PAUL

On piece of pink paper roughly 13.5 x 9.5 cm. Reads: ‘Every good wish / Paul Robeson.’ No other writing, and the good firm signature with plenty of space around it. In good condition lightly aged, with thin strip of discoloration running through the ‘E’ of ‘Every’. Scan on application.

See his entry in the Oxford DNB. 1p, foolscap 8vo. Thirty lines of text. Signed ‘Stan Barstow’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs. Barstow begins by discussing ‘The Fenton in Woodhouse Lane, Leeds’, which had ‘proximity to the BBC, where Alfred Bradley ran the radio drama studio.

Livings’s entry in Encyclopaedia Britannica notes that his farces ‘convey serious truths’ with ‘both a dazzling comic flair and an unexpected force and profundity that is heightened by his use of colloquial language’. 1p, foolscap 8vo. Twenty-two lines of text. In fair condition, lightly aged and creased, with four light ink underlinings. Signed ‘Yours, / Henry Livings’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs.

Betjeman’s daughter Candida Lycett Green, in her edition of her father’s later letters, refers to Moore as the his ‘gentle secretary’, ‘whom he always called “Dorinda,” and who lived on the other side of the street’. She also states that after his stroke in 1981, the poet could no longer sign his name, and dictated letters to Moore. 1p, foolscap 12mo. In good condition, lightly aged and creased. Folded once for postage. On his letterhead (‘Sir John Betjeman’ at top left, and address at top right) printed in brown ink on cream paper. Addressed to ‘Mr. Furness’.

1p, foolscap 8vo. In good condition, lightly aged. Folded for postage. Addressed to ‘Dear Paul Furness’ and signed ‘Roger McGough’. On the subject of Furness’s ‘fascinating pub study’, he names ‘the ones I was associated with during those poetry-reading days’: ‘O’Connors Tavern in Hardman Street (Liverpool all), The Philharmonic (corner of Hope St. & Hardman Street), The Grapes, Pilgrim Street’. In addition there were ‘clubs which we took over on quiet nights i.e. Monday at Chauffeurs Club, Hope Street’.

A good informative letter. See Abse's entry in the Oxford DNB, along with that of Gaston Berlemont, proprietor of the French House (the nickname of the York Minster), Soho. 2pp, 12mo. In good condition, lightly aged. Folded one for postage. On a leaf of light-grey paper, in matching stamped envelope with postmark, addressed to Furness in Battersea. One of a number of letters from British poets in response to enquiries from Furness with regard to their pub memories.

Berggruen was awarded the French Legion of Honour and the German Order of Merit. Among those attending his funeral were German Chancellor Angela Merkel and President Horst Köhler. One of his sons is the US billionaire investor and philanthropist Nicholas Berggruen. In the year this letter was sent Erskine opened his influential St Georges Gallery Prints off Cork Street. 1p, 12mo. In fair condition, but with slight damage and creasing at the centre of the right-hand margin. Highly stylized signature, ‘Heinz Berggruen’. Folded once for postage. Reads: ‘Dear Mr.

1p, 4to. Addressed to 'Dear Miss Cond' and signed 'G P Bachmann'. In fair condition, lightly aged and creased. Folded twice for postage. He apologises for the late reply to her ‘nice note and the book-plate’. He gives details of two films he has been ‘terribly busy making’, ‘neither of them stories I wrote’: ‘The Phoenix is to start in Berlin this winter as a very big film with three big stars.

This item is from the autograph album of the author George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. It does not however appear to be addressed to Meredith, but rather to the author William Sharp (‘Fiona Macleod’). See the several references to Bourget in the first volume of W. F. Halloran’s edition of Sharp’s letters. 1p, 16mo. Laid down on part of gilt-edged leaf from Mrs Sturgis’s album. In good condition, folded once for postage.

Material relating to Lambert is in the Charles E. Young Research Library of the University of California. See his obituary by Sharon Waxman in the New York Times (‘Gavin Lambert, 80, Writer Who Chronicled Hollywood Life, Dies’), 19 July 2005, which describes him as ‘an incisive observer of life in Hollywood through his screenplays, novels and film histories’, whose writings ‘speak candidly about the realities of Hollywood stardom and about the potentially destructive effects of the industry's harsh demands on artistry’: ‘Mr.

Interesting items, casting light on the life of an Australian rural doctor of the Victorian period. A selection of Bartlett’s memoirs was published under the title ‘Bush Doctor’, edited by Jane Caiger-Smith and Michael C Bartlett, in 2011. There is an good illustrated article on him and his family (‘A Classic Bush Doctor’) in ‘Australian Rural Doctor’, June 2013. Both letters are addressed to ‘Dear Mr. D’Eath’ and signed ‘Felix P. Bartlett’.

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

ONE: ‘The National Front and the Jews / A briefing document by the Anti Nazi League / March 1978’. Stapled pamphlet of 8pp, 8vo. In fair condition, lightly aged and creased. Striking cover with title in large letters printed in black onto strips of green. Two-page introduction followed by two pages of illustrations (‘merely intended as a sample of the National Front’s continual argument by innuendo. All are taken from the National Front monthly, Spearhead’); page headed ‘Before the National Front / 1959-67’, followed by two pages titled ‘The National Front / 1967-’.

Three contemporary engravings, now scarce. All three items are in good condition, each laid down in a nineteenth-century mount. All have been trimmed (the information concerning each comes from another source), and all are partially tinted. ONE: ‘The Honble Horatio Gates, Major General of the American Forces’. From ‘An impartial history of the war in America, between Great Britain and her colonies’ (R. Faulder, London, 1780). 9 x 16 cm; in 21 x 27 cm mount. A full-length portrait of Gates, with right hand on chest and left hand holding the ‘Articles of Capitulation’.

On 11 x 17.5 piece of shiny art paper, cut from a programme. The signature ?Paul Robeson? is written across Robeson?s front, beneath his smiling face in a black and white photograph. Beneath the photograph is the caption: ? ?A voice like his is worth waiting ten years to hear, and an art like his comes once in a generation.? / THE TORONTO EVENING TELEGRAM?. On the reverse are part of the lyrics from two songs, the second being ?Short?nin? bread?.

1p, 4to. In fair condition, on aged and creased paper. Folded twice. In the typewritten letter he explains that he has been in Los Angeles for four months with his wife, and that they 'intend to stay on for a while as I have film and television commitments here'.

19pp, 8vo. On ten foliated leaves. On aged paper; the first leaf with slight damage and loss to corner and one edge, with minor loss to text. Addressed to 'My dear Jens'. According to Elinor Barr, 'Swedes in Canada: Invisible Immigrants' (2015), Boving 'developed several new strains of forage crops and grains'. The recipient, Boving's brother Jens Orten Boving (1873-1959), was a hydro-electric engineer and inventor based in London, responsible, according to 'Who's Who in Engineering', 1922, 'for a large number of water-power plants, pulp mills and pumping plants in all parts of the world'.

Both items in good condition, lightly aged. The first day cover, celebrating the end of the second Ecumenical Council, is printed in brown, red and green, illustrated with photographic portraits of Ramsay and Pope Paul VI. It carries two Vatican stamps and a Vatican postmark. Towards the right of the cover, one over the other, are the signatures of '+ Michael Canuar:' and '+ John Card. Heenan'. Moore's Typed Letter Signed is addressed to Umberto Giorgi of Vicenza, Italy, and reads: 'The Archbishop of Canterbury was grateful for your letter.

ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

vi + 268pp., 12mo. In sturdy red morocco half-binding, with brownish-black boards in ribbed patterned cloth, and gilt tooling, marbled endpapers. Binders' ticket at rear: 'Bound by Blackie and Son'. On browned high-acidity paper, with slight damage to title-leaf. On the front free endpaper is the ownership inscription of 'Chas Sarolea', i.e. Professor Charles Sarolea [ Charles Louis-Camille Sarolea ] (1870-1953), noted Belgian philologist and author who settled in Scotland. Facing this, on a flyleaf, is the ownership inscription of 'J.

In blue ink on one side of 10.5 x 14 cm. leaf torn from autograph album. Good bold signature. Reads: 'With best wishes | to you | & thanks | Paul Robeson | Mar 16/60'.

1p., 12mo. In good condition, lightly aged. He is obliged for Brown's letter, 'pointing out misprints in my father's works. | Such communications are always valuable.' He is happy to say that 'young Bliss is working very well, & we shall make a good business man of him'.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn. Recommending for employment in the Post Office 'Mr. Paul Scollard, who is a young man of most respectable connexions, but whose circumstances are such as to render a very humble situation an object to him - If a vacancy should soon occur in the Letter Carrying Department, I would respectfully solicit the appointment from Your Lordship for him'.

ONE: Letter. 1 November 1901. On letterhead of 56 Wimpole Street, London. 3pp., 12mo. Bifolium. In good condition. With blank reverse of second leaf laid down onto a flyleaf of the book. Benson is not named, but is without doubt the recipient.

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

Printed in black on one side of a 49.5 x 65 cm. piece of thick paper. In fair condition, aged and rolled into a tube. A tasteful design, featuring an engaving of a palm leaf. Signed at foot by 'Paul Chabas' and 'A. Bréauté'.

Both items in fair condition, on lightly-aged and creased paper., the typed letter having a few autograph notes by Craig at end. ONE: ALS. 4pp., 8vo. He begins by telling Craig that he has been worrying about 'how to get your dope for you'. He is going to get in touch with 'Say & Drier', but does not know how the latter will react, 'being pro German you know - in the Guard Cuirasiers of the Prussian Guard in the last war'.

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.