GHOST

See his entry in the Oxford DNB. On 10 x 7 cm piece of paper, cut down from letterhead. In good condition, lightly aged, with pin holes at top left. Clearly sent in response to a request for an autograph. Reads: 'Yours very truly / W. W. Jacobs'. See scan

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium. Thirty-lines of text in his distinctive close hand. Addressed to 'Dear Miss Hall' and signed 'S. B. Gould'. In fair condition, lightly aged, with slight loss to the upper corners of the second leaf from removal from mount. Folded twice for postage. He begins by stating that he will be writing to 'the Chaplain & also to some cousins of mine who are at Freiburg, & who are nice cheerful people - the Snows'. He informs her of the death of 'Herr v.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

Blackwood’s entry in the Oxford DNB quotes H. P. Lovecraft’s opinion that he was the author of ‘some of the finest spectral literature of this or any age’. On post card with printed stamp. In good condition, lightly worn, on light-brown card. Addressed to ‘Miss Cond, / Deer Park, / Honiton.’ Apart from the signature, Blackwood has added quotation marks and dealt with two typing mistakes in autograph. Good firm signature. Reads: ‘Savile Club, 69 Brook St, W. 1.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The recipient, whose name Jacobs gives as ‘D. H. Denselow Esq’, was the commercial artist and autograph hunter Douglas Harold Hellier-Denselow, whose studio was in Gunnersbury, West London. The note reads: ‘Dear Mr. Denselow / I am much obliged for your letter & its accompanying illustration. I shall not follow your example & affix my eye to my autograph / Yours very truly / W. W. Jacobs’.

1p, 12mo. In good condition, lightly aged. Folded once. Neatly and closely written out. Good firm signature, not hyphenated (as opposed to his entry in the Oxford DNB). A short letter, begging with thanks to the unnamed recipient 'for a sight of your beautiful drawings.' He continues: 'I have nothing to do with the publication of “Lives of the SS” as I parted with copyright at the time they were just done.' The sixteen volumes of his 'Lives of the Saints' appeared between 1872 and 1877.

On 17 x 12 cm leaf of thickish paper, removed from 'The Meredith Birthday Book'. In good condition, lightly aged and worn. Scratchy signature, underlined. In one of three printed boxes of red rules on one side of the leaf, the other side bearing quotations from George Meredith for the days 25 to 27 April.

1p., 12mo. In fair condition, aged and worn. He writes to inform him that 'Mr Bertie Williams Wynn's political views are strictly Conservative & in accordance with those entertained by the great body of the Carlton Club'. Wnn is 'still anxious to become a Member of the Club', and Combermere gives his Shropshire address.

S1p., 4to. In good condition, lightly aged, with minor traces of mount on reverse. Addressed to 'Frederick I. Cowles, Esq., F.R.S.L., F.R.S.A., F.S.A.' Reads: 'Dear Sir, | In reply to your letter, I should have liked to oblige you but it is impossible for me to do so. The matter would require much more time than I have to spare.'

147pp., 8vo. In fair condition, on aged paper, with rusty binding, in worn covers. In manuscript on the cover are the return address and 'Producer's Copy'. In the same hand is an addition to the ending: 'Judy | Then there is a ghost' | Geoffrey | Not a word to your father'. 'Who's Who in the Theatre' records a production of the play in 1938, but there is no reference to it on either OCLC WorldCat, or on COPAC.

1p., landscape 12mo. In fair condition, on lightly aged and worn paper, with cropped margins. He begins by explaining that O'Donnell's letter has been sent to him 'from Theatre Royal, Drury Lane, on the staff of which I am and whose whose [sic] historian I am too'. He continues: 'I fear a night vigil would be of little use so far as the Ghost is concerned. He is a day time visitant. Never yet has he been seen before 9 a.m. or after six p.m. Between those hours - frequently.' He refers O'Donnell to the 'full account' in his book 'Theatre Royal'.

Letter One: 1p., 12mo. Signed '(Hon) Donough O'Brien'. Good, on aged paper, with a couple of short closed tears at head. Addressed to 'Elliott O'Connell Esqre of The Red House, Guilsborough, Northants.' He is sending him a copy of his 'Genealogical Table of the Princes of Ireland', 'in a cardboard-roll to see': 'The descents are from the Common Ancestor, Milesius, King of Spain and Ireland'. The price is two pounds, and he believes that 'it is the first time that the 23 lines have been set out on one Chart and in their appropriate places of Geniture, and over so distant a period of time'.

The seven letters total 23pp, 12mo. In good condition, on lightly-aged paper. The third letter, written from Hickleton on 7 January 1907, is in a secretarial hand, Halifax being 'laid up with Influenza' and 'utterly good for nothing'; it carries an autograph postscript by Russell at the head of the first page. The first letter (14 July 1900) invites Russell to fill the 'vacancy on the list of Clerical members of our E.C.U. Council'; Russell's acceptance is acknowledged in the second, which also discusses charges of 'disloyalty'.

12mo, [iv] + 48 pp. In original brown printed wraps. Text clear and complete. Aged and lightly worn, with slight staining to edges of wraps. Can be dated to the 1880s, as Powell died in 1886, and the latest date in the text is 1881. Preface: 'This little work professes to give merely a sketch of the objects of beauty and interest to be found in The Golden Valley. The Landscape-Painter, the Archaeologist, the Botanist, the Historian, will there find ample occupation.

xxxviii.80pp., 8vo, printed red cloth, slight hinge strain, endpapers discoloured, cover has minor defects, but is attractive. A drama. Scarce: COPAC lists only the BL copy but WorldCat lists five other British repositories.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).