PAINTER

[Sir William Agnew, leading London art dealer and Liberal politician.] Autograph Note Signed inviting artist and sculptor John Macallan Swan to dine with ‘Mr Leslie and some few artists’.

Author: 
Sir William Agnew (1825-1910), proprietor of the leading London art gallery Thomas Agnew & Sons and Liberal politician [John Macallan Swan (1847-1910), RA, painter and sculptor]
Publication details: 
22 August 1905. On letterhead of 11 Great Stanhope Street, W. [London]
£50.00

See his entry in the Oxford DNB. 1p, 16mo. In good condition, lightly aged, with thin band of discoloration beneath the last line. Addressed to ‘J M Swan Esq R.A’. Reads: ‘My dear Mr Swan / Will you dine with me on Thursday June 1st. to meet Mr Leslie and some few artists? / I should be glad if you will. / Yours faithfully / Wm. Agnew’.

[Charles Napier Hemy, RA, painter based in Falmouth, Cornwall, regarded as the leading marine artist of his generation.] Autograph Letter Signed dealing with the disposal of unsold pictures.

Author: 
Charles Napier Hemy (1841-1917), RA, painter based in Falmouth, Cornwall, regarded as the foremost marine artist of his generation
Publication details: 
No date or place.
£150.00

An interesting letter, dealings with the practicalities of the artist’s profession in late Victorian/Edwardian England. Hemy was regarded as the leading English marine artist of his generation, with his paintings often selling for in excess of a thousand pounds. With the proceeds he built a grand house which he named Churchfield in Falmouth. 2pp, 16mo. In fair condition, lightly aged and worn. Folded twice. The recipient - presumably his agent - is not named and there is no salutation. Signed ‘C. Napier Hemy.’ Begins: ‘Thanks for cheque enclosed. for which I send over page formal receipt.

[Matthew Ridley Corbet, ARA, neoclassical English painter.] Three Autograph Letters Signed (‘M. R. Corbet’) to John Macallan Swan, with regard to Giovanni Costa in Italy, Alfred Gilbert, William Cosmo Monkhouse and Edwin Freshfield.

Author: 
M. R. Corbet [Matthew Ridley Corbet] (1850-1902), ARA, neoclassical painter [John Macallan Swan (1847-1910), RA, painter and sculptor; William Cosmo Monkhouse; Alfred Gilbert; Edwin Freshfield]
Publication details: 
ONE: 28 October 1896; Casa Costa, Marina di Pisa, Italy. TWO: 4 December 1898. THREE: 18 March 1902. Items Two and Three on letterhead of Crow’s-nest, 54, Circus Road, St. John’s Wood, N.W.
£120.00

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

[John Nash, prominent English painter.] Autograph Signature.

Author: 
John Nash [John Northcote Nash, RA] (1893-1977), prominent English painter
John Nash
Publication details: 
No place or date.
£35.00
John Nash

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

[Frank Dicksee, R.A. [Sir Francis Bernard Dicksee, artist and illustrator.]] Autograph Letter Signed to ‘Mrs Sturgis’ (George Meredith’s daughter), commiserating with her over her illness, and accepting an invitation.

Author: 
Frank Dicksee, R.A. [Sir Francis Bernard Dicksee (1853-1928), artist and illustrator] [George Meredith and his daughter Marie Eveleen 'Mariette' Sturgis]
Publication details: 
5 April [no year]. On letterhead of Greville House, 3 Greville Place, St John’s Wood, N.W. [London]
£65.00

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium with mourning border. In good condition, lightly aged, and folded once for postage. The recipient is the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to ‘Mrs Sturgis’ and signed ‘Frank Dicksee’. He is sorry to hear of her illness, but ‘fortunately the summer is coming & long before it is here I trust you will be yourself again’.

[Solomon J. Solomon, RA, English artist.] Signed Autograph Inscription for an autograph hunter.

Author: 
Solomon J. Solomon [Solomon Joseph Solomon] (1860-1927), English painter of Jewish extraction, Fellow of the Royal Society, President of the Royal Society of British Artists
Solomon
Publication details: 
14 October 1894; on letterhead of 60 Finchley Road, N.W. [London]
£45.00
Solomon

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

[R. J. Burn [Rodney Joseph Burn], English painter.] Three Autograph Letters Signed and one unsigned, to ‘Mr Lawrence’, regarding his work, his studio and ‘Mr Daniel’ [Sir Augustus Moore Daniel], the new Director of the National Gallery.

Author: 
R. J. Burn [Rodney Joseph Burn] (1899-1984), English painter, Member of the Royal Academy, senior tutor at the Royal College of Art [Sir Augustus Moore Daniel (1866-1950)]
Publication details: 
One dated 10 September 1928, the others without year, but around the same time. All from 2 Hill Way, Highgate N.6. [London]. One also with ‘Studio address / 7 Park Hill studios / Park Hill road / Hampstead’.
£150.00

After serving in the Great War, Burn (son of Sir Joseph Burn) studied at the Slade between 1918 and 1922, winning six prizes. After teaching in London at the Royal College, and in Boston, he offered his services to the war effort. After the war he went back to the Royal College, as a senior tutor. The four ot the items here are in fair condition, lightly worn and discoloured. Each is folded once for postage. Although only one is dated, the others appear to date from around the same time. ONE (‘Monday’): 1p, 4to. Unsigned.

[Henry Jutsum, landscape painter.] Autograph Note Signed, directing ?Mr. Vaughan? [Thomas Vaughan, Clerk of the Royal Academy] to ?deliver to Mr Green? his ?picture not received for the Exhibition?.

Author: 
Henry Jutsum (1816-1869), landscape painter [Thomas Vaughan, Clerk of the Royal Academy, London]
Jutsum
Publication details: 
?174 Edgware Road / Maida Hill / 27 April 1832?. [London]
£80.00
Jutsum

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

[Frank Holl, RA, painter and illustrator.] Autograph Letter Signed, to ?Mrs. Calkin?, regarding the borrowing of her son George's rifle, bayonet and sheath for a painting, and the health of his father the engraver Francis Holl.

Author: 
Frank Holl [Francis Montague Holl], (1845-1888), RA, painter and illustrator [his father Francis Holl, engraver]
Publication details: 
17 November 1879. 4 Camden Square, N.W. [London]
£45.00

See his entry in the Oxford DNB. The letter is addressed from the house of Frederick Goodall (also see ODNB), which at other times was occupied by Laurence Alma Tadema and James Murray. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Addressed to ?My dear Mrs. Calkin? and signed ?Frank Holl?. Twenty-six lines of text in a hurried hand. He thanks her for her ?kind trouble - & for the rifle which my model called for and brought with him this morning?. He is sorry that her son George has been injured.

[James Abbott McNeill Whistler, painter] Autograph Card Signed J McN.Whistler to Monsieur Francis Howard, mainly asking for a reply to his enquiry referring to a distinguished sculptor

Author: 
James Abbott McNeill Whistler (1834 – 1903), American painter in oils and watercolor, and printmaker.
Whistler
Whistler2
Publication details: 
110 Rue du Bac, Paris, postmark undeciphered [1899?].
£2,000.00
Whistler
Whistler2

Postcard (Carte Postale), 14 x 9cm, shade of green, somewhat grubby and crumpled, smudged. See Images. Text: I sent you a letter some weeks ago - making a proposal with reference to a distinguished Sculptor here [Auguste Rodin perhaps]. Did my letter reach you? !! I regret that I shall not be able to be present at the meeting of 7th - I also wrote as you requested to Gilbert, R.A. | Very faitfully yours | J McN. Whistler. The card is addressed to Monsieur Francis Howard, The Exhibition of International Art, Prince's Skating [Club?] Knitsbridge [sic] S.W. London || Angleterre. See Images.

[A trip up the Nile by a gentleman-artist, 1864.] Manuscript agreement between Thomas Kennet Were and Fairman & Co. of Alexandria, to charter a dehabeah for a four-month trip up the Nile, signed by him, certified by the consul's clerk, with receipts.

Author: 
Thomas Kennet Were (1838-1916) of Sidmouth, traveller and gentleman-artist [Fairman & Co. (latterly Kelson, Hankey & Cie.), Alexandria, Egypt]
Publication details: 
Agreement and certification dated from Alexandria, Egypt, 9 December 1864; receipt for balance dated 17 April 1865. Separate receipt for payment in account, 9 December 1864.
£120.00

The University of Wyoming American Heritage Center has mounted a ‘traveling exhibit’ of watercolours and diaries from Kennet Were’s 1868-9 journey across the United States, a long account of which he published in the Gazette (‘Nine Months in the United States’) on his return. Were’s obituary in the Transactions of the Devonshire Association, vol. 48, (1916), p. 54, describes him as one of Sidmouth’s ‘most respected inhabitants’ and ‘the prime mover in movements for the improvement of the resort and a supporter of all good causes’, but does not refer to his artistic activities.

[Lady Burne-Jones [Georgina Burne-Jones, née Macdonald], wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones.] Her calling card (‘Lady Burne-Jones’) with autograph addition.

Author: 
Georgina Burne-Jones [née Macdonald, known as ‘Georgie’], Lady Burne-Jones (1840–1920), wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones
Publication details: 
Without date or place.
£220.00

See her entry by Jan Marsh in the Oxford DNB, added in 2022 after the publication of Marsh’s ‘Pre-Raphaelite Sisters’ (2019). 9 x 5.5 calling card, engraved in copperplate. In fair condition, lightly aged. Laid out in the customary fashion, with centred ‘Lady Burne-Jones.’, and at bottom left: ‘The Grange, / 49, North End Road, / West Kensington, W.’ In her autograph at head: ‘with sincere thanks / from’, and beneath her engraved name ‘& family’. See image.

[One Victorian painter writes to another.] Autograph Letter Signed from James Sant, RA, to George Lance, regarding a portrait over which he has been ‘going hard’.

Author: 
James Sant (1820-1916), RA, English portrait painter noted for his portraits of children [George Lance (1802-1864), English still-life painter]
Publication details: 
7 March 1856; [?].
£50.00

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

[Sir John Rothenstein, art historian and Director of the Tate Gallery, London.] Autograph Letter Signed to Philip Dosse, publisher of ‘Art and Artists’, regarding difficulties in his reviewing Holroyd and Easton’s books on Augustus John.

Author: 
Sir John Rothenstein [Sir John Knewstub Maurice Rothenstein] (1901-1992), art historian and Director of the Tate Gallery, London [Philip Dosse (c.1924-1980), publisher of ‘Art and Artists’]
Publication details: 
9 May 1974; on letterhead of Beauforest House, Newington, Dorchester-on-Thames, Oxford.
£45.00

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Signed ‘John Rothenstein’.

[Donald Maxwell; Inscribed to the Dean of Rochester; drawing added by Maxwell] A Painter in Palestine : Being an Impromptu Pilgrimage through the Holy Land with Bible and Sketch-Book / by Donald Maxwell ; with a Foreword by the Dean of Rochester

Author: 
Donald Maxwell
Askelon
Publication details: 
London; John Lane: The Bodley Head, 1921.
£320.00
Askelon

[xxii.164.[4 list of other works by author]. With illustrations, 10 plates and 36 Line Sketches, Maps and Plans. Condition mainly good but ink stain and some light rucking on cover. WITH (on a front free ep); original drawing by Maxwell of The Streets of Askelon with inscription to the Dean Of Rochester, To the Dean of Rochester | A little memento of Palestine with all good wishes from the painter, | Rochester May 1921. SEE IMAGE.

[Henry Hawkins, English artist.] Autograph Letter Signed to William Loney of Macclesfield, regarding a ‘successful’ portrait he is painting of ‘Mr Roe’, and upsetting a bottle of varnish over a letter.

Author: 
Henry Hawkins (c.1796-c.1881), English landscape artist and portraitist [James Holmes (1777-1860), miniature and genre painter; William Loney, Macclesfield surgeon]
Publication details: 
No date [franked 3 July 1838]. 11 Bulstrode Street, Manchester Square [London].
£75.00

An uncommon signature of a neglected artist. Hawkins was a founding member of the Society of British Artists, exhibiting there prolifically from 1824 to 1881. He also showed at the Royal Academy eight times between 1822 and 1849. (See Holmes's entry in the Oxford DNB.) On 14 cm square piece of watermarked wove paper, cut from a frank. The letter is written on the reverse of the cover, which is laid out in the customary way: ‘London third July 1838 / Wm. Loney Esq / Macclesfield.’ With red dated postmark, and signed in the customary way at bottom left: ‘John [Baron?]’.

[William Westall, artist and engraver.] Autograph Letter in the third person to ‘Miss Macirone’ [the composer Clara Angela Macirone], anticipating ‘the greatest pleasure’ in attending her morning concert.

Author: 
William Westall (1781-1850), ARA, artist and engraver, who in his youth travelled to Australia as artist on Matthew Flinders’ HMS Investigator [Clara Angela Macirone (1821-1895), pianist and composer]
Publication details: 
7 June 1847; 7 Pavilion Place, Battersea.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

'Gluck' [English artist Hannah Gluckstein].] Typed Letter Signed

Author: 
‘Gluck’, pseudonym of Hannah Gluckstein (1895-1978), English artist, lover of Constance Spry, Edith and Shackleton Heald, whose painting ‘Medallion’ is seen as an iconic depiction of Lesbianism
Publication details: 
7 July 1959; on letterhead of The Chantry House, Steyning, Sussex.
£80.00

See her entry in the Oxford DNB. 1p, 4to. In fair condition, aged and creased. Folded twice for postage. She begins by thanking her for her letter on her ‘portrait in the Daily Express’, which ‘is not finished yet and I have possibly another two months to do on it, but the Daily Express (because of the Liberace case) thought it would be nice to do it so I had to accede to their request’. Referring to her campaign to improve the quality of British paints she states that her ‘trouble with my paints is not yet over.

[Thomas Balston, publisher, painter and scholar of book production and illustration.] Autograph Letter Signed to ‘Mr. Tyrrell’, regarding the return of an engraving he has had photographed.

Author: 
Thomas Balston (1883-1967), director of publishers Duckworth and Co, painter and scholar of English book production and illustration, recipient of Military Cross, champion of wood engraving
Publication details: 
10 December 1918; on letterhead of Flat 64, 3 Whitehall Court, SW1 [London].
£50.00

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

[John Bacon [John Collingwood Bacon; Brontes, English artist.] Long Autograph Letter Signed to ‘Miss Sprott’, making detailed and percipient criticisms of four books on the Bronte sisters that she has lent him.

Author: 
John Bacon [John Collingwood Bacon] (1882-1950), English artist [the Bronte sisters]
Publication details: 
17 December 1947, with postscript of 2 January 1948; The Distaff Cottages, Newport, Essex.
£180.00

6pp, 12mo, on two bioliums. A long letter, neatly and closely written. In stamped envelope, with stamps and postmark, addressed to ‘Miss Sprott / Magavelda / Blakeney / Holt [Norfolk]’ and signed ‘John Bacon’. The letter and envelope are in fair condition, on slightly discoloured paper and with short closed tears along the folds made for postage. He begins: ‘Dear Miss Sprott.

[The Refectory Club, Mayfair, London.] Three items of club ephemera: publicity booklet, application form and notice. With Typed Letter Signd from club secretary David Mallett, regarding theatre historian Maqueen-Pope’s desire to become a member.

Author: 
The Refectory Club, Mayfair, London; David Mallett, Secretary [Walter James Macqueen-Pope, theatre historian; Anna Zinkeisen (1901-1976), Scottish painter]
Publication details: 
Mallett’s letter dated 4 October 1955; on letterhead of The Refectory Club, 10 Tilney Street, Park Lane, W1 [London]. The other three items undated, but slighty earlier in date.
£180.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Interesting London ephemera: the plans for the Refectory Club were clearly ambitious, but there is little to be gleaned about it, and it is unclear whether it even opened. Zinkeisen and her sister Dora are the subject of a 2022 monograph by Philip Kelleway, Emma Roodhouse and Nicola Evans. The four items in good condition, lightly aged, but with rust staining from a paperclip. Folded for postage. ONE: Typed Letter to MP, signed ‘D Mallett’ (but with ‘For Secretary’ typed beneath this). 1p, 4to.

[Ruth Mercier, nineteenth-century Franco-Swiss artist.] Autograph Note Signed (in her name and on behalf of Rozalia de Jackowska), in French, to ‘Monsieur et Madam Earle’. Incorporating an original ink drawing by her of a walking stick

Author: 
Ruth Mercier (fl.1880-1915), nineteenth-century Franco-Swiss landscape artist who painted Venice [her friend Rozalia de Jackowska]
Mercier
Publication details: 
25 December 1889.
£220.00
Mercier

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

[Carl Haag, Bavarian-born orientalist watercolour painter to the Duke of Saxe-Coburg and Gotha.] Autograph Letter in the third person to ‘Mr. & Mrs. Arbuthnot Guthrie’

Author: 
Carl Haag [Johann Carl Haag] (1820-1915), Bavarian-born orientalist watercolour painter and naturalized British subject, court painter to the Duke of Saxe-Coburg and Gotha
Publication details: 
‘5 November [no year] - Monday -’. On letterhead of 16 New Burlington Street, W. [London]
£30.00

As a naturalized British subject, resident in England from the 1850s to 1903, Haag has an entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Mr. Carl Haag presents his compliments to Mr. & Mrs. Arbuthnot Guthrie, and very much regrets not being able to accept their polite invitation for Wednesday next, having already accepted a previous engagement for that day.’

[Philip Hermogenes Calderon, genre painter and Keeper of the Royal Academy.] Autograph Letter Signed to ‘Miss Towgood’ [Mary Ethel Young Towgood], student at the RA Schools, asking for names of authors of ‘Cartoons’ and ‘Creswick’.

Author: 
Philip H. Calderon [Philip Hermogenes Calderon] (1833-1898), British historical genre painter of Franco-Spanish descent, Keeper of the Royal Academy [Mary Ethel Young Hunter [née Towgood] (1878-1936)]
Publication details: 
20 November 1896; on letterhead of Burlington House, Piccadilly [London].
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

[Richard Redgrave, RA, landscape artist, as Keeper of Paintings at South Kensington Museum [now Victoria and Albert.]] Autograph Letter Signed declining to buy a painting as it is a portrait and they are in any case short of gallery space.

Author: 
Richard Redgrave (1804-1888), RA. English landscape artist, first Keeper of Paintings at the South Kensington Museum [now the Victoria and Albert], and Surveyor of the King’s Pictures
Publication details: 
22 March 1859; on letterhead of the Science and Art Department, South Kensington, London W.
£85.00

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

[Henry Gastineau, landscape painter and engraver.] Autograph Letter in the third person to ‘Miss Nelson’, regarding arrangements for giving her lessons in painting.

Author: 
Henry Gastineau (1791-1876), English landscape painter and engraver
Publication details: 
2 June 1853; Camberwell.
£45.00

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged. Folded once. Eighteen lines of text. Begins: ‘Mr H Gastineau presents his compliments to Miss Nelson and in consequence of having received her address from Miss Stringer relative to a wish to receive some instruction from him, he writes’, giving details of when he would be able ‘to give a lesson at Windham Place’, were he to ‘receive a line to say that such an arrangement’ was desirable, after which ‘future appointments can be made’.

[Edwin Long, RA, English artist.] Autograph Letter Signed to ‘Sir Roger’, with regard to the relative merits of Stanhope Forbes and John Bagnold Burgess for receiving a commission.

Author: 
Edwin Long [Edwin Longsden Long] (1829-1891), RA, English painter [Stanhope Forbes (1857-1947); John Bagnold Burgess (1829-1897)]
Publication details: 
12 November 1890; on letterhead of Kelston, Netherhall Gardens, N.W. [London.]
£38.00

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

[John Pye, line engraver.] Autograph Letter Signed, offering the artist William Carpenter his vote ‘at the forthcoming election for Sec[re]t[ar]y of the Artists’ Annuity Fund'.

Author: 
John Pye (1782-1874), line engraver, praised by Turner, promoter of professional associations and co-operative movements [William Carpenter (1818-1899), painter; Artists’ Annuity Fund, London]
Pye
Publication details: 
21 June 1839. 42 Cirencester Place, Fitzroy Square. [London]
£180.00
Pye

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

[Adrian Stokes, RA, English landscape artist.] Autograph Letter Signed (‘Adrian Stokes’), thanking ‘Mrs. Terrell’ for her congratulations on his election as an Associate of the Royal Academy.

Author: 
Adrian Stokes [Charles Adrian Scott Stokes] (1854-1935), RA, English landscape artist, husband of Marianne Stokes, part of St Ives artists’ colony, brother of Leonard Stokes and Sir Wilfred Stokes
Publication details: 
8 May 1910. On letterhead of Littleshaw, Woldingham, Surrey.
£56.00

See his entry in the Oxford DNB, and that of his brothers the architect Leonard Scott Stokes and the inventor of the ‘Stokes Gun’ Sir Wilfred Scott Stokes. 2pp, 12mo. In good condition, lightly aged. Folded once. Signed ‘Adrian Stokes’. He has added the word ‘at’ above the letterhead, indicating that the residence is not his (it is in fact the house that his brother Leonard designed for himself).

[‘There has been such “a run on” me’:] Autograph Letter Signed (‘G. H. Boughton’) to J. P. Broadhurst, editor of ‘The Field’, regarding ‘a Menu Card’ and an illustration from his book with E. A. Abbey, which Broadhurst may wish to use.

Author: 
G. H. Boughton [George Henry Boughton] (1833-1905), RA, English artist and illustrator whose childhood was spent in America [The Royal Academy, London; J. Pendred Broadhurst, editor of 'The Field']
Publication details: 
Undated. On letterhead of West House, Campden Hill, Kensington. [London.]
£40.00

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

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