W.

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.

[24]pp, 12mo. Stapled programme, in shiny covers. Strip torn away from back cover, and with staples slightly rusted, otherwise in fair condition. Large signature 'Ivor Novello' diagonally across title on front cover: 'Richard D. Rose | presents | Ivor Novello | in | I Lived With You | A comedy in three acts | by | Ivor Novello'. An illustrated 'magazine' programme, containing articles and advertisements. No copy on OCLC WorldCat. From the papers of Novello's friend and biographer, the theatre historian W. J.

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

1p, 4to. In fair condition, on aged and creased paper. The letter begins: 'Dear Mr. MacQueen Pope, | Please forgive me for bothering you, but you are I know, the horse's mouth as regards theatre history.' She explains that she is 'in the throes of a book on ballet' for her publishers William Collins, and she asks him to help her with 'a problem in the section on early ballet in England'. The problem concerns 'the King's Theatre Haymarket' and 'the Italian Opera House'. She gives a facts and dates, asking 'was it all one and the same theatre?

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

1p, 12mo. In fair condition, lightly aged. Folded twice. Thirteen lines of closely-written text in a somewhat affected hand. Addressed to 'My dear Haig'. He has wanted to thank him for his trouble in 'bringing over [from India?] those beautiful Bombay vases for my wife', and to ask him to let him pay his wife's debt. The vases 'are admirably chosen and please me very much'. He next turns to 'the arms', with which 'Chaplis seems to be succeeding very well'. He adds: 'What a quantity you brought.' It would be worth Haig's while to visit 'the Collection at the India Museum, South Kensington'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

1p, 12mo. In fair condition, lightly aged. Folded twice. Thirteen lines of closely-written text in a somewhat affected hand. Addressed to 'My dear Haig'. He has wanted to thank him for his trouble in 'bringing over [from India?] those beautiful Bombay vases for my wife', and to ask him to let him pay his wife's debt. The vases 'are admirably chosen and please me very much'. He next turns to 'the arms', with which 'Chaplis seems to be succeeding very well'. He adds: 'What a quantity you brought.' It would be worth Haig's while to visit 'the Collection at the India Museum, South Kensington'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

Written at a crucial time in the run-up to the foundation of the Abbey Theatre. As Horniman's entry in the Oxford DNB states: 'In 1903 Yeats lured Annie to Dublin where he hoped her backing for productions by the Irish Literary Theatre would bring more of his poetic dramas to the stage. To her delight Yeats invited her to design his play The King's Threshold. Annie soon realized she was administrator rather than artist, and the atmosphere of an amateur company directed by three playwrights—Yeats, Lady Gregory, and J. M. Synge—was never congenial.

ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W.

The eleven items are in fair condition, lightly aged and worn, laid down on two heavily-worn leaves removed from an album. An interesting slice of social history, relating to introduction into England of a phenomenon which began in the Unites States in the 1850s. Nine of the items relate to spelling bees in Kennington, managed by the compiler of the material T. W. Williams, and one to a 'Grand Spelling Bee' in Guildford.

The 'Rebellion' was precipitated by the whipping of Thomas J. Whall, a Catholic boy at the Eliot School, for refusing to recite the ten commandments in the Protestant King James translation. It resulted in the creation of nationwide Catholic parochial schools. 29pp, 8vo. Saddle-stitched pamphlet with uncut edges and without wraps. On aged and worn paper. In double column and small print. A transcript of the closing arguments in the case, without editorial interpolation. Scarce. No other copy traced of original edition.

16pp, 8vo, paginated 673-688. Stitched into brown wraps, with typed white label on front cover. At the head of the front cover, in manuscript: 'II | Prof C. G. Curtis | With the Authors' Compliments.' The offprint in good condition, on lightly aged paper, the brown wraps aged and chipped, with small of back wrap torn away at rear. The only other copy of this offprint on OCLC WorldCat at Durham University.

viii + 296pp, 8vo. In fair condition, on lightly aged and spotted paper, with slight damp staining along bottom edge. In contemporary green crushed morocco binding, with gilt decoration to the edges of the inside covers, all edges gilt, rebacked and with new endpapers. Inscribed by Rogers on flyleaf: 'To W. E. Gladstone | from his friend, the Author.' Beneath this Gladstone has added in pencil: 'June 1838'. The volume contains a handful of light annotatory marks in pencil, no doubt also by Gladstone.

In folding box, dark blue, gt. 79pp, 8vo. In plain white card wraps, in blue dustwrapper printed in black, with red border to cover. Ownership inscription in blue ink on front free endpaper: 'Christopher Fry | 1930'. Hardly the best of copies, but a good association between two of the three giants of the twentieth-century English verse play (Eliot being the other). Internally tight, on lightly-aged paper, in aged and worn wraps. The dustwrapper is in poor condition, stained, chipped, and separated into several loose parts along the folds, with spine and back cover tipped-in onto the wraps.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

See Donaldson's entry in the Oxford DNB, which states that he was 'greatly beloved by his friends, who included N. C. Thirlwall and W. H. Thompson. The diarist Henry Crabb Robinson spoke enthusiastically of the charm of his conversation.' 3pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. No salutation or valediction, and the recipient is not named, but the item derives from the papers of Sir Thomas Gery Cullum and his wife Lady Anne Cullum, of Hardwick House.

16pp, 8vo. Stapled pamphlet. In fair condition, lightly aged, covers dusty and spotted, staples slightly rusted. P.2 carries an announcement of the joint publication by 'Mr. Heinemann' and the Macmillan Company of New York 'of a new series of Greek and Latin texts with English translations on the opposite page and brief biographical prefaces. The series takes its name from Mr. James Loeb, originator of the idea, […]'. The page gives details of the plan, and p.15 carries a 'List of the First Twenty Volumes, 'Ready in September' and 'Ready in November'.

56pp, 8vo. With fold-out 'Chart indicating the suggested arrangement of buildings etc:' at rear, 29.5 x 53.5 cm. In grey printed wraps. Internally in good condition, lightly aged, in worn and torn wraps which are becoming detached. With label, stamp and shelfmarks of the Board of Education Reference Library. Black's preface (pp.5-6) begins by explaining that 'The ideas embodied in the following pages are the product of some eight months incarceration in Germany.

2pp, 4to. Bifolium. Franked in the usual manner 'Egremont', with postmark and broken seal in red wax, on reverse of second leaf, and addressed: 'Petworth Jany. Seventh 1828 | The Revd: J. Austen | Ockham | Ripley | Surrey'. An interesting letter, casting light on personal financial affairs in late-Georgian England. The letter has been forwarded by the recipient Austen to the individual who is clearly 'the Gentleman' referred to in it, addressed by Austen on the recto of the second leaf, with Ripley postmark, as 'John Smallpeice Esqr | Guildford'.

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

A rare and unusual item, distributed as news of the execution broke, no other copy of which has been traced, either on OCLC WorldCat or on COPAC. Printed on one side of a 59 x 48.5 cm piece of watermarked laid paper. In four columns of small print, surrounded by a thick-thin ruled border. Engraving (13.5 x 14.5 cm) of the moment of execution by guillotine at head of the central two columns. Aged and worn, with small drops of ink spattering, but with the text entirely legible and the engraving practically unmarked. Folded four times.

1p, 4to. In good condition, with slight creasing to extremities, on a leaf of 'Onion Skin' paper. A sixteen line poem in three stanzas, beneath which is written, boldly and in pencil: 'W B. Stanford | Trinity College | Dublin'. The poem is one of Stanford's best and best-known, and features in Donagh MacDonagh's 'Poems from Ireland' (1944) and Brendan Kennelly's 'Penguin Book of Irish Verse' (1970). The present version exhibits no variations from the text printed by Kennelly.

1p, 12mo. In good condition, on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”', adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh, and hopes that he will go and see him when he next comes to Ireland.