EDITION

[7] + 243pp., 8vo. On aged paper, with slight damage at top edge of first few leaves; in heavily-worn binding with blind-stamped decoration; corner torn away from front free endpaper, and glue spots to front pastedown. Described in an advertisement by the publisher in The Times, 16 July 1897, as 'A SOCIAL SATIRE.' Six copies on COPAC, but now a scarce item. Note: In Pantalas Mr. Jenkins is at his best.

Morristown, N.J., 1952. xix,[1],97pp. plus facsimiles. Original printed wrappers. Minimal small chips and tears to edges, edges of wraps sunned (up to one inch), small stain on title. Good, with Thomas W. Streeter's calling card inserted.

Scarce. xx + 123pp, 8vo. With erratum slip following prelims. Internally good and tight, on slightly-discoloured brittle paper, with one leaf among the prelims with small grease stain in margin; in heavily worn half-calf binding, with loosening boards. The introduction begins, p.ix: ‘The present volume comprises ten of the Charters which were granted to our early American Colonies.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

The two items are from the playwright's own papers. FIRST EDITION: [8] + 113pp, 8vo. A good tight copy in lightly-aged brown cloth and price-clipped cream dustwrapper with attractive design by Edward Blakeney in brown and black on front cover, and slight chipping to bottom edge at back. Label with English price on back of dustwrapper. No autograph interpolations. PROOFS: 96pp, 8vo. Duplicated printed pages, each page on a separate leaf. Paginated 1-96.

[12]pp, 16mo. Tastefully printed in brown and black, and stitched into grey-green wraps, on the cover of which is the word 'If' in large gold print, enclosed in a brown rectangle. In good condition, lightly aged. Colophon on reverse of title, and on facing page a note with facsimile signatures of 'Robert S.

[2] + 18pp, 8vo. In cream printed wraps, with duplication in green on cover of title-page, but without year. In fair condition, lightly aged and worn, with crease running next to the spine, slightly at an angle. This American Copyright printing - said to have been limited to 75 privately-distributed copies - was published 13 November 1931, and preceded the English publication (in The Story-Teller magazine, December 1931) by around a month. Stewart 596; Livingston 569. The rare American Copyright issue. Richards A399, Livingston 569, Stewart 596. Reprinted in 1932 in Limits and Renewals.

10pp, 8vo. Stapled into grey wraps, with the front cover carrying the title, publication details and price (sixpence). P.1 has drop-head title, author's name, and the start of the tract, dated 'CAPE TOWN, | February, 1901.' In fair condition, on lightly aged and creased paper, with rusted staple having short closed tear to spine at its head. First published in February 1901 by the Imperial South African Association. It was reprinted in the New York Tribune on 4 August 1901, and is in both the Sussex and Burwash Editions. Livingston 78; ORG Uncollected 237.

[1] + 8pp, 8vo. Stapled pamphlet, issued without wraps. In fair condition, lightly aged and worn, staple inclining towards rust. Publication details on front cover. Drophead title on p.1, 'The Sin of Witchcraft', with the article dated 'CAPE TOWN, February, 1900.' Livingston 76a. Rare.

An attractive and unusual item, tastefully printed in green and red on both sides of a 30.5 x 60 cm strip, entirely covered in cream satin, and edged in silk ribbon, folding into a triptych each panel of which is 30.5 x 20 cm. In extremely good condition, all the more remarkable considering the ephemeral nature of the item. As folded into itself, the item has a front cover carrying the title in green ink, with a photograph of Kipling printed in red; and the back cover carries the royal crest of the Queen's printers Eyre and Spottiswoode.

[4] + 78 + [1]pp, 8vo. In printed wraps. Internally in fair condition, on lightly discoloured paper, in worn and stained wraps. Verse translation of the French source of Shakespeare's Richard II, 'Histoire du Roy Angleterre Richard'.

43 letters in 8vo and 12mo, making a total of 44 pp. Signed 'Rolando Pieraccini' and (latterly) 'Rolando'. Thirteen of the letters (1984-1986; all 8vo) on 'Eurographica' letterhead, the others (1986-1996; 27 in 12mo and 3 in 8vo) on Pieraccini's personal letterhead. Also present is a carbon copy of a two-page letter from Pieraccini to Penny Eckley of Oxford University Press, regarding copyright matters. The collection in good condition, lightly-aged.

[12]pp, landscape folio. Sewn with red thread. The words 'The Big Grey Man' on cover and title-page in red ink, rest of pamphlet in black ink. In fair condition, lightly aged and worn. A 48-line poem, in eight six-line stanzas, spread over three rectos, signed at end 'Richard Rowley.' Inscribed on title-page: 'Mrs. Brown. | With best wishes for Christmas | from | Mr. & Mrs. R. V. Williams. | 1942.' Six bucolic illustrations reproduced from woodcuts by Annesley, including one on cover. Colophon on recto of last leaf, with printers' slug on otherwise-blank reverse.

[12]pp, 8vo. Paginated to 14, but twelve pages on six leaves, comprising half-title, title and eight pages of text. Sewn into raspberry printed wraps. Title with engraving of the church, duplicated on front cover. Internally in fair condition, with slight creasing, but with blue ink (or wine?) stain at foot of outer edge of front cover. Bloomfield & Mendelson A46, which states that the edition was printed in November 1963 and limited to 250 copies, 'sent out to a number of personal friends whose names were mainly suggested by Mrs. MacNeice'. In this case, from the library of Christopher Fry.

16mo, twelve leaves (last leaf blank). Unpaginated: a total of twenty printed pages, comprising four prelims, fifteen pages of poems, colophon. Stitched into light brown boards, with 'POMES PENYEACH | by | JAMES JOYCE' printed in green on front board, and 'PRICE ONE SHILLING | Herbert Clarke, Paris' likewise on rear board. Errata slip at rear. First trade edition, following a limited edition of, according to the colophon, 'thirteen copies [...] been printed on Dutch hand-made paper and numbered 1 to 13'.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left.

38pp., 16mo. Internally in very good condition, in red paper boards printed in gilt, with bubbling at front and back, and in chipped and aged glassine wrapper. The number of the meeting has been added to the title in manuscript ('511'), and the signatures of 'Frederick Keel | Singer' and 'Walter Braithwaite' are written in pencil beneath the limitation (no 24 of 133 copies). Scarce.

Elegantly printed in black and grey-blue. [28] + [1]pp., 4to. On loose leaves, on eight bifoliums, arranged in four pairs. In very good condition, lightly aged, wrapped in brown paper.

124pp., 4to. Unbound (awaiting binding): with marbled endpapers and all edges gilt. Profusely illustrated with facsimile pages from the original. Edition limited to 265 copies. This copy out of series. In good condition, lightly-aged, on cream paper, with slight wear to endpapers. Craig's sprawling signature on title-page. Uncommon. Both OCLC WorldCat and COPAC conflate their entries for this edition with the trade edition published by Macdonald and Jane's in 1975. The only copy of the 1974 edition certainly thrown up by OCLC WorldCat at Oxford.

53pp., sm. 4to, 1/4 paper vellum, blue boards, sl. damaged, corners worn and bumped, minor foxing, eps stained, mainly good condition. Inscribed front free ep, "30 copies only privately printed. || No.1 The Dowager Lady Suffield; | from the Author\\" Front ep, bookplate of Ralph Assheton Harbord, with the same name written above (not in the same hand as the inscription above described) giving the address, "the Close Norwich". See Wikipedia for General Horatio Shirley.

55 + [3]pp., 12mo. Frontispiece engraving of Quaritch, with facsimile of his signature. Bound in card boards covered in pink fake vellum paper printed in gold. In good condition, lightly aged, in lightly worn covers. Limitation leaf completed in manuscript, with this copy no. 134 of 255, with pencil signature of 'Ed. Heron Allen', presenting the book to ' Gottschalk'. Introduction by George Clulow, President. Note at end by 'B.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

viii + 58. Collotype frontispiece reproducing part of manuscript. Nicely printed on good paper. Internally tight, on lightly-aged paper, in discoloured and lightly-worn cream buckram binding, gilt. Tissue guard to frontispiece detached. The conclusion to the four-page preface, which is dated from New York, January 1896, explains that the 'formal publication in England' of the volume 'might possibly be deemed an offence against good taste, although its Author has been deceased for half a century, and hardly a single person referred to by Canon Barham can now be alive.

1p., 4to. Nicely printed (by the Curwen Press?) on watermarked laid paper. In good condition, lightly aged and worn. A nice piece of First Edition Club ephemera. The year to which the circular relates is meant to be added in manuscript, but has not been. Begins: 'The Committee appointed to choose the Fifty Books of the Year for [blank] will be grateful if, at your early convenience, you will submit such of your publications as seem to you most likely to be selected. I may perhaps remind you that the criteria by which judgment is made are | 1. TYPOGRAPHICAL DESIGN | 2. PAPER | 3. BINDING | 4.

On piece of laid paper folded twice to make a 19 x 14 cm. card. In good condition, with light signs of age. Tiny printer's device on back cover the only illustration. Front cover in black ink reads: 'Christmas Greetings from Rosalind & Gerald Bullett The Old Farm East Harting Sussex'. Colophon in brown ink on left-hand side of opening. Right-hand opening carries the sixteen-line poem, in four four-line stanzas, the first of which reads: 'I went to the window, where the morning was, | And saw innocence scattered on the grass.

19 + [1]pp., 4to. Nicely-printed, and saddle-stitched and placed in grey paper wraps with tasteful white label on cover with title printed in red. Inscribed inside front cover 'For Desmond + Dorothy - | with love from | the Playwright | Christmas | 1971'. The playlet is an amusing representation of a single night at the 1946-1949 high point of excitement over the discovery of the Malahide Papers ('During three years the incidents described here were repeated several times a week.'), and features among others Isham himself, his cleaner 'Mrs.

79pp., 8vo. Tipped-in at front is an engraved plate of a bibliomaniac sitting reading in his crammed library, captioned 'MY DEN.' In good condition, lightly aged, in fake-vellum wraps, with medallion and title in gilt on lightly-worn cover. Inscribed by the book's printer Theodore De Vinne on front free endpaper: 'To David Douglas | With love of D V | Aet 1894'. No copy at the British Library, and none traced on COPAC.

29pp., 16mo. Nicely printed with nine plates. In brown card wraps, with the following on the cover: 'Mediaeval Pilgrims' Badges | Privately printed opuscula issued to members of ye Sette of Odd Volumes | No. XC'. 'Imprimatur' preceding title, signed by 'Frederick Keal' and 'Tancred Borenius', states that this is copy 11 of 199. Good copy, in lightly-worn wraps. Uncommon.

47 + [1] + [11]pp., 16mo. Internally in good condition, lightly aged, in worn grey printed boards with wear to spine.On cover: 'Privated Printed Opuscula issued to the Members of the Sette of Odd Volumes. | No. XIII. | Coloured Books for Children.' No. 167 of a limited edition of 255 copies, signed by 'Charles Welsh', and with recipient's name erased. Hand-coloured frontispiece. Pp.27-47 carry 'A Catalogue of the Coloured Books for Children; Past and Present.' The last eleven pages contain a 'Bibliography of Odd Volumes' and 'List of Members'. Five copies on COPAC.