LAMBERT

[ Rudolph Dolmetsch, composer and keyboard virtuoso. ] Fifteen Typed Letters and Notes Signed (all 'Rudolph Dolmetsch') to his music copyist A. Stroud

Author: 
Rudolph Dolmetsch [ Rudolph Arnold Dolmetsch ] (1906-1942), composer and keyboard virtuoso, son of Arnold Dolmetsch (1858-1940), musician and instrument maker [ The Rudolph Dolmetsch Orchestra ]
Publication details: 
Between 25 April 1936 and 26 February 1940. All on letterheads: the first two from Farnabys, High Street, Haslemere, Surrey; the rest from Pinewood, Old Haslemere Road, Haslemere, Surrey; last seven headed 'The Rudolph Dolmetsch Orchestra'.
£300.00

Dolmetsch studied under Constant Lambert at the Royal College of Music, and was a protégé of Sir Henry Wood. Shortly before his death he published a well-regarded book on conducting, in the face of the violent opposition to conductors of his father the early-music pioneer Arnold Dolmetsch. Each of the items (of which eleven are letters and four notes) is 1p., 4to. All but one of the items are in fair condition, on aged and worn paper, but with the earliest pitted along one fold, with loss to text. The recipient is A. Stroud of 185 Victoria Road, Aldershot.

[A.-É.-L. Leclerc de Juigné, Archbishop of Paris during the French Revolution.] Autograph Account Signed by 'L'Abbé Lambert | Sy. of the Archbishop of Paris', describing the 'persecutions and misfortunes which this worthy Prelate has experienced'.

Author: 
L'Abbé Lambert, Secretary of the Archbishop of Paris [Antoine-Éléonor-Léon Leclerc de Juigné (1728-1811), Archbishop of Paris during the French Revolution]
Publication details: 
Without place or date. [On paper with watermark of Edmeades & Pine, Maidstone, Kent. 1790s.]
£450.00

3pp., 4to. Bifolium. In good condition, on lightly-aged paper. 46 lines of text in shaky English, neatly written out. Lambert begins: 'Having been a long invested with the particular confidence of Mr. De Juigné Archbishop of Paris, I take the liberty of giving a succinct account of the persecutions and misfortunes which this worthy Prelate has experienced for his Religion, his King, & his conscience; & the dreadful distress to which he is now reduced. | I can with truth attest that Mr. J. archbishop of Paris in the Winter of 1788.

[Constant Lambert, English composer.] Autograph signature on card.

Author: 
Constant Lambert (1905-1951), English composer and conductor
Publication details: 
No date or place.
£25.00

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.

Three Autograph Notes Signed "Michael or "Michael Ayrton" to "Tom" [Driberg], politician and gay icon, and Mrs Driberg, Tom's wife, about payment for a portrait of Constant Lambert, conductor and composer.

Author: 
Michael Ayrton, artist and book illustrator
Publication details: 
[Printed heading] Bradfields, Toppesfield, Nr Halstead, Essex, 28 May 1954, 7 June 1954, and 6 Feb. 1955.
£180.00

Total 3pp., 12mo, fold marks, pinholes in two,good condition. The letters illustrate how difficult it was to get money out of Driberg. [28 May] Ayrton is about to go to America and must "gather all available resources to keep things going here [...] Could I therefore have some of the money owing for the portrait of Constant? All of it would be splendid but even some would help." [7 June] He thanks Mrs Driberg for payment of half. [6 Feb.] "Forgive my bothering you but I am a bit pressed for money at the moment and you still owe me half the price of the Lambert portrait whihc is Twenty Pounds.

Autograph Letter Signed to 'Miss Zeman'.

Author: 
Francis Lambert McCrudden (1872-1958), editor of The Raven Anthology ('Issued Monthly by the Raven Poetry Circle of Greenwich Village')
Publication details: 
Undated; on letterhead of the Raven Anthology.
£85.00

Octavo, 2 pp. 23 lines of text. Lightly discoloured and slightly creased. The letterhead gives the names of seven of the Anthology's staff, and features an illustration of a raven. Regarding a line missed (beginning 'O fool') in the printing of a poem of Zeman's, he is pleased that Zeman has been able to 'see the matter from my side', and doesn't think 'an explanatory note in our next issue would be adequate'. Zeman's poem is 'beautiful' and 'well worth reprinting'. 'As to the Soiree, in your honor, think no more about it.

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