Undated. On letterhead of 88 Kensington Park Road, London W.11.
12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.
Benjamin Green ('Pott') [Thoams Pennant; Richard ('Dick') Whittington; London topography; Christ's Hospital; libraries]
London Pubd. Jany. 1 1793 by N Smith Gt. Mays Buildings St. Martins Lane.'
Printed on one side of a piece of thick wove paper, 21 x 17.5 cm. At the head of the page is the engraving, enclosed in an oval 12.5 cm high and 15 cm wide. A clear impression of a scarce print, on grubby, spotted paper. Within the border is engraved in red 'Part of Christs Hospital taken from the Stewards Office 1765.' According to the six lines of copperplate text at the foot of the page 'It was 129 feet long and 31 feet in breadth, [...] It was furnished with Books at the expence of £556 . 10s of which £400 were given by the founder, and the remainder by Dr.
S. & J. Fuller, Temple of Fancy, 34, Rathbone Place, London (nineteenth-century art suppliers) [Samuel Williams Fuller; Joseph Carr Fuller]
[Circa 1817.] 'S & J. Fuller, Temple of Fancy, 34, Rathbone Place.'
Bifolium (leaf dimensions 24.5 x 18 cm), 3 pp, on paper watermarked 1817. Text and image clear and complete on grubby and lightly-creased paper. The two leaves have been gummed to one another along a thin vertical strip, and it may be that they were originally separate. An unusual and scarce piece of ephemera. At the head of the first page is a characteristic neo-classical engraving (roughly 7.5 x 11.5 cm) showing a group of five cherub-artists, holding portolio, palette and bust, appealing to a winged goddess on a cloud, with a temple in the background.
Tow pages, 8vo, good condition. "I was at Mitchells' today on my way to you- and proceeded as far as the end of Piccadilly - but time failed me, & I returned at 1/2 of 3 - I had business on the way which I thought to put through - So I send the scraps - which I had put into the envelope & in the right place - though not directed to you - I mean to be with you very soon after you get this - but, for the fear of some unlooked for hundrance I send - I have seen the notice in the Ill[usterated] Lond[on] News - very nice."
William Rae McPhun, Glasgow printseller and bookseller; G. F. Sargent; George Greatbach, London engraver [New York; prints; engravings; maps]
[1850s] 'W. R. McPhun & Son. Publishers, Glasgow.'
Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.
William Henry Bartlett (1809-1854), American artist; Henry Adlard, English engraver; George Virtue, London printseller [Brooklyn; New York; engravings; prints; maps; travel; topography]
London. Published for the Proprietors by Geo: Virtue, 26, Ivy Lane, 1839.'
Dimensions of print 12 x 18 cm. Dimensions of paper 19 x 24 cm. Good, clear image on aged and foxed paper. A pleasant rural view over the harbour, with a house nestling between trees and a couple walking among the hills. Tastefully coloured in light blue, green, red and pink.
William Holman Hunt; Archdeacon Frederic William Farrar [Dean Farrar; Pre-Raphaelite; The Art Journal; Alice Meynell; J. S. Virtue & Co. Ltd.; Goupilgravure]
[1893.] 'London: J. S. Virtue & Co. Ltd.' [The Art Journal.]
Printed on one side of a piece of cream paper, roughly 33.5 x 25.5 cm. Laid down on card. Clear and complete, with a good impression of the plate (22.5 x 17.5 cm), on lightly-aged, grubby paper, with slight wear to extremities. Presumably produced for display in a shop window. The title ('THE LIFE AND WORK OF | W. HOLMAN HUNT. | BY ARCHDEACON FARRAR.') at head, and 'SPECIMEN PLATE.' at foot, in large orange letters; the rest printed in black. Beneath the plate: 'THE SHADOW OF DEATH. | BY PERMISSION OF MESSRS. T. AGNEW & SONS. | LONDON: J. S. VIRTUE & CO.
The engraving dated by Jones (in the letter) to around 1935. The letter dated 22 November 1957.
The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.
Pellerin, Imprimeur-Libraire, à Epinal, Vosges, France [Napoléon III, Empereur des Français]
[1852.] 'Fabrique de PELLERIN, Imprimeur-Libraire, à EPINAL.' [Vosges, France]
Printed on one side of a piece of wove paper, dimensions roughly 65 x 41.5 cm. Within a ruled border. On lightly aged paper, with chipping and slight loss to extremities. Three closed tears (two of them affecting the portrait) have been repaired on the reverse with archival tape. Text entirely legible and portrait clear, bright and without loss. The full-length portrait (31 x 25 cm), crudely coloured in yellow, red and blue, depicts the Emperor, in full regalia, standing in a sumptuous throne room. Sixty-six line biography, arranged in two columns.
Michel Alcan (1801-1877), French politician and engineer who made numerous innovations in the field of textiles [Exposition Universelle de 1867, Paris, France]
Paris le 13. Dbre 1866'.
4to (27 x 21 cm), 1 p. Nine lines of text. Text clear and complete on lightly aged, creased and foxed paper. Small closed tear at edge along crease line (not affecting text). Bearing the numbered stamp of the Exposition Universelle de 1867, Commission Imperiale. Accepting the position, conferred on him by the Commission, of 'membre de Jury de l'Exposition dans la 55me. classe': 'J'accepte cette tâche de confiance, et ferai tous mes éfforts pour la remplir avec l'activité reclamée par le reglement concernant les travaux du Jury'.
Maurice Alhoy, French author; Victor Adam, lithographic engraver and artist [Le Figaro]
1845. Paris: Soulié, Editeur, 10, Rue de Seine. [Paris. - Typographie Lacrampe et comp., Rue Damiette, 2.]
Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.
G. W's. Transparencies' [the Thames Tunnel; Marc Isambard Brunel; Isambard Kingdom Brunel; transparency]
Undated [1840s]. 'London: Published for G. W., by Reeves and Sons, Cheapside; W. Morgan, 49, Judd Street, New Road; T. Fisher, 1, Hanway Street, Oxford Street; and J. Reynolds, 174, Strand.'
Dimensions of print roughly 12.5 x 18 cm. On original white paper windowpane mount (23 x 28.5 cm). Engraved label (3 x 9.5 cm), with text printed in gilt on navy blue paper. Bright, clean impression, on discoloured mount with creased label. Depicts fashionably dressed pedestrians proceeding along the length of the tunnel. Two children play on the cobbled central track. A series of small holes have been neatly cut within the alcoves of the tunnel. On display of the print within a lightbox, these would simulate the gas lighting used to illuminate the tunnel.
William Grainger, engraver; Charles Cooke, bookseller, Paternoster Row [Hanoverian British army; eighteenth-century military history; commands; discipline; musketry; firearms]
London: 'Published as the Act directs, by C. Cooke No. 17 Paternoster Row May 28 1790'.
Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.
T. Dawson, London printseller [Napoleon Bonaparte; diorama; dioramic print]
Undated [circa 1838]. 'London: Published by T. Dawson, 29, Bedford St. Covent Garden.'
The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.
William Heath ('Paul Pry'); Rudolph Ackermann, publisher, 'The Repository of the Arts', Strand [Napoleon Bonaparte; Battle of Leipzig, 1814]
London Pub March 6th 1814 by Ackermann Strand'.
BM 12195. Landscape. On a piece of wove paper. Originally a rectangle roughly 240 x 340 mm, but with an arc cut away beginning in the top left-hand corner and ending at bottom right. This loss has no effect on the text, and only the merest effect on the image, only trimming the outer edge of some very lightly-painted clouds. Apart from this good, on lightly spotted paper, with a thin strip from blue paper mount adhering to the blank reverse.
Thomas Rowlandson; Rudolph Ackermann, Repository of the Arts, 101 Strand [Napoleon Bonaparte; Regency caricature; Georgian London; auctions; auctioneering]
Pubd. December 25th. 1813 by R. Ackerman No 101 Strand'.
BM 12123. Landscape. On piece of paper roughly 245 x 375 mm. Dimensions of engraving roughly 220 x 330 mm. A good, complete image on lightly aged and spotted paper, with slight loss to the top left-hand corner of the margin and a few pin holes to the margins. Napoleon, in martial regalia, stands at the rostrum, gavel in hand, leaning on a piece of paper which says 'Speedily will be sold the Thirteen CANTONS OF SWITSERLAND'. Napoleon is saying 'What no bidding for the Crown of Spain There take the other crowns and lump them into one lot'. One of those present replies 'That a CROWN!
Walter Crane, designer, and Beatrice Crane, writer of verse
No place of publication or date
Not paginated but twelve pages (Months!), 4to, with detached original front wrap, chipped and marked, missing back wrap, contents good, in unrelated folder. INSCRIBED top right of front wrap by Beatrice Crane, Walter's wife, and collaborator on this work (the verse): "Marguerite Marigold / from / Beatrice Crane/". Not listed in Masse.
Rudolph Ackermann, publisher, Repository of the Arts, 101 Strand [Napoleon Bonaparte; Regency caricature; Georgian London]
Pubd. by R. Ackermann, 101 Strand, London.' Undated [dated by George to March 1814].
BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.
William Heath, engraver; Richard Lambe, printseller, Gracechurch Street, London [Alexander I, Emperor of Russia]
Undated [circa 1814?]. 'Published by R. Lambe, Gracechurch Street.'
305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.
Butterworth & Son, Edinburgh; John Menzies, engraver [Sir John Moore; the Battle of Corunna, 1809]
[circa 1809?] Edinburgh, 'Published as the Act directs.', 'for Butterworth & Son'.
Landscape. On one side of a piece of paper roughly 25 x 41 cm. In poor condition: aged and damp stained, with loss to top-right and bottom-right hand corners (in neither case affecting text or design). Laid down on a piece of white paper. Title and small portrait head of Moore surrounded by an ornate calligraphic embellishment. The poem, of nine heroic couplets arranged in two columns, is engraved in copperplate, and begins 'Lamented Moore!
Charles Klackner, New York and London printseller; Jean Louis Ernest Meissonier, French artist; L. Ruet, engraver [Napoleon Bonaparte; Battle of Friedland, 1807]
Copyright 1913 by C. Klackner, 7 West 28th Street, New York. [20 Old Bond Street London, Printed by Ch. Wittmann.]'
On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.
Lionel Ellis (b. 1903), English wood engraver, artist and book illustrator [Edward Bawden]
Siena; May 1926.
On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.
George Cruikshank (1792-1878), English engraver, illustrator and caricaturist
Date and place not stated.
Dimensions of paper roughly 10.5 x 4.5 cm. Two edges straight and two rough. Aged and grubby, with a 3 cm closed tear (repaired on reverse with archival tape), extending from the right and affecting the last two letters of Cruikshank's bold signature, which is 7 cm long and initially 3 cm high, with the final 'e' of the Christian name in superscript and the surname underlined in a backwards stroke continuing the final letter. Neatly mounted on a piece of card (roughly 9 x 14 cm) and presented in a plastic sleeve.
George Cruikshank (1792-1878), English engraver, illustrator and caricaturist
On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.
George Cruikshank [Victorian London; gambling; betting]
London: W. & F. G. Cash, 5, Bishopsgate Street Without; [successors to Charles Gilpin.] And sold by W. Tweedie, 337, Strand; George Gallie, Glasgow; and all booksellers. 1852.
8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.
W.H. Bradbury, publisher (Bradbury & Evans, printers, publishers of "Punch" and Dickens)
[Headed] Whitefriars, London, 22 Dec. 1888.
Four pages, 8vo, good condition, much underlining. "Thanks for your letter and the wonderful 'Lecture on Art' - no magic lantern & no slides - nothing equal to black and white - Thanks for the tie too! - I have worn it ever since in 'umble honour of the great 'Lika Joko' [Furniss's pseudonym]." He continues in the same jocular manner, discussing a performance Furniss didn't get to and one for which he wants five tickets.
From the Library of Percy Muir, bookseller and author. Red cloth, faded bumped and with some wear and tear, contents with foxing and marking. With occasional notes on the text and additions and corrections in Muir's hand. And with 2 ALSs, one by Edward D. Mason, 2pp., 8vo, 9 March 1922, discussing le Blond ovals he is sending, and asking for an offer. The other ALS, 2pp., 4to, is from a Percy Maylam to the book's author, Courtney Lewis, correcting details in the book and giving explanations.
Published anonymously (i.e I derive the author's name from BLC). Bound up with: "Report presented to the Cambridge Antiquarian Society at its second general meeting, May 13, 1842" (Cambridge, 1842) and T.E. Tomlins, ed. and translator, "Monastic and Social Life in the Twelfth Century, as exemplified in the Chronicles of Jocelin of Brakelond" (London, 1844). Blue boards, badly worn, slight hinge starin, foxing, annotated with considerable additional information in an unknown hand, with additional illustration inserted, some bound in. A scarce book, but unique copy with annotation.
117 Ladbroke Road, Holland Park, W11, 16 June 1931.
One page, c.6 x 5", fold marks but good condition. With original typed envelope with pencilled annotations by Simcock. Dulac's signature calligraphic as usaul. He says "Dear Mada / I shall be delighted to sign your book. / Yours very truly / Edmund Dulac"
Sir George Clausen, RA (1852-1944), English artist [John Littlejohn; Sir Isaac Pitman & Sons Ltd]
Letter of 13 February 1931 and note of 18 December 1930; both on letterhead of 61 Carlton Hill, St John's Wood, NW8 [London].
Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,