ILLUSTRATOR

[‘I used it because I meant it’: Nicolas Bentley, writer, illustrator and cartoonist.] Typed Letter Signed to V. H. Collins, defending his use of the phrase ‘I am afraid’.

Author: 
Nicolas Bentley [born Nicholas Clerihew Bentley] (1907-1978), writer, illustrator and cartoonist [Vere Henry Collins]
Publication details: 
10 October 1955. On letterhead of Andre Deutsch Limited, Publishers, 12-14 Carlisle Street, Soho Square, London W1.
£50.00

See his entry by Ruari Maclean in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 1p, 12mo. In good condition, lightly aged. With Bentley’s distinctive stylized signature ‘Nicolas Bentley’. After thanking him for his letter he writes (apparently with reference to a newspaper article): ‘I am sorry if in using the phrase “I am afraid” I ruffled your grammatical sensibilities. I used it because I meant it.

[Walter Crane, book illustrator, designer and painter associated with the Arts and Crafts movement and the Art-Workers' Guild.] Autograph Signature and valediction of a letter.

Author: 
Walter Crane (1845-1915), book illustrator, designer and painter, associated with the Arts and Crafts movement and the Art-Workers' Guild
Walter Crane
Publication details: 
No place or date.
£35.00
Walter Crane

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

[Sir William Jackson Hooker, biologist, first Director of the Royal Botanic Gardens at Kew.] Autograph Signature in valediction to letter.

Author: 
Sir William Jackson Hooker (1785-1865), biologist and botanical illustrator, first Director of the Royal Botanic Gardens at Kew
Sir William Jackson Hooker
Publication details: 
No date or place.
£35.00
Sir William Jackson Hooker

See his entry in the Oxford DNB. On 9.5 x 3 cm slip of paper, cut from letter. In good condition, lightly aged. Reads: 'Your affectionate / friend / W. J. Hooker'. Fragment of text on reverse: '[...] there is any foundat[...] / for the above repor[...] / or not. If there [...]'.

[Mary Shepard, illustrator of Mary Poppins, wife of E. V. Knox and stepmother of Penelope Fitzgerald.] Three Autograph Letters Signed to brother-in-law Canon Wilfred Knox, regarding a holiday cottage, and a catalogue for an exhibition of her drawings

Author: 
Mary Shepard [Mary Eleanor Jessie Knox] (1909-2000), children?s book illustrator best-known for the Mary Poppins books, wife of Punch editor E. V. Knox and stepmother of novelist Penelope Fitzgerald
Publication details: 
18 March, and 18 and 27 April 1945. The first on letterhead of 63 Eyre Court, N.W.8 [London]. The second from 1 Suffolk House, Circus Road, NW8. The third from 1 Suffolk House, on cancelled Eyre Court letterhead. Catalogue undated; Hampstead.
£220.00

See her entry, with those of the recipient, her husband, stepdaughter and the other members of the Knox family, in the Oxford DNB. The material is in good condition, lightly aged. All three items addressed to 'My dear Wilfred' and signed 'Mary'. ONE (18 March [1945]): 2pp, 12mo. Begins: 'I am afraid we are allowing Mrs. W. to stay on at the Cottage during the School Easter Vacation, because it seems rather difficult to turn her out at this time of year in view of the weather & the fact that she obviously has Mrs. Moses on her side'.

[John Leech, Victorian artist and caricaturist who illustrated the ‘Christmas Carol’ of Charles Dickens.] Conclusion of Autograph Letter to the poet Martin Farquhar Tupper, with Signature.

Author: 
John Leech (1817-1864), Victorian artist and caricaturist who illustrated the ‘Christmas Carol’ of Charles Dickens [Martin Farquhar Tupper (1810-1889), popular and much-lampooned Victorian poet]
John Leech (
Publication details: 
No place or date.
£56.00
John Leech (

See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

[Cecil Aldin, artist and illustrator] Two Autograph Letters Signed Cecil Aldin to Hawes about puppies.

Author: 
Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
Peppard Common | Oxon, neither dated, so possibly discussed in the wrong order.
£100.00

Letter A. Two pages, 12mo, bifolium, good condition. Some time ago you very kindly offered to walk a puppy [for?] me. I have a nice litter now ready to go out. Can I send you one over [...]; Letter B. Three pages, 12mo, bifolium good condition. Come over on Sunday by all means if you can manage it & I will show you what we propose doing at the kennels. I am sending Joe round with some puppies but I'll leave it until aafter Sunday & then you can choose which one you would like. I'll tell Uthwaite about the otters on the Pang [river].

[‘it rejoices our Household’: Linley Sambourne, ‘First Cartoonist’ with Punch magazine.] Autograph Letter Signed, congratulating George Meredith on receiving the Order of Merit.

Author: 
Linley Sambourne [Edward Linley Sambourne (1844-1910)], ‘First Cartoonist’ with Punch magazine, artist and illustrator [George Meredith, Victorian novelist and poet.]
Sambourne
Publication details: 
1 July 1905; on embossed letterhead of 18 Stafford Terrace, Kensington N.W. [London]
£120.00
Sambourne

See the entries on Sambourne and Meredith in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, lightly aged and folded twice for postage. Addressed ‘To George Meredith Esquire / O.M.’ and signed ‘Linley Sambourne’ with the usual five underlinings. Begins: ‘Dear Mr Meredith, / I venture to write & let you know how very much it rejoices our Household that his majesty has confered [sic] on you the Order of Merit. I, amongst countless others have always felt the incompleteness of that most distinguished body with your name absent.

[Kate Greenaway, artist] Substantial Autograph Letter Signed Katie to My dearest Joanie [Joan Ponsonby?] . She is writing as if to a child.

Author: 
Kate Greenaway [Catherine Greenaway (1846 – 1901), Victorian artist and writer.]
Greenaway
Publication details: 
[Embossed address] 39, Frognal, Hampstead, N.W., 5 June 1897. Note above address from Kate Greenaway.
£850.00
Greenaway

Three pages, 12mo, bifolium, good condition. Second leaf laid down on part of a album page. See Image of pp.2 & 3. Text: You write to me and I dont [sic] answer. but I know you hear of me From [sic] his letters - which I just manage to send though I fear . [sic] they most often be very dull. | Are you coming up For the Jubilee - its all Jubilee - I hope it is going to be Fine [sic] it would bve such a great disappointment if it was not. | I have been awayFor [sic] the last three Sundays but it seems to take a lot of time somehow . We are of course a long way off the station here.

[David Low, English cartoonist, born in New Zealand.] Printed christmas card ‘from Mr. and Mrs. David Low’, illustrated with a cartoon by him of a dog caught ripping up a christmas card.

Author: 
David Low [Sir David Alexander Cecil Low] (1891-1963), English political cartoonist, born in New Zealand
Low
Publication details: 
No date. ‘25, Helenslea Avenue, / N. W. 11. [London]’
£80.00
Low

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.

[E. Winnie Burnand, one of the earliest female cartoonists.] Two amusing original caricatures of herself, one posting a letter, the other carrying a cricket bat, in an effusive letter to theatre historian W. Macqueen-Pope.

Author: 
E. Winnie Burnand [Edith Winifred Burnand, latterly Parsons] (b.1881), one of the earliest female cartoonists, daughter of Sir Francis Cowley Burnand, editor of ‘Punch’ [W. Macqueen-Pope (1888-1960)]
Parson
Publication details: 
23 August 1957. On letterhead of Crossway Green, Chepstow, Mon. SEE IMAGE.
£250.00
Parson

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

[George du Maurier, novelist and Punch cartoonist, creator of ‘Svengali’.] Autograph Signature and valediction cut from letter.

Author: 
George du Maurier [George Louis Palmella Busson du Maurier] (1834-1896), novelist and Punch cartoonist, creator of the character ‘Svengali’ in his novel ‘Trilby’; grandfather of Daphne du Maurier
Geo du Maurier
Publication details: 
26 April 1886. No place.
£25.00
Geo du Maurier

See his entry in the Oxford DNB. On rectangular slip of paper, roughly 11 x 3 cm, cut from the end of a letter. In fair condition, lightly aged, slightly spotted and laid down along one edge on thicker piece of paper. In an elegant calligraphic hand he writes: ‘Believe me / Yours truly / Geo du Maurier / Apr. 26, 83’. The ‘eo’ of the ‘Geo’ of the signature is presented as a stylish squiggle, looking a little like a ‘W’. See image.

['Bert Thomas', British political cartoonist.] Copy of his book 'Close-ups Through a childs eyes / by Bert Thomas', with label bearing autograph inscription.

Author: 
‘Bert Thomas’ [Herbert Samuel Thomas MBE (1883-1966)], British political cartoonist who contributed to Punch magazine and created British propaganda posters during the two world wars
'Bert Thomas'
Publication details: 
No date (circa 1943). 'A Tuck Book / Raphael Tuck & Sons Ltd / Copyright Printed in England'.
£120.00
'Bert Thomas'

See his entry in the Oxford DNB. A scarce item: no copy in the British Library and the only copies on COPAC at Cambridge and the V & A. In fair condition, lightly aged and with slight creasing to outer edge of front cover, on which a label has been laid down, carrying an inscription (repaired at one corner with archival tape) by Thomas: ‘From one child to another - Love and I cant thank you enough for everything - I’ll look forward to Janiuary - Muh love I’ll writer later’. A stapled pamphlet in brown card wraps. 16pp, landscape 8vo.

[Frederick Edward Hulme, naturalist and botanical illustrator.] Autograph Signature (‘F. Edward Hulme’) to salutation to letter.

Author: 
Frederick Edward Hulme (1841-1909), naturalist and botanical illustrator, Professor of Freehand and Geometrical Drawing at King's College London, author of the nine-volume ‘Familiar Wild Flowers’ (18
Publication details: 
No date or place.
£28.00

See his entry in the Oxford DNB. On 10.5 x 8 cm piece of ruled paper, laid down on 21 x 10.5 piece of light blue-green paper cut from album. In good condition, lightly discoloured. Reads: ‘With all kindly salutations to you & yours - believe me / Yours very truly / F. Edward Hulme’ See image.

[Edward Tennyson Reed, Punch political cartoonist.] Autograph Letter Signed (‘E: T: Reed.’) to ‘Mr. Denselow’, joking with him on sending an autograph (of no interest to anyone, ‘except my tailor (who seldom sees it!)’.

Author: 
E. T. Reed [Edward Tennyson Reed] (1860-1933), political cartoonist and illustrator, associated with Punch Magazine
Publication details: 
9 September [no year]; on letterhead of 3 St Paul’s Studios, West Kensington, W. [London]
£45.00

See his entry by E. V. Knox in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, with dog-eared corner. Folded once. Reads: ‘Dear Mr. Denselow, / If my erratic and unenviable handwriting has any interest for anyone - except my tailor (who seldom sees it!) you are very welcome to a fragmentary example of it, at its word’. The signature is no doubt deliberately emphatic, with colons to the initials, and a period on each side of the end of the final flourish. In a postscript Reed expresses gratification to hear ‘that my work “touches the spot” occasionally, that’s what it’s “for!”’

[Marcus Stone, painter and illustrator] Autograph Note Signed Marcus Stone to D.H. Henslow, autograph collector, pointing to his autograph.

Author: 
Marcus Stone (1840 – 1921), painter and illustrator [Dickens et al).
Stone
Publication details: 
[Headed Notepaper of the Wellington Hotel, Mount Ephraim, Tunbridge Wells, with photograph of the Hotel. 5 Aug. 1899. See image.
£45.00
Stone

One page, 12mo, fold mark, sm. closed tears not affecting the text, good condition. Dear Sir | Here is the autograph which you propose to honour with a place in your collection. | Very truly yours | Marcus Stone.

[ Richard Doyle, illustrator ] Autograph Letter Signed R Doyle to unnamed correspondent about work for him.

Author: 
Richard Doyle [Richard Dickie Doyle, illustrator of the Victorian era]
Publication details: 
2 Savile Row, Wednesday [no date]. Watermark 1860. The address of the Royal London Yacht Club.
£280.00

One page, 12mo, bifolium, good condition. Since I saw you last I hve not neen well, and have in consequence not been able to make progress with the work, on the completion of which depended my being able to undertake and illustrations for you book. | I regret that it is so, but am obliged to say that it is not in my power to furnish any drawings for your work before Christmas. | Your book, howevere, is so very well supplied with illustrators of note that the absence of my name in the list cannot be of any consequence.

[ A.S. Boyd, Scottish illustrator ] Autograph Letter Signed AS Boyd to My dear Dunn, presumably James Nicoll Dunn, sometime editor of the Scots Observer (replaced by Henley).

Author: 
A.S. Boyd [Alexander Stuart Boyd, Scottish illustrator, cartoonist and painter, ]
Publication details: 
[Printed] The Cabin, Kilconquhar, Fife, 25 June 1890.
£75.00

Two pages, 12mo, bifolium, first and lst pages grubby but text clear and complete. Text: Thank you very much for sending Mr Henley's book which I shall have much pleasure in reading, and my wife will get hints for 'style' as she doth peruse it. It is nicely got up, but is not so sweet to handle as the 'Book of Verses' which is a gem. He relates that he has a drawing of the new Steamer 'Duchess of Hamilton' [which] I think I might utilise [...] if you can introduce something in next week's notes about the remoteness of Arran getting diminished. It is really a fine boat and very swift.

[ John Piper, painter ] Autograph Letter Signed John Piper to Mr Roberts.

Author: 
John Piper [ John Egerton Christmas Piper (1903-1992), painter, printmaker and designer of stained-glass windows and both opera and theatre sets ].
Publication details: 
[Headed] Fawley Bottom Farmhouse near Henley-on-Thames Oxon RG9 6JH Henley 2494, 26 August 1973.
£150.00

Two pages, 8vo, very good condition. Text: Thanks you for your letter. I've no idea what paper you saw that reported the councillor's dislike of my sketches - actually, at the meeting only one man expressed some demur about them, and (poor man) he was defeated by the otherwise general approval of the committee, which decided to go ahead with the scheme I proposed. I am doing the final designs now, and weaving will start in the autumn.

[ Alfred Munnings, artist] Two Autograph Notes Signed Alfred Munnings to Tunnicliffe [Charles Frederick Tunnicliffe, artist and illustrator]. Somewhat stream of consciousness.

Author: 
Alfred Munnings [Sir Alfred James Munnings (1878–1959), one of England's finest painters of horses, and as an outspoken critic of Modernism.]
Publication details: 
[Headed] From [...] Beldon House, 96 Chelsea Park Gardens, London, SW3, 17 Jan. 1956 and 7 Dec. 1956
£280.00

Both in pencil. Letter One (17 Jan.): One page, 8vo, good condition. Text: Hope you are better. All was well at the RA - as you saw [T?] Wheeler going well. | Now - Her is a lovely estuary wide & tidal from Harwich to Manningtree 800 swans ---- Vast herds of them - close in to edge often & out of the wader - You can touch them. | Masses of stuff ---- come & stay at Dedham Sun[day] ----or Colchester ----- & have a look [underlined]. Letter Two (7 Dec. 1956), two pages, 8vo, good condition.

[ Lavinia, Countess Spencer ] Valediction only of Autograph Letter Signed "Lavinia Spencer" to "Field Marshall - Duke of York" [Prince Frederick, Duke of York and Albany]

Author: 
Lavinia Spencer [ Countess Spencer (née Bingham; 1762 – 1831), society hostess and illustrator.
Publication details: 
[ Spencer House, 15 March 1795; docketed by recipient or his secretary ]
£65.00

Valediction of Letter only, 5 lines inc. signature and address, 19 x 7cm, laid down on similar sized paper, with remnants on verso suggesting that it was in an album at one time, with note identifying writer ("The Countess Spencer"). Text: "& you will very highly oblige & gratify me. | I have the honor to be your Royal Highness most obedient Sert | Lavinia Spencer". From a large collection of similar conclusions,so often to the Duke of York ("Royal Highness" etc) that they may reveal the fate of his incoming correspondence, or part of it..

[Percy MacQuoid, threatre designer and expert on English furniture.] Autograph Letter Signed ('Percy Macquoid.') to 'Terrell', including a discussion of the significance of 'English Plate'.

Author: 
Percy Macquoid [Percy Thomas MacQuoid] (1852-1925), theatre designer, illustrator and expert on English furniture
Publication details: 
20 March [no year]. On letterhead of The Yellow House, 8 Palace Court, Bayswater, London, W.
£45.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by thanking him for his 'kindness in the matter of the plate at New'. He called there that morning and has 'sent on Dr Russells letter of introduction', and has 'written to Dr Moyle', explaining his object, and he hopes he will give him permission to have the [?] photod. wh: I consider about the finest piece of dated H English Plate in existence -'.

[Ralph Peacock, portrait painter and illustrator.] Autograph Letter Signed ('Ralph Peacock.') to 'Mrs. Williams'

Author: 
Ralph Peacock (1868-1946), portrait painter and illustrator, associated with G. A. Henty and boys' books
Publication details: 
23 January 1908. On letterhead of 1A Holland Park Road, Kensington, [London] W.
£45.00

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

Richard Doyle ['Dickie Doyle'] (1824-1883), Victorian illustrator, from the first closely associated with Punch magazine, uncle of Sir Arthur Conan Doyle, creator of Sherlock Holmes.] Autograph Signature ('Richard Doyle.').

Author: 
Richard Doyle ['Dickie' Doyle] (1824-1883), Victorian illustrator, from the first closely associated with Punch magazine, uncle of Sir Arthur Conan Doyle, creator of Sherlock Holmes
Publication details: 
Without date or place.
£30.00

On 3.5 x 5 cm slip, laid down on slightly larger rectangle of paper, removed from an album. In fair condition, lightly aged and worn. A neat, firm signature, on a small slip of paper. Presumably cut from a letter, in response to a request for an autograph.

[George Cruikshank, Victorian caricaturist, friend and illustrator of Charles Dickens.] Autograph Signature ('Geo Cruikshank').

Author: 
George Cruikshank (1792-1878), Victorian caricaturist and book illustrator ('the modern Hogarth'), friend and illustrator of Charles Dickens
Publication details: 
Without place or date.
£25.00

On 2 x 8 cm slip of paper, cut from document. In good condition, lightly aged, laid down on larger piece of white paper cut from leaf of an album. A distinctive, strong signature, reading 'Geo Cruikshank'. No other text. From the distinguished autograph collection of Richard Hunter, son of Ida Macalpine, whose collection of 7000 books relating to psychiatry is in Cambridge University Library.

[E. V. Lucas writes to E. H. Shepard regarding the illustrating of a poem for 'Punch'.] Typed Letter Signed ('E. V.') to 'Ernest', regarding the illustrating of a poem ('Monmouthshire'?) for 'Punch'.

Author: 
E. V. Lucas [Edward Verrall Lucas] (1868-1938), author and Chairman of Methuen & Co, London publishers [E. H. Shepard [Ernest Howard Shepard] (1879-1976), artist and illustrator; Punch magazine]
Publication details: 
On letterhead of Methuen & Co, Publishers, London. 17 May 1928.
£100.00

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

[ Will Owen, illustrator of W. W. Jacobs. ] Two unpublished autograph volumes by Owen, the first and last of a three-volume work described by him as 'a more or less humorous account of a ramble round the Kentish Coast by two men'.

Author: 
Will Owen (1859-1957), English book illustrator associated with W. W. Jacobs, cartoonist, caricaturist and commercial artist making posters for London Underground, creator of the 'Bisto Kids'
Publication details: 
'A Corner of Kent | by Will Owen | Flat 90. Charterhouse Square | E.C.1 [ London ]'. Undated [ late 1940s? ].
£850.00

The two volumes constitute the first and last volumes (the middle volume is missing) of a three-volume work described by its author as 'a more or less humorous account of a ramble round the Kentish Coast by two men'. This unpublished work constitutes a topographical and social narrative, written by the well-known artist and illustrator when in his eighties. Stylistically indebted to Jerome K.

[ 'Edward Carrick', i.e. Edward Craig, art director, author and illustrator. ] Page proofs of his 'Designing for Moving Pictures'.

Author: 
'Edward Carrick' [ Edward Craig (1905-1998), art director, author and illustrator, son of Edward Gordon Craig (1872-1966) ]
Publication details: 
The Studio Publications, London & New York. Printed in England n Fosh & Cross Ltd., Mansell Street, London (Blackmore Press Ltd.).
£450.00

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

[ William Sowerby, artist and botanist. ] Autograph Signature ('Wm. Sowerby | Secty') as Secretary, Royal Botanic Society of London, on communication to 'The Proprietors of "Scientific Roll"'.

Author: 
William Sowerby (1827-1906), Secretary, Royal Botanic Society of London, artist and botanist [ [ Alexander Ramsay, editor of the 'Scientific Roll' ]
Publication details: 
On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park, London. 24 January 1883.
£120.00

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

[ Dawson Turner, botanist and antiquary. ] Autograph Letter Signed to 'Mr Sowerby' [ the naturalist and illustrator James Sowerby ], regarding his last paper in the Linnaean Transactions, specimens he is sending, and other matters.

Author: 
Dawson Turner (1775-1858), botanist and antiquary [ James Sowerby (1757-1822), naturalist and illustraton ]
Publication details: 
Yarmouth; 29 June 1805.
£220.00

2pp., 12mo. Bifolium. In fair condition, on aged and creased paper. Begins: 'By some strange, almost unaccountable, accident, the plates of my last paper in the Linnaean Transactions, accompanied by your kind favour of yr chromatic scale, have just found their way to my hands, tho' they have been some weeks in my house.' He asks what he is 'indebted for these plates', so that he may pay this and the 'subscription for your book on colors'. He describes specimens he is sending 'for English Botany', 'which you will be glad to figure.

[ Sale catalogue by Maggs Brothers of London. ] Original Drawings by Kate Greenaway and Hugh Thomson | Chiefly in watercolour.

Author: 
[ Maggs Brothers, London booksellers; Kate Greenaway; Hugh Thomson ]
Publication details: 
Maggs Bros. Ltd. London. [ Printed in Great Britian by The Courier Press, Leamington Spa and London. ] No date. [ 1930s?]
£50.00

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

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