MORRIS

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

See his entry, and that of Ross, in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. On blue paper. Folded twice for postage. Ross is not named, the letter being addressed to him as ‘The Provost, / Oriel College, / Oxford.’ Bold signature: ‘Nuffield’.

A very nice piece of musichall ephemera: a signed self-caricature by one of its leading lights. See Robey’s entry in the Oxford DNB. On a 7 x 8.75 cm piece of card, cut from a plain printed postcard. In good condition, lightly aged, with traces of the four paper label mounts on reverse. On the front, which is entirely plain apart from Robey’s writing, is his Autograph Inscription, in a close hand with stylized signature: ‘Good luck. Geo Robey.’ This is at the foot of the page, beneath a well-executed self-caricature in blue and red ink.

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.

Obl.12mo, 20 x 13cm, foxing but text legible. Dated 6 Oct 1903 with details in Anne Cobden-Sanderson's hand (as other handwritten detail) of two items purchased by Barker, both by J.W. Mackail and printed at the Chiswick Press: Socialism & Politics and Parting of the Ways. I've found no substantial discussion of the Hammersmith Publishing Company. See image for full text.

1p, 4to. In fair condition, lightly aged and worn. Folded twice. Bold signature in light-blue ink. He has not forgotten the 'very pleasant meeting' he had with Hills and her husband when she was on a trip to Newfoundland, and will be 'very pleased to accept your kind invitation for luncheon on the 5th November, and say a few words in connection with the work ahead for women in Empire Citizenship'. He assumes that the invitation extends to his wife.

Pamphlet, [16]pp. (inc.wraps). 8vo. beige wraps, sl. grubby, mainly v.g.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

On one side of an 11.5 x 17.5 cm page removed from an album, dated 2 March 1934 and headed 'THE NEW ENGLISH SINGERS'. In good condition, lightly aged. To the right of the page are the signatures of 'Dorothy Silk' and 'Nellie Carson' (sopranos), and 'Martin ' and 'Mary Morris'; to the left are those of 'Vernon and 'Cuthbert Kelly' (bass). According to Chapter One of 'The Travel Diaries of Peter Pears, 1936-1978' (1999), titled 'American Tour with the New English Singers (1936)', the ensemble was 'a vocal sextet specializing in Elizabethan madrigals and English folksongs.

7pp., 12mo. On two bifoliums. In good condition, on aged paper. First page headed 'Private'. Docketed by Elliot 'My Father's death'. An excellent letter casting interesting light on the machinations of the Liberal government. Erskine is attempting something requiring all of his diplomatic tact: sending appropriate condolences to Elliot on his father's death before turning to his 'own concerns': the putting of his case to Elliot as the brother-in-law of the Foreign Secretary Lord John Russell, on the question of his 'grievance' against Russell and the Foreign Office.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense').

[2] + 77pp., small 4to. A good tight copy, on lightly-aged paper, with foxing to pp.40-41. In original lightly-worn grey paper boards, with white printed labels on cover and spine. Autograph correction by Meyerstein on p.72. Meyerstein's autograph presentation poem is on the front free endpaper, and is dated by him, in decorative style, to 1949.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

1p., landscape 12mo. In fair condition, on aged and dusty paper. The receipt, for £19 5s 4d, is printed, and completed in manuscript in another hand. Archer has signed over a red tax stamp: 'William Archer | 7/12/06'. Stamped, and numbered '2801' in blue pencil. In top right-hand corner, in the same hand as the receipt: 'C. B. 215'.

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

The five items are in good condition, on lightly-aged and creased paper. Items One and Two: Typed drafts of a 'Statement of Qualifications', headed 'Lord Chorley's application for appointment to the lectureship in Evidence, Procedure and Criminal Law.' Both 2pp., 4to. Slightly different in layout, and with few (if any) textual differences. After describing his career Chorley writes: 'Although my chief legal study has been commercial law I had experience of teaching Evidence, Procedure and Criminal Law at the Law Society's School.

[6] + 28pp., 12mo. In coloured illustrative wraps. Morris's illustrations are light and fresh, the first being a caricature of 'the enemy': a sour-looking bespectacled Japanese army officer. The first section, which it illustrates, is on 'Security' and concludes: 'Remember that in disposing of household effects, releasing servants from employment, etc., you may easily give away too much information.

2pp., 12mo. Bifolium. Very good on lightly-aged paper. In original envelope, with stamp and postmarks, addressed by Morris to Baron at 18 Griffin Street, Witton, Blackburn. Morris begins by giving details of the availability of his 'Etymology of Local Names' and 'Historical Outlines', before informing Baron (a brazen autograph hunter) that he does not know 'Wm. Morris' Address, but a letter addressed to him & sent to his publisher would be forwarded'.

4pp., 12mo. Good, on lightly-aged paper. He gives his 'best thanks' for his correspondent's 'watchful kindness'. As his 'acquaintance with Academicians is very limited', he has 'not yet solicited any one to propose me at the R.A.', and he 'would gladly accept Mr. E. M. Ward's obliging offer - and think Mr. G. D. Leslie or Mr Dobson would second me'. He made 'such a mistake' the previous evening, by going to the Vestry Hall, Chelsea. He found, 'on reading the circular again how I had erred'.

1p., 4to. 31 lines. Fair, on aged paper. On paper with watermarked date of 1814. Initialled 'G. C.'; with the words 'Copy to Morris' in the top left-hand corner. Docketed on reverse 'Copy to Morris March 1815'. Colman writes that is is now his intention, 'as it ever has been, to use every effort in my power for the interest of the Theatre, by carrying on the business in the best manner that the continual obstacles opposed to my plans will permit'. He states that he is 'in treaty with various Performers for the approaching Summer'.

3pp., 4to. 74 lines of text. Originally a bifolium, but with the two leaves now separate. Good, on aged and lightly-worn paper. Addressed, on reverse of second leaf, to 'George P Morris Esq. | Cold Spring.' The reference in the letter to Morris having 'cut down the wood' around his property is ironic, given that he is most famous for the poem/song 'Woodman! Spare that Tree!' Hamilton begins by stating that he has seen 'Mr. Robinson', who will see Morris on the subject of buying Morris's house. Hamilton considers Morris's price of $8000 for his house 'very cheap'.

2pp., 4to. Bifolium. Text complete, on aged paper with a number of closed tears repaired with archival tape. The second leaf of the bifolium, lacking a strip at the top, is docketed 'Dr. Morris of Parliament Street's Success in curing Persons afflicted with Complaints similar to that which His Majesty labours under'. Considering the political content at the end of the letter, the author is probably Charles Hamilton, at the time of writing known by his courtesy title of Lord Binning.

12mo, 1 p. On bifolium. Thirteen lines of text. Clear and complete. Fair, on aged and creased paper, with slight rust marking from hooks. Semi-literate, and redolent of the area and period. He asks Devon (not Captain Thomas Barker Devon, RN, who had died in 1846) to 'pardon the Liberty I have taken in writen [sic]' to him. He knows 'the Great difficulty that Gentlemen have in Getting good made peal [sic] Flys and firm Tied ones', and is enclosing 'a few of my Own Making & you will Greatly Oblidge me by your Trying of them'.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

12mo: xiv + 32 pp. In original grey printed wraps. Internally sound and tight on aged paper. Wraps worn and grubby, with slight staining to spine. Eight copies on COPAC, but only three at deposit libraries (Oxford, NLS and the BL).