W.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

See Nicolas Barker’s obituary of Bondy in the Independent, 27 June 1993. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. An evocative piece of booktrade and London local government ephemera. 2pp, 8vo. Printed on a leaf of shiny art paper. Worn and creased; folded twice. On one side ‘L. W.

Note to be confused with the Kew curator William Watson (1858-1925). Both cards are plain: the first with a self-printed stamp and the second with stamp affixed. Both in fair condition, lightly aged. ONE (to Grinling): He identifies the fungi he sent, adding a comment on bacteoles of mallow. Ends in the hope of attending ‘the Epping Forest foray this year’. TWO (to Whitaker). The previous Saturday he noted ‘Pyrus torminalis in the old rough lane between fences nearly opposite the Bull Inn on Shooters Hill (? Jack Wood Lane)’.

From the first Smith has been considered as the model of the ‘Sir Joseph Porter’ of Gilbert and Sullivan’s ‘HMS Pinafore’, and Disraeli himself is said to have referred to him as ‘Pinafore Smith’. See Smith’s entry in the Oxford DNB. The present item is signed ‘W. H. Smith’, addressed to ‘Mr Townsend Warner’, and headed ‘Private’. The recipient is the historian and Harrow housemaster George Townsend Warner (1865-1916), father of the novelist Sylvia Townsend Warner. 2pp, 12mo. In good condition, lightly aged. Folded once.

In addition to the entry for Prothero in the Oxford DNB, see those of H. W. C. Davis (1874-1928) and H. W. V. Temperley (1879-1939), which reveal the interest all three had in the Paris Peace Conference of 1919. Both items in good condition, lightly aged. Each folded once. Both addressed to 'Davis'. ONE: 7 November [1921]. 4pp, 12mo. Dictated, and entirely (including signature) in the hand of an amanuensis.

See his entry in the Oxford DNB. Card with letterhead printed in blue with landscape orientation on one side; the other side blank. In very good condition. Clearly responding to a request for an autograph. The first paragraph reads: ‘I was astonished to hear you had read all my books. No one has made that claim before! Congratulations on your stamina. Though if you have enjoyed them so much, you might have enclosed an s.a.e.!’ He concludes with the news that his ‘Secret of this Book’ will soon be appearing in paperback, and that he is ‘finishing an autobiography’.

Each of the two items attributed to Wright in pencil note on reverse. Both in good condition, lightly aged. ONE: On 11 x 17.5 cm piece of paper. At head: ‘Book Plate of Morrall A[?] vox stellarum vox Dei’. At foot: ‘M. J. Morrall’. (Unlikely to be the Brooklyn architect of this name active at this time.) Up left-hand margin: ‘Mr. Edward Morrall / Mayor 1885-6’. Down right-hand margin: ‘Presented to Mr Edward Morrall Quay House Bridgnorth’. Full achievement, from crest to motto, with colours indicated. TWO: On back of 9 x 11 cm printed ‘at Home’ card.

Interesting artefacts of provincial Georgian connoisseurship and picture dealers. If genuine (unlikely, given the period) the paintings would be of considerable interest. Given the exchange of cash, ‘W. Hayward’ could well be a visiting picture dealer. Both memoranda in good condition, lightly aged. ONE: 1p, 8vo. Folded four times. Reads: ‘Gloster 20th. Octr. 1841 | Exchanged with Dr. Maddy the following pictures viz / Waterfall &c. - Berghem / Landscape - Hobbema / for / Landscape - K. Du Jardin / Perseus & Andromeda - S. Rosa / and / Cash - £100 / W. Hayward’. TWO: 1p, landscape 12mo.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded twice. Minuted in manuscript at head, and bearing receipt stamp 16 May 1896. Signed ‘A. E. W. Mason’, and presumably addressed to his editor, regarding the publisher’s contract and draft of the manuscript of his second novel ‘The Courtship of Morrice Buckler’ (1896). He writes that he is returning the draft, ‘which with your corrections seems to me quite satisfactory’. He is going out of town for a few weeks, and as his tenancy is expiring, his address on his return will be 7 North Terrace, Brompton, S.W.

See his entry in the Oxford DNB. 1p, tall 8vo. In fair condition, lightly aged; folded twice. In the following transcription the manuscript parts are in square brackets: ‘By Command of the Commissioners for Executing the Office of Lord High Admiral of the United Kingdom of Great Britain and Ireland, &c.

See his entry in the Oxford DNB. On 16 x 10 cm rectangle cut from leaf of an autograph album. On lightly aged wove paper, with crease to one corner avoiding the writing. Boldly written: ‘W. Harrison Ainsworth / Dunsnow. / July 19th. 1855.’ Nothing else written on either side of the leaf. See image.

See the two men’s entries in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to Dilke’s political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. 16mo, 2pp. On bifolium. In good condition, lightly aged and folded once. ‘Dear Bourke / If you are in the House at 2 o’clock to-day I propose to ask you when the Greek Papers which were promised yesterday in the House of Lords are likely to be distributed to members of the House of Commons / Yrs. very truly, / Charles W.

See Dilke’s entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to his political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. On one side of a plain 11.5 x 9 cm postcard. In fair condition, lightly aged, with the two right-hand corners creased.

See his entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to Dilke’s political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. 2pp, 12mo. On bifolium. In good condition, on aged and lightly-worn paper. The letter begins: ‘Dear Sir, / I suppose a pamphlet is meant - called I think “Parliamentary Reform” - (but I’m not quite sure), written about 1878 & sold at Smith’s bookstall.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.

[24]pp, 12mo. Stapled programme, in shiny covers. Strip torn away from back cover, and with staples slightly rusted, otherwise in fair condition. Large signature 'Ivor Novello' diagonally across title on front cover: 'Richard D. Rose | presents | Ivor Novello | in | I Lived With You | A comedy in three acts | by | Ivor Novello'. An illustrated 'magazine' programme, containing articles and advertisements. No copy on OCLC WorldCat. From the papers of Novello's friend and biographer, the theatre historian W. J.

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

1p, 4to. In fair condition, on aged and creased paper. The letter begins: 'Dear Mr. MacQueen Pope, | Please forgive me for bothering you, but you are I know, the horse's mouth as regards theatre history.' She explains that she is 'in the throes of a book on ballet' for her publishers William Collins, and she asks him to help her with 'a problem in the section on early ballet in England'. The problem concerns 'the King's Theatre Haymarket' and 'the Italian Opera House'. She gives a facts and dates, asking 'was it all one and the same theatre?

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.