PAINTER

[ John Piper, painter ] Autograph Letter Signed John Piper to Mr Roberts.

Author: 
John Piper [ John Egerton Christmas Piper (1903-1992), painter, printmaker and designer of stained-glass windows and both opera and theatre sets ].
Publication details: 
[Headed] Fawley Bottom Farmhouse near Henley-on-Thames Oxon RG9 6JH Henley 2494, 26 August 1973.
£150.00

Two pages, 8vo, very good condition. Text: Thanks you for your letter. I've no idea what paper you saw that reported the councillor's dislike of my sketches - actually, at the meeting only one man expressed some demur about them, and (poor man) he was defeated by the otherwise general approval of the committee, which decided to go ahead with the scheme I proposed. I am doing the final designs now, and weaving will start in the autumn.

Robins Millar; Canadian emigre in Scotland; Playwright ] Eleven, usually substantial, Typed Letters Signed Robins to theatre historian, W. Macqueen-Pope (Popie).

Author: 
Robins Millar, Robins Millar (1889-1968), emigre Canadian journalist, playwright, artist poet and writer.. based in Glasgow.
Publication details: 
9 Park Quadrant, Glasgow C 3, 27 September 1950-28 December 1953.
£450.00

Twelve TLSs, 1-3pp. each, total 27pp., 4to. His subjects are predictable: his plays, his portraits, the contemporary theatre, performances (Brigadoon etc), actors, films, art exhibition, personal matters (eg his wife's ill heath, children), his writing activities,Popie's works (showing enthusiasm), drawing and writing activities, visitors to Glasgow (Hannan Swaffer writing articles on Scotland), portrait he did of Popie, the life of Novello (ghost-written then done in earnest by Popie), Edinburgh Festival, anecdotes, suggestions for theatrical books, insider gossip, anecdotes, etc etc.

[Charles Robert Cockerell, architect, archaeologist and author.] Autograph Note Signed ('C. R. Cockerell') to 'Roberts' [the Scottish painter David Roberts], accepting an invitation to a 'meeting' with 'Distinguished Guests'.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author [David Roberts (1796-1864), Scottish painter]
Publication details: 
12 February 1858. No place.
£45.00

1p, 12mo. In good condition, lightly aged. Folded twice. The letter reads: 'My Dear Roberts. | I shall have great pleasure in accepting your kind invitation for Friday next, & in meeting such Distinguished Guests as you propose to gather round you. | Ever my Dear Roberts | Sincerely yours | C. R. Cockerell.' From the Roberts papers.

[Angna Enters, American dancer, painter, author.] Sketch of dance costume in pencil and watercolour, captioned 'Fleur du Mal (Proust Sequence)', signed 'Angna Enters '56'. In envelope addressed by her to theatre historian W. J. MacQueen-Pope.

Author: 
Angna Enters [Anita Enters] (1907-1989), American painter, writer, dancer and mime, partner of Michio Ito, wife of Louis Kalonyme [Louis Kantor] [W. J. MacQueen-Pope, theatre historian]
Angr
Publication details: 
Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street, New York.
£200.00
Angr

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

[Alma Tadema [Sir Lawrence Alma-Tadema], artist of the 'Victorian Olympus' school.] Autograph Letter Signed ('votre dévoué | L Alma Tadema').], in French, regarding the subscription to 'votre estimable journal'.

Author: 
Alma Tadema [Sir Lawrence Alma-Tadema, born Lourens Alma Tadema] (1836-1912), English-based Dutch artist of the 'Victorian Olympus' school
Publication details: 
27 December 1882. On letterhead of Townshend House, North Gate, Regents Park, N.W. [London]
£45.00

2pp, 18mo. Bifolium. In good condition, lightly aged. Addressed to 'Monsieur', with no other indication of the identity of the recipient. He has always had pleasure in reading his 'estimable journal', but as it has not always been properly addressed it has arrived 'que très rarement'. He is sending 'la petite somme', 'pour quatre année d'abonnement', although 'c'est si difficile à transmettre'.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Sir William Rothenstein, artist.] Autograph Card Signed ('W. Rothenstein') to Rachel Kay-Shuttleworth, announcing that 'with some regret' he will be changing his name to 'W. Rutherston'.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Rachel Kay-Shuttleworth (1886-1967)]
Publication details: 
'Sunday' [no date, but circa 1914]; card with letterhead of the Civic Arts Association, 28 Prince's Garden, London, S.W.
£180.00

Twelve closely-written lines, on 8.5 x 11.5 cm card addressed by Rothenstein to 'The Hon. R Key-Shuttleworth | 28 Princes Garden | SW'., this being the same address as on the letterhead. In good condition, lightly aged. He begins by discussing 'Mr Booth' and his offer concerning 'the second prize', before expressing a hope that she is 'not overtiring' herself.

[Sigismund Goetze, English artist.] Autograph Letter Signed to 'Mrs. Poole', regarding a portrait of King Charles II, as prince and in Oxford robes, in his Grove House collection.

Author: 
Sigismund Goetze [Sigismund Christian Hubert Goetze] (1866-1939), English artist and art patron at Grove House, who painted the Foreign Office 'Empire Murals'
Publication details: 
20 October 1932; on letterhead of Grove House, Park Road, Regent's Park, N.W.8 [London].
£80.00

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

[Clara Montalba, British artist and suffragist, noted for her watercolours of Venice.] Autograph Signature [given in response to a request for an autograph].

Author: 
Clara Montalba [Clara Federica Montalba] (1840-1929), British artist and suffragist of Swedish and English extraction, noted for her watercolours of Venice, daughter of Anthony Rubens Montalba
Publication details: 
No date or place.
£30.00

1p, 12mo. In fair condition, on discoloured paper with slight discoloration at corner as a result of removal from mount. Neatly centred on the page is 'Yours Sincerely | Clara Montalba'. No other text. The signature is florid and curliculous.

[Jean-François Raffaëlli, French realist painter associated with the Impressionists.] Autograph Letter Signed ('J. F. Raffaëlli'), proposing a meeting with the recipient's friends, and thanking her for her defence of his work to the 'gens raffinés'.

Author: 
Jean-François Raffaëlli (1850-1924), French realist painter, sculptor, and printmaker who exhibited with the Impressionists, admired by Huysmans and Degas
Publication details: 
'Dimanche'. 19 rue de la Bibliothèque, Asnières.
£90.00

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

[Eric Forbes-Robertson, painter, brother of actors Sir Johnston Forbes-Robertson and Norman Forbes.] Fourteen items from his personal papers: including army commission and military notice and photographs, and birth, death and marriage certificates.

Author: 
Eric Forbes-Robertson (1865–1935), painter who studied in Paris with Bonnard and Vuillard, and knew Gaugin, brother of the actors Sir Johnston Forbes-Robertson and Norman Forbes
Publication details: 
Between 1887 and 1935. London, Jersey and other locations.
£220.00

Fourteen items from the personal papers of Eric Forbes-Robertson, relating to his birth, marriage, death and military career. The collection in good overall condition, lightly aged and worn. In orange card folder. ONE: Copy of EFR's birth certificate ('Sixteen June 1865 | Montfort House'). Islington, 6 July 1865 (copy of 21 December 1893). TWO: Copy of EFR's baptismal certificate. Islington, 9 August 1865. THREE: Printed 'Notice. | To be given to a MAN at the time of his offering to join the Army.' Completed and signed by EFR, 1 March 1887. 2pp, folio.

[Charles Bestland (Cantelowe Bestland), Royal Academy Schools artist.] Twelve Regency pencil portraits (for engraving?), middle-class sitters including James Millar, Encyclopaedia Britannica editor; Col. Serle; members of Trenchard family of Dorset.

Author: 
Charles Bestland (Cantelowe or Cantlo Bestland) of the Royal Academy Schools [Col. Serle; James Millar, Encyclopaedia Britannica editor; John Trenchard Pickard of Dorset]
Bestland
Publication details: 
English. The twelve dated in pencil between 1811 and 1829.
£950.00
Bestland

Twelve pencil portraits executed in the same extremely capable style, probably for the purposes of engraving. Each on a separate piece of 4to paper. All in good condition, with light signs of age and wear, a couple with minor flecking with red paint. All dated in pencil (between 1811 and 1829), and all but two captioned. (Several of the items with watermark date supporting the pencil dating.) Three of the portraits have the tiny signature at bottom left of 'Bestland', and all would appear to be the work of the same artist, although the last appears to be signed with the initials 'C H'.

[Robert Gibb, Scottish painter.] Autograph Letter Signed ('Robert Gibb') to the publisher of 'Black and White Budget', W. J. P. Monckton, re. 'the incident depicted in "Saving the Colours" ["Saving the Colours: The Guards at the Battle of Inkerman"]

Author: 
Robert Gibb (1845-1932), Scottish painter; Keeper of the National Gallery of Scotland and Painter and Limner to the King [W. J. P. Monckton, publisher of the London magazine 'Black & White Budget']
Publication details: 
8 May 1901. On letterhead of 2 Bruntsfield Crescent, Edinburgh.
£45.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gibb hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street.

[Anne-Louis Girodet-Trioson, French artist; Girodet] Autograph Letter Signed ('Girodet'), inviting 'Monsieur Gros peintre d'histoire', i.e. Antoine-Jean Gros, to 'un diner aux Truffes'.

Author: 
Anne-Louis Girodet-Trioson [Anne-Louis Girodet de Roussy-Trioson] (1767-1824), French painter, pupil of Jacques-Louis David [Antoine-Jean Gros (1771-1835), French artist, from 1824 styled Baron Gros]
Publication details: 
[Paris.] Undated, but apparently from the time of the French Republican Calendar, between 1793 to 1805.
£220.00

1p, 12mo. Bifolium. In fair condition, lightly aged and worn. From the celebrated manuscript collection of Richard Monckton Milnes (Baron Houghton). Addressed by Girodet on reverse 'préssée | A Monsieur | Monsieur Gros peintre d'histoire rue des champs Elissés la 1ere or 2e porte cochere a droite'.

[Margaret Gillies, Anglo-Scottish painter.] Autograph Letter Signed ('Margaret Gillies') to a son [W. W. Linton] of wood engraver William James Linton, regarding the father's move to America, 'Mr. Horne', 'Mrs. Lewes', and Crockham.

Author: 
Margaret Gillies (1803-1887), Anglo-Scottish portrait painter and watercolourist whose sitters included Wordsworth and Dickens [William James Linton (1812-1897), Anglo-American wood engraver and radic
Publication details: 
10 September 1872. Crockham [i.e. The Warren, Crockham Hill, Kent].
£90.00

The recipient of the letter is William Wade Linton (c.1839-1892), son of the wood engraver William James Linton, who in 1867 had separated from his wife the novelist Eliza Lynn Linton (1822-1898), and emigrated to America with three of his children by his first wife's sister, settling at Appledore, Hamden, Connecticut, where he set up a printing-press. 3pp, 16mo. Bifolium. In good condition. The letter begins: 'Dear Mr Linton | My having been very poorly and also having been away from home & full of many absorbing matters must plead my only excuse for having left your note so long unanswered.

[Sir Austen Henry Layard, archaeologist.] Autograph Letter Signed ('A. H. Layard.') to Daniel Maclise, defending the conclusions of the Royal Commission on the wall-paintings in the Palace of Westminster, with regard to Maclise and the other artists.

Author: 
Sir Austen Henry Layard (1817-1894), archaeologist at Nimrud and Nineveh, discoverer of library of Assyrian king Ashurbanipal [Daniel Maclise (c.1806-1870), Irish artist; Palace of Westminster]
Publication details: 
130 Piccadilly [London]. 24 October 1864.
£450.00

A very interesting letter in which a member of a royal commission defends its conclusions on the question of wall-paintings in Westminster Palace, to one of the leading artist engaged in that work.

[Ralph Peacock, portrait painter and illustrator.] Autograph Letter Signed ('Ralph Peacock.') to 'Mrs. Williams'

Author: 
Ralph Peacock (1868-1946), portrait painter and illustrator, associated with G. A. Henty and boys' books
Publication details: 
23 January 1908. On letterhead of 1A Holland Park Road, Kensington, [London] W.
£45.00

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

[Edmond Brock, painter.] Five Autograph Letters Signed (four signed 'Edmond Brock' and one 'E. Brock') to Colonel F. H. L. Oldham, regarding a commission to paint his wife Christabel Josephine Oldham.

Author: 
Edmond Brock [Charles Edmond Brock] (1882-1952), painter [Colonel Frederick Hugh Langston Oldham Overley Hall, Shropshire]
Publication details: 
Four from 1920, the other undated but from the same period. Four from 2 St John's Wood Studios, Queens Terrace, [London] N.W.8., three of them on letterheads; the other from Merrieweathers House, Mayfield, Sussex.
£250.00

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo).

[Samuel Lover, Irish painter, author, entertainer.] Autograph Letter in third person to Sir Thomas Gery Cullum and wife, explaining why pressures of 'public engagement' mean he must stay at his hotel rather than enjoy 'the hospitality of Hardwicke'.

Author: 
Samuel Lover (1797-1868), Irish miniature painter, author, songwriter and singer, friend of Charles Dickens [Sir Thomas Gery Cullum (1777-1855) of Hardwick House, his wife Lady Ann Cullum (1807-1875)]
Publication details: 
26 February 1845; Bell Hotel, Bury St Edmunds.
£100.00

According to his entry in the Oxford DNB, 'In 1844 Lover abandoned miniature painting as a result of failing eyesight but continued to paint and exhibit landscapes. He invented a new form of entertainment which he called Irish Evenings, a monologue of songs, recitations, and stories, all of his own composition. These he performed at the Princess's Concert Rooms, London.' Between 1846 and 1848 he toured North America with great success. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. Folded twice.

[Edmund Thomas Parris, Victorian history and panorama painter.] Autograph Letter Signed ('E. T.. Parris'), informing 'J: [Duffane?] Esqre', that he is sending an account of his 'apparatus' for restoring Thornhill's paintings in St Paul's Cathedral.

Author: 
Edmund Thomas Parris (1793-1873), history and panorama painter, History Painter to Queen Adelaide [St Paul's Cathedral; Thornhill; Samuel Carter Hall (S. C. Hall), editor of Art Journal]
Publication details: 
12 April 1853. 5 Aubrey Villas, Notting Hill [London].
£280.00

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fredc Yates') to Mrs Oldham, describing in moving terms the funeral of Anne Oldham.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist active in America before returning to England and settling in the Lake District [Anne Oldham]
Publication details: 
17 May 1895, on letterhead of 3a Portman Mansions, W. [London]
£180.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fred Yates') to Mrs Oldham, describing his examination of the wreck of HMS Foudroyant, for a painting she has commissioned. With sketches of the ship in ink and pencil.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist who found fame in America before settling in the Lake District [Oldham family; HMS Foudroyant; Royal Navy; Plymouth; Devonport]
Publication details: 
Letter: 'Sunday noon' [no date]. On letterhead of the Royal Hotel, Devonport. Pencil sketches without date or place.
£450.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[Charles E. Wadsworth ('Waddy'), Great Cranberry Isle painter and poet.] Copy of 'Weathers | Poetry and Watercolors', inscribed to Christopher Fry. With copy of 'Waddy's Anglo-Iberian Excursion' by Charlie Harmon.

Author: 
Charles E. Wadsworth (1917-2002), American painter and poet of the Great Cranberry Isles artists community; Charlie Harmon, music editor, assistant to Leonard Bernstein [Christopher Fry, playwright]
Publication details: 
'Weathers', one of 105 copies by The Tidal Press, Cranberry Isles, Maine, 1998. 'Waddy's Anglo-Iberian Excursion' self-printed after April 2002.
£500.00

Both items scarce, with no copies showing up on OCLC WorldCat. ONE: 'Weathers | Poetry and Watercolors by Charles E. Wadsworth'. [4] + 41 + [1]pp, 4to. With seven full-page reproductions of watercolours. Ring-bound in cream covers, with title printed on front cover in brown. Text printed on rectos only. In good condition, bumped at head of spine, with a little marking to covers. Inscribed on fly-leaf: 'For Christopher to enjoy | from | Waddy and Jeannie | Cranberry Isles | Maine, U.S.A.' Colophon gives short biography of Wadsworth, with an even shorter one of his brother Geoffrey C.

[ Franklin White, Australian artist. ] 24 items from his papers, including drafts and copies of his letters to the feminist Thelma Cazalet-Keir and the artist Harold Copping, and an ALS to him from Louis McCubbin, National Gallery of South Australia.

Author: 
Franklin White (1892-1975), Australian artist, teacher at the Slade Art School, London; Harold Copping (1863-1932), artist;; Louis McCubbin (1890-1952), Director, National Gallery of South Australia ]
Publication details: 
Several of White's letters on letterheads of The Reedbeds, Shoreham, Nr. Sevenoaks, Kent. Between 1921 and 1968.
£950.00

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

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