ITALIAN

See his entry in the Oxford DNB. Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. On 7 x 4 cm piece of grey paper, presumably cut from an album. No othe writing on the slip other than Panizzi's compact and disciplined signature 'A Panizzi.' In good condition, lightly aged, Strips of sunning at top and right edge, but nowhere near the signature. See scan.

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

See his entry in the Oxford DNB. 2pp, 16mo. Addressed to ‘Carissimo Amico’ and signed ‘Alberto Randegger’.With fourteen lines of text, all in Italian. In fair condition, lightly aged and discoloured paper. Folded for postage.

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

See his entry in the Oxford DNB. Although reset, the text of the present five-page synopsis does not appear to differ from that printed on pp.118-433 of the ‘Notices of the Proceedings’, vol.2 (1854-1858). No other copy of this offprint has been traced. In very good condition, lightly aged. Drophead title: ‘Royal Institution of Great Britain. / Weekly Evening Meeting, / Friday, May 18, 1855. / Rev.. John Barlow, M.A. F.R.S. Vice-President and Secretary, in the Chair. / James Philip Lacaita, Esq. LL.D. / On Dante and the “Divina Commedia.”’ 5pp, 16mo, bifolium, paginated [1]-5.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

First published in Rome in 1679 as ‘Cognitione [sic] de muscoli del corpo humano per il disegno’. The present edition is scarce. JISC LHD suggests that there is no copy in the United Kingdom (not even at the Wellcome), and WorldCat lists only four: at Harvard, Boston Athenaeum, Michigan and Padua University. 18pp, folio, on the rectos of eighteen leaves, of which the first is a new title-page and the second carries the text ‘A chi studio il disegno’ by ‘Carlo Cesio’. Dimensions of plate 21 x 34 cm; dimensions of leaf 33 x 44 cm.

One and a half pages, fol., bifoliate, join reinforced, creases on folds, signs of age, inc. sl. foxing, text clear. SEE IMAGE of Page One. Text of Entry in the Libri Catalogue: Dies illa Cantata dall'altra Religioni a Gesuiti nella Morte d'alcuni d'essi in Lisbona (in Latin and Italian verse) | folio. Saec.xvii ON PAPER. Auction Title: 311. Catalogue of the extraordinary collection of Splendid Manuscripts, Chiefly upon Vellum in various Languages of Europe and the East, formed by M. Guglielmo Libri.

The Pulskys had fled Austria-Hungary during the Hungarian Revolution of 1848, and while in London the Countess had published her well-received ‘Memoirs of a Hungarian Lady’. They would only be allowed back under an imperial amnesty in the year after this letter in 1866. The recipient, Sabilla Novello, was the daughter of London music publisher Vincent Novello, and sister of Alfred and Clara Novello [the ‘Countess Gigliucci’ referred to in the letter], all three of whom have entries in the Oxford DNB. 4pp, 12mo. On bifolium.

In fair condition, on lightly aged paper. Folded once. Signed ‘G Card d’Hohenhohe’, and with his embossed monogram. He is enclosing ‘il libro per la Signora Costanza’, together with the three letters of recommendation, which she may read before sealing. He ends with good wishes for the voyage. See image.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

The context appears to be that Wynne-Rushton is supplying Aylesford with ‘inside information’ regarding the ‘shady deals’ of one Soulsby, proprietor of the Westminster Association, a travel agent’s being employed by Aylesford with regard to a pilgrimage to Rome. Lynch’s two letters and that of J. Cleeve’s all in good condition, lightly aged and each folded three times. Letter by ‘J. R.’ in fair condition, on aged paper. Lynch’s letters are both signed ‘Malachy Lynch O. Carm.’ ONE: By Lynch, 21 January [1950]. He explains: ‘I understood that the Agency had made provision already for 1,000.

Six lines, in original envelope, very good condition. ‘Il Cardinale Antonelli’ presents his compliments to her, and ‘egli desidera dal [?] di prosperità’. See image.

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

2pp, 8vo. On first leaf of bifolium. Text complete and clearly legible, on aged and worn paper. The first page is begins with text in the hand of Cammillo Cateni, headed 'Adì 2 Gennaio 1800', written on behalf of Cateni and Giovanni Gualterro Uccelli, 'Medici filii di questa Citta di Firenze', attesting the signature of 'la Siga. Angiola Lucchi'.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

A nice piece of papal ephemera, printed in blue on one side of 15 x 21 cm piece of blue wove paper, with large ornate watermark of 'SACRI PALAZZI APOSTOLICI', with triregnum and crossed keys. In fair condition, lightly aged and creased. Folded twice. Numbered 7370, with following at head: 'Ingresso: Facciata della Basilica | (Cancello di destra N. 3)', and at foot 'Accesso: VIA DI PORTA ANGELICA'. At left-hand side: '12 | GRATIS'.

On 18 x 9 cm piece of paper. In good condition, lightly aged. Laid down on part of leaf from album. In response to a request for an autograph he has written at the head of the page: 'Con molti saluti | Pasquale Villari'. No other writing.

1p, 12mo. In good condition, lightly aged. Folded twice. The recipient is not named, but the item derives from the papers of James Payn, the editor of the Cornhill Magazine, London. Gallenga begins: 'My dear Sir. | The last time I saw you - it may be 20 years ago - you were leaving London to write for Chambers in Edinburgh.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

Fifteen items of correspondence, including eleven autograph letters from Stonor himself, eight signed 'Edmund Stonor', the other three '+ Edmund Stonor | Abp of Trebizond'. The collection aged and worn, with fraying to edges. The items attached with a brass stud. Regarding the two recipients, prominent solicitors serving the Irish and Roman Catholic interests in London, Philip Witham (1843-1921) - whose firm was Roskell, Witham, Munster and Weld - appears to have succeed F. R. Ward at 1 Gray's Inn Square. The main topic of the correspondence is the drafting in 1888 of Stonor's will.

On irregular slip of thin paper, roughly 2 x 6 cm. Laid down on piece of paper cut from album. In fair condition, lightly aged. Bold signature ('G. Garibaldi') with wavy underlining, possibly cut from the valediction of a letter.

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

The Earl's wife was a mistress of Lord Byron. Her infidelities let to her children being jokingly referred to as 'The Harleian Miscellany'. 1p, 4to. Heavily aged and worn, with spike hole at centre. Folded several times. 'Sir | As Naples is now open for the English I beg you will send the Carriage to Naples for me by the first Ship that Sails from England for that Country. We are going there immediately. & shall [the]refore want it. I hope therefore you will lose no time in sending it. I will thank you to call on Wh.

1p, 12mo. On the recto of the first leaf of a bifolium, the rest being blank. In good condition, lightly aged, with a hole on a blank part of the paper at the foot of the first leaf. Neatly written and signed 'C. Cavour'. Cavour begins by taking up an offer by the unnamed recipient, by asking him to convey a letter to his rival Massimo Taparelli, Marquess of Azeglio (1798-1866), Prime Minister of Sardinia.

1p, 4to. In good condition, lightly aged. Written in a clear and attractive hand. The recipient is not named. Begins: 'My dear & ever-honoured Friend! | Some business of great importance kept me nine days absent from this Capital. At my return I found your most obliging Letter of the 7th. instant, & was exceedingly delighted with your Kindness. You are indeed a matchless Nobleman.' He asks if the recipient is acquainted with Prince Charles of [Cunandia?], adding: 'I swear you knew the strangest varlet that ever was. It is pity.

43 letters in 8vo and 12mo, making a total of 44 pp. Signed 'Rolando Pieraccini' and (latterly) 'Rolando'. Thirteen of the letters (1984-1986; all 8vo) on 'Eurographica' letterhead, the others (1986-1996; 27 in 12mo and 3 in 8vo) on Pieraccini's personal letterhead. Also present is a carbon copy of a two-page letter from Pieraccini to Penny Eckley of Oxford University Press, regarding copyright matters. The collection in good condition, lightly-aged.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.