PRINTS

[ Edward Bocquet, historical engraver. ] Autograph Letter Signed ('E Bocquet') to the London booksellers Messrs. Lackington & Co.', regarding his engraving for them of a portrait of the Earl of Southampton.

Author: 
Edward Bocquet, historical engraver [ Lackington & Co., London booksellers; Joseph Harding ]
Publication details: 
Without place. 11 January 1816.
£250.00

2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is willing to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'.

[ John Samuel Agar, portrait painter and engraver. ] Autograph Letter Signed ('J. S. Agar') to Rudolph Ackermann, apologising for the poor quality of 'Fashions' [ie. fashion plates] executed on his behalf by 'Mr. Cheesman', and discussing Pistrucci's

Author: 
John Samuel Agar (1773-1858), painter and engraver [ Rudolph Ackermann (1764-1834), London book and print seller; John Vendramini (1769-1839), engraver; Benedetto Pistrucci (1793-1855), medallist ]
Publication details: 
Stafford Place [ 59 Stafford Place, Pimlico, London ]. 24 January 1822.
£220.00

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with two postmarks (one of Pimlico), to 'R. Ackermann Esqre | 101. Strand -'. On aged and worn paper, with one short closed tear. A good letter, full of content revealing of Ackermann's business and the art trade in general. The first paragraph reads: 'I am extremely sorry the last Fashions have not met your approbation. The inflamed state of my eye rendered it impossible for me to engrave them myself, and I calculated on the known talent of Mr. Chsman [i.e. Thomas Cheesman (1760-1834)] to be my substitute.

[ Joseph Skelton and Rev. W. M. Kinsey's 'Portugal Illustrated'. ] Two Autograph Letters Signed from Skelton to Kinsey, with detailed response by Kinsey, regarding disputed accounts for work on the book. With itemised account and memoranda by Kinsey.

Author: 
Joseph Skelton [ Joseph John Skelton ] (1783-1871), engraver [ William Morgan Kinsey (1788-1851) of Trinity College, Oxford, clergyman and traveller in Portugal ]
Publication details: 
Oxford. 1829 and 1831.
£800.00

For information on Kinsey and Skelton, see their entries in the Oxford DNB. The five items in the present collection are in fair condition, on aged and worn paper, but with chipping and wear to the extremities of Item One resulting in minor loss of text at head. The collection comprises two letters from Skelton to Kinsey regarding the substantial account between them, a detailed reply by Kinsey disputing Skelton's account, an itemised account by Kinsey of the account between him and Skelton; and memoranda by Kinsey relating to the second edition of the book.

[ George Pitt, 1st Baron Rivers [ Lord Rivers ]. ] Autograph Letter Signed ('Rivers') to the engraver John Keyse Sherwin, regarding assistance he may be able to give him in a 'Business' concerning the King's engraver.

Author: 
George Pitt, 1st Baron Rivers [ Lord Rivers ] (1721-1803), Tory politician and diplomat [ John Keyse Sherwin (1751-1790), engraver and history painter ]
Publication details: 
'Stratfieldsay' [ Stratfield Say House, Hampshire .] 6 April 1783.
£180.00

2pp., 8vo. In fair condition, on lightly aged and worn paper. Addressed to 'Dear Sherwin'. He assures him of his desire to 'assist in seconding [his] wishes', explaining regarding the circumstances: 'I suppose ye honest Gentleman whom the Advertisement concerns, must have been the King's Engraver, tho' you do not say so, nor does the Advertisement import it.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£600.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

Twenty-four original outline lithographic illustrations to Shakespeare: a series of twelve anonymous ones to 'The Tempest', published in London in 1825 by Charles Knight; and a series of twelve by Moritz Retzsch to 'Macbeth'.

Author: 
Charles Knight, London publisher; Friedrich August Moritz Retzsch (1779-1857), German painter, artist and draughtsman; William Shakespeare
Publication details: 
The 'Tempest' illustrations 'Published by C. Knight, Pall Mall East, April 1825'. Retzsch's 'Macbeth' illustrations undated [1833 or 1847.
£250.00

All twenty-four illustrations have been laid down on leaves removed from an album of prints. Both series are numbered to twelve, and each is complete. The plates in the Retzsch series appear to have had their margins cropped. All images clear and complete, on lightly-aged paper, with occasional light spotting and discoloration. Laid down at the head of the first illustration in the first series, and slightly (0.5 cm) encroaching onto it, is a printed label reading 'Illustrations to Shakespeare's | TEMPEST | in 12 plates'.

Subscription copy of the splendid coloured frontispiece engraving of a tiger, after a drawing by Howitt, to the original atlas folio edition of Williamson's 'Wild Sports of the East'.

Author: 
Samuel Howitt (c.1756-1823) [Captain Thomas Williamson; Edward Orme]
Publication details: 
[1807.] 'Pub by Edwd. Orme | 59 Bond Street'.
£130.00

On thick light-blue/grey laid paper, 60 x 48 cm, with thin strip of white stub to left-hand margin. In a small neat contemporary hand in top right-hand corner: 'P. W. Baker Esqr. Subn Copy'. Lightly creased and worn, with a central vertical fold line running through the centre of the print, which is coloured in gouache in greys, greens, browns and pinks, with a blue bankground. A few small patches of colour rubbed away from the print, the dimensions of which are roughly 29 x 39 cm.

Anonymous coloured print on sateen [cotton satin] entitled 'Three Christmas Roses'.

Author: 
The Gentlewoman [Victorian illustration; printing on cloth]
Publication details: 
'Supplement to The Gentlewoman Christmas Number.' [1890s]
£85.00

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

Fünf Radierungen. [Portfolio of five signed drypoint etchings, each with its own mount, one of an edition of fifty.]

Author: 
Josef Schwarzmann, Tirolean artist and engraver [Werkstätten der Vereinigten Staatsschulen für freie und angewandte Kunst, Berlin; German art; Weimar Republic]
Publication details: 
'Im Mai 1930 gedruckt in den Werkstätten der Vereinigten Staatsschulen für freie und angewandte Kunst, Berlin'.
£100.00

Number 17 in an edition of 50. Very good in slightly grubby portfolio. The portfolio is half-bound in black buckram with grey paper boards, dimensions 34 x 27 cm. On front board: 'JOSEF SCHWARZMANN | FÜNF RADIERUNGEN'. Dimensions of mounts and letterpress leaves (in thick cream wove paper) 32 x 25 cm. Initial bifolium consists of title and contents leaves, the latter giving the titles of the five engravings as: '1. Sitzender Junge', '2. Portrait H. W.', '3. Portrait L.', '4. Bäuerin' and '5. Landschaft'.

[ Elizabeth Benger, English author. ] Four Autograph Letters Signed (all 'E Benger'), two of them to John Thomas Smith of the British Museum, and two to his daughter.

Author: 
Elizabeth Benger [ Elizabeth Ogilvy Benger ] (1775-1827), English novelist, biographer and poet [ J. T. Smith [ John Thomas Smith ] (1766-1833), 'Antiquity Smith', Keeper of Prints, British Museum ]
Publication details: 
Three of the letters from 13 Warren Street [ London ]. All four undated.
£450.00

Four 16mo letters, three of them of one page, and the other of two pages. In good condition, on lightly-aged paper. In a crabbed hand. One addressed to 'J T Smith Esqre | British Museum', and another to 'J T Smith Esqre | 22 Carmarthen Street | an answer'. Little more than short notes. In one letter to J. T. Smith she asks him for 'Mr Vance's address, for a married gentleman', in the other she tells him that 'Mrs Martin of Liverpool, whose intimate friends are yours also, [...] wishes to be indebted to your obliging attention'.

[ Pierre Audouin and Pierre Laurent, French engravers. ] Manuscript contract, signed by the 'deux Graveur en Taille douce' ('P. Audouin' and 'Pre Laurent'), binding Audouin to produce an engraving of a painting by Gerard ter Borch in the Louvre.

Author: 
Pierre Audouin (1768-1822) and Pierre Laurent (1739-1809), French engravers
Publication details: 
Paris. 17 May 1792.
£250.00

1p., 8vo. In good condition, with tax stamp on reverse. The addresses of the two men are given as 'enclos du Temple' for Laurent and 'Rue de Tournon No. 4' for Audouin. Audouin undertakes to engrave, with 'tous mes soins pour y mettre toute La perfection', 'un dessein fais d'après Le Tableau de Terburg du Cabinet du Roi, Representans un Riche financier qui offre de L'ord [sic] a une jeune femme'. For his part Laurent agrees to pay Audouin 'La Somme de deux mille deux cens [sic] Livre'.

[ Paul Sandby, artist and engraver. ] Pencil notes by 'Paul Sandby Esqr.', over 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy'. With portrait of Sandby, engraved by H. Landseer from a drawing by W. Evans

Author: 
Paul Sandby (c.1731-1809), English artist and engraver, Chief Drawing Master at the Royal Military Academy, Woolwich [ H. Landseer; W. Evans ]
Publication details: 
Engraving 'Published Dec. 4 1809 by T. Cadell & W. Davies, Strand, London'.
£135.00

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

[ John Young, mezzotint engraver and keeper of the British Institution. ] Autograph Letter Signed ('Jno Young.') to Charles Westmacott, explaining why his 'picture of Cromwell' cannot be accepted for the present exhibition.

Author: 
John Young (1755-1825), mezzotint engraver and Keeper of the British Institution, London [ Charles Molloy Westmacott (c.1787-1868), journalist and blackmailer? ]
Publication details: 
British Institution, Pall Mall [ London ]. 12 May 1824.
£56.00

1p., 4to. In good condition, on aged paper. He is desired to thank Westmacott 'for the offer of your picture of Cromwell for exhibition, and at the same time to inform you, that the arrangements, for the present season, are already completed'. He ends with the tact for which he was renowned, expressing the hope that he will have 'the pleasure of seeing you at the private [last word underlined] view on tuesday next'. The recipient is presumably C. M.

[ Andrew Varick Stout Anthony, American wood engraver. ] Autograph Note Signed ('A. V. S. Anthony') to W. E. Ambler.

Author: 
A. V. S. Anthony [ Andrew Varick Stout Anthony ] (1835-1906), American wood engraver
Publication details: 
On letterhead of the St Botolph Club, 2 Newbury Street, Boston. 8 January 1889.
£45.00

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Sir: | I have nothing at present except some note book sketches, otherwise I should be pleased to acceed to your request. | Yours truly | A. V. S. Anthony'.

[ Strawberry Hill Press. ] Engraving ('C. Grignion sculp.') depicting 'Earl Rivers presenting his Book & Caxton his Print to Edw. 4'.

Author: 
Charles Grignion the elder (1721-1810), Huguenot engraver [ William Caxton, English printer; Horace Walpole; the Strawberry Hill Press ]
Publication details: 
Frontispiece to Horace Walpole's 'Royal and Noble Authors', published by the Strawberry Hill Press, 1758 [ 1759 ].
£45.00

Printed in black ink on one side of a piece of 18 x 11 cm piece of laid paper. Dimensions of image 15.5 x 10 cm. In fair condition, lightly aged and worn. The image forms the upper part of the engraving, within a decorative border, with the caption, covering eleven lines, as the lower part, within its own lapidary border. The image is, as the caption explains, from 'a curious M.S. in the Archbishop's Library at Lambeth'.

[ James Laver, museum curator and authority on fashion. ] Two Autograph Letters Signed (the first 'James Laver | Keeper of Prints') concerning purchases from bookseller Barry Duncan. With carbon copies of two of Duncan's letters.

Author: 
James Laver (1899-1975), art historian and authority on fashion, Keeper of Prints, Drawings and Paintings at the Victoria and Albert Museum, London
Publication details: 
Laver's two letters both on Victoria and Albert Museum letterheads, and dating from 30 December 1947 and 19 March 1948.
£120.00

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

Reproduction of a drawing of G.F. Watts, artist, by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a studio photograph.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [G.F. Watts; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£100.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

[ George Baker, connoisseur. ] Part of Autograph Letter Signed ('Geoe. Baker'), to his bookseller, regarding a set off periodicals.

Author: 
George Baker (1747-1811) of St Paul's Churchyard, connoisseur
Publication details: 
'No. 2 St Paul's Ch. Yard'. No year.
£100.00

On 8.5 x 16.5 piece of paper, cut from the conclusion to a letter. In fair condition, on aged and worn paper, laid down on a larger piece. He asks the recipient to 'make these Numbers perfect from the Waste', and gives instructions in case it cannot be done. For more about Baker see his obituary in the Gentleman's Magazine, February 1811.

Reproduction of a drawing of G.F. Watts, artist, by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a studio photograph.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [G.F. Watts; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£100.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

Catalogue of etchings by Robert Austin, A.R.E. [interleaved by Walker with material relating to Austin, 1926-1933].

Author: 
Robert Sargent Austin [Campbell Dodgson; Rainforth Armitage Walker]
Publication details: 
London: Published by the Twenty One Gallery, Durham House Street, Adelphi, W.C.2, 1926.
£120.00

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

[ Samuel Cousins, engraver. ] Autograph Note Signed ('Saml: Cousins') to the Scottish artist Thomas Faed

Author: 
Samuel Cousins (1801-1887), RA, English mezzotint engraver [ Thomas Faed (1826-1900), RA, Scottish artist ]
Publication details: 
On letterhead of 24 Camden Square, N.W. [London] 29 October 1877.
£30.00

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

[ Samuel Cousins. ] Autograph Letter Signed ('Saml: Cousins') to fellow-engraver Thomas Goff Lupton, regarding an invitation to tea and 'Wilson's entertainment'.

Author: 
Samuel Cousins (1801-1887), RA, English mezzotint engraver [ Thomas Goff Lupton (1791-1873), engraver and artist ]
Publication details: 
Without place or date. 'Monday morning'.
£35.00

1p., 12mo. In good condiion, lightly aged and worn. The letter begins: 'Dear Lupton | I find that we do not dine 'till 6 to day and consequently I shall not be able to take tea with you at half past 6 -'. He still intends to 'go to Wilson's entertainment', and hopes to be with Lupton 'by half past seven, if not sooner'.

[ From the stock of Henry Grey of Acton?] Collection of 114 genealogical and heraldic items, relating to British families, including manuscript and printed pedigrees, engraved coats of arms (including proofs) and armorial bookplates.

Author: 
[ Henry Grey of Acton, genealogical bookseller; genealogy; heraldry; heraldic; bookplates ]
Publication details: 
[ Henry Grey, 1 Churchfield Road East, Acton, London? ] Ranging in date from the eighteenth century to the early twentieth century.
£450.00

114 items, ranging in size and format. Many are extracted from eighteenth and nineteenth century English and French volumes. In fair condition, with signs of age and wear. Containing a few duplicates. Perhaps indicating provence is the presence, with two other items in a folder titled 'Hunt Family of Ireland', of a TLS to Grey from W. H. Hunt of Selkirk, 25 February 1923, asking him to supply genealogical 'extracts'. Of the present collection, the pedigrees, variously in manuscript, printed and engraved, are 24 in number.

[ Sir Francis Grant, portrait painter. ] Autograph Letter Signed ('Francis Grant') to Scottish artist Thomas Faed, on his election as Associate Member of the Royal Academy, and an engraving by Samuel Cousins of one of his paintings.

Author: 
Francis Grant (1803-1878), English portrait painter [ Thomas Faed (1826-1900), Scottish artist; Baron Carlo Marochetti (1805-67), Italian sculptor; Samuel Cousins (1801-87), engraver; Royal Academy ]
Publication details: 
On letterhead of The Lodge, Melton Mowbray. 6 February [1861].
£60.00

3pp., 12mo. Bifolium. In good condition, lightly aged, the blank reverse of the second leaf laid down on card backing removed from autograph album. Writing of his trip to London to take part in the vote at the Royal Academy he writes: 'I had two inducements to come up - you & Marochetti [the Italian sculptor Carlo Marochetti, elected at the same time] - & for either I would have come up separately - not from private friendship - although that existed in both cases - but from a sense of duty & the advantage of the Academy of which I doubt not you will very soon be a full member'.

[ Daniel Maclise, Irish artist and illustrator. ] Autograph Note Signed ('Danl. Maclise') to Scottish painter Thomas Faed.

Author: 
Daniel Maclise (1806-1870), Irish artist and illustrator [ Thomas Faed (1826-1900), Scottish artist ]
Publication details: 
On letterhead of the Athenaeum, London. No date.
£65.00

1p., 12mo. In good condition, lightly aged. Laid down on leaf removed from album. Reads: 'My dear Faed | It will give me much pleasure to dine with you the day you name | Believe me | faithfully yours | Danl. Maclise'.

[ Alfred Benjamin Wyon, medallist. ] Pencil drawing of crown, captioned in ink 'Scottish Crown.'

Author: 
Alfred Benjamin Wyon (1837-1884), sculptor and medallist, with shop at 287 Regent St, London
Publication details: 
With stamp of 'WYON | REGENT ST' [ Alfred Benjamin Wyon, 287 Regent St, London ].Undated.
£120.00

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

[Leopold Lowenstam, English-based Dutch etcher.] Business letterbook, containing copies of several hundreds of his letters, over a twenty year period, to 72 individuals and institutions, including patrons and artists at home and abroad.

Author: 
Leopold Lowenstam [Leopold Henry Lowenstam] (1842-1898), Dutch etcher working in England [Sir Lawrence Alma-Tadema; Rosa Bonheur; Jozef Israels; Robert Dowling]
Publication details: 
Most earlier letters from 9 Titchfield Terrace, Regents Park [London]; most later letters from Woodcroft, Three Bridges [Sussex]. Dating from between 1877 and 1897.
£1,500.00

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

Publishers' 'Specimen Of First Seven Plates' in 'An Elementary Text-Book of Entomology' by 'W. F. Kirby, of the British Museum'.

Author: 
W. F. Kirby [ William Forsell Kirby (1844-1912) ], of the British Museum [ Swan Sonnenschein & Co., Paternoster Square; William Wesley & Son, London, Booksellers and Publishers ]
Publication details: 
London: Swan Sonnenschein & Co., Paternoster Square. 1885. [ With stamp of William Wesley & Son, Booksellers and Publishers, 28, Essex Street, Strand, London. ]
£38.00

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

[ Louis Haghe, lithographer and watercolourist. ] Autograph Signature.

Author: 
Louis Haghe (1806-1865), Belgian lithographer and watercolour artist, based in England
Publication details: 
Place and date not stated.
£20.00

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

[ Jonathan Anderson Bell, Scottish architect. ] Autograph Signature ('J. A. Bell'), as Secretary, Association for the Promotion of the Fine Arts in Scotland, to 'Miss Fordyce, Union Place', for subscription, on ornate receipt.engraved by W. H. Lizars

Author: 
Jonathan Anderson Bell (d.1865), Scottish architect and watercolourist, Secretary, Association for the Promotion of the Fine Arts in Scotland [ W. H. Lizars, engraver ]
Publication details: 
Association for the Promotion of the Fine Arts in Scotland, Edinburgh, 25 March 1857. [ 'Engd by W H Lizars']
£56.00

Printed on both sides of an 11 x 23 cm piece of grey paper. In good condition, on lightly aged and worn paper. A nice piece of ephemera. The front is tastefully laid out, with fancy lettering and the royal crest. Numbered in red ink 1379. Recording Miss Fordyce's guinea subscription to the association. The reverse has the terms of the Association engraved in copperplate over ten lines. It is docketed '£1 . 1 | Fine Art Association | 25 March 1857'.

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