[ Augustus John, artist; Welsh Art ] Autograph Note Signed Augustus John to Capt. Levy [Mervyn Levy, Welsh artist] about contributing something to a Welsh Exhibition.

Author: 
Augustus John, artist [Augustus Edwin John (1878 – 1961), Welsh painter, draughtsman, and etcher]
Publication details: 
33 Tite Street \ SW3, | Flaxman 9123 |11 Feb. 1947
£300.00

One page, 12mo. fold marks, very good condition. Text: Thank you for yoyr letter inviting me to contribute to a Wesh Exhibition you are organising. I hope I may be able to find something for this purpose.

[Meredith Frampton, 'the forgotten genius of British art'.] Autograph Letter Signed , thanking portraitist Maurice Codner for 'a most enjoyable evening'.

Author: 
Meredith Frampton [George Vernon Meredith Frampton], English artist, 'the forgotten genius of British art' [Maurice Frederick Codner (1888-1958), portraitist]
Publication details: 
16 May 1938. On his letterhead, 92 Carlton Hill, NW8 [London].
£30.00

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

[Martin Hardie, artist, engraver, art historian, and a Victoria & Albert Museum Keeper.] Autograph Card Signed to C. H. Whitby, regarding an engraving by the disciple of William Blake, Samuel Palmer.

Author: 
Martin Hardie (1875-1952), artist, engraver, art historian and Keeper of Painting, Engraving, Illustration, and Design at the Victoria and Albert Musem, London [Samuel Palmer; William Blake]
Publication details: 
4 June 1925; with London postmark of the same date.
£35.00

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

[ John Piper, painter ] Autograph Letter Signed John Piper to Mr Roberts.

Author: 
John Piper [ John Egerton Christmas Piper (1903-1992), painter, printmaker and designer of stained-glass windows and both opera and theatre sets ].
Publication details: 
[Headed] Fawley Bottom Farmhouse near Henley-on-Thames Oxon RG9 6JH Henley 2494, 26 August 1973.
£150.00

Two pages, 8vo, very good condition. Text: Thanks you for your letter. I've no idea what paper you saw that reported the councillor's dislike of my sketches - actually, at the meeting only one man expressed some demur about them, and (poor man) he was defeated by the otherwise general approval of the committee, which decided to go ahead with the scheme I proposed. I am doing the final designs now, and weaving will start in the autumn.

[ Alfred Munnings, artist] Two Autograph Notes Signed Alfred Munnings to Tunnicliffe [Charles Frederick Tunnicliffe, artist and illustrator]. Somewhat stream of consciousness.

Author: 
Alfred Munnings [Sir Alfred James Munnings (1878–1959), one of England's finest painters of horses, and as an outspoken critic of Modernism.]
Publication details: 
[Headed] From [...] Beldon House, 96 Chelsea Park Gardens, London, SW3, 17 Jan. 1956 and 7 Dec. 1956
£280.00

Both in pencil. Letter One (17 Jan.): One page, 8vo, good condition. Text: Hope you are better. All was well at the RA - as you saw [T?] Wheeler going well. | Now - Her is a lovely estuary wide & tidal from Harwich to Manningtree 800 swans ---- Vast herds of them - close in to edge often & out of the wader - You can touch them. | Masses of stuff ---- come & stay at Dedham Sun[day] ----or Colchester ----- & have a look [underlined]. Letter Two (7 Dec. 1956), two pages, 8vo, good condition.

[ G.G. Kilburne, genre painter ] Four Autograph Notes Signed G.G. Kilburne to an unnamed fellow artist

Author: 
G.G. Kilburne [ George Goodwin Kilburne (1839 – 1924), genre painter. ]
Publication details: 
Hawkhurst House, Steele's Road, Haverstock Hill, May, August, September, October 1877.
£120.00

All one page, 12mo, good condition. A. (23 May 1877) He thanks his correspondent for showing his drawings to Messrs Daldy, [publishers] adding, I presume the drawings would not all [underlined] be required very [underlined] soon. I am rather pressed for time just now. B. (3 Aug. 1877) [...] I shall be happy to work a little on the drwing, to give it a little more appearance of snoq, if you think it advisable. I am going out of town early tomorrow morning, but I shall be back in a few days, or if you prefer to send the drawing to me in the country , my address will be [...]. C.

[ Charles Whymper ] Autograph Note Signed Charles Whymper to the Curator | Torquay Museum, about sketches he's sending (not present).

Author: 
Charles Whymper [ Charles H. Whymper (1853-1941), painter and illustrator ]
Publication details: 
[Embossed] 7 James Street, Haymarket, S.W., 14 Oct. 1899.
£38.00

One page, 12mo, good condition. I am sending you some sketchesssss as a small retrun of your great kindness to me when I was at Torquay this last spring, and I am with all good wishes [...]

[ Stanley Anderson artist ] Autograph Letter Signed Stanley Anderson to Maurice declining at length social engagement through tiredness.

Author: 
Stanley Anderson [ Alfred Charles Stanley Anderson CBE RA (1884–1966), engraver, etcher and watercolour painter. ]
Publication details: 
[Headed] St. Paul's Studios, 55 Colet Gadens, London, W14, 24 Nov. 1938.
£45.00

One page, cr. 8vo, fold marks, small stain in margin, text clear and attractive (a neat hand). He appreciates the invitation to Dover Street to dine. I[t] gave me great pleasure to have this expression of your friendship and it was great ill-lcuk that the wretched teaching shoulkd have prevented me from enjoying your company - I teach all day on Tuesdays and Wednesdays. | On wednesday nights I feel so exhausted mentally and physically that I am glad to crawl back home to bed.

[Robert Anning Bell, artist, book designer and illustrator.] Autograph Letter in the third person to the President of the Royal Literary Fund, declining to become a steward at its anniversary dinner.

Author: 
Robert Anning Bell (1862-1933), Royal Academy artist, book designer and illustrator, Professor at Royal College of Art, associated with Della Robbia Pottery in Birkenhead
Publication details: 
20 June 1921, on embossed letterhead of 28 Holland Park Road, Kensington, W14 [London].
£30.00

1p, 12mo. In good condition, lightly aged. Folded once. Reads: 'Mr. Robert Anning Bell regrets that he is unable to accept the kind invitation of the President of the Corporation of the Royal Literary Fund to become a Steward at the Anniversary Dinner on July 6th.'

[Lord Derby [Edward Henry Stanley, 15th Earl of Derby], Tory politician.] Autograph Letter Signed ('Derby') to 'G. Norbury. Esq.' (i.e. artist Richard Norbury), explaining his reluctance to be patron to the proposed Liverpool Watercolour Society.

Author: 
Lord Derby [Edward Henry Stanley, 15th Earl of Derby] (1826-1893), Tory politician, Foreign Secretary and Colonial Secretary [Richard Norbury (1815-1886), artist; Liverpool Watercolour Society]
Publication details: 
5 December 1871. On letterhead of Galloway House, Garliestown, N. B. [i.e. Scotland].
£35.00

2pp, 12mo. In fair condition, lightly aged. A daughter from Lady Derby's first marriage was married to the Earl of Galloway, from whose seat Derby writes. Addressed to 'G. [sic] Norbury. Esq.' Having received the letter of the unnamed male recipient, he feels he 'must decline to give my name as patron of the now proposed society of water colour painters in Liverpool: not because I do not approve of the formation of such a society, but because your invitation to join it is the first intimation I have received of any such project being in contemplation'.

[Charles Robert Cockerell, architect, archaeologist and author.] Autograph Note Signed ('C. R. Cockerell') to 'Roberts' [the Scottish painter David Roberts], accepting an invitation to a 'meeting' with 'Distinguished Guests'.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author [David Roberts (1796-1864), Scottish painter]
Publication details: 
12 February 1858. No place.
£45.00

1p, 12mo. In good condition, lightly aged. Folded twice. The letter reads: 'My Dear Roberts. | I shall have great pleasure in accepting your kind invitation for Friday next, & in meeting such Distinguished Guests as you propose to gather round you. | Ever my Dear Roberts | Sincerely yours | C. R. Cockerell.' From the Roberts papers.

[Louis Desanges; Artist ] Autograph Note Signed L. Desanges to an unnamed female correspondent, encouraging her to view a picture.

Author: 
Louis W. Desanges [ Louis William Desanges (1822 - 1887), artist ]
Publication details: 
[ Printed heading ] 16 Stratford PLace, W, 21 Feb. 1883.
£45.00

One page, 12mo, one edge rough, good condition. Should you care to see my picture of 'Egypt 1882' I shall be happy to show it to you when you may be pleased to honour my Studio with a visit. Note: Desanges's picture represented an equestrian group of all the commanders in Egypt with Wolseley in the centre. The picture was published by Henry Graves and Co. in 1884 under the title Egypt 1882.

[Angna Enters, American dancer, painter, author.] Sketch of dance costume in pencil and watercolour, captioned 'Fleur du Mal (Proust Sequence)', signed 'Angna Enters '56'. In envelope addressed by her to theatre historian W. J. MacQueen-Pope.

Author: 
Angna Enters [Anita Enters] (1907-1989), American painter, writer, dancer and mime, partner of Michio Ito, wife of Louis Kalonyme [Louis Kantor] [W. J. MacQueen-Pope, theatre historian]
Angr
Publication details: 
Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street, New York.
£200.00
Angr

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

[Alma Tadema [Sir Lawrence Alma-Tadema], artist of the 'Victorian Olympus' school.] Autograph Letter Signed ('votre dévoué | L Alma Tadema').], in French, regarding the subscription to 'votre estimable journal'.

Author: 
Alma Tadema [Sir Lawrence Alma-Tadema, born Lourens Alma Tadema] (1836-1912), English-based Dutch artist of the 'Victorian Olympus' school
Publication details: 
27 December 1882. On letterhead of Townshend House, North Gate, Regents Park, N.W. [London]
£45.00

2pp, 18mo. Bifolium. In good condition, lightly aged. Addressed to 'Monsieur', with no other indication of the identity of the recipient. He has always had pleasure in reading his 'estimable journal', but as it has not always been properly addressed it has arrived 'que très rarement'. He is sending 'la petite somme', 'pour quatre année d'abonnement', although 'c'est si difficile à transmettre'.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Frank Miles, artist, friend of Oscar Wilde, and Jack the Ripper suspect.] Autograph Note Signed ('Frank Miles') to an autograph hunter, gracefully supplying his own.

Author: 
Frank Miles [George Francis Miles] (1852-1891), artist and friend of Oscar Wilde, architect, gardener and Jack the Ripper suspect
Publication details: 
No date. 26 Tite Street, Chelsea [London].
£90.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on reverse. Folded once. Reads: '26 Tite St. | Chelsea | Pray forgive me for not having answered before | If you are glad to have my handwriting, then I am gladder to send it to you. | Frank Miles'. The house in Tite Street which Miles had E. W. Godwin build for him, and at which his friend Oscar Wilde lived as a 'boarder', was originally numbered 1, then 26, and now 44.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Sir William Rothenstein, artist.] Autograph Card Signed ('W. Rothenstein') to Rachel Kay-Shuttleworth, announcing that 'with some regret' he will be changing his name to 'W. Rutherston'.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Rachel Kay-Shuttleworth (1886-1967)]
Publication details: 
'Sunday' [no date, but circa 1914]; card with letterhead of the Civic Arts Association, 28 Prince's Garden, London, S.W.
£180.00

Twelve closely-written lines, on 8.5 x 11.5 cm card addressed by Rothenstein to 'The Hon. R Key-Shuttleworth | 28 Princes Garden | SW'., this being the same address as on the letterhead. In good condition, lightly aged. He begins by discussing 'Mr Booth' and his offer concerning 'the second prize', before expressing a hope that she is 'not overtiring' herself.

[Sigismund Goetze, English artist.] Autograph Letter Signed to 'Mrs. Poole', regarding a portrait of King Charles II, as prince and in Oxford robes, in his Grove House collection.

Author: 
Sigismund Goetze [Sigismund Christian Hubert Goetze] (1866-1939), English artist and art patron at Grove House, who painted the Foreign Office 'Empire Murals'
Publication details: 
20 October 1932; on letterhead of Grove House, Park Road, Regent's Park, N.W.8 [London].
£80.00

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

[Edmond Xavier Kapp, artist and caricaturist.] Two Autograph Letters Signed to Holbrook Jackson, complaining about payment for work for the magazine 'To-day', and 'contributor's copies'. With carbon copies of Jackson's forthright replies.

Author: 
Edmond X. Kapp [Edmond Xavier Kapp] (1890-1978), British artist and caricaturist, of German-Jewish extraction [George Holbrook Jackson (1874-1948), author, journalists, publisher and bibliophile]
Publication details: 
Kapp's two letters: 20 and 25 January 1920; each on letterhead of The Studio, 32A Queen's Road, St. John's Wood, N.W.8 [London]. Holbrook Jackson's replies: 22 and 28 January 1920; neither with place.
£280.00

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

[Clara Montalba, British artist and suffragist, noted for her watercolours of Venice.] Autograph Signature [given in response to a request for an autograph].

Author: 
Clara Montalba [Clara Federica Montalba] (1840-1929), British artist and suffragist of Swedish and English extraction, noted for her watercolours of Venice, daughter of Anthony Rubens Montalba
Publication details: 
No date or place.
£30.00

1p, 12mo. In fair condition, on discoloured paper with slight discoloration at corner as a result of removal from mount. Neatly centred on the page is 'Yours Sincerely | Clara Montalba'. No other text. The signature is florid and curliculous.

[Eric Forbes-Robertson, painter, brother of actors Sir Johnston Forbes-Robertson and Norman Forbes.] Fourteen items from his personal papers: including army commission and military notice and photographs, and birth, death and marriage certificates.

Author: 
Eric Forbes-Robertson (1865–1935), painter who studied in Paris with Bonnard and Vuillard, and knew Gaugin, brother of the actors Sir Johnston Forbes-Robertson and Norman Forbes
Publication details: 
Between 1887 and 1935. London, Jersey and other locations.
£220.00

Fourteen items from the personal papers of Eric Forbes-Robertson, relating to his birth, marriage, death and military career. The collection in good overall condition, lightly aged and worn. In orange card folder. ONE: Copy of EFR's birth certificate ('Sixteen June 1865 | Montfort House'). Islington, 6 July 1865 (copy of 21 December 1893). TWO: Copy of EFR's baptismal certificate. Islington, 9 August 1865. THREE: Printed 'Notice. | To be given to a MAN at the time of his offering to join the Army.' Completed and signed by EFR, 1 March 1887. 2pp, folio.

[Charles Bestland (Cantelowe Bestland), Royal Academy Schools artist.] Twelve Regency pencil portraits (for engraving?), middle-class sitters including James Millar, Encyclopaedia Britannica editor; Col. Serle; members of Trenchard family of Dorset.

Author: 
Charles Bestland (Cantelowe or Cantlo Bestland) of the Royal Academy Schools [Col. Serle; James Millar, Encyclopaedia Britannica editor; John Trenchard Pickard of Dorset]
Bestland
Publication details: 
English. The twelve dated in pencil between 1811 and 1829.
£950.00
Bestland

Twelve pencil portraits executed in the same extremely capable style, probably for the purposes of engraving. Each on a separate piece of 4to paper. All in good condition, with light signs of age and wear, a couple with minor flecking with red paint. All dated in pencil (between 1811 and 1829), and all but two captioned. (Several of the items with watermark date supporting the pencil dating.) Three of the portraits have the tiny signature at bottom left of 'Bestland', and all would appear to be the work of the same artist, although the last appears to be signed with the initials 'C H'.

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