[Messrs Cramer, Wood & Co., 4-5 Westmoreland Street, Dublin branch of the London music publishers and instrument makers, founded by the musician Johann Baptist Cramer (1771-1858) and partners]
Dublin and London. 1920 to 1922.
Elegantly designed by the architect William G. Murray, the Dublin branch of Cramer, Wood & Co had a fine exterior. It is referred to in the Nausicaa episode of Joyce's 'Ulysses': 'That widow on Monday was it outside Cramer's that looked at me.' The collection of 130 items is in good condition, lightly aged and held together with its original brass stud. 19 of the items relate to Dublin Rates and the Income Tax (including an account of 'Municipal Rates 1920/1921', amounting to £639 9s 0d).
Henri Lucas, composer; Percy Nash [ Percy Cromwell Nash ] (1869-1958), pioneering British film director and dramatist
New Theatre [ London ]. 4 April 1920.
38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.
Nadia Boulanger (1887-1979), French composer, conductor and teacher [Sheena Lilian Kendall (1883-1974), daughter of James Tennant (1852-1933) of Fairlieburne, Fairlie, Ayrshire, Scotland]
Undated, but at Clichy, Paris, France, between 1909 and 1911.
6pp. by Boulanger, out of 46pp. in a landscape 14.5 x 23 cm notebook of printed staves, stitched within plain white covers. In fair condition, lightly aged and worn, with five leaves loose and a sixth leaf with loss to one corner. Eleven pages in ink (all by Tennant), the other 35pp. in pencil. In pencil at head of front cover: 'Lundi 4 h.' The initial three leaves (the third of them loose) carry the six pages of musical composition and text by Boulanger; the rest of the volume (40pp.) comprises musical composition by Tennant.
Martin Schwarzenlander (b.1955), Austrian classical composer, known as Martin Fischer during his marriage to journalist Erica Fischer (b.1943) [Richard Hutchins]
Autograph Score dated 'Berlin, 1976/77'. Copy of second version of the piece dated 'Berlin, 20. Juni 1977'. Letter dated from Berlin, 16 December 1980.
All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.
John Hullah [John Pyke Hulla] (1812-1884), English composer for one of whose operas Charles Dickens wrote the libretto
Letter: On letterhead of 11 Devonshire Place, [London] W. 'Tuesday night' [no date]. Cutting of sheet music with docketted date 1861.
Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for
Frederic Clay [Frederic Emes Clay] (1838-1889), English composer [Emily Huntington Miller (1833-1913), American poet]
2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.
Frederic Clay [Frederic Emes Clay] (1838-1889), English composer [Hon. Henry Wodehouse (1834-1873); Tom Taylor (1870-1880), English dramatist; Theatre Royal, Covent Garden]
With ownership inscription of Hon. Henry Wodehouse, 24 Upper Brook St, London. Undated, but from between the piece's composition, c.1862, and Wodehouse's death in 1873.
Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.
Dr Leslie Regan (1900-1968), Professor of Harmony at the Royal Academy of Music
Dated '10 July 1919'.
On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'
Frank Wright (1901-1970), Professor of Brass and Military Band Scoring at the Guildhall School of Music, and editor of 'The Conductor' [brass bands]
Dated '21st December 1927'.
On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.
John Liptrot Hatton [J. L. Hatton] (1809-1886), English composer and conductor [William Cox Bennett (1820-1895)]
26 October 1859; 3 Goswell St. E.C. [London], on cancelled letterheada of 13 Park Village West, Regents Park.
12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.
Sir Stanley Marchant (1883-1949), organist and Principal of the Royal Academy of Music
Score and first signature 10 January 1909; second signature 20 September 1936.
On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.
Dr Douglas Hopkins (1902-1992), organist of Canterbury Cathedral
Dated 'September 2nd. 1926'.
On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.