Two printed leaflets, lithographically printed and designed in a 'Wardour Street English' mock-antiquarian style. The first describing 'Ye Order of ye Revells' at 'Lockinge Mannor [sic][ | Wantage', the second an invitation with red wax seal.

Brigadier General Robert James Loyd-Lindsay, 1st Baron Wantage [ Lord Wantage ] (1832-1901) [ C. R. Iles, lithographic printer, Cheltenham ]
Publication details: 
Both leaflets relating to 'Revells' at Lockinge Manor, Wantage, 26 and 27 August 1885. One printed by C. R. Iles, Chelt. [i.e. Cheltenham ]'

Both items in good condition, lightly aged and worn. ONE: Headed: 'Rite Welcome be ye alle. | Lockinge Mannor | Wantage | Ye Order of ye Revells. | To be holden by grace of mye Lord & Ladye Wantage of Lockynge on ye XXVI 8 XXVII daies of August | MDCCCLXXXV.' Printed on one side of a 47.5 x 20.5 cm. piece of laid paper. Printer's slug at bottom left: 'C. R. ILES, CHELT.' With coat of arms and initial at head.

[ Louis Haghe, lithographer and watercolourist. ] Autograph Signature.

Louis Haghe (1806-1865), Belgian lithographer and watercolour artist, based in England
Publication details: 
Place and date not stated.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

[Henry Courtney Selous, nineteenth-century historical artist.] Autograph Signature ('H. C. Selous') on part of letter addressed to J. Watkins of Liverpool.

Henry Courtney Selous [formerly Slous] (1803-1890), historical artist, illustrator and lithographer
Publication details: 
Without place or date.

On 7 x 10.5 rectangle cut from the conclusion of a letter. In good condition, lightly aged, with traces of mount adhering to reverse at corners. Reads: '<...> appear amongst your <...> valuable collection. | I remain Dr Sir | Yours most truly | H. C. Selous | J. Watkins Esqre | Liverpool.'

The original lithograph of Samuel Prout's 'A Drawing on Paper transferred on Stone', showing a dockside water pump, from the English edition of Alois Senefelder's 'Complete Course of Lithography' (1819).

Samuel Prout (1783-1852), English watercolour painter [Rudolph Ackermann; Alois Senefelder]
Publication details: 
[London: Rudolph Ackermann, 1819.]

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

Lithographed engraving, by 'S. Pearse', entitled 'The Well at Cawnpore'. With text describing the Cawnpore Massacre and aftermath.

S. Pearse, lithographer; the Comus Press [Siege of Cawnpore, 1857; Bibighar Massacre; Indian Mutiny]
Publication details: 
Undated [c.1857]. 'Lith[ographe]d. at the "Comus" Press.'

An important contemporary engraving, apparently unrecorded, with no record of the engraver S. Pearse, or of the Comus Press (probably connected with 'The Comus', a periodical launched in Bengal in 1857). On one side of a piece of wove paper, roughly 22.5 x 28 cm. On lightly-spotted and aged paper. Discreet repair to tear which had split the item in two. A crude but accurate representation of the well and environs, with the following text beneath: 'THE WELL AT CAWNPORE. S. Pearse.| Into which the bodies of the Women and Children were thrown after the Massacre.

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