F. R. Pickersgill [ Frederick Richard Pickersgill ] (1820-1900), RA, English artist and book illustrator
36 Mornington Crescent, 24 May 1853.
On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.
[ Herbert Percy Horne (1864-1916), editor. Elkin Matthews and John Lane, London booksellers and publishers ] [ G. F. Watts; Ernest Dowson; Selwyn Image; A. J. Hipkins; Laurence Binyon ]
London: 'Published for the Proprietor' by Elkin Matthews and John Lane. Boston: Copeland and Day. 1893. Printed by Folkard and Son, Devonshire Street, Queen Square, London.
40 + pp., 4to. With collotype frontispiece of painting by G. F. Watts, and another plate ('From a design by Selwyn Image') facing p.8. Two pages of advertisements for Matthews and Lane at rear. In grey printed wraps with elaborate Arts and Crafts style illustration of an adult 'knight' in a hobby horse. In fair condition, on lightly-aged paper, with slight staining to the fore-edges of the preliminary leaves, and in worn wraps.
G. Samuel Senn, architectural student [ Zofingen, Switzerland ]
[ Zofingen, Switzerland? ] Between 1846 and 1850.
Around 280pp., small 4to (20.5 x 16 cm). In bulky notebook with marbled boards and label on front cover: 'Skizzen & Notizen | von | Samuel Senn. | 1848.' Internally in fair condition, shaken, on aged and worn paper. In heavily-worn binding with spine almost rubbed away and front cover coming loose. An attractive and impressive volume, crammed with detailed tracings, diagrams, illustrations and plans of architectural features, projections, patterns and ornaments, most in fine pen and a few in colour. Most of the tracings have been laid down, with a few folding out.
[ Eighteenth-century French map ] [ Chanu, Bayeux? La Châtaigneraie, Vendée? ] [ Jacques Guiot; Maupas ]
France [ Chanu, Bayeux? La Châtaigneraie, Vendée? ] Eighteenth century?
On piece of 38 x 30 cm watermarked paper. In fair condition, lightly aged. In red, green and sepia. Within a border, and with 'OCCIDENT' at the head, 'ORIANT' at the foot, 'MIDY' to the left and 'SEPTENTRION' to the right. Attractive in design, with capital letters in red and simple tree design around the boders of fields.
Georg Christoph Eimmart the younger (1638-1705), German draftsman, engraver, and astronomer; his daughter Maria Clara Eimmart (1676-1707), astronomer, engraver and designer [ Riedener ]
Both dated from Nuremburg. G. C. Eimmart's autograph on 12 May 1699; M. C. Eimmart's autograph on 27 April 1699.
Each on one side of a 9.5 x 13.5cm piece of paper. Both in fair condition, with light signs of age and wear. G. C. Eimmart's autograph headed by a four-line quotation in Latin beginning: 'Omnes probi viri actiones ad sua intima vergunt'. Signed: 'in Gonorem | Nobilissimi
F. W. Pomeroy [ Frederick William Pomeroy ] (1856-1924), English sculptor responsible for statue of 'Justice' on the Old Bailey [ Douglas Sladen (1856-1947), author and academic ]
On letterhead of 14 Kensington Square, W.8 [ London ]. 7 June 1921.
2pp., 16mo. In fair condition, lightly aged and with slight smuding at head of first page. There is nothing he should have liked more than to accept Sladen's invitation to 'what will be a delightful Gathering, at your house at Richmond on the 9th.', but he has a previous engagement. 'Some other time, if you extend the hand of friendship in this charming way I shall be delighted to come and see you.'
Pierre-Nicolas Beauvallet (1750-1818), French sculptor and printmaker
'Au 3me de la R. une Et indivisible 7 Pluviose' [ i.e. 26 January 1795 ]. 'Cour du Muséum au Point Central des Arts [ Paris ]'.
1p., 12mo. In good condition, with light signs of age. Signed 'Beauvallet | Artiste Statuer Cour du Muséum au Point Central des Arts'. Addressed at head 'Aux Representants du Peuple fraincois Composant Le Comité d'instruction Publique'. An interesting appeal, reading as follows: 'Citoyens | je reclame les Secours que la Convention nationale accorde aux artistes. je n'ai Point de fortune. je Suis Pere de famille. j'ai offert mon fils agée de 16 ans a ma Patrie, il Sert en ce moment sur les Vesseaux de la Republique a Brent.
Pierre Audouin (1768-1822) and Pierre Laurent (1739-1809), French engravers
Paris. 17 May 1792.
1p., 8vo. In good condition, with tax stamp on reverse. The addresses of the two men are given as 'enclos du Temple' for Laurent and 'Rue de Tournon No. 4' for Audouin. Audouin undertakes to engrave, with 'tous mes soins pour y mettre toute La perfection', 'un dessein fais d'après Le Tableau de Terburg du Cabinet du Roi, Representans un Riche financier qui offre de L'ord [sic] a une jeune femme'. For his part Laurent agrees to pay Audouin 'La Somme de deux mille deux cens [sic] Livre'.
Bridget Guinness [ née Bridget Henrietta Frances Williams-Bulkeley ] (1871-1931), sculptor and society hostess, friend and benefactor of Dame Ellen Terry [ Jane A. Delano and Isabel McIsaac ]
Ownership inscription dated 1915. Book published in Philadelphia by P. Blakiston's Son & Co, 1012 Walnut Street, February 1914.
The book is xv + 256pp., 8vo. In grey cloth binding with printed cover. In fair condition, on aged paper, with front hinge split. Ownership inscription in blue pencil on front pastedown: 'Bridget Guinness | 8 Washington Sq | 1915'. In same blue pencil on reverse of rear free endpaper is a note of an appointment for a meeting with 'the American Florence Nightingale', Anna C. Maxwell (1851-1929), who was then the Director of the School of Nursing at the Presbyterian Hospital: '4 ock Tuesday Presbyterian 70th N Mad. Miss Maxwell's office -'.
Lucien Jeorgeaguet, Parisian porcelain decorator [ Alice Mattei; Delvaux ]
With label addressed to 'Mr JEORGEAGUET Lucien | Décorateur Porcelaine | 48 Rue de Pixérecourt | PARIS XXe Gr 14'. Mattei's drawings dated February and March 1961. Also a bill dated 24 November 1970. The other material from around the same time.
53 items, in remains of folder with 'Documents Modèles' in manuscript on cover. In fair condition, with light signs of age and wear. Mainly comprising tracings and drawings (some coloured) of designs (both original and copied from historical items), in pencil, pen and watercolour, including some on pages torn from notebooks, some of them annotated in French. Mattei's two coloured drawings show bold floral designs for teacups and saucers. Also present is a series of versions of a playing-card design. There are also eleven black and white photographs of pots, vases and snuffboxes.
Robin Wallace (1897-1952) was a well-known British painter in oils and watercolours, particularly noted for his landscapes. He was born in Kendal, Westmoreland, descended from a long line of hand-loom weavers. After working for local nurserymen, he served in the Royal Marines in the First World War. Soon after the war he set off for London, where he showed his work to Vicat Cole, principal of the Byam Shaw Vicat Cole School of Art in Kensington, who offered to teach him for nothing. His scholarship was renewed until 1926, the year of his first show, at the Rembrandt Gallery in Liverpool.
[J.G. Marks, prob.] Frederick Walker; W.M. Thackeray
The volume contains proofs of Walker's contributions to various periodicals, with other items by Walker. WITH letters/text/drawings (details below) by Thackeray relating to his The Adventures of Philip (Cornhill Magazine, 1861-2, serial), with relevant proofs.Marks states in his introductory comment to his "List of Illustrations" that "Those [illustrations] against which no owner's name appears have been supplied by the author." On that basis, several illustrations in this album belong to Marks's own collection (eg.
19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.
Tony Sarg [ Anthony Frederick Sarg (1880-1942), known professionally as Tony Sarg, a German American puppeteer and illustrator]
ITEM ONE: 20 May 1911, on letterhead '3, Linnell Close, | Hampstead Garden Suburb, | London, N.W.'; ITEM TWO: 23 Dec. 1912, Granville House, Arundel St., Strand, London, EC..' ITEM THREE: 11 January 1913, 'Granville House. | Arundel St. Strand. | London E.C. ITEM ONE: 3 pages, 12mo. Very good, though slightly discoloured. 'Your very closely written letter would have melted any artist's heart and I did the little sketch [not present] in seperate [sic] envelope with great pleasure, particularly as the object of your collection is to cheer you up in your old age.
New York World's Fair 1939 [Grover A. Whalen (1886-1962); Frank Monaghan; Bayard F. Pope]
New York World's Fair 1939, Main Office, 24th Floor Empire State Building, 350 Fifth Avenue, New York City, N.Y. Produced between 1938 and 1940.
Attended by 44 million people, the New York World's Fair was an enormous enterprise, with a vast number of exhibits and pavilions from all over the world spread out over 1216 acres of the Flushing Meadows/Corona Park district. The fair's official 'theme' was 'the demonstration of "a happier way of American living through a recognition of the interdependence of man, and the building of a better world of tomorrow with the tools of today"'.
Sir William Beechey (1753-1839), English portrait painter
'16th. May [no year]'.
On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.
Lumb Stocks RA (1812-1892), English steel engraver [J. M. W. Turner; John Martin; John Baylis Allen; John Cousen; Charles Rolls; David Roberts; George Cattermole; A. E. Chalon; Finden; Charles Heath]
Publishers (all London): Art Union of London; Baldwin & Cradock; P. & D. Colnaghi; Fisher, Son & Co.; Hamilton, Adams; Hurst, Robinson & Co.; Robert Jennings; Longmans; W. Marshall; William Pickering; John Sharpe; Whittaker. Between 1826 and 1863.
For a full list of named engravers, artists and publishers, see below. Lumb Stocks was, as the Oxford Dictionary of National Biography points out, 'one of the most influential exponents of steel line engraving, and his death left the Royal Academy without an engraver in its ranks'. He bequeathed his collection of prints to the British Museum;; the present collection was retained by the family, and purchased from the estate of Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral.
Charles Fairfax Murray (1849-1919), art connoisseur and artist [Sir Joseph Duveen; Rodolphe Kann; Wilhelm von Bode; Elia Volpi; Alessandro Contini Bonacossi]
On letterhead of 'Via Marsilio Ficino 12 | Firenze'. 24 September 1913.
A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.
The Campden Hill Club, London [Sir Miles Fletcher de Montmorency (1893-1963), Chairman, writer and art historian; Byan Shaw; Vicat Cole; Leighton House, Kensington]
The Campden Hill Club, London. Minute Book, 1946-1958; Day Book, 1956-1972; Leighton House Visitors book, 1958-1976.
The Campden Hill Club was founded in 1907, 'in affectionate memory of Byam Shaw, and as a tribute to his teaching', and comprised, according to the Studio magazine in 1922, 'mainly of past and present students of the Byam Shaw and Vicat Cole School of Art, with which it keeps closely and stimulatingly in touch'. The three items are in good condition, on lightly-aged paper, in worn bindings. ONE (Visitors Book, 1958-1976): 190pp., 4to. Ruled notebook bound in red cloth, with 'Visitors' stamped in gilt on the front cover.
Sir Hubert von Herkomer (1849-1914), German-born British painter admired by Van Gogh [Joseph Bennett; Edward Dalziel (1817-1905), wood engraver; Dorothy Dene (1859-1899), actress; Lululaund, Bushey]
The Herkomer Theatre [on the Lululaund Estate], Bushey, Hertfordshire. 1889 and 1890. [Items printed by Novello, Ewer, and Co. of London, and R. and R. Clark of Edinburgh.]
In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.
Samuel Cousins (1801-1887), engraver associated with the Royal Academy [Edward William Cooke (1811-1880), RA, marine gardener and engraver]
On letterhead of 24 Camden Square, London NW. 20 February 1865.
1p., 12mo. In good condition, on lightly-aged paper. He writes 'My dear Sir | I have the pleasure to accept your kind Invitation to Dine with you on the 4th March [amended from '28 Inst'] to meet the President and Council of the Royal Academy.' For more information about both men, see their entries in the Oxford DNB.
John Henry Batchelor (born 1936), MBE, English artist and 'arguably the world's foremost technical illustrator' and 'the world's premier stamp illustrator'
15 St Johns Road, Boscombe, Bournemouth.
1p., 12mo. Good, on lightly-aged paper, with water staining to a couple of words. Written in a stylish, calligraphic hand. He begins by thanking the recipient for a letter and postal order, before continuing: 'In case you are interested, I also do paintings of antique weapons. An example of my work can be seen in the August 1962 issue of "Guns Review".' He explains that such illustrations can be in either black and white or full colour, and concludes: 'If you have a particular favourite I shall be pleased to quote.'
William Etty (1787-1849), English painter [William Benjamin Sarsfield Taylor (1781-1850), Irish artist, curator of the St Martin's Lane Academy; Charles Sibley, artist]
14 Buckingham Street, Strand [London]. 28 February 1839.
1p., 4to. Aged and creased, mounted in windowpane on leaf removed from album. He writes: 'Gentlemen, | I beg leave to inform you, that I shall not have occasion for the Room I have taken at the St. Martins Lane Model Academy, after Michaelás Day next in the present year.' For more information on the Academy, see Sibley's 'Origin, Progress, and Present Condition of the Fine Arts in Great Britain and Ireland' (1841).
Joseph William Allen (1803-1852), landscape painter, President of Society of British Artists and drawing master of City of London School [his pupil Edward John Cobbett (1815-1899); Liscard Hall]
'Liscard Hall. | near Egremont | Cheshire.' Undated.
2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.
One page, 12mo, good condition. "Thank you very much for your kind letter & I am delighted that you have elected me. | Gunn had telephoned to me with the good news which was very considerate of him. [...]"
Henry, Lamb, English artist of the Camden Town Group
One dated 1948, another1950, one undated.
Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.
Edward Smith (c.1780-c.1849), Scottish engraver, based in London [John Martin, bookseller, and printseller, of the London firm of Rodwell & Martin]
3 College Street, Camden Town. 28 March 1831.
1p., 4to. In very good condition, neatly placed within a windowpane mount. Addressed at head to 'Mr. John Martin'. Laying out, in detail, the 'Terms on which I agree to engrave the Game Keeper after W. Hunt'. The terms are described over twelve lines, beginning: 'The Engraving to be 7 by 5 inches in my best manner, the charge to be seventy Guineas, one third to be paid on the Etching, the remainder on delivery of the work, which I undertake to do in about four months.'
William Strang (1859-1921), Scottish painter and etcher, President of the International Society of Sculptors, Painters, and Gravers
On letterhead of 7 Hamilton Terrace, NW [London]. 2 April 1907.
1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'
William Strang (1859-1921), Scottish painter and etcher, President of the International Society of Sculptors, Painters, and Gravers [The Art Workers' Guild]
On letterhead of 7 Hamilton Terrace, NW [London]. 20 January 1916.
1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.