WRITING

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with thin strip of mount adhering to one edge. Folded for postage.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

See his entry in the Oxford DNB. He published two dozen works on calligraphy, and Pepys described him as ‘the famous writing-master’, and employed him to engrave his slide rule, but it is as an arithmetician that he is remembered: two works published shortly after his death, purportedly from his manuscript, gave rise to the expression ‘according to Cocker’. It has not been established which one of Cocker’s works the present item comes from (his earliest, ‘Pen’s Experience’, is lost). In black ink on one side of a 17 x 11 cm piece of laid paper.

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.

See his entry in the Oxford DNB. 1p, 12mo. Sixteen lines of text. In fair condition, lightly aged. Folded once. Stylized signature: ‘L A G Strong.’ He replies to her letter by saying that he is ‘delighted’ that she enjoys reading his books, ‘and I very much appreciate your kindness in taking the trouble to write and tell me so’. He hopes that she will continue to read his work, and that it will ‘never disappoint’ her. ‘Nothing is more encouraging to a writer than to know that he has numbers of friends, whom he has never seen, but who are following what he does with interest and pleasure.’

1p, 12mo. On recto of first leaf of bifolium of pink patterned paper. In good condition, lightly aged. Folded twice. The sonnet, which does not appear to have been published, begins: ‘Midst the young eyes that on this book shall shine / Kindling with genius or with feeling bright, / Lit up with all youth’s visions of delight, / There yet shall gage no dearer ones than thine!’ Signed at end ‘J E R.’ See image.

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.

See his entry in the Oxford DNB. The three items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of each of the prints. All three in good condition. ONE and TWO: Black and white photographs, both 12 x 17 cm. ONE is in portrait, and shows Plater seated at a country table, in shirtsleeves, jeans and trainers, looking over with concentration and expressively spread hands. On back: ‘Alan Plater at my home. / Sally Worboyes’. TWO is in landscape.

On one side of 5 x 13 cm slip of paper cut from the end of a letter. In good condition, lightly aged, with central vertical fold. Laid down on piece of paper removed from album. Reads: '[...] I shall be delighted to come to you. | Yrs always faithfully | T. Adolphus Trollope'.

4pp, 12mo. Bifolium. In good condition, lightly aged, with the conclusion and signature ('Juliana Horatia Ewing. | (Not an elegant signature!)') of the letter cross-written at the head of the first page. Drawing of a 'round chess board', with explanation, on second page. An excellent intimate letter, to a family member or friend whose name is not clearly written (Marion? Marnie?). She begins by acknowledging her 'very delightful' letter, and expressing pleasure at 'the prospect of our "play" in town'.

1p, 8vo. In good condition, lightly aged and creased. Folded once. 'I was hoping you would make a suggestion about price. I had at first thought of asking £5 for each copy, but if you would throw in that copy of my father's book (my own is in pieces) I suggest £12 for the three. Of course I want you to make your profit.' He ends by asking if Hancox would like the books signed.

The two cards are accompanied by the envelope in which the first card was sent, with stamp and postmark. All three items in good condition, lightly aged. Envelope addressed to 'Ian McPherson, Esq.' at his house on the Isles of Scilly. Both cards written in blue ink on side with letterhead, the other side being blank. ONE: 25 April 1983. She thanks him for his letter and cheque, adding: 'I have no signed copies at present, and in any case we must wait for my husband's return from a research trip during the next week before I can get him to inscribe it specifically for Andrew'.

See Sewell's entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged and worn. The letter reads: 'My dearest Annie | Eliza tells me you wanted a copy of the French Book. I am so glad I happen to have one by me. - for I want you to have it from me. Please accept the book with love. | Yours very affly | Elizabeth M Sewell | Bonchurch. July 13th. 1868'.

96pp., 12mo. Disbound and without wraps. In fair condition, lightly aged and worn, with light staining to last leaf, and some light manuscript annotation. No copy at the National Library of Wales, and the only copies on COPAC at Bangor and Cardiff Universities.

1p., 12mo. In good condition, lightly aged, tipped in onto leaf removed from album. After apologising for the late reply to the recipient's note he acknowledges 'the Compliment you make me'. He continues in his customary vainglorious style, appropriating Milton's words to himself: 'I am so deeply occupied in writing works I have been writing the last 20 years, that I have scarce a moment: my audience hitherto have been fit tho few'.

2pp., 12mo. In good condition. He thanks her for 'the very pleasant glimpse of yourself and your family which I got last Saturday to Monday'. He hopes she will excuse the delay in acknowledging her 'kind and graceful hospitality'.

Three plain postcards (no illustrations), with stamps and postmarks, all addressed to Gilruth (author of seven crime novels punlished between 1951 and 1963) at 7 Reston Place, Hyde Park, London. The three cards in fair condition, aged and worn, with staining to corners from mounting, and two of the signatures only half-legible through fading. In the first she says that she is in London until the end of February, and 'would like so much' to see her again: 'Could you come in for drinks with a few friends on Tuesday Feb 17th?' The second begins: 'Thank you ever so much.

Small octavo. Pages: xx + 257. Original black cloth decorated in orange. Orange dustwrapper. Eight illustrations in colour, sixty-five in half-tone, and map. Good copy, though foxed throughout, in good binding lightly worn at head and tale of spine and with a little spotting. Dustwrapper discoloured and with wear and loss at corners and head and tail of spine.

On one side of piece of 13.5 x 8.5 cm piece of paper. Aged and worn. Reads: 'know when I shall have an evening to myself, for in the last fifteen days or so, I have only dined at home twice, and as far as I see, that much of vagrant life seems rather on the increase than otherwise. But the first evening that I have, I will dedicate to you, & give you notice thereof | Best remembrances to your family - | Yours very sincerely | J. G. Wood'. On reverse, in another hand: 'J. G. Wood | the great naturalist'.

MICHAEL GILBERT, Detective Story Writer, Founder Member, sometime Membership Secretary, 21 TLSs and TNSs, total 23pp., 8vo and 4to, some with ms. additions, 1955-1960, mainly concerning the financial affairs of the Crime Writers' Association (CWA), the financial consequences of publishing the Anthologies, details of income tax, the Accounts (Income/Expenditure), request for information for tax purposes, the ultimate tax position, sales of the Anthology Choice of Weapons.

ROY VICKERS, Detective Story Writer, 5TLSs, total 6pp., 4to, all 1961, jokey, gossipy letters concerning CWA affairs - Rosemary Robinson being co-opted to the general committee, German rights to an Anthology sold, an enquiry from Japan about Anthologies (leading to a discussion), subject for debate in A.O.B., analysis of membership ("talented amateur mixed with pro"), a new detective publishing house in the U.S.A., guests for the Dinner. Attached to letter of 3 March 1961: copy TL and typescript, total 5pp., including the letter to Gielgud on CWA Anthologies [= source of income for the Asso

Detective Story Writer, sometime Chairman of the Crime Writers Association (1959/60). 14 ALSs, TLSs and TNSs, total 17pp., 8vo and 4to, 1958-1960, about CWA affairs - finances, the Dinner (with some incoming correspondence), the Japanese CWA, news from members, meetings, royalties on CWA Anthologies, an agent's malfeasance, a newspaper serial, Lorna Graeme's illness and death (see Bruce Graeme below), Sir Alan Herbert's Literary Project (Public Lending Rights), and the Society of Authors.

Julian Symons, Detective Story Writer and Historian of the Genre, Founder Member, sometime Chairman of CWA (1958/9), 12 TLSs, one page each, 8vo and 4to, some with ms. additions, concerning CWA affairs - news of the Anthology, financial dealings, expenses, the funeral of a member, the Exhibition, Jacobs election as Vice-Chairman, "Margery Allingham has joined!" (3 April 1959, having declined to do so in 1953), personal, the Awards ceremony, appreciation of congratulations on an award, an "abridged novel venture", a criminal case re-enacted (potential BBC tie-up).

Detective Story Writing Team. Manfred B. Lee, typed, 16 Sept. 1957,with minor ms. additions and Frederic Dannay, handwritten, 12 Sept. 1957, both adding a note concerning co-authorship, typed and handwritten respectively. The additions and changes include excising the membership fee in sterling and adding $3 [?], and both asterisk their names and add at the foot of the page (typed and handwritten respectively) "co-author with . . . under pseudonym of "Ellery Queen". The Crime Writers Association printed form includes a brief history of the Association and terms of membership.

1p., 12mo. In good condition, on lightly-aged paper. Headed 'Mr. Cromp 21 Feby 1777 | Bought of John Muggeridge'. The first and most expensive of the six items, at £1 6s 0d, is 'a Book 6 qn fine Medium ruld. 9 lines Vellum <?> lind marbled & Alphabet'. Other items include '1/2 pind red Ink & Stone bottle', 'blotting paper', '1/2 pound supfine [sic] wax' and '400 best Quills'. The six items total £1 14s 6d. Docketed 'No.

286pp., foolscap 8vo, with 143 numbered double-page spreads. In sturdy ruled account book with stamp of the London stationers Parnell & Co. Very good, on lightly-aged paper, in worn black-cloth binding. Each entry gives the name and address of the business for which the work was done, with details of the job including the dimensions of the letters, and cost. Although some work is done in central London (Bedford College, Regent's Park), most is for firms in the E17 (Walthamstow) and E18 (Woodford) postcodes, suggesting Foot's location in the same neighbourhood.

Full title: 'The Universal Letter-Writer; or, New Art of Polite Correspondence: Containing A Course of Interesting Original Letters, on the Most Important, Instructive, and Entertaining Subjects, which may serve as copies for inditing letters on the various Occurrences in Life. With a new plain and easy Grammar of the English Language. To which are added, Forms of Mortgages, Letters of License, Bonds, Indentures, Wills and Powers, Letters of Attorney, &c. &c. &c.

4to, 1 p. 19 lines. Text clear and complete. On aged and lightly creased paper, with strip of sunning to left-hand margin. Neat signature: 'Nicolas Bentley'. The film and television rights to the book were all 'bought some years ago by Herbert Wilcox, who, as I understand it, still owns them'. Bentley has reports the opinion of 'Messrs A. P. Watt, my late father's agent', on the question of the radio rights. 'I control the stage rights', Bentley states, giving the conditions on which he would agree to a stage adaptation.

PRESENTATION COPY: inscribed on half-title 'Pour Louise | avec mon bien amical souvenir - | Cécile Aubry'. 32 pages, quarto. In printed coloured boards, with decorated endpapers. llustrated by Aubry in colour (one double-page and nine full page) and black and white (five vignettes) and red (final page and endpapers). On the poor side of good, with minor staining, spotting and wear; negligible damp damage to boards.