PRINTS

[Sophie-Ernestine de Tott, French émigrée artist.] Signed Autograph order for David Morier to pay Gregorio Francisco de Queiroz for Francisco Bartolozzi’s engraving of her painting of the Prince de Condé. With de Queiroz’s signed receipt.

Author: 
Sophie-Ernestine de Tott (1758-1848), French émigrée artist; Gregorio Francisco de Queiroz (1768-1845), Portuguese engraver, pupil to Francesco Bartolozzi (1727-1815) [David Morier, banker]
Gregorio Francisco de Queiroz
Publication details: 
Signed order by de Tott: ‘No. 13. Princes Street hanover Square / a Londres - ce 16. Juin 1802 -’. Receipt signed by de Queiroz: 16 June 1802; no place.
£280.00
Gregorio Francisco de Queiroz

A nice set of documents relating to the London émigré art scene. A copy of the engraved portrait to which these two items refer, titled ‘Louis Joseph de Bourbon, prince de Condé, prince du sang’, is BM P&D 1850,0211.17, and carries the information M.de de Tott pinx., F. Bartolozzi RA sculp., and her details, as publisher: London Publish'd by M.de de Tott Octo. 1 1802. De Tott’s original painting is in the Musée Condé in Paris. See Bartolozzi’s entry in the Oxford DNB and the second (1885) edition of Tuer’s monograph on him. The two items are attached with a wafer at top inner corner.

[F. W. Fairholt [Frederick William Fairholt], artist and wood-engraver.] Autograph Letter Signed to fellow-antiquary Edwin Keet, postponing a meeting, on reverse of Autograph Letter Signed from Keet to ‘Dr. Bell F.R.S. F.S.A.’, postponing the meeting

Author: 
F. W. Fairholt [Frederick William Fairholt] (c.1813-1866), artist, wood-engraver and antiquary [Edwin Keet]
Publication details: 
Neither item dated or with place (Fairholt’s is headed ‘Wednesday’). On paper with 1850s watermark.
£80.00

See Fairholt’s entry in the Oxford DNB. The letters on either side of a 12mo leaf. In good condition, neatly placed in windowpane mount. On one side is the response: ‘Wednesday / Dear Mr Keet / I find I must not go out at night for a week to come. I ventured last night & am worse to day in consequence / You must excuse me with many thanks for your intentions / Yours very try / F. W. Fairholt’. On the reverse is a hurried and smudged ALS signed ‘Edwin Keet’ and addressed to ‘Dr. Bell F R. S. / F. S.

[F. W. Fairholt [Frederick William Fairholt], artist and wood-engraver.] Autograph Receipt Signed for payment from 'Mr Clements' for 'a drawing in wood of a Candelabra'. With IOU to Fairfholt signed by 'C. Rimbault'.

Author: 
F. W. Fairholt [Frederick William Fairholt] (c.1813-1866), artist, wood-engraver and antiquary
Fairholt
Publication details: 
Fairholt's receipt with neither date nor place. Rimbault's IOU dated 20 October 1883.
£120.00
Fairholt

See Fairholt’s entry in the Oxford DNB. ONE: Receipt by Fairholt. 1p, landscape 12mo. In good condition, in windowpane mount. Good firm signature. Reads: 'Received of Mr Clements the sum of fifteen shillings for a drawing in wood of a Candelabra. / F. W. Fairholt / £- 15s . 0d'. TWO: IOU by Rimbault. 1p, 16mo. In good condition, in windowpane mount. Reads: 'I. O. U. / Thirty pounds / Oct 20 . 1883 / C. Rimbault / to F. W. Fairholt'. Rimbault's identity (a relation of the musicologist Edward Francis Rimbault?) has not been established. See Image.

[Heinz Berggruen, German and American art dealer, with a renowned private collection of twentieth century masters.] Typed Letter Signed to London printseller Robert Erskine, regarding prints he has ‘set aside’ for him.

Author: 
Heinz Berggruen (1914-2007), German and American art dealer, with a renowned private collection of twentieth-century masters [Robert Erskine, London printseller]
Publication details: 
10 May 1954; Paris. On letterhead of Berggruen & Cie, ‘gravures originales modernes’.
£56.00

Berggruen was awarded the French Legion of Honour and the German Order of Merit. Among those attending his funeral were German Chancellor Angela Merkel and President Horst Köhler. One of his sons is the US billionaire investor and philanthropist Nicholas Berggruen. In the year this letter was sent Erskine opened his influential St Georges Gallery Prints off Cork Street. 1p, 12mo. In fair condition, but with slight damage and creasing at the centre of the right-hand margin. Highly stylized signature, ‘Heinz Berggruen’. Folded once for postage. Reads: ‘Dear Mr.

[Birket Foster, artist, and Edmund Evans, engraver.] Proofs of three engravings by Evans from drawings by Birket Foster, which appeared in Maria Webb, ‘The Fells of Swarthmoor Hall’.

Author: 
Birket Foster [Myles Birket Foster] (1825-1899), Northumberland painter and illustrator; Edmund Evans (1826-1905), engraver
Birket Foster
Publication details: 
From book published in 1865 in London by Alfred W. Bennet, 5 Bishopsgate Without.
£250.00
Birket Foster

See the two men's entries in the Oxford DNB. Webb’s book contained four engravings from drawings by Birket Foster, the last (‘The Tomb of Thomas Lawson’) of which is absent. The first has ‘E. EVANS Sc.’ engraved into the plate; the other two, evidently the work of the same hand, are unattributed. Three proof engravings, on wove paper roughly 20.5 x 13.5. All in good condition, very lightly spotted and worn, and certainly suitable for display. ONE (the frontispiece): Captioned, ‘SWARTHMOOR HALL.

[John Strongitharm, London commercial engraver. Engraver to the Prince of Wales.] Coloured Proof Engraving of the royal arms (lion and unicorn), beneath the words ‘LORD CHAMBERLAIN’S OFFICE’. With pencil instructions on the reverse.

Author: 
John Strongitharm (c.1758-c.1839), London commercial engraver, Engraver to the Prince of Wales [The Lord Chamberlain’s Office]
Strongitharm
Publication details: 
No date or place. [Early nineteenth century. John Strongitharm, 1 Waterloo Place, London.]
£320.00
Strongitharm

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

[CSS Alabama, Confederate sloop-of-war raider, Captain Raphael Semmes, sunk in 1864 by USS Kearsarge.] Steel engraving by Henry Bryan Hall of depicting seven of the ship's officers.

Author: 
[CSS Alabama, Confederate sloop-of-war, Captain Raphael Semmes, sunk in 1864 by USS Kearsarge] Henry Bryan Hall (1808-84), Anglo-American engraver; Kelly, Piet & Co., Baltimore publishers
CSS
Publication details: 
[1869.] Kelly, Piet & Co., Baltimore.
£220.00
CSS

A painting by Manet of the celebrated engagement between the Alabama and the Kearsarge was finished and exhibited before the end of 1864. It now hangs in the Philadelphia Museum of Fine Art. The present item is a steel engraving, dating from five years later, on a small 8vo piece of thickish wove paper. In good condition, on lightly aged paper, with slight discoloration and creasing to the blank edges. At the foot of the engraving is the name of the publishers, ‘Kelly, Piet & Co. Baltimore’ (it appeared in their 1869 book, ‘Memoirs of Service Afloat, during the War between the States.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to an unnamed woman, regarding a drawing ‘of small value or none’, copied from Giulio Romano.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
5 January 1894; on embossed letterhead of the British Museum, London, W.C.
£45.00

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to ‘Mr Fagan’, declining any item from the ‘various volumes and packets of prints’ he has sent.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
22 May 1895; on embossed letterhead of the British Museum, London, W.C.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

[John Jackson, Northumbrian wood engraver who was apprenticed to Bewick.] Autograph Letter Signed to the printers and publishers Vizetelly, Branston & Co, asking to be sent four copies of ‘The Young Lady’s Book’ (presumably containing his work).

Author: 
John Jackson (1801-1848), Northumbrian wood engraver, apprenticed to Thomas Bewick, whom he left after a quarrel, going to work under William Harvey in London
Publication details: 
'[70?] Clarendon st [London] / Monday Morng [1829?]'.
£120.00

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

[Vendôme Column; entry into Paris of Prussians and Russians, 1814.] Hand-coloured engraving: ‘Wie die verbündeten Heere, an ihrer Spitze der Kaiser von Russland, und der König von Preussen, unter dem Iubel des Volks’.

Author: 
[Vendôme Column; entry of Prussians and Russians into Paris, 1814] Friedrich Campe (1777-1846), Nuremberg print and book publisher [Napoleon Bonaparte]
Publication details: 
Circa 1815. [‘Nurnberg bei Friedrich Campe’.]
£65.00

An uncommon illustration: no other coloured copy traced. Rovinsky 1889, No. 773 (p.151); and Morozov 1912, No. 782 (p.125). Approximately 21.5 x 17 cm, with dimensions of plate 21.25 x 15.5 cm. Tightly cropped, and without the publisher’s details at the foot, and the number 552 at top right. Tastefully coloured in blue, yellow, brown and red. Discoloured and spotted, with closed tear at head over blank area of design, and other damage to blank areas repaired on reverse with archival tape.

[Anatomical plates by Carlo Cesio, published by Luis Fabri.] ‘Cognizione de Muscoli del Corpo Umano / Per uso di disegno / Opera / di Carlo Cesio’.

Author: 
Carlo Cesio [Carlo Cesi] (1622-1682), Baroque painter and engraver of the Roman school; Luigi Fabri [Aloisio Fabri; Luis Fabri] (1777-1835), Roman engraver and publisher
Publication details: 
[Early nineteenth century.] ‘In Roma presso Luigi Fabri, Via del Bufalo No. 141.’
£350.00

First published in Rome in 1679 as ‘Cognitione [sic] de muscoli del corpo humano per il disegno’. The present edition is scarce. JISC LHD suggests that there is no copy in the United Kingdom (not even at the Wellcome), and WorldCat lists only four: at Harvard, Boston Athenaeum, Michigan and Padua University. 18pp, folio, on the rectos of eighteen leaves, of which the first is a new title-page and the second carries the text ‘A chi studio il disegno’ by ‘Carlo Cesio’. Dimensions of plate 21 x 34 cm; dimensions of leaf 33 x 44 cm.

[George Cruikshank, ‘the modern Hogarth’, nineteenth-century caricaturist and illustrator, associated with Charles Dickens.] Six original engravings, including illustrations of raucous scenes of life in London.

Author: 
George Cruikshank (1792-1878), 'the modern Hogarth', nineteenth-century British caricaturist and illustrator, associated with Charles Dickens
Publication details: 
All six from Cruikshank’s ‘Comic Almanac’, 1845.
£60.00

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

[American War of Independence.] Three original hand-tinted engravings: portraits of ‘The Honble Horatio Gates, Major General of the American Forces’ and ‘John Paul Jones’, and ‘First Action between the English and Americans at Concord in 1775’.

Author: 
American War of Independence; Horatio Gates; John Paul Jones; Battle of Concord, Massachusetts, 1775; John Chapman; James Cundee; Robert Faulder, London bookseller
Publication details: 
[1780, 1796 and 1806; all London.]
£150.00

Three contemporary engravings, now scarce. All three items are in good condition, each laid down in a nineteenth-century mount. All have been trimmed (the information concerning each comes from another source), and all are partially tinted. ONE: ‘The Honble Horatio Gates, Major General of the American Forces’. From ‘An impartial history of the war in America, between Great Britain and her colonies’ (R. Faulder, London, 1780). 9 x 16 cm; in 21 x 27 cm mount. A full-length portrait of Gates, with right hand on chest and left hand holding the ‘Articles of Capitulation’.

[Ben Weinreb, London bookseller and editor of ‘The London Encyclopedia’.] Autograph Note Signed [to fellow bookseller Andrew Block] on attractive printed invitation card for the opening of the new ‘Weinreb + Douwma’ print and map shop.

Author: 
Ben Weinreb (1912-1999), London bookseller and authority on architecture, first editor of ‘The London Encyclopedia’ [Robert Douwma, printseller; Andrew Block, bookseller]
Weinreb
Publication details: 
Invitation to shop opening, 26 January 1970; 93 Great Russell Street, London WC1.
£45.00
Weinreb

See Nicolas Barker’s appreciative obituary in the Independent, 7 April 1999, which notes that after selling his entire stock to the University of Texas in 1968, ‘He moved his business to the other side of Great Russell Street, and briefly opened another shop, selling prints in partnership with Rob Douwma.’ (The British Museum website states that ‘Weinreb & Douwma was on the corner of Great Russell Street and Bloomsbury Way during the 1970s and 1980s.’) The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business w

[John Pye, line engraver.] Autograph Letter Signed, offering the artist William Carpenter his vote ‘at the forthcoming election for Sec[re]t[ar]y of the Artists’ Annuity Fund'.

Author: 
John Pye (1782-1874), line engraver, praised by Turner, promoter of professional associations and co-operative movements [William Carpenter (1818-1899), painter; Artists’ Annuity Fund, London]
Pye
Publication details: 
21 June 1839. 42 Cirencester Place, Fitzroy Square. [London]
£180.00
Pye

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

[Oriental Customs and Manners, as viewed in Georgian England.] Two original hand-coloured copperplate engravings, both published in London by John Joseph Stockdale, and both ‘A Freschi sculpsit’: ‘INDIAN INK’ and ‘MONKEYS GATHERING TEA.’

Author: 
Andrea Freschi (1774-1815), Italian engraver active in London [John Joseph Stockdale (c.1770-1847), London publisher and pornographer [Oriental customs and manners]
Publication details: 
One of the two ‘Pubd. 25 April 1812 by I. I. Stockdale [i.e. John Joseph Stockdale], 41 Pall Mall’. The other from same period.
£40.00

Two attractive small original hand-coloured copperplate engravings. Both in good condition, lightly aged, and each with slight traces of previous mount on blank reverse. ONE: Captioned at foot ‘A Freschi sculpsit | MONKEYS GATHERING TEA. | Pubd. 25 April 1812 by H. Stockdale, 41 Pall Mall’. Portrait: 10.5 x 17.5 cm. Depicts a Chinese man beneath a tree taking leaves from a monkey on the ground, whilst three other monkeys in the tree collect more leaves. TWO: Captioned at foot ‘A Freschi sculpsit | INDIAN INK.’ No place or date. Landscape: 17.5 x 10.5 cm. Depicts three men preparing the ink.

[Martin Hardie, artist, engraver, art historian, and a Victoria & Albert Museum Keeper.] Autograph Card Signed to C. H. Whitby, regarding an engraving by the disciple of William Blake, Samuel Palmer.

Author: 
Martin Hardie (1875-1952), artist, engraver, art historian and Keeper of Painting, Engraving, Illustration, and Design at the Victoria and Albert Musem, London [Samuel Palmer; William Blake]
Publication details: 
4 June 1925; with London postmark of the same date.
£35.00

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

[Handbill announcing Nelson's victory at the Battle of the Nile, 1798, headed: 'Adm. NELSON's Victory over the French.'

Author: 
Horatio Nelson [Admiral Lord Nelson; Vice-Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté] (1758-1805) Battle of the Nile, 1798
Publication details: 
Without place or date. [October 1798.]
£450.00

Presumably distributed in the streets (of London?) on the news of Nelson's victory. No other copy of the title has been traced, either on OCLC WorldCat or COPAC. Printed on one side of a 34 x 19.5 cm piece of paper, with cropped margins (text area 33 x 17.5 cm). The reverse of the leaf would appear to be blank, the leaf being laid down on a piece of grey paper removed from an album. Printed in double column, with a wavy vertical dividing rule down the middle, beneath the title 'Adm.

[German and English Victorian wood engraving.] Album containing 'Geo. F. Tabram's Specimens of Wood Engraving 1842-8', including grotesque figures and chivalric scenes, with an original drawing and two German specimens loosely inserted.

Author: 
[German and English Victorian wood engraving.] George Frederick Tabram (1825-1891) of Gloucestershire
Publication details: 
[German and English engravings, collected in Gloucestershire, between 1842 and 1848.]
£150.00

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

[Frederick Burnaby, British traveller and national hero.] Engraving by Elizabeth Adela Forbes, of a drawing of Burnaby by Mary Blanchard Reed, signed by both women ('Mary B Reed' and 'Elizabeth A. Armstrong').

Author: 
Frederick Burnaby [Frederick Gustavus Burnaby] (1842-1885), soldier, traveller and balloonist; Elizabeth Adela Forbes [née Armstrong] (1859-1912), Canadian artist; Mary Blanchard Reed; Sidney Redrup
Publication details: 
'London Published July 8th. 1885 by Sidney Redrup. 175. New Bond Street. Copyright Registered.'
£1,500.00

See the Oxford DNB entry on Burnaby ('He was commemorated in verse, song, and Staffordshire pottery').

[Joseph Sams of Darlington, Quaker bookseller and traveller.] Autograph Letter Signed ('J. Sams.'), explaining his practice with regard to the return of items, and including a list of 'fine & curious coloured prints' and drawings.

Author: 
Joseph Sams (1784-1860) of Darlington, Quaker bookseller, dealer in antiquities, traveller in Egypt and Palestine
Publication details: 
'Darlington 21/7mo (July) 1853'.
£150.00

See Sams's entry in the Oxford DNB. 4pp, 12mo. On a bifolium, the second leaf of which has had a rectangle, almost amounting to half, cut away from the bottom. The text of the letter is complete, but the priced list of the prints and drawings on the last page, lacks the lower half. A long letter, closely written. Signed 'J. Sams.' Aged, worn and lightly stained, but nevertheless in passable condition. The recipient, saluted as 'Esteemed Friend', is not named.

[John Landseer, landscape engraver, father of Sir Edwin Landseer.] Autograph Letter Signed ('J Landseer') to 'J. Scoles Esqr', i.e. the architect Joseph John Scoles, asking for tickets of admission to his church.

Author: 
John Landseer (1769-1852), landscape engraver, father of Sir Edwin Landseer [Joseph John Scoles (1798-1863), Gothic Revival architect]
Publication details: 
'Monday Morng.' [no place or date]
£45.00

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

[Arthur James Lewis, artist and illustrator.] Autograph Letter Signed ('Arthur J Lewis') to publisher Ernest Gambart, regarding the disposal of the disposal of the remaining copies of 'Hood's Poems'.

Author: 
Arthur James Lewis (1824-1901), artist and illustrator, promoter of the Junior Etching Club [Ernest Gambart (1814-1902), London art publisher; James Abbott McNeill Whistler]
Publication details: 
43 [?] Street. 10 November 1860.
£35.00

2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to 'E Gambart Esq' and endorsed by the recipient. Two years earlier Gambart had published 'Passages from the Poems of Thomas Hood', illustrated with 34 plates by the Junior Etching Club (of which Whistler was a member between 1857 and 1862). The book had been well-received, but the letter makes clear that it had not covered its costs.

[William Wadd, surgeon-extraordinary to George IV and medical author.] Autograph Letter Signed ('Wm. Wadd') to 'Henry Dewey' [in fact the Yarmouth physician Henry Davey], regarding his 'Universal' print collection and 'Nugae Chirurgicae'.

Author: 
William Wadd (1776-1829), surgeon-extraordinary to George IV and medical author [Henry William Robert Davey of Yarmouth]
Publication details: 
Park Place [London]; 24 April 1825.
£400.00

4pp, 4to. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed by Wadd, with his seal in red wax (the breaking of which has caused slight loss to a couple of words), to 'Henry Dewey Esqr | Surgeon | King Street | Yarmouth | Norfolk'. The recipient is in fact the surgeon Henry William Robert Davey (1798-1870) of Yarmouth, son of surgeon Henry Sallows Davey (1781-1855) of Beccles. An interesting letter, casting light on print and autograph collecting in Georgian London.

[The Temple of Solomon.] Four German architectural engravings of 'Tempels Salomonis', extracted from 'Uebersetzung der algemeinen Welthistorie'.

Author: 
Siegmund Jacob Baumgarten [The Temple of Solomon, Jerusalem; Tempels Salomonis]
Publication details: 
Extracted from work published in Halle by Johann Justinus Gebauer, 1744-1793.
£280.00

Four original engravings, on laid paper, extracted from the third volume of S. J. Baumgarten et al., 'Uebersetzung der algemeinen Welthistorie, die in Engeland durch eine Geselschaft von Gelehrten ausgefertiget worden' (Halle: J. J. Gebauer, 1744-1793). Each with the binder's instruction 'T III p 365' engraved at top right. Attached to one another and in fair condition, aged and worn on browned paper, with some creasing along outer edge of the first two prints. Paper dimensions are approximate. ONE: 'Grund-Riss von dem Modell des Salomonischen Tempels'. Paper dimensions: 23 x 36 cm.

[Engraving by John Pye, from drawing by Robert Balmanno, printed by John Johnson (of the Lee Priory Press).] Engraving of 'Cenotaph erected at Stoke Park, to the Memory of the Poet Gray.' With text including the 'Inscriptions on the Cenotaph'.

Author: 
John Johnson (1777-1848), typographer and printer (at the Lee Priory Press of Sir Egerton Brydges); Robert Balmanno (1780-1861), connoisseur; John Pye (1782-1874), engraver; Thomas Gray
Publication details: 
'Johnson, Typ.' 1818.
£200.00

On 34 x 27 cm unwatermarked laid paper. Dimensions of plate 34 x 23 cm. Dimensions of print 5.1 x 7.4 cm. Dimensions of print and text 15 x 7.4 cm. In fair condition, lightly aged, spotted and creased, with stub from album adhering to one margin. This is an early state of a print of which the British Library has a copy (acquired in 1867) of the undated third state, dated to 1820, carrying only four lines of text rather than the substantial amount present here. The present copy has, engraved in small letters immediately beneath the print: 'Robt. Balmanno delt. 1818. Jno.

[ 'Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers'. ] Satirical engraving of a bank note, undertaking to pay five farthings 'when Methodism shall have been done away'.

Author: 
John Luffman, London printseller [ Georgian methodism ]
Publication details: 
'Sold by Luffman, 377, Strand'.. Dated from London, 1 September 1810.
£120.00

Printed in black ink on a 9 x 16.5 cm. piece of paper. A scarce piece of ephemera. Grubby, aged and worn. Laid down on part of a page from an album. A pastiche of a Georgian banknote, the main body of the text reading: 'No. 24 . . . . | Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers, or Bearer FIVE Farthings, when Methodism shall have been done away with by the Pious exertions of the established Clergy, and when Iohn Bull's Family shall be no longer scared by the tale of the Devil let loose. | London the 1st. day of Septr 1810.

[ Captain Edward Pelham Brenton, Royal Navy officer and naval historian. ] Autograph Signature ('Edwd P Brenton') to list of nine 'Plates not returned'.

Author: 
Captain Edward Pelham Brenton (1774-1839), Royal Navy officer involved in the 1809 capture of Martinique, controversial naval historian and charity worker
Publication details: 
Without place or date.
£150.00

1p., 12mo. In fair condition, lightly aged, with dog-eared corners at foot. Brenton's florid signature is placed at the foot of a numbered list headed 'Plates not returned'. The plates are all on maritime themes, and may be connected with his 'Naval History of Great Britain from the Year 1783 to 1822' (1823) or his 'Life and Correspondence of John, Earl of St. Vincent ' (1838): 'St. Vincent By Beechey | Howe | Battle of Trafalgar | St Johns New Fd Land | Scheldt | Algiers | Sir Charles Pole | Lord Duncan | Copenhagen'.

[ Sir Francis Seymour Haden, etcher and surgeon. ] Autograph Letter Signed ('F. Seymour Haden'), in French, to a 'Colleague' [sic]

Author: 
F. Seymour Haden [ Sir Francis Seymour Haden ] (1818-1910), etcher and surgeon
Publication details: 
On letterhead of the Athenaeum, Pall Mall, S.W. [ London ] 25 February 1904.
£35.00

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. He offers him a choice of engravings, explaining his constraints; 'Aussi vous savez entre amis et artists un traitement secondaire sera indigne'. There is also Haden had strong connections with France; according to his entry in the Oxford DNB, he completed 'his professional studies in the medical schools of the Sorbonne, Paris, and Grenoble, where he acted as prosecteur in 1839, and, later, lecturer on surgical anatomy at the military hospital'.

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