PAINTER

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began as a professional portrait painter and sculptor in the 1970s, and has work in institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. Among his other sitters was Sir Geoffrey Keynes. The present item comprises 35 pages of sketches in pen and pencil, and 21 pages of text, making a total of 56pp in a 20 x 13 cm French notebook with spiral binding. In fair condition, lightly aged and worn.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.

For more information about Chandler, see the appreciative obituary by Vy Reiners in the Independent, 5 February 1993, which describes how 'An article in the Illustrated London News launched her on a successful career that took her to Hollywood, painting sensitive, charming watercolour portraits of the children of the stars, and many of the stars themselves.' The present item contains 70 photographs in a 24 x 33 cm album. The photographs, ranging in size from 19 x 23 cm. downwards, are in good condition, with light signs of age and wear.

1p., 12mo. On aged and worn paper. He regrets to inform him that 'we have still a sick house'. His 'dear Sister' has been 'very ill', but he trusts they are 'both mending'. He concludes: 'I have pleasure in enclosing a Photo of myself, and shll be pleased to be admitted to your collection'. Professor Joseph Bristow, in his paper 'Homosexual Blackmail in the 1890s', describes how, twenty years later (on 11 August 1894), at a party hosted at 46 Fitzroy Square by John Watson Preston, twenty men were arrested, including two dressed in women's clothing.

1p., 8vo. Signed in blue felt-tip pen. Letterhead illustration of drawing by West, picked out in blue and red felt-tip. A jokey letter beginning: 'ta very much for the dress - it didn't fit me so now Sandra wears it. We have called her Sandra Mercedes. Sandra, though perhaps not very evocative, is easily pronounced in both English and Spanish.

On 2 x 6cm strip of paper, cut from a letter. In good condition, lightly aged. A good firm signature, underlined, with the tiniest part of the head of the loop of the iniitial 'E' of 'Edwd' has been shaved off.

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

ONE: Printed 'Spy' cartoon. 35.5 x 23 cm. Coloured. In fair condition, lightly aged and worn. A placid Firth is shown before an easel, with brush in one hand and pallette in another. TWO: ANS. 2p., 12mo. With mourning border. 'Dear young ladies | I have pleasure in complying with your request for an autograph. | Faithfully yours | W. P. Firth. | To | The Misses Savage'.

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

Previously laid down in an autograph album. On both sides of a 12 x 10.5 cm. piece of paper, cropped down from 12mo. In fair condition, but with some loss of text due to cropping, and with traces of glue on first page (i.e. the page without the signature). On the first page he approves the postponement of the recipient's visit to Edinburgh, and on the second he expresses admiration for 'the kind and generous sentiments displayed on both sides and described with such perfect simplicity' in 'the presented papers'.

1p., 12mo. In good condition, lightly-aged, with traces of glue from mounting on blank reverse. Reads: 'Sir, | In reply to your polite note of the 22nd. inst:, I am quite prepared to receive the "Camel Coats" [?] with which my friend Mr: Morris has kindly bethought me, and I shall thank you for their delivery.'

46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.

On 3 x 11 cm piece of thin card, cut from conclusion to a letter. In fair condition, aged and with traces of mount to two corners (not affecting signature). Reads: 'Yours sincerely | Laura. T. Alma Tadema'. Text on reverse: '[...] with us, I should be so pleased if you would join us - [...]'.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

1p., 12mo. In good condition, on lightly-aged paper. Written in response to a request for an autograph, and signed at foot 'Yours Truly | Jas: C. Hook'. Above this, beneath the heading 'Lincoln', Hook has transcribed twelve lines from 'Ode Recited at the Harvard Commemoration, July 21 1865', beginning 'He knew to bide his time, | And can his fame abide,' and with 'J. R. Lowell.' at the end.

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. After following Horton's 'kind advice' concerning 'Mr Hedgcock's & my little alphabet', 're some sketches with more action in them', he has been to 'Town' to show the designs to the publishers Grant Richards. He 'called in person on Thursday but after some delay they have eventually rejected the Alphabet. [...] Evidently from what I was told the sketches such as you advised would have been more what they wanted', so he will do them again 'in that style and try again with other people'.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.