PICTURES

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

An interesting agglomeration of ephemera London cinematic information. The author is working-class or lower-middle-class. Two sturdy ruled small 4to exercise books, with black covers of ribbed watered cloth and spine of red cloth. In fair condition, lightly aged and worn. ONE: 150pp. Ownership inscription on inside of front cover: ‘Miss Renee Fish, / 112, Allerford Road / Catford, / S.E.6.’ The first page is headed: ‘31. 12. 29. Films I have seen during 1930.’ Each of the volume’ The entries are numbered from 1 to 272, with an additional numeration for each year from the second year onwards.

1p, 4to. Addressed to 'Dear Miss Cond' and signed 'G P Bachmann'. In fair condition, lightly aged and creased. Folded twice for postage. He apologises for the late reply to her ‘nice note and the book-plate’. He gives details of two films he has been ‘terribly busy making’, ‘neither of them stories I wrote’: ‘The Phoenix is to start in Berlin this winter as a very big film with three big stars.

See the entry in the Oxford DNB for his father the 1st Marquis. 2pp, 12mo. On the first leaf of a bifolium. In fair condition, lightly aged and discoloured, with thin strip of glue from previous mount on reverse of second leaf. The recipient is not named, and he signs ‘Hastings’. The letter begins: ‘Dear Sir, / I made the necessary enquiries as to the entry in the Leicester registry (through a friend of our clergyman) & enclose his reply [not present] - I fear it is not what you wished for.’ He might get ‘more satisfactory information’ if the recipient can give a ‘better clue to go by’.

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website, which descibes the background to this material, although its author us clearly unaware of the increasing tension between Pulman and Wouk revealed by material in the present collection: 'In early 1978 Paramount TV producer Stanley Kallis and author Herman Wouk approached Pulman to write a treatment (to be followed by a screenplay) for Wouk's sweeping World War Two novel 'The Winds of War'.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

The material, from the Percy Nash papers, is in fair condition, with light signs of age and wear. It is arranged in the following description in ten sections. ONE: Two drafts of an autobiographical account by Nash, ending in 1933. Both 2pp., 4to. The first is headed 'Percy Nash' and the second 'PERCY NASH. born December 5th 1868'. Of interest are the following statements: 'Owing to indisposition of Harry Loveday, was engaged by Sir Henry Irving to Stage Manage (associated with Laurence) the production of "Robespierre" at the Lyceum Theatre, and remain with him for several years.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

2pp., 12mo. Bifolium. On aged and worn paper. Addressed to 'Walter F. Stocks Esq'. He begins by pointing out that his daughter is not to blame for the late reply: 'it is my own fault my correspondence being somewhat in arrears'.

Surprisingly little is known about this British cinematographic pioneer, and these items are rare survivals, there being no reference to Walford on COPAC. Handbill: 8vo (27 x 21 cm). Printed on both sides. Clear and complete. Aged and creased, with damage at edges. In portrait 8vo on one side, with picture of British Army lancer and border of Union Flags. Headed 'Great Additions with Augmented Change of Artistes since last visit. | The Schoolroom, Watton. | Monday, February 10th.' 'Walford's Royal Military and Naval Warograph & Vocophone Co.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.