artist

Print of pencil drawing of Sharif Muhammad Amin, son of H.H. Amir 'Ali Haidar Pasha (1866-1935), Grand Sharif and Amir of Mecca.

Author: 
W. B. Jemmett (d.1925), British miniature-painter and dandy [Sharif Muhammad Amin; H.H. Amir 'Ali Haidar Pasha, Grand Sharif and Amir of Mecca; Biarritz; Saudi Arabia; Arabic; Arabian; Arab]
Publication details: 
Undated.
£50.00

On a piece of grey paper roughly 25 x 22 cm, with card backing. The backing is rough-edged, the picture having been removed from its mount, but the edges of the print itself are undamaged. A little grubby, and with minor spotting and staining. Depicts the moustachioed sitter's head in profile, looking to his right, wearing a white guthra with decorative igaal. The image includes a reproduction of Jemmett's signature in the bottom right-hand corner, with the sitter's signature, in Arabic script, reproduced in the bottom left-hand corner.

Three Autograph Letters Signed (all 'Terrick Williams'): two to John Littlejohns and one to Sir Isaac Pitman & Sons Ltd.

Author: 
Terrick Williams [Terrick John Williams] (1860-1936), English landscape painter [John Littlejohns]
Publication details: 
First Letter (to Littlejohns): 15 June 1929. Second Letter (to [Littlejohns]): 20 December 1930. Third Letter (to Sir Isaac Pitman & Sons): 14 February 1931. All three on letterhead of 89, Gunterstone Road, W. Kensington, W14 [London].
£150.00

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

Autograph Note Signed ('F Chantrey') to unnamed male correspondent.

Author: 
Sir Francis Chantrey [Sir Francis Leggatt Chantrey] (1781-1841), English sculptor [the Royal Academy]
Publication details: 
Tuesday morng' [no date].
£38.00

Seven lines on one side of a piece of aged wove paper, roughly 12.5 x 10 cm. A hurried, smudged communication. Reads 'My Dear Sir | I have the ill luck to be obliged to attend a Council of the Royal Academy. We commence business punctually [last word underlined] at 8 oClock - Confound the R.A.!!! | Truly yrs | [signed] F Chantrey | Tuesday Morng'.

ALS to S.(?) Jennings

Author: 
G.H. Laporte, painter
Publication details: 
01/05/65
£45.00

5pp., 8vo. He discusses some proofs of engravings he has sent, for which his correspondent has shown insufficient enthusiasm. He would like them back. He says he is prepared to "make Pictures of Animals from Photographs, in fact he has done so. He discusses colouring, oil or water colour. His main line is portrait-painting, he says, either in London or at "Gentlemen's seats", giving his rates.

Autograph Letter Signed ('Robert Cust') to Horace Bleackley (1868-1931).

Author: 
Robert Cust [Robert Henry Hobart Cust] (1861-1940), English art critic, an authority on the renaissance [Horace Bleackley; John Wilkes]
Publication details: 
12 October [no year]; on letterhead of Vernon House, Lyndhouse Road, Hampstead.
£28.00

12mo, 4 pp. Good, on lightly aged paper, but with a thin strip along the outer edge of the second leaf of the bifolium with glue staining from previous mounting, and a 3.5 x 0.5 piece missing at head causing damage to one word ('hers'). Otherwise text clear and entire. Cust's aunt has informed him 'that she has at present in her possession in London all the papers belonging to Sir John Cust that remain'. She does not however think that they contain much about Wilkes.

Autograph Signature ('P. Hoare') on fragment of letter.

Author: 
Prince Hoare (1755-1834), English Painter and dramatist; son of William Hoare
Publication details: 
Place and date not stated.
£23.00

On a piece of wove paper roughly 4.5 x 9 cm. Good, clear signature on lightly aged paper. Reads 'my dear Sir, | Yrs always truly | [signed] P. Hoare'. Reverse reads '<...> am at a loss how to answe<...> | <...>ing the progress of the Anna<...> | <...>- opportunity of asking "Ho<...> | <...>t of the Elgin Marbels, whic<...>'.

One Autograph Letter and one Autograph Note both Signed "P. Hoare.Signed

Author: 
Prince Hoare, artist and playwright.
Publication details: 
Buckingham Street, 11 Oct. 1812 and Beckenham, 26 Aug. 1810.
£120.00

Total 3pp., 4to, creasesedges dulled, odd spot, mainly good condition. (1810) He humorously asks for an enclosed letter (not present) be forwarded to a Mrs Nooth (named on address panel). (1812) He gives a gracious and witty apology, outlining the circumstances. According to an information sheetprfepared by the firm of H.P. Kraus these items are from the Library of Sir Thomas Phillipps. Two items,

Calling Card with Autograph invitation on it to 'Mon cher docteur'.

Author: 
Paul Baudry [Paul-Jacques-Aimé Baudry] (1828-1886), French painter
Publication details: 
Samedi 16h 1/2' [no date].
£100.00

The calling card is roughly 6 x 9.5 cm, and reads 'Paul Baudry, | Membre de l'Institut. | 56, rue Notre Dame des Champs'. Around this Baudry has written 'Mon cher docteur | Venez s. v. p. voir ma petite avant votre déjeuner Vous me ferez plaisir. | Samedi 16h 1/2'.

Autograph Letter Signed ('Frank O. Salisbury') to Mrs Shirley Slocombe.

Author: 
Frank O. Salisbury (1874-1962), English portrait painter [Francis Owen Salisbury; Shirley Slocombe (c.1873-1906)]
Publication details: 
17 May 1936; on letterhead of Sarum Close, West Heath Road, Hampstead, London, N.W.3.
£56.00

8vo, 1 p, 14 lines. On lightly aged paper, with 9 cm closed tear (affecting a few words, but not the signature) neatly repaired on reverse with archival tape. A letter of condolence on the death of Mrs Slocombe's husband, 'after his long illness'. Salisbury is 'sure he must have had a very courageous spirit to the end - I remember it so well at the Academy Schools'. He suggests a firm that might be willing to buy 'the canvases etc you mention'. The letter links two artists who studied together at the Royal Academy Schools, and also establishes the date of Slocombe's death as 1906.

Autograph accounts of 'Money Received in 1905 [to 1910]'.

Author: 
`Shirley Slocombe (fl. 1887-1916), English portrait painter
Publication details: 
[1905-10].
£56.00

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

Autograph Note Signed to E.W. Cooke, marine painter.

Author: 
F.W.Hulme, landscape painter (DNB).
Publication details: 
4 Hereford Square, Old Bromprton, [London], no date.
£56.00

One page, 8vo, good condition. "Allow me to introduce to you Mr John Dalziel, an excellent engraver in wood. | If your drawings for the Art Union are not already engaged & you should be disposed to place them in his hands I have no doubt of his giving you full satisfaction."

Autograph Letter Signed "J. Wolf" to W.H. Ince.

Author: 
Josef Wolf, animal painter (DNB).
Publication details: 
59 Berners St, Oxford Street, [London], 15 Sept. 1870.
£65.00

One page, 8vo, good condition. "I send you hereewith [? Book-Post twenty tickets for our price-drawing [sic] of pictures in aid of the poor Widows & Fatherless [sic] of German soldiers. There is plenty of time for sending the money as it will take another month or so before we shall close rhe acc[ount]s." Thanks and good wishes for a recovery of health.

Autograph Signature ('Thos Webster') on fragment of letter 'To the President & Council of the Royal Academy'.

Author: 
Thomas Webster (1800-1886), English artist
Publication details: 
Without date or place.
£18.00

Paper dimensions 5 x 11 cm. Good. The foot of the last page of a letter with a mourning border. Reads '<...> consideration. | I am, Gentn. | Your obedt. St. | [signed] Thos Webster | To the President | & Council of the Royal Academy'.

Scrapbook collection of newspaper cuttings and illustrations relating to Harper's book 'The Hardy Country'.

Author: 
Charles George Harper [Thomas Hardy]
Publication details: 
1904-5.
£150.00

Harper (1863-1943) was a writer and charming 'pen-artist'. His 'The Hardy country: literary landmarks of the Wessex novels' was published by A. and C. Black in 1904 and reprinted in 1911 and 1925. Quarto scrapbook of approximately fifty leaves. Leather half-binding in poor condition, worn and with much loss to spine. Internally very good, with minor spotting and discoloration. The cuttings, from newspapers as diverse as the Weymouth Telegraph and the New York Post, are mostly laid down, with several on slips of the Author's Clippings Bureau.

Autograph Note Signed ('J. Ashby-Sterry') to unnamed male correspondent.

Author: 
Joseph Ashby-Sterry (1836-1917), English novelist, poet, journalist and painter
Publication details: 
Saint Martin's Chambers, Trafalgar Square [London] (on cancelled Garrick Club letterhead); 18 November 1889.
£28.00

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

Autograph Letter Signed "W E Frost" to F. S. Ellis, bookseller and author.

Author: 
William Edward Frost, artist
Publication details: 
8 Southampton Street, Fitzroy Square, London, 9 Nov. 1860.
£85.00

One page, 8vo, minor defects, text clear and complete, except were a spike-hole cuts out a letter. He enjoyed looking through Ellis's catalogue but "I regret the names of Stothard and Blake do not occur more frequently - I beg to enclose a list of a few works I am seeking and shall feel greatly obliged if by any means you could procure them for me." Note: He formed a large collection of engravings after the works of Thomas Stothard, R.A., and prepared, in conjunction with Mr.

Autograph Letter Signed ('C. L. Eastlake') to Miss [?] Rogers.

Author: 
Sir Charles Lock Eastlake (1793-1865), English painter and President of the Royal Academy
Publication details: 
15 May [year not stated]; 13 Upper Fitzroy Street [London].
£56.00

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

Keepsake, limited to two hundred copies, with signed illustration of 'L'abbaye en 1368' by Beaudouin.

Author: 
Fernand De Nobele, French bookseller; Josephine Beaudouin (c.1910-2005), French illustrator
Publication details: 
1969; Paris.
£120.00

Beautifully printed bifolium on thick wove paper. Dimensions of leaf roughly thirteen inches by ten; dimensions of illustration roughly nine and a half inches by eight. Tissue guard. Recto of first leaf and verso of second blank. Letterpress on verso of first leaf reads 'Fernand De Nobele, libraire pres St-Germain-des-Pres, vous adresse ses meilleurs voeux pour l'annee 1969. | [L'abbaye en 1368]'. Illustration signed at foot 'Josephine Beaudouin', with the limitation '190/200'. For De Nobele - President of ILAB between 1965 and 1967 - see Anthony Rota's 'Books in the Blood' (2002).

Engraving of bearded man walking while reading a book.

Author: 
John Thomas Smith (1766-1833), artist and antiquary
Publication details: 
London Published as the Act directs December 31st 1815 by John Thomas Smith No 4 Chandos Street Covent Garden.'
£80.00

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Engraving by Lewis, after Cooke, of 'CALAIS PIER'.

Author: 
Edward William Cooke (1811-80), marine painter; Charles George Lewis (1808-80), engraver
Publication details: 
Without date or place.
£265.00

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Autograph Note Signed (F Matania) to unnamed correspondent.

Author: 
Chevalier Fortunino Matania (1881-1963), Italian artist
Publication details: 
Without date or place.
£78.00

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Engraving, with portrait of the artist, of Carracci's funeral memorial.

Author: 
Annibale Carracci (1560-1609)
Publication details: 
[Circa 1690?]
£86.00

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Autograph Card Signed ('Lamb') to Ian Treg. Jenkyn, Slade School of Fine Art, University College London.

Author: 
Lynton Harold Lamb (1907-1977), British painter, book illustrator and designer
Publication details: 
[Venice; 1970].
£85.00

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Autograph Letter Signed to 'Miss Lees'.

Author: 
Alice Law (born 1886), English poet
Publication details: 
No date (circa 1925?); on letterhead of the Lyceum Club, 128 Piccadilly, London.
£25.00

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Autograph Letter Signed to 'Mr. Woodward'.

Author: 
Eliot O'Hara (1890-1969), American watercolour artist
Publication details: 
March 12? 1936' [deleted] 'Thursday'; 10 East Taylor St, Savannah Gardens.
£125.00

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.

Archive of correspondence with the Royal Society of Arts, consisting of twenty-one letters from Gray, one copy, and carbons of fifteen replies.

Author: 
Milner Connorton Gray, industrial artist and graphic designer (1899-1997) [The Royal Society of Arts]
Publication details: 
1947-1962; London.
£280.00

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

Autograph Letter Signed to "[Wingman?]", fellow-artist.

Author: 
Frank Brangwyn
Publication details: 
[Headed notepaper] Temple Lodge, Queen Street, Hammersmith, 5 [June?] 1905.
£65.00

Artist and illustrator. Two pages, minor defects, mainly good. He thanks him for a letter and cheque for thirty guneas. "I shall be most delighted to see your Morocco sketches, they must be most interesting." He'll call by the next week and appreciates his kindness in offering one of the sketches. Note: autograph letters by Brangwyn appear to be scarce.

Anonymous drawing of him painting.

Author: 
Frederick Spencer Gore
Publication details: 
Without date or place.
£250.00

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

Autograph Letter Signed "Goldschmidt, 5 rue des beaux-Arts", to "Monsieur Charadam, Marchant de tableaux, 20 Boulevard des Italiens."

Author: 
Hermann Goldschmidt.
Publication details: 
Paris, 22 August 1844.
£150.00

Artist and astronomer (1802-1866). One page, bottom edge curled but text clear and complete. He is sending two "tableaux which Charadam had seen at his house. He would like him to display them that evening "ayant l'intention de les envoyer a un exposition [?] a Amsterdam . . .".

Autograph Letters Signed to Malcolm Mackenzie.

Author: 
Sir William Russell Flint.
Publication details: 
Peel Cottage, 30 April 1949.
£150.00

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al.

Syndicate content