Art and Architecture

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

12mo, 3 pp. Text clear and complete. Fair, on aged paper. 'Mr Westmacott [the sculptor Richard Westmacott the younger?]' has called on him, and he has 'shown him the settlement all down my Wall - I told him that you had seen it but did not contemplate any immediate danger - he said that Mr Valpy [Henry Valpy (fl.1851-1885) of the architects Burrell & Valpy] was out of town'. Westmacott will write to Valpy, as he thinks there ought to be 'a conference with' Lakyn, who 'should be requested to make a report'.

Four folding leaves (6 pages of print, probably mimeographed or similar), 12mo, unpaginated but apparently complete, one staple, illustrated cover with title as above, damage to spine, closed tears, contents good, two minor changes (including imitate changed to mitigate). Two galleries are mentioned in the text (containing works), the Wavertree Gallery, Bowring Gallery, and the Prince George Gallery. Wavertee suggests Liverpool, but I aait ilumination as to place. However the only copy recorded on COPAC and WorldCat finds itself in Cardiff (minimally described).

[Stevengraph] Piece of silk, 7 x 11 cm, woven in red, white, blue, black and gold. Portrait of a bespectacled Thiers in an oval, draped with two French flags, with decorations including a quill and a book, and topped by castellated coronet and banner reading 'A. THIERS'. Woven beneath the portrait is 'LIBERATEUR DU TERRITOIRE | 1ER PRESIDENT DE LA REPUBLIQUE'. Laid down on original printed bookmark, reading 'EXPOSITION UNIVERSELLE | 1878 | GALERIE DU TRAVAIL | METIERS POUR RUBANS | PORTRAITS ET CRAVATES EN SOIE | J.-B. CHAMPRONY | FABRICANT A SAINT-ÉTIENNE'.

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

Privately Printed. [40]pp., 8vo, buckram gt, wear to spine and edges, faint foxing, hinge strain, front cover partly deatched, staining to edges inside covers. Inscribed by author, Mrs. Alfred Shaw [actress] with the Author's best regards. | September 1838.

One page, cr.8vo, two pinholes, text clear and complete: I did hope for a Line in amswer to mine by which I acquainted you I was Low - and it will oblige me if you will favor me with one to say if any of the Etchings are sold &c-- Jany 12. 1800 - 156 Etchings@ [1 gn?] selling price- | I thought myself favored by your taking them a Sale or Return - and I assure I am very sincerely ...

Apart from the card (12mo, 1 p), totalling 4to, 10 pp; 12mo, 2 pp. All items in good condition, with text clear and complete, on lightly-aged paper. All post-1960. Two of the eleven (20 January and 13 June 1974) are fully dated by Devas; another four have day and month. The card from 1960 is the earliest item; the three from Wetherby Gardens date from between this point and Devas's second marriage to Rupert Shephard in 1965, and the seven from Limerston Street from after the marriage. A good-natured correspondence, written in a chatty style.

12mo, 4 pp. Bifolium. 57 lines. Text clear and complete. Fair, on aged and lightly-creased paper. Weekes is by far the most likely of the four Royal Academicians whose initials correspond to those of the recipient of this letter, the others being Henry Tamworth Wells (1828-1903); Henry Woods (1846-1921); Hubert Worthington (1886-1963). Well-written and entertaining letter, addressed to 'Dearest old Boy'. Begins with a discussions of the merits of 'Scilly as a sketching ground'.

The five posters, presumably produced for the classroom, are scarce, with no reference to them on the internet or elsewhere. They are attractively painted in a bold and vivid panoramic frieze style. Each carries a single illustration showing two (counting the Cabot brothers as one) explorers in front of groups of men, with a merged background behind them.

Total 5pp., 12mo, minimal marking, good condition. [Letter One, 22nd] He discusses his correspondent's offer of a gift through the [National Art Collection] Fund three Chinese ridge-tiles of the Ming Dynasty. He says that they would like to examine the tiles before formal acceptance and would send a packer from Marlow. He suggests a time. [Letter Two, 29] He apologises for not having understood the nature of the tiles (blaming the Secretary of the Fund), and anticipates their being brought in as suggested. Two items.

pp.1-10 text, 15 detached plates with tissue-guards (as called for), text (concluding mid-sentence, bound in to grey-blue printed wraps, reinforced spine, 2 closed tear, chipped and sunned. Full quotation of title om front wrap: Specimen copy for the Plates only | The Marchioness of Brinvilliers | By | Albert Smith | Illustrated by John Leech | [Bentley insignia] | With fifteen spirited full-page Etchings on Steel, only once before printed from,* onthe first publication of the story, in its serial | form, about 1842. | *Besides twenty-seven impressions for the Leech Catalogue.

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Total (Smith letters) 7pp., 8vo, RSA stamp on all, good condition. Subjects: (1917) letter from a Mr. W. Foxton; a word with a Mr. Kendrick about judging; reception of parcels for the Owen Jones Competition; (1918) measures taken because of possible increase of risk from attack by hostile aircraft; need for the RSA to take back some works deposited by them to make room in the basement for withdrawals from exhibition (pencil note attached about the deposit); arrangements for Mr.

Two pages, folio, 3 small closed tears, small part of a corner torn off, some marginal staining, mainly good condition. The article states that Trench some years since proposed forming a continuous quay along the nothern shore of the Thames, has published other proposals: A Proposition for the Disposal of Buckingham House, for a National Picture Gallery, A National Statue Gallery, and for the King's College; leaving one entire end of the Palace and one Wing, with the whole of the other Attics, for other public purposes.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

Part of letter, 11 x 5cm, good condition, saying, yours try | Lancelot Speed.

Paper, 11 x 3cm, formerly laid down in an album, some remnants of process on reverse, otherwise good condition.

Total 10pp, 12mo, good condition. Subjects: (1) as executor of a lady who by her will directs that a copy should be made of the portrait of her husband by the late Sir George Reid to the Aberdeen Infirmary . . .; National Gallery suggested her; he wants to fix up appointment to discuss; (2) agrees to her terms; discusses the house being locked up by Sothebys who are conducting the sale; (3) commission discussed; (4) discusses the circumstances which lead to his asking he to copy the picture in his house; (5) Aberdeen Infirmary happy with her work.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

C.14 x 9cm, calligraphic writing style, good condition. "Of course it's allright about the reference for the Pilgrims. I hope it comes off. W.M. Rothenstein, Walter Bayes and Hagedon have all worked for the Trust. | All pretty well here. It looks as if Alice and Bish may get married about Easter: no details yet. Our love to you -" Note: Entries referring to the Schwabes in Jean Inglis's diaries indicate a strong friendship involving meals, films and plays.

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.