WILLIAM

ay is said to have preached nearly a thousand sermons before the age of twenty-one. On 11 x 8.5 cm piece of paper. In fair condition, lightly aged and worn, but with patches of sunning. At the head of the page is the order for the books, presumably in Godwin's hand: 'A Volume of Crabbe's Works - to bind / 2 Vols to match it'. Beneath this is Jay's heavily-inked response: 'Will Mr Godwin leave the ordering of the binding till I see him? / Wm Jay'. Scan on application.

See his entry in the Oxford DNB. On 12 x 5 cm piece of paper, cut from letter for an autograph hunter. In good condition, lightly aged. On one side: ‘With much esteem, / Believe me, my dear Sir / Yours ever Sincerely / W Morley Punshon’. On the other side: ‘[...] desire, of every part of the service but the Sermon & while we would not on [...]’ Annotated in pencil: ‘An eminent Wesleyan minister not long dead’. Scan on application.

See his entry in the Oxford DNB. On 10 x 7 cm piece of paper, cut down from letterhead. In good condition, lightly aged, with pin holes at top left. Clearly sent in response to a request for an autograph. Reads: 'Yours very truly / W. W. Jacobs'. See scan

See his entry and Wordsworth’s in the Oxford DNB. The Prince was Chancellor of Cambridge University from 1811 to his death. Wordsworth was Vice-Chancellor twice: 1820-1821 and 1826-1827. On 13 x 7 cm panel cut from the cover of the envelope. In fair condition, lightly aged, laid down on brown paper cut from album, with slight wear to corner of letter just touching the initial ‘W’ of the Prince’s name. Laid out in the customary fashion, and reading: ‘London June Twenty seven 1827 / The Revd / Dr. Wordsworth / Vice Chancellor of the University / of Cambridge’.

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

See his entry in the Oxford DNB. On 11 x 7 cm panel cut from the cover of the envelope. In good condition, lightly aged, laid down on brown paper cut from album. The intial ‘C’ of the Duke’s name curls under the rest of the signature with a loop, and with end of flourish possibly trimmed in cutting the panel. (Comparison with other examples of the future king’s signature as Duke of Clarence indicate that whatever loss there may be would be minimal.) Laid out in the customary fashion. Reads: ‘Bushy. December twenty third 1827 / Mrs: Skelton / Sandridge Lodge / St: Alban’s / Street’.

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

Four interesting Peninsular War items, from a collection of Beresford material. In 1813 the Duke of Wellington described Beresford as ‘the ablest man I have yet seen in the army’. See his entry in the Oxford DNB. The four items are in good condition, lightly aged and worn (but see descriptions of Items One and Three), and folded for postage. ONE: Apparent Autograph Draft of Letter. ‘Abranles July 4. 1809’. 2pp, 4to. On laid Whatman paper. Reverse somewhat grubby with glue stains (from display in an album?) at foot of reverse of leaf.

A good letter, not the least of whose interest lies in the fact that it provides first-hand information about the Duke of Wellington. See Martin’s entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Mrs. Thomas, / Your variant of the King Lear story will, I am sure, delight Mr. Furness. Unfortunately King Lear has already been dealt with by him. It forms one volume of his magnificent Edition. But he loves every thing that concerns old England.

A large, attractive printed certificate, somewhat in the style of an early Victorian public notice, with heavily leaded font. Printed in black on one side of a 32 x 41 cm piece of cream vellum paper. Discoloured and ruckled from having been rolled up, but in good overall condition, and highly suitable (once flattened out) for framing. At bottom left, signatures of six ‘Commissioners, and Members of the Board’, one above the other: ‘Adolphus Fieldmarshal / W. H. Clinton / Thomas Bradford A Gnl / J Gardiner DAG / G Scovell Govr. M. Genl. / T W Taylor Col: Lt Governor’.

Seven items in good overall condition, lightly aged and worn. See the obituary of the recipient Major General Sir Noel Galway Holmes (1891-1982) in the Daily Telegraph, 29 December 1982. ONE: Robert Fellowes (b.1941), Baron Fellowes [Lord Fellowes], Private Secretary to Queen Elizabeth II. TLS to NGH (‘Dear Sir Noel’). 15 December 1981; on letterhead of Buckingham Palace. 1p, 12mo. Signed ‘Robert Fellowes’. He has been commanded by the Queen to thank him, ‘and all survivors from the XVIIIth The Royal Irish Regiment, for your Christmas card’.

Rare: The BL has a copy (not annotated) and there's a copy on JISC at Reading, with the entry stating that consists of 104pp, rather than the 231pp of the present copy. See Elton’s entry in the Oxford DNB. He first served as a Conservative MP for Somerset in 1884-5, and the present item was composed during his second term, 1886-92. No title-leaf: drop-head title. At foot of first page: ‘A 55729. 30.?1/89. Wt. 6590,’. Introductory section credited on p.30 to 'Charles Elton. / B. F. C. Costelloe, / Assistant Commissioner.' Folio, 231pp.

Fowler’s entry in the DNB states that he resigned his tutorship in 1910, when he ‘retired to Kingham, where, since 1873, he had enjoyed a country home and entertained his pupils. From 1899 he lived there with his sister Alice’. On both sides of what was an 8vo leaf, the lower part of which has been torn away, leaving a piece roughly 20 cm square, with 26 typed lines and the autograph valediction, in a large bold hand, ‘Yours sincerely / W. Warde Fowler’. Aged and worn, but with the remaining text clear. A nice letter, combining Fowler’s main interests.

See his entry in the Oxford DNB, together with A. N. L. Munby’s entertaining ‘The Cult of the Autograph Letter in England’ (1962). 1p, 4to. No fold. In good condition, on lightly aged paper extracted from a notebook. Signed at foot: ‘William Upcott / a collector and preserver of Autographs. / London Institution / Finsbury Circus. / January 17. 1834’. The four memoranda are neatly written out over fifteen lines in Upcott’s distinctive hand.

See his entry in the Oxford DNB, together with A. N. L. Munby’s entertaining ‘The Cult of the Autograph Letter in England’ (1962). 1p, 4to. No fold. In good condition, on lightly aged paper extracted from a notebook. Signed at foot: ‘William Upcott / London Institution, / Finsbury Circus. Jan. 18. 1834.' Very neatly written out in Upcott’s best hand, which is more like type (including the signature) than the document offered separately, on the same watermarked paper.

One of the great figures in British history. See his entry in the Oxford DNB. Good neat signature 'W E Gladstone' on 7 x 2.5 cm slip of card. In good condition, lightly aged. See Image.

See his entry in the Oxford DNB. 3pp, 4to. Bifolium. Fifty-eight lines of text. In good condition, lightly aged and worn. Folded three times. Minor traces of grey-paper mount adhering to the blank reverse of the second leaf. Addressed to ‘George Anderson Esq / M.P. / House of Commons’, and signed ‘W. G. Dickson’. Two annotations in a contemporary hand, one beneath the signature. The first paragraph reads: ‘My dear Sir / I have to thank you for the copy of your bill “to extend the jurisdiction of Sheriff Courts in Scotland,” which I received this morning.

See Terry’s entry in the Oxford DNB. At the time of writing Dr. W. J. Phillips was the organist at St Barnabas, Pimlico; he was unsuccessful in the present application, but was subsequently organist of the Chapel Royal at Hampton Court. See his entry in Humphreys and Evans, ‘Dictionary of Composers for the Church in Great Britain and Ireland’ (1997). These two items are uniform on a total of three leaves of light paper. Both discoloured and worn, and folded three times. ONE: ALS from Terry to Phillips. 1p, 4to. He is ‘most pleased to have opportunity of supporting’ Phillips’s application.

The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower (1830-1892), after whose death its management was taken over by his brother Edgar Flower (1833-1903), also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower (1865-1950), several times mayor of Stratford-upon-Avon. The present correspondence concerns a gift to Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy.

See his entry in the Oxford DNB. 1p, 4to. Eighteen lines of typed text, under the heading ‘VISION AND SERVICE.’ Undated, but certainly written after 1918, since the document is responding to changes since ‘the pre-war world of yesterday’. The final reference to a ladder, echoes a passage in Leverhulme’s 1919 tract ‘The Six-hour Day and other Industrial Questions’. Large bold signature at bottom right: ‘Leverhulme’. The signature and its environs are in good condition, on a document of aged and worn paper, with tearing to a central horizontal fold repaired with archival tape.

These five items are part of a collection of correspondence (the rest is offered separately) relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney, which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. (The Shelley portrait is reproduced in ‘The Magazine of Art’, 1901, with the caption ‘Reputed portrait of Shelley as a boy, by Romney. In the Shakespeare memorial, Stratford-on-Avon.’, in an article on ‘Portraits of Shelley at the National Portrait Gallery’, p.

See his entry, and Freeling’s, in the Oxford DNB. 1p, 4to. Aged and worn, with nicks and closed tears around the edges, but not near the valediction ‘Yours very faithfully / W: Manning.’ Addressed to ‘Francis Freeling, Esqr.’ Begins: ‘My dear Sir, / Your Letter of yesterday I have just received & am exceedingly obliged to you for the communication it contains - it is quite distressing to see the delusion which prevails in the public mind on this subject -’. He is ‘submitting the Extract of the Norwich paper sent by Mr.

See the two men’s entries in the Oxford DNB. 2pp, 16mo. Eighteen lines. On first leaf of bifolium. In good condition, on lightly aged paper. Folded once. Addressed to ‘Dear Ilbert’ and signed ‘James W Lowther’. He has ‘prepared a series of telegram [sic] to all the news agencies and to the Clerk of the Works at Westminster’, and will dispatch them as soon as he receives ‘any intimation from the P.M’. He has another telegram ready for the London Gazette. ‘I think we can reasonably expect that, with 48 hrs notice, all M Ps and the staff would have sufficient notice’.

Showing signs of the early stirrings of the Great Game. See Canning's entry, and that of Fitzgerald, in the Oxford DNB. At the time of the letter Canning was serving in his first governmental appointment, as Under-Secretary to Lord Aberdeen in the Foreign Office, in Peel’s administration, while Fitzgerald was President of the Board of Control. The ‘Baron Brunow’ referred to in the letter is Russian Ambassador in London, Philipp Graf von Brunnow (1797-1895). 2pp, 12mo. On first leaf of a bifolium. Docketed on second leaf, ‘Lord Canning / respecting Baron Brunow Novr 11/41’.

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

See his entry and Taylor’s in the Oxford DNB. 1p, 12mo. Sixteen lines of closely-written text. In good condition, lightly aged. Folded once. Begins: ‘My dear Mr. Taylor / Would you allow me to introduce a friend of mine Mr. Knewstube to you.

See his entry in the Oxford DNB. The identity of the recipient is unclear. Written on one side of a small (12 x 9.5 cm) plain card. In fair condition, lightly aged and worn, with one vertical crease. Reads: ‘Dear Walter / Enclosed is, as you may see, addressed to Speaker Court. I opened it & think it may be for Miss Erskine. If not, will you send it on to Lady Ilbert. Nothing is known of it here. / Yours sincerely / James W Lowther’. Lady Ilbert was wife of the Clerk of the Commons, Sir Courtenay Ilbert, from whose papers the item derives.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed to ‘W. S. Dallas Esq’ and signed ‘P. Cunliffe Owen’ [sic, no hyphen]. Begins: ‘There will be no Ladies on the 13th. Inst & the card I will send you will be personal. I am sorry, that this rule exists, but it affects my own family as well as all the Gentler Sex.’ He concludes with brief details of the plans for the evening. In a postscript which he has initalled he asks Dallas to ‘do some more translation from German’.

An unusually forthright communication for the period. See the two men’s entries in the Oxford DNB. At the time of writing, Fitzgerald was President of the Board of Control under Sir Robert Peel. 4pp, 12mo. Bifolium. In fair condition, lightly aged and ruckled. Signed ‘Vane Londonderry’. Begins: ‘My Dear Ftizgerald / I had not an opportunity to thank you as I would in the H of Lords for all your kind attention to my wishes.