ENGRAVINGS

[ From the stock of Henry Grey of Acton?] Collection of 114 genealogical and heraldic items, relating to British families, including manuscript and printed pedigrees, engraved coats of arms (including proofs) and armorial bookplates.

Author: 
[ Henry Grey of Acton, genealogical bookseller; genealogy; heraldry; heraldic; bookplates ]
Publication details: 
[ Henry Grey, 1 Churchfield Road East, Acton, London? ] Ranging in date from the eighteenth century to the early twentieth century.
£450.00

114 items, ranging in size and format. Many are extracted from eighteenth and nineteenth century English and French volumes. In fair condition, with signs of age and wear. Containing a few duplicates. Perhaps indicating provence is the presence, with two other items in a folder titled 'Hunt Family of Ireland', of a TLS to Grey from W. H. Hunt of Selkirk, 25 February 1923, asking him to supply genealogical 'extracts'. Of the present collection, the pedigrees, variously in manuscript, printed and engraved, are 24 in number.

[ Alfred Benjamin Wyon, medallist. ] Pencil drawing of crown, captioned in ink 'Scottish Crown.'

Author: 
Alfred Benjamin Wyon (1837-1884), sculptor and medallist, with shop at 287 Regent St, London
Publication details: 
With stamp of 'WYON | REGENT ST' [ Alfred Benjamin Wyon, 287 Regent St, London ].Undated.
£120.00

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

[ Louis Haghe, lithographer and watercolourist. ] Autograph Signature.

Author: 
Louis Haghe (1806-1865), Belgian lithographer and watercolour artist, based in England
Publication details: 
Place and date not stated.
£20.00

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

[ Emilio Marolda, ] Elegant engraved ticket of invitation, illustrated with six cherubs, inviting 'Mr. George Bodleys' [ Gothic Revival architect George Frederick Bodley ] to the 'Fête d'Ouverture' of his 'nouvel [sic] atelier' in London.

Author: 
Emilio Marolda, Sicilian interior designer, artist and decorator [ George Frederick Bodley (1827-1907), Gothic revival architect ]
Publication details: 
74a Margaret Street, Cavendish Square [London]. Thursday 1 July [c.1881?].
£100.00

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

[ Paul & Dominic Colnaghi & Co., London printsellers. ] Itemised manuscript invoice to 'John Edward Taylor Esq', signed by 'J. W. Wood', including commission on 42 lots purchased for him at the 'Percy Sale'.

Author: 
Paul & Dominic Colnaghi & Company, Printsellers by Appointment to her Majesty, London [ John Edward Taylor (1830-1905), owner of the Manchester Guardian and notable art collector ]
Publication details: 
Paul & Dominic Colnaghi & Company, 14 Pall Mall East, 'S.W. next the College of Physicians', London. On the firm's engraved billhead. 'Midsr. [i.e. Midsummer] 1890'.
£180.00

Taylor's collecting activities are described in his entry in the Oxford DNB. His collection was sold by his widow in 1912 for the massive sum of £358,500.3pp., folio. Bifolium. In very good condition, on lightly-aged paper. Tastefully-printed billhead, as one might expect, in black and red, with royal crests, boasting that the firm are 'Printsellers by Appointment to her Majesty, | Their Royal Highnesses The Prince Consort, The Prince of Wales, and the Duchess of Kent'. Also the text: 'Established 1760. | Half price allowed for packing cases if returned immediately'.

[British Army in India (a supplies scandal?)] Eight highly-finished, capable caricatures by 'C', involving a Raj (army supplies?) scandal, 'Bilk', 'Jemadar Amwalla and the Old Atasi Troupe', 'Mahomed Arif & Co', 'the G. C. M.', and the Madras Times.

Author: 
'C'. [British Army in the Raj, 1913; British India; Cannanore [Kannur], Kerala; Mahomed Arif & Co.; Jemadar Amwalla ]
Publication details: 
Two dated from Cannanore [Kannur, Kerala, India], one to December 1913 and the other simply to 1913.
£200.00

Eight witty and attractive caricatures, in a sub-Punch style. All eight in good condition, on lightly-aged paper. Each in black ink on a separate piece of paper, five of them 33.5 x 21.5 cm, and three of them 21 x 17 cm. The context of the caricatures is at present obscure, but would undoubtedly make itself clear with specialist research. The five largest illustrations are: ONE: Caption: 'Please to remember | The twenty-seventh of November | The "Bilk-Powder" treason and plot'.

'The Chinese Bridge & Pagoda, | Erected in the Park, in commemoration of the Glorious Peace of 1814.' [Handcoloured engraving by John Heaviside Clark from Matthew Dubourg.]

Author: 
Matthew Dubourg (fl.1786-1838), artist; John Heaviside Clark (c.1771-1836), Scottish engraver; Edward Orme (1775-1848), London printseller [Chinese bridge and pagoda, St James's Park, London, 1814]
Publication details: 
'Published and Sold Augt. 12th. 1814, by EDWD. ORME, Publisher to his Majesty and H.R.H. the Prince Regent, Bond Street (corner of Brook Str.) London.'
£45.00

In good condition, on lightly-aged paper, with discoloration to the reverse showing through slightly at corners. Dimensions: paper 23 x 32 cm; plate 20 x 30 cm; image 15 x 23 cm.

[George Cruikshank.] Set of four aquatint hand-coloured engravings on a single sheet, comprising the four parts of 'The Dancing Lesson' ('The 1st. Position', 'The Minuet', 'L'ete' and 'The Sailors Hornpipe').

Author: 
George Cruikshank (1792-1878), English engraver
Publication details: 
Published by Thomas McLean, 26 Haymarket [London]. 1 August 1835.
£200.00

The four engravings are arranged in two rows (the first two parts on the top row and the last two parts on the bottom row) on a sheet of 27 x 38 cm wove paper. Each engraving is 12 x 16 cm, within a light-blue frame, with the 'The Dancing Lesson - Pt. 1 [4]' beneath the image, and the subtitle above. Publisher's details in bottom right-hand corner, and Cruikshank's details at bottom left. (The first part has Cruikshank's monogram and 'Etchd by G Cruikk.', and the other three parts have 'G Cruikshank fect'.

[Sir Thomas Dalrymple Hesketh.] Signed Autograph Address ('Thos. D. Hesketh' )'To the Gentlemen, Clergy and Freeholders of the County Palatine of Lancaster'. With two engravings by W. Le Petit of the Old Hall, Rufford, from drawings by G. Pickering.

Author: 
Sir Thomas Dalrymple Hesketh, 3rd Baronet (1777-1842) of Rufford, Lancashire [Rufford Old Hall; William Alexander Le Petit, engraver; George Pickering, artist]
Publication details: 
Letter from Rufford Hall [Lancashire]. 17 November 1829.
£180.00

The three items are attached to leaves removed from an album. All three are in good condition, on lightly aged paper. The address is 2pp., 4to. 30 lines of text. It begins: 'Gentlemen, | I should be wanting in every proper feeling of duty and respect to you and to the County of Lancaster at large, after what passed at the last General Election I were not to avail myself of the opportunity afforded me by Mr. Blackburne's address, of relieving the County from all suspence as to the part I amy be expected to take, whenever He (Mr.

Engravings of Hawaii, Tahiti, Tonga, New Guinea, Fiji, Pitcairn Islands, etc., from De Sainson, and map of Tonga, in Vol.2 [Tomo II] of the Spanish edition of Dumont D'Urville's 'Voyage Pittoresque' ('Viaje Pintoresco al Rededor del Mundo').

Author: 
M. Dumont D'Urville, Capitan de Navio [Louis Auguste de Sainson (1801-1887), official artist on board Dumont D'Urville's L'Astrolabe, during its three months' tour of New Zealand in 1827]
Publication details: 
Barcelona. Imprenta y Libreria de Juan Oliveres, Calle de Escudellers, Núm. 53. 1841.
£300.00

The 90 plates (uncoloured steel engravings) are in 4to format, in good condition, with some having creasing to corners (not affecting the illustrations themselves), on lightly-aged paper, in the second volume of the work ([6] + 382pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage. Also present is a fold-out map (Gravé par Ambroise Tardieu') titled 'Carte des Iles Tonga pour servir au Voyage pittoresque autour du Monde par M. D'Urville.

Engravings of New Zealand, Australia, Tasmania, etc., from De Sainson, and two maps, in Vol.3 [Tomo III] of the Spanish edition of Dumont D'Urville's 'Voyage Pittoresque' ('Viaje Pintoresco al Rededor del Mundo').

Author: 
M. Dumont D'Urville, Capitan de Navio [Louis Auguste de Sainson (1801-1887), official artist on board Dumont D'Urville's L'Astrolabe, during its three months' tour of New Zealand in 1827]
Publication details: 
Barcelona. Imprenta y Libreria de Juan Oliveres, Calle de Escudellers, Núm. 53. 1841.
£350.00

The 77 plates (uncoloured steel engravings) are in 4to format, in good condition, on lightly-aged paper, in the third volume of the work ([4] + 318 + [1]pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. Most of the plates carry two half-page illustrations. 28 of the plates (between pp.66 and 167; and carrying 52 illustrations, 48 of them half-page and 4 full-page) concern New Zealand, Australia and Tasmania, with the majority relating to New Zealand. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage.

[William Monk, engraver.] Proof on large paper of his own self-designed bookplate ('W. MONK | HOGARTH STVDIOS'), depicting a peacock looking out onto a country sunrise from a wooden balcony. With five-line quotation from Chaucer.

Author: 
William Monk (1863-1937), engraver, based at Hogarth Studios, Charlotte Street, London, best-known for his 'Calendarium Londinense'
Publication details: 
'W. MONK | HOGARTH STVDIOS' [Hogarth Studios, Charlotte Street, London.] Undated [1890s?].
£120.00

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

[Seventeenth-century engravings of Amsterdam.] Seven original copperplate engravings from Caspar Commelijn's 'Beschryvinge van Amsterdam'

Author: 
Caspar Commelijn [Caspar Commelin; Casparus Commelin] (1667-1731), botanist and publisher
Publication details: 
[t'Amsterdam, Voor Wolfgang, Waasberge, Boom, van Someren en Goethals. 1693.]
£220.00

The seven engravings are on 8vo leaves extracted from the volume. All roughly 12 x 15cm, in text. All in good condition, on lightly aged paper. They comprise: 'OUDE NIEUWE-BRUG' (p.625), 'KOLVENIERS DOELEN' (p.665), 'STADS WAPEN | ofte Artellery-Huysen.' (p.668), 'OUDE STADTS HERBERGH' (p.673), 'NIEUWE STADTS HERBERGH' (p.675), 'SCHEEPS-KRANEN' (p.711), 'GESCHUDT en KLOKGIETERY' (p.721)

[Charles Dickens.] Proof before the letters on India paper of steel engraving by Robert Graves of portrait of Dickens by Daniel Maclise. From the collection of Lumb Stocks, RA.

Author: 
[Robert Graves (1798-1873), ARA, engraver; Daniel Maclise (1806-1870), RA, artist; Charles Dickens; Lumb Stocks (1812-1892), RA, steel engraver]
Publication details: 
[London. 1839.]
£200.00

Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.

[Original drawings for Punch cartoons; women] Four original ink drawings, later engraved and published Punch, on the subjects: women on bicycles, ice skating, women in the Oxford and Cambridge boat race, punting.

Author: 
'F. C.' [original drawings for cartoons in Punch, or the London Charivari]
Publication details: 
The cartoons were published in Punch (London): 26 August 1865; 18 May and 2 June 1866; 18 May 1869.
£250.00

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

[Joseph Simpson, English artist and cartoonist.] Signed proofs of six prints, caricaturing George Bernard Shaw; Maxim Gorky; Hall Caine; Thomas Hardy; Algernon Charles Swinburne and J. Pierpont Morgan' ['London Opinion' and 'Lions'].

Author: 
Joseph Simpson (1879-1939), English artist, engraver and cartoonist [George Bernard Shaw; Maxim Gorky; Gabriele D'Annunzio; Thomas Hardy; Algernon Charles Swinburne]
Publication details: 
[First published in the weekly magazine 'London Opinion'. Reprinted in the book 'Lions', published in New York and San Francisco by Morgan Shepard Co., [1906].]
£650.00

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

[Printed Paris art magazine.] Copy of 'L'Estampe et l'Affiche' [The Print and the Poster], with illustrated article by Michel-Hilaire Clément-Janin on Alphonse Legros, and short obituary of Aubrey Beardsley by 'E. de C.' [E. de Crauzat]

Author: 
Michel-Hilaire Clément-Janin and André Mellerio, editors of the Paris art magazine 'L'Estampe et l'Affiche'. [Alphonse Legros; E. de Crauzat]
Publication details: 
50 Rue St. Anne, Paris. 15 Janvier [January] 1899.
£220.00

24pp., 4to, paginated 71-94. In brown wraps, printed in black and brown, with illustration by P. Ruty on the cover. Bifolium of advertisements (4pp., 4to) loosely inserted between cover and first leaf. In fair condition, with the first page browned by the loosely inserted advertisements. Wraps (stamped 'Spécimen') chipped and worn. The article on Legros covers pp.71-79; and the Beardsley obituary is on p.90. Also present is a seven-page article (83-89) on 'Murailles'by E. de Crauzat.

[Robert Walton, London printer and printseller.] Two engravings: 'IULIUS CESAR. I' and 'AUGUSTUS II', with their reverses carrying manuscript accounts relating to farm rents [in Polmear, Cornwall, and owned by the Rashleigh family?].

Author: 
Robert Walton, seventeenth-century printer and printseller, at the Sign of the Globe, St Paul's Churchyard [Rashleigh family of Polmear, Cornwall?]
Publication details: 
'<P>rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church [...] Ludgate | <N>ow sold in Bow-Church-Yard.' Seventeenth century. Manuscript accounts on reverses with entries dating from 1775 to 1802 [Polmear, Cornwall?]
£450.00

BBTI has Walton trading between 1647 and 1688. Both prints roughly 17.5 x 12 cm. Both in fair condition, on aged paper. The first - 'IULIUS CESAR I' - has a rough edge on the right and a trimmed edge on the left. It shows Caesar in martial dress on horseback, beneath which: '

rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church turning to Ludgate | ow sold in Bow-Church-Yard.' At the foot of the engraving is a six line poem, beginning 'By ciuill wars unto the Empire came'. '151' in bottom right-hand corner.

[Edward Smith, engraver.] Autograph Letter Signed ('Edwd. Smith') to the London book and print seller John Martin, stating his terms for engraving 'the Game Keeper after W. Hunt'.

Author: 
Edward Smith (c.1780-c.1849), Scottish engraver, based in London [John Martin, bookseller, and printseller, of the London firm of Rodwell & Martin]
Publication details: 
3 College Street, Camden Town. 28 March 1831.
£150.00

1p., 4to. In very good condition, neatly placed within a windowpane mount. Addressed at head to 'Mr. John Martin'. Laying out, in detail, the 'Terms on which I agree to engrave the Game Keeper after W. Hunt'. The terms are described over twelve lines, beginning: 'The Engraving to be 7 by 5 inches in my best manner, the charge to be seventy Guineas, one third to be paid on the Etching, the remainder on delivery of the work, which I undertake to do in about four months.'

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[John Hassell, artist and engraver.] Autograph Note Signed ('J Hassell'), arranging to offer 'something interesting' to an unnamed employee of the London printseller 'Mr Boydell' [either John Boydell or his nephew Josiah Boydell].

Author: 
John Hassell (1767-1825), watercolour painter and engraver [John Boydell (1720-1804), artist and London printseller; his nephew Josiah Boydell (1752-1817)]
Publication details: 
'Thursday Morng [no date] | 11 Clements Inn'.
£50.00

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

[William Skelton, engraver.] Autograph Letter Signed ('W. Skelton') to William Aynton, requesting that he be allowed to send him 'a few of my engraved Portraits', for distribution to 'the Noblemen & Gentlemen, Members of the Athenaeum Club'.

Author: 
William Skelton (1763-1848), English engraver [William Aynton; the Athenaeum, London club]
Publication details: 
1 Stafford Place, Pimlico. 3 September 1831.
£80.00

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[John Hassell, artist and engraver.] Autograph Note Signed ('J Hassell'), arranging to offer 'something interesting' to an unnamed employee of the London printseller 'Mr Boydell' [either John Boydell or his nephew Josiah Boydell].

Author: 
John Hassell (1767-1825), watercolour painter and engraver [John Boydell (1720-1804), artist and London printseller; his nephew Josiah Boydell (1752-1817)]
Publication details: 
'Thursday Morng [no date] | 11 Clements Inn'.
£50.00

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

[George J. Stodart, engraver.] Signed engraving, from a photograph, of Dr Evan Buchanan Baxter, Professor of Materia Medica at King's College, London.

Author: 
George J. Stodard, British engraver [Dr Evan Buchanan Baxter (1844-1885), Dr. Evan Buchanan Baxter, Professor of Materia Medica at King's College, London]
Publication details: 
Without place or date. [1880s.]
£50.00

On piece of 21 x 13 cm India paper, laid down on a piece of thick paper, 33 x 24cm. The engraving is small in comparison, measuring around 8 x 6 cm, and showing a formally dressed and bearded Baxter's head and shoulders, facing to his right. Aged and dusty, with crease line to the mount at the foot. Stodart has signed in pencil in the bottom right-hand corner of the engraving paper, and the crease line bissects the signature and its underlining. At bottom right of mount, in pencil: 'Dr Baxter | Kings College'.

[Three coloured plates, tipped in onto three leaves in an illustrated portfolio.] The Bookman Portfolio. Containing Plates in Colour by Jessie Willcox Smith. Illustrating The Water Babies, by Charles Kingsley.

Author: 
Jessie Willcox Smith (1863-1935), American children's illustrator [Hodder & Stoughton Limited, London publishers; Charles Kingsley]
Publication details: 
Hodder & Stoughton Limited, Warwick Square, London, E.C.4. Christmas 1920.
£120.00

Each of the three coloured plates is 19 x 14 cm, and each is laid down on a piece of 31.5 x 20.5 cm cream textured paper, each mount with caption and vignette printed in green. The three are placed in a portfolio, made of the same textured paper as the mount, with the front carrying the title, publishers' details, and an illustration (of underwater baby balancing on a fish). In fair condition, aged and with wear to extremities.

18 engravings by Pearson, Lee and Mason, from drawings by the Victorian illustrator 'Alfred Crowquill' (Alfred Henry Forrester), including eleven proofs.

Author: 
Alfred Henry Forrester (pseud. 'Alfred Crowquill'), illustrator and writer, associated with his brother Charles Robert Forrester (1803-1850)
Publication details: 
[London: 1840s and 1850s.]
£600.00

Ten of the engravings carry Crowquill's name; the other eight can be attributed to him stylistically. In good overall condition, on aged paper, with a few of the eighteen lightly creased or worn, and one bearing traces of previous mounting. Seven of the engravings are proofs of vignettes and initials, ranging in size from 10.5 cm square to 22 x 18.5 cm.

Signed mezzotint engraving by Frank Short [Francis Job Short] of the Royal Academy, headed 'Twelve Subjects from the Liber Studiorum of J. M. W. Turner, R.A. Etched & Mezzotinted by Frank Short.'

Author: 
Frank Short [Francis Job Short (1857-1945)], RA, engraver [J. M. W. Turner]
Publication details: 
'Published by Robt. Dunthorne, at the Sign of The Rembrandt Head, in Vigo Street, London. W.' [1890s?]
£120.00

Landscape on 16 x 12 cm paper. Dimensions of plate 12.5 x 18.5 cm. In very good condition, lightly-framed. Signed in pencil 'Frank Short' at bottom right outside the plate. The mezzotint itself (a cloudy view of a bay, with shipping in the background) is 5.5 x 10.5 cm., within a 7 x 12 cm printed frame. Outside the frame, in the bottom left-hand corner, is an engraving of a pheasant on reeds by a river. The title is at the head, with the list of the twelve engravings down the right-hand side of the mezzotint, and the publisher's details beneath it in the bottom right-hand corner.

Hand-coloured engraved caricature titled, 'A Parliamentary Examination touching certain Curiosities in the British Museum', showing Sir Henry Ellis before a parliamentary committee, answering William Cobbett's charge of nepotism.

Author: 
[McLean's Monthly Sheet of Caricatures [Sir Henry Ellis (1777-1869), Principal Librarian at the British Museum, William Cobbett (1763-1835), writer and Radical MP for Oldham]
Publication details: 
London: McLean's Monthly Sheet of Caricatures No. 41 [June 1833].
£180.00

Placed within a 35 x 45.5 cm frame, with 25 x 35.5 cm window. In good condition, with unobtrusive 2.5cm closed tear at head. Dimensions of image 34 x 22 cm, with engraved caption beneath: 'A PARLIAMENTARY EXAMINATION TOUCHING CERTAIN CURIOSITIES IN THE BRITISH MUSEUM', and 'MC.LEANS MONTHLY SHEET OF CARICATURES NO. 41' running up the left-hand side of the border.

Four engraved caricatures on a single sheet, published by the Regency publisher and printseller Thomas McLean, whose London shop was next to the Haymarket Theatre, and possibly depicting theatrical characters.

Author: 
Thomas McLean (1788-1875), publisher and printseller, 26 Haymarket (next door to the Haymarket Theatre), established 1811
Publication details: 
London: Thomas McLean, 26 Haymarket. 1824
£180.00

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

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