ARTISTS

[ Sale catalogue by Maggs Brothers of London. ] Original Drawings by Kate Greenaway and Hugh Thomson | Chiefly in watercolour.

Author: 
[ Maggs Brothers, London booksellers; Kate Greenaway; Hugh Thomson ]
Publication details: 
Maggs Bros. Ltd. London. [ Printed in Great Britian by The Courier Press, Leamington Spa and London. ] No date. [ 1930s?]
£50.00

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

Unused 4to sketchbook/album of good thick paper, with the ownship inscription of the artist/diarist Joseph Farington, and the words 'The Incorporated Society of Artists' on the spine. Enclosed: a membership list and three other items

Author: 
Joseph Farington (1747-1821), landscape painter and diarist [The Incorporated Society of Artists, London]
Publication details: 
The volume contains paper watermarked 1806. The printed membership list of the Society of Artists, London, is dated 1774, and another item is dated 1777.
£200.00

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£600.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

[ Charles Dupaty, French sculptor. ] Signed appeal written 'au nom de ses camarades', the artist Edme Gaulle, 'Vauthier Peintre' and 'Citoyen Grandjean eleve de L'ecole de'Architecture [sic]'), regarding their position as 'requisitonnaires'.

Author: 
Charles Dupaty [ Louis-Marie-Charles-Henri Mercier Dupaty ] (1771-1825), French sculptor [ Edme Gaulle; Jules-Antoine Vauthier; Auguste-Henri-Victor Grandjean de Montigny ]
Publication details: 
[ France, 1790s. ]
£400.00

1p., 4to. In fair condition, on lightly-aged paper, with slight wear along one edge. The recipient is not named. Reads: 'les Citoyens Edme Gaulle, L. M. Charles Henry Mercier Dupaty réquisitionnaires éleves de L'ecole de Peinture et Sculpture concurrents aux grand prix de cette armée sont incorporés dans la 96eme 1/2 brigade actuellement a Paris | Le Citoyen Vauthier Peintre et réquisitionnaire est dans la 9 1/2 bridgade.

[ Helene Winzberger-Ford, Austrian artist. ] Long Autograph Letter Signed ('Helene') to Welsh artist Nerys Johnson, on bacck of poster for a joint exhibition.

Author: 
Helene Winzberger-Ford, Austrian artist [ Nerys Johnson (1942-2001), Welsh artist and museum curator ]
Publication details: 
Poster for show at Galerie, Austria. Letter (presumably from same place) 21, 25 and 26 July 1977.
£56.00

The poster is printed in black on one side of a 59.5 x 42.5 cm piece of glossy art paper. In fair condition, on lightly-aged paper, folded four times. It is for a joint show with Livia Szadai at the Galerie Hildebrand, Klagenfurt. There is a photograph of her work (Wollbilder oder Umh

[ Société des Artistes Français, Paris. ] Printed and illustrated certificate, giving 'Mention Honorable' to 'Monsieur [sic] INGLIS (Jean)' at the painting section of the Salon of 1928. Signed by president Paul Chabas and secretary 'A. Bréauté'.

Author: 
Paul Chabas [ Paul Émile Chabas ] (1869-1937), French artist, President of the Société des Artistes Français [ Jean Inglis (1884-1959), English artist ]
Publication details: 
'Salon de 1928'. 'Paris - Imp. A. Salmon Porcabeuf Sr.'
£80.00

Printed in black on one side of a 49.5 x 65 cm. piece of thick paper. In fair condition, aged and rolled into a tube. A tasteful design, featuring an engaving of a palm leaf. Signed at foot by 'Paul Chabas' and 'A. Bréauté'.

[ John Pye, landscape painter. ] Manuscript Letter to fellow-artist Walter Field, written by an amanuensis and signed 'John Pye', giving his opinion of a copy of Turner's 'England and Wales' being offered for sale at Christie's.

Author: 
John Pye (1782-1874), English landscape painter [ Walter Field (1837-1901), artist ]
Publication details: 
17 Gloucester Crescent, NW [ London ]. 3 March 1871.
£135.00

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

[ Robin Wallace, British artist in the Second World War. ] Ten items including three Typed Letters Signed from Arnold Palmer of the Committee on the Employment of Artists in Wartime, Pilgrim Trust Grant, and the War Office and Ministry of Labour.

Author: 
Robin Wallace (1897-1952), English landscape artist [ Arnold Nottage Palmer (1886-1973), artist and arts administrator; the Committee on the Employment of Artists in Wartime, Pilgrim Trust Grant ]
Publication details: 
Palmer's three letters on letterheads of the Committee on the Employment of Artists in Wartime, Pilgrim Trust Grant, The National Gallery, Trafalgar Square, London. Also items from the War Office and Ministry of Labour.
£200.00

Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He was a full member of the Royal Society of British Artists. The present collection casts an interesting light on the efforts of a good English artist to be of use to the war effort. Ten items.

[ Peter Graham, Scottish artist. ] Autograph Letter Signed to 'My dear Jack' [i.e. John, son of Scottish artist Faed], regarding his pictures in a Royal Academy exhibition.

Author: 
Peter Graham (1836-1921), RA, Scottish artist [ Thomas Faed (1826-1900), Scottish painter ]
Publication details: 
On letterhead of 93 Ladbroke Grove, Notting Hill, London W. 29 March [no year].
£35.00

2pp., 16mo. Bifolium with black border. He writes that he had 'looked forward with great interest to seeing your academy pictures for this year', but that he is disappointed not to be able to do so, as a result of a heavy cold. 'I have no doubt they will more than sustain your reputation, and it will be a true pleasure to me to hail them on good places on the line in the R.A.' He ends by sending regards 'to Mrs. Faed & yourself'.

[Leopold Lowenstam, English-based Dutch etcher.] Business letterbook, containing copies of several hundreds of his letters, over a twenty year period, to 72 individuals and institutions, including patrons and artists at home and abroad.

Author: 
Leopold Lowenstam [Leopold Henry Lowenstam] (1842-1898), Dutch etcher working in England [Sir Lawrence Alma-Tadema; Rosa Bonheur; Jozef Israels; Robert Dowling]
Publication details: 
Most earlier letters from 9 Titchfield Terrace, Regents Park [London]; most later letters from Woodcroft, Three Bridges [Sussex]. Dating from between 1877 and 1897.
£1,500.00

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

[John Farleigh, wood engraver.] Wood-engraving of naked black girl with African man with garland of flowers around his groin, in same style as those for Bernard Shaw's 'Adventures of the Black Girl in her Search for God'. Apparently unpublished.

Author: 
John Farleigh, prob. [Frederick William Charles Farleigh] (1900-1965), English wood engraver [George Bernard Shaw]
Publication details: 
Place and date not stated. [London, circa 1932.]
£450.00

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

[Richard Redgrave, RA, English artist.] Autograph Letter Signed ('Richd Redgrave') to the artist Walter Fryer Stocks, discussing his intention to teach landscape drawing in Leamington, and praising his painting 'The Last Gleam'.

Author: 
Richard Redgrave (1804-1888), RA, English artist, Surveyor of the Queen's Pictures,1857-1880 and art education reformer [Walter Fryer Stocks (1842-1915), English artist]
Publication details: 
18 Hyde Park Gate, South Kensington. Undated.
£56.00

2pp., 12mo. Bifolium. On aged and worn paper. Addressed to 'Walter F. Stocks Esq'. He begins by pointing out that his daughter is not to blame for the late reply: 'it is my own fault my correspondence being somewhat in arrears'.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£1,200.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

[Joseph William Allen, landscape painter.] Autograph Letter Signed ('J. W. Allen') to his pupil the artist Edward John Cobbett

Author: 
Joseph William Allen (1803-1852), landscape painter, President of Society of British Artists and drawing master of City of London School [his pupil Edward John Cobbett (1815-1899); Liscard Hall]
Publication details: 
'Liscard Hall. | near Egremont | Cheshire.' Undated.
£120.00

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

[Niccolò Schiavonetti, printmaker.] Autograph Letter Signed ('Nichs. Schiavonetti') to 'Mr. Scott', sending '4 sorts of french paper', and giving instructions on how it is to be prepared.

Author: 
Niccolò Schiavonetti [Nicholas Schiavonetti] (c.1771-1813), printmaker, brother of Luigi Schiavonetti (1765-1810)
Publication details: 
Brompton; 15 April 1811.
£80.00

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

[Benjamin Phelps Gibbon, engraver.]

Author: 
Benjamin Phelps Gibbon (1802-1851), Wesh engraver
Publication details: 
89 Albany Street, Regents Park [London]. 17 November 1841.
Upon request

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

[Abraham John Mason, wood engraver.] Autograph Letter Signed ('A. J. Mason') to 'J. Mayer Esqre', discussing a commission for an advertisement to be placed in the Art Union Monthly, mentioning individuals (Hall, Fairholt, Clements) and processes.

Author: 
Abraham John Mason, wood engraver [Samuel Carter Hall, editor of the Art Union Monthly]
Publication details: 
28 Liverpool Street, King's Cross. 27 January [no year].
Upon request

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

[Niccolò Schiavonetti, printmaker.] Autograph Letter Signed ('Nichs. Schiavonetti') to 'Mr. Scott', sending '4 sorts of french paper', and giving instructions on how it is to be prepared.

Author: 
Niccolò Schiavonetti [Nicholas Schiavonetti] (c.1771-1813), printmaker, brother of Luigi Schiavonetti (1765-1810)
Publication details: 
Brompton; 15 April 1811.
£80.00

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

[Valentine Green, Engraver.] Autograph Letter Signed ('V. Green') to an unnamed male recipient, regarding the removal of two paintings, including one by William Daniell.

Author: 
Valentine Green (1739-1813), English engraver and print publisher, Keeper of the British Institution, 1805-1813 [William Daniell (1769-1837), landscape and marine painter]
Publication details: 
British Gallery, Pall Mall [London]. 20 July 1807.
£120.00

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

[Malcolm Osborne, painter.] Two Autograph Letters Signed to Westley Manning, in the first describing his wartime enlistment in the Artists Rifles, and training under the artist William Lee-Hankey.

Author: 
Malcolm Osborne (1880-1963), English landscape painter [William Westley Manning (1868-1954), artist; The Artists Rifles, British Territorial Army; William Lee-Hankey (1869-1952), artist]
Publication details: 
The first from 11 Edith Grove, Chelsea. 24 July 1915. The second from 15 Redcliffe Square, South Kensington. 25 July 1921.
£160.00

Both letters in very good condition, neatly written out on lightly-aged paper. ONE: 2pp., 4to.

[George Richmond, English portrait painter, disciple of William Blake.] Two Autograph Letters Signed (both 'Geo Richmond') to 'Lilian', in the first speaking of a 'bond between us', and in the second discussing a 'print & frame'.

Author: 
George Richmond (1809-1896), English portrait painter, in his youth a disciple of William Blake, and one of the 'Shoreham Ancients'
Publication details: 
Both on letterhead of 20 York Street, Portman Square [London]. 2 November1882 and 7 July 1885.
£180.00

Both in good condition, on lightly-aged paper, and both with a mourning border (the first thick and the second thin). ONE: 3pp., 16mo. He apologises for 'having neglected to answer' her 'too kind and pretty note'. 'And really such neglect does great injusticce to my feeling, for your note brought back to me in vivid recollection, a visit to when we were both in great sorrow, which I am sure was a bond between us, though we had our games of Whist in the Evening with your Aunt Laura & Mrs. Buchanan!' TWO: 2pp., 16mo. He is glad she likes 'both print & frame'.

[Francesco Bartolozzi, Italian engraver.] Autograph Receipt Signed ('Francis Bartolozzi'), on account of 'Engraving a Print of The Royal Children after Mr: Copley' for Alderman John Boydell.

Author: 
Francesco Bartolozzi (1725-1815), Italian engraver, long resident in London, Engraver to King George III [Alderman John Boydell (1720-1804), London printseller; John Singleton Copley, artist]
Publication details: 
No place [London]. 23 January 1789.
£450.00

On one side of an 8 x 18cm piece of paper, with counting house spike hole in centre. In very good condition, lightly-aged, and neatly placed in a windowpane mount of 26 x 20.5 cm. With embossed Four Pence government stamp. Neatly and elegantly written out, it reads: 'Janry: 23 1789. Recvd. of Ald: Boydell Fifty Pounds upon acct: of Engraving a Print of The Royal Children after Mr: Copley | Francis Bartolozzi | 50. 0'.

[Francesco Bartolozzi, Italian engraver.] Autograph Note in the third person, and in Italian, to London printseller Molteno, about a map of France(?)

Author: 
Francesco Bartolozzi (1725-1815), Italian engraver, resident for nearly forty years in London, Engraver to King George III [[George] Anthony Molteno (1751-1816), printseller, 11 Pall Mall, London]
Publication details: 
'North End Fulham | Giovedì mattina'.
£320.00

On one side of piece of 9 x 14cm paper. In good condition, lightly-aged and with slight spotting, neatly placed in a windowpane mount of 21 x 25cm. Reads: 'Il Bartolozzi fa i suoi complimenti al Sigr. Moltino, [sic] e lo pregha di voler mandare allo stampatore due altre mani di carta di francia, il più presto possible, e di farmi tenere il conto della carta, scusi Il incomodo'.

Autograph Letter Signed from 'F. Cook' to the Secretary of the French Exhibition in Pall Mall, requesting the return of a painting 'by Mr. L. Veneaux', with reference to Ernest Gambart.

Author: 
F. Cook of 4 Childs Place, Temple Bar [Ernest Gambart (1814-1902), Belgian-born proprietor of the French Gallery, 120/121 Pall Mall, London]
Publication details: 
4 Childs Place, Temple Bar [London]. 12 April 1860.
£45.00

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

Autograph Letter Signed ('A. Bruce Joy.') from the Anglo-Irish sculptor Albert Bruce-Joy to an unnamed female correspondent, regarding 'busts', together with part of another signed letter, giving directions for installation.

Author: 
Albert Bruce-Joy [Albert Bruce Joy] (1842-1924), Anglo-Irish sculptor
Publication details: 
On cancelled letterheads of Chase Lodge, near Shotter Mill, Haslemere. The complete letter dated19 March 1893, the other letter undated.
£65.00

Both items in fair condition, on lightly-aged and worn paper, each with pin holes in one corner. Both items in a hurried, difficult hand. ONE: To 'Dear Madam', dated 19 March 1893. Docketed 'Mr. B. Joy | 29/3/93'. 2pp., 12mo. Bifolium. He begins by apologising that 'your letter should not have been replied to you [sic]', as he has been 'laid up'. He asks her to inform him when 'the busts' will be needed, '& I will see whether I can send anything'. TWO: Incomplete letter, signed 'A. Bruce Joy'. 4pp., 12mo. Bifolium. Numbered by Bruce-Joy '2'.

Autograph Letter Signed ('John Linnell Sen.') from the English portrait painter John Linnell to the Glasgow picture dealer Thomas Lawrie, regarding the verification of a picture ['The Woodcutters'] and describing work he will have for sale.

Author: 
John Linnell (1792-1882), English landscape and portrait painter, an associate of William Blake, Samuel Palmer and the Ancients [Thomas Lawrie, Glasgow picture dealer]
Publication details: 
Red Hill [Redhill, Surrey]. 15 December 1870.
£250.00

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.

Autograph Letter Signed ('M. Combe') from Martha Combe, wife of the 'Printer to the University' Thomas Combe of the Oxford University Press, discussing the terms of lodgings with 'Mrs. Capel', with a reference to 'Mr. Hunt' [William Holman Hunt'].

Author: 
Martha Combe (1806-1893), wife of Thomas Combe (1796-1872), 'Printer to the University' at the Oxford University Press [William Holman Hunt (1827-1910), Pre-Raphaelite painter]
Publication details: 
'The University Press' [Oxford]. 19 April 1862.
£95.00

2pp., 12mo. 14 lines. With the address and date on the second leaf of the bifolium, the top part of which is lacking. Fair, on aged paper. Writing to an unnamed male correspondent, Mrs Combe states that if he should arrive during her absence, he will find his lodgings 'at Mrs. Capel 7. St. Giles's, Pastry Cook'. She describes the terms as '£1 a week including attendance, plate, cooking linen, with a gratuity to the servant at the end of the term'. She concludes: 'I hope Mr.

TLS ('Henry') from sculptor Henry Moore to art collector Hans Juda, concerning an Inland Revenue 'ruling (which I think applies only to me)'. With autograph directions from Moore's house Hoglands to Hoddesdon, and copies of four letters by Juda.

Author: 
Henry Moore [Henry Spencer Moore] (1898-1986), English sculptor [Hans Juda [Hans Peter Juda] (1904-1975), art collector, publisher of the magazine 'The Ambassador']
Publication details: 
Moore's letter and the directions on separate Hoglands letterheads, the letter dated 29 March 1973 and the directions undated. Copies of four Juda letters dated 13 May 1965, 23 March and 3 April 1973, and 29 August 1974.
£500.00

ONE: Typed Letter Signed ('Henry') from Moore to Juda ('Dear Hans'). On letterhead of Hoglands, Perry Green, Much Hadham, Herts. 29 March 1973. 1p., 12mo.

[Printed pamphlet satirising the 1879 Royal Academy exhibition.] The Piccadilly Peep-Show; or, Round the R.A. in 15 minutes. By Wallis Mackay. [Preceded by 'The Piccadilly Peep-Showman's Song. By Walter Pelham.']

Author: 
Wallis Mackay [Walter Pelham; The Royal Academy of Arts, London]
Publication details: 
Published by Richardson and Best, 5, Queen's Head Passage, Paternoster Row. [1879.] [London: The Artistic Colour Printing Company, Limited, Playhouse Yard, Barbican.]
£120.00

44 + [i] + [iii], 8vo. In original grey printed wraps. Fair: on aged paper, in worn wraps separating at spine (as is the bifolium carrying the first and last leaves). Ownership inscription at head of front wrap: 'C. L. F.' Numerous amusing illustrations in text, which is followed by a spoof 'Blank Page for School Boys and others to Sketch upon.' and three pages of advertisements. Further advertisements on inside of front wrap, and on both sides of back wrap. Scarce: the only copy of this undated first edition on COPAC at the V&A.

Autograph Letter Signed ('W P Frith') from the artist William Powell Frith [W. P. Frith] to an unnamed correspondent [Lawrence Alma Tadema?], regarding a forthcoming lecture by the 'Punch' cartoonist and novelist George du Maurier.

Author: 
William Powell Frith [W. P. Frith] (1819-1909), English genre painter [George du Maurier (1834-1896), 'Punch' cartoonist and author of 'Trilby'; Sir Lawrence Alma-Tadema (1836-1912), Victorian artist]
Publication details: 
On letterhead of Ashenhurst, 7 Sydenham Rise, SE [London]. 13 May 1892.
£56.00

1p., 12mo. Good, on lightl-aged paper. He regrets that 'absence from London' will prevent him from 'attending the lecture' of his 'old friend Dumaurier', to whom he wishes 'every possible success'. He thanks the recipient for 'the compliment implied' in his invitation. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

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