PAINTING

[Sir Robert Witt, art historian and co-founder of the Courtauld Institute.] Autograph Letter Signed ('Robert C. Witt') regarding the approach to be taken 'for the purchase of the Velasquez', i.e. the Rokeby Venus, now in the National Gallery.

Author: 
Sir Robert Witt [Sir Robert Clermont Witt] (1872-1952), art historian, co-founder of the Courtauld Institute of Art, London [Diego Velasquez; Rokeby Venus; National Gallery]
Publication details: 
19 November 1905. 27 Connaught Square, Hyde Park, [London] W. On letterhead of the Union Society, Oxford.
£250.00

For information on the campaign to save the Rokeby Venus for the nation, see Charles Saumarez Smith, 'The Battle for Venus', Spectator, 10 November 2003. 4pp, 16mo. Bifolium. In good condition, lightly aged. With one fold.

[Ralph Peacock, portrait painter and illustrator.] Autograph Letter Signed ('Ralph Peacock.') to 'Mrs. Williams'

Author: 
Ralph Peacock (1868-1946), portrait painter and illustrator, associated with G. A. Henty and boys' books
Publication details: 
23 January 1908. On letterhead of 1A Holland Park Road, Kensington, [London] W.
£45.00

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

[Edmond Brock, painter.] Five Autograph Letters Signed (four signed 'Edmond Brock' and one 'E. Brock') to Colonel F. H. L. Oldham, regarding a commission to paint his wife Christabel Josephine Oldham.

Author: 
Edmond Brock [Charles Edmond Brock] (1882-1952), painter [Colonel Frederick Hugh Langston Oldham Overley Hall, Shropshire]
Publication details: 
Four from 1920, the other undated but from the same period. Four from 2 St John's Wood Studios, Queens Terrace, [London] N.W.8., three of them on letterheads; the other from Merrieweathers House, Mayfield, Sussex.
£250.00

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo).

[Edmund Thomas Parris, Victorian history and panorama painter.] Autograph Letter Signed ('E. T.. Parris'), informing 'J: [Duffane?] Esqre', that he is sending an account of his 'apparatus' for restoring Thornhill's paintings in St Paul's Cathedral.

Author: 
Edmund Thomas Parris (1793-1873), history and panorama painter, History Painter to Queen Adelaide [St Paul's Cathedral; Thornhill; Samuel Carter Hall (S. C. Hall), editor of Art Journal]
Publication details: 
12 April 1853. 5 Aubrey Villas, Notting Hill [London].
£280.00

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fredc Yates') to Mrs Oldham, describing in moving terms the funeral of Anne Oldham.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist active in America before returning to England and settling in the Lake District [Anne Oldham]
Publication details: 
17 May 1895, on letterhead of 3a Portman Mansions, W. [London]
£180.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fred Yates') to Mrs Oldham, describing his examination of the wreck of HMS Foudroyant, for a painting she has commissioned. With sketches of the ship in ink and pencil.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist who found fame in America before settling in the Lake District [Oldham family; HMS Foudroyant; Royal Navy; Plymouth; Devonport]
Publication details: 
Letter: 'Sunday noon' [no date]. On letterhead of the Royal Hotel, Devonport. Pencil sketches without date or place.
£450.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[John Ruskin, Victorian art critic.] Autograph Letter Signed ('J Ruskin') to Rev. G. T. Oldham ('Dear Townsend'), re. Ruskin's goddaughter Constance Oldham, his views on education & Francesca Alexander. With proof of Printed "Letter" on John Leech.

Author: 
John Ruskin (1819-1900), prominent Victorian art critic, author, artist and thinker [Rev. George Townsend Oldham (1849-1901) of Blackheath; Constance Oldham; Francesca Alexander; John Leech]
Publication details: 
'Sunday 13th Nov. 87' [1887]. No place.
£2,200.00

LETTER: 2pp, 12mo. On a bifolium of grey paper. In good condition, lightly aged. Folded once. Twenty-eight lines of text in Ruskin's neat and controlled hand. The salutation is to 'Dear Townsend' and the recipient is named by Ruskin at the end as 'Revd. G. T. Oldham.' The first paragraph reads: 'Dear Townsend | Of course I'll write my name on the big photo and be ever so proud; though the use and meaning of it in the light you have taken it is new to me – and not mine though I'm very thankful to steal it. I do hope the big proof will come [?], and delight and surprise F.

[ Franklin White, Australian artist. ] 24 items from his papers, including drafts and copies of his letters to the feminist Thelma Cazalet-Keir and the artist Harold Copping, and an ALS to him from Louis McCubbin, National Gallery of South Australia.

Author: 
Franklin White (1892-1975), Australian artist, teacher at the Slade Art School, London; Harold Copping (1863-1932), artist;; Louis McCubbin (1890-1952), Director, National Gallery of South Australia ]
Publication details: 
Several of White's letters on letterheads of The Reedbeds, Shoreham, Nr. Sevenoaks, Kent. Between 1921 and 1968.
£950.00

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

[Henry Perlee Parker of Newcastle-upon-Tyne, artist.] Autograph Letter Signed ('H. P. Parker') to 'Mr Johnson' [E. A. Johnson], regarding his departure for Newcastle, the artist J. C. Zeitter, Emmerson, the Newcastle Exhibition.

Author: 
Henry Perlee Parker (1785-1873) of Newcastle-upon-Tyne, genre and portrait painter [E. A. Johnson of the Zoological Gardens, Regents Park, entomologist; John [Johann Christian] Zeitter (1798-1862)]
Publication details: 
'Sunday Evening | June 2nd –' [1833]. 27 Newcastle Street, Strand [London].
£120.00

3pp, 4to. Bifolium, addressed, with postmarks, on reverse of second leaf, 'to | Mr Johnson | Zoological Gardens | Regents Park | or Wellington Cottage | Wellington Place | Camden Town'. In good condition, lightly aged, with paper repairs last leaf. Folded several times.

[William Buckler, painter and entomologist.] Autograph Letter Signed ('William Buckler') informing 'Miss C. Fox' that the girl model he intended for her has not arrived.

Author: 
William Buckler (1814-1884), painter and entomologist
Publication details: 
'Wednesday afternoon' [no place or date].
£56.00

1p, 12mo. Bifolium, addressed on reverse of second leaf to 'Miss C. Fox'. In fair condition, on aged paper. Folded twice. From the context it would seem that Buckler was acting as the recipient's painting master. Begins: 'Madam | The little Girl which I intended as a Model for you this afternoon has not arrived (on account of the weather no doubt).' As a consequence he asks her to 'excuse my attendance today'. He will 'call and fix another day as soon as I have seen her'.

[Sir John Charles Robinson, as Hon. Sec. of the Fine Arts Club, London.] Letter, in a secretarial hand, signed by Robinson ('J C Robinson'), informing Rev. James Beck that he has been elected a member.

Author: 
Sir John Charles Robinson [J. C. Robinson] (1824-1913), painter, etcher, art collector, curator at the Victoria and Albert Museum, first President of the Burlington Fine Arts Club, London [James Beck]
Publication details: 
Fine Arts Club, 13 Foulis Terrace, Brompton, S.W. [London] 23 February 1863.
£35.00

2pp, folio. In good condition, lightly aged. Folded twice.

[Josiah Wood Whymper, Suffolk artist and wood-engraver.] Autograph Letter Signed ('J. W. Whimper'), giving detailed instructions to a book illustrator, with reference to Sir John Gilbert and 'Hardings book'.

Author: 
J. W. Whymper [Josiah Wood Whymper, also Whimper] (1813-1903), Suffolk artist, wood-engraver, book illustrator and watercolourist in natural history and landscape [Sir John Gilbert (1817-1897), artist
Publication details: 
'Saty Evng.' [No date or place.]
£80.00

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

[William Brockedon, painter, writer, inventor, Alpine authority.] Lengthy commencement of Autograph Letter, regarding 'authors who have written about the Passage of Hannibal [over the Alps]', including Brockedon himself.

Author: 
William Brockedon (1787-1854), painter, writer, inventor, Alpine authority
Publication details: 
29 Devonshire Street, Queen Square [Bloomsbury, London]. 2 December 1835.
£80.00

2pp, 4to. Single leaf, carrying the commencement of the letter only. In good condition, lightly aged. The recipient, presumably a Frenchman, has written in ink in a close hand at the head of the letter: 'R. 20 fev. 1836 | par M. D. Jones, Ecrit le 29 juin 1837 | je l'invite a faire prendre mes deux ouvrages'. Over each of the thirty-one lines of text is an equivalent line of French translation in pencil. For the background see the quotation from Brockedon's Oxford DNB entry at the end of this description.

[Louisa Stuart Costello, Anglo-Irish miniature painter.] Autograph Letter Signed ('L. S Costello') to 'Miss de Witte', discussing 'Yankee' and Scandinavian poetry, and enclosing a 'trifle' to help a family the recipient is helping.

Author: 
Louisa Stuart Costello (1799-1870), Anglo-Irish miniature painter, travel writer and author, friend of Sir Francis Burdett
Publication details: 
'Friday Evg'. No place or date.
£65.00

4pp, 16mo. Bifolium on light-green paper. In good condition, lightly aged. The letter begins: 'My Dear Miss de Witte | Of course I found the Yankee Poems directly after You were Gone – too carefully put by. Do not put mine away too carefully – as I want You to really read them. (Poetry of France) The sad lines of Marguerite d'Ecosse (in the notes at the end) are original & perhaps will stroke You – as the mournful Subject did me.

[John Landseer, landscape engraver, father of Sir Edwin Landseer.] Autograph Letter Signed ('J Landseer') to 'J. Scoles Esqr', i.e. the architect Joseph John Scoles, asking for tickets of admission to his church.

Author: 
John Landseer (1769-1852), landscape engraver, father of Sir Edwin Landseer [Joseph John Scoles (1798-1863), Gothic Revival architect]
Publication details: 
'Monday Morng.' [no place or date]
£45.00

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

[Arnold Henry Savage Landor, painter, explorer, writer, etc.] Autograph Letter Signed ('A H Savage Landor') to Stephen Wheeler, ed. of the poems of Walter Savage Landor.re 'the papers which are to be disposed of at the Browning's Sale'.

Author: 
Arnold Henry Savage Landor (1865-1924), painter, explorer, writer, and anthropologist, grandson of the poet Walter Savage Landor
Publication details: 
On letterhead of the Savoy Hotel, London. 29 April 1913.
£75.00

2pp, 4to. In good condition, lightly aged. Folded twice. In envelope with stamps and postmarks, addressed by Landor to 'Stephen Wheeler Esq | Oriental Club | Hanover Square | W.' He begins by acknowledging his letter, adding: 'I am quite of your opinion regarding the papers which are to be disposed of at the Browning's [sic] Sale'. Landor will 'try to get some of the autographs', but suspects that they 'may go too high'. He would have great pleasure in seeing Wheeler should he be 'in this neighbourhood', and gives details of when he will be at home.

[Arthur James Lewis, artist and illustrator.] Autograph Letter Signed ('Arthur J Lewis') to publisher Ernest Gambart, regarding the disposal of the disposal of the remaining copies of 'Hood's Poems'.

Author: 
Arthur James Lewis (1824-1901), artist and illustrator, promoter of the Junior Etching Club [Ernest Gambart (1814-1902), London art publisher; James Abbott McNeill Whistler]
Publication details: 
43 [?] Street. 10 November 1860.
£35.00

2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to 'E Gambart Esq' and endorsed by the recipient. Two years earlier Gambart had published 'Passages from the Poems of Thomas Hood', illustrated with 34 plates by the Junior Etching Club (of which Whistler was a member between 1857 and 1862). The book had been well-received, but the letter makes clear that it had not covered its costs.

[Gari Melchers, American naturalist artist.] Autograph Letter Signed ('Gari Melchers') to 'Wriggles' [Henriette Lewis-Hind?], regarding book and exhibition at Anderson Galleries, New York, with reference to William Edwin Rudge and Mitchell Kennerly.

Author: 
Gari Melchers [Julius Garibaldi Melchers] (1860-1932), American naturalist artist [Henriette Lewis-Hind; Mitchell Kennerly (1878-1950); Anderson Galleries, New York; William Edwin Rudge (1876-1931)]
Publication details: 
On letterhead of the Century Club, 7 West Fortythird Street, New York. 13 April 1928.
£1,250.00

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago – had a fine time'.

[Violet Markham, author and social reformer, to art historian Benedict Nicholson.] Typed Letter Signed ('Violet Markham'), thanking him for 'drawings of St. Nectaire', discussing France and French 'betrayal of the Allied cause'.

Author: 
Violet Markham [Violet Rosa Markham], author, social reformer and campaigner against women's suffrage [Benedict Nicholson (1914-1978), art historian]
Publication details: 
On letterhead of 8 Gower Street, Bloomsbury [London]. 3 December 1942.
£65.00

2pp, 12mo. In good condition, lightly aged. Addressed to 'B. Nicholson, Esq., | Brooks's, | St. James's Street, S.W.1.' (Nicholson was the son of Harold Nicholson and Vita Sackville-West.) She begins by thanking him for his 'kind letter and charming gift of your drawings of St. Nectaire', adding: 'as an author my vanity is flattered by your appreciation of “Romanesque France”'. She is glad she has helped 'a certain number of people in getting to know some of the beauties of France', but feels 'something of a fraud about the book as without the help of my friend Mr.

[Sir William Rothenstein, artist.] Autograph Letter Signed ('Will Rothenstein'), to 'Horder', i.e. the architect Percy Morley Horder, giving a humorous spoof autobiographical entry, as a jokey suggestion of how Horder should approach the topic.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Percy Richard Morley Horder (1870-1944), architect ]
Publication details: 
'Chelsea – Glebe Place | Sunday'. No place.
£220.00

1p, 8vo. Text clear and complete, on heavily chipped and worn thin paper, with loss to extremities. An unusual and revealing letter, in which Rothenstein gives his own jokey suggestion of how Horder should approach a biographical entry he has been asked to write, begins: 'My dear Horder – of course you will do it! “Mr W. R.

[Cecil Aldin, artist of hunting scenes, animals and rural life.] Autograph Note Signed ('Cecil Aldin'), sending 'p o – o & stamps' in settlement of an account.

Author: 
Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
On letterhead of 47 Priory Road, Bedford Park, W. [London] No date.
£60.00

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

[John MacWhirter, Scottish landscape painter.] Autograph Letter Signed ('J MacWhirter') to 'W. Agnew Esq', i.e. the London art dealer Sir William Agnew, thanking him for his 'generous praise', and praising him in turn, in contrast to 'the Critics'.

Author: 
John MacWhirter (1839-1911), Scottish landscape painter [Sir William Agnew (1825-1910), London art dealer]
Publication details: 
On letterhead of 1 Abbey Road, St John's Wood, N.W. [London] 'Sunday' [no date, but before Agnew's receipt of a baronetcy in 1895].
£50.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with traces of mount adhering to blank reverse of second leaf. A white label has been stuck over the letter's salutation, but MacWhirter writes the name of the recipient at the end of the letter: 'W. Agnew Esq'. He cannot express the pleasure he felt on receiving Agnew's letter.

[Arnold Henry Savage Landor, painter, explorer, writer and anthropologist, grandson of the poet Walter Savage Landor.] Autograph Note Signed ('A H Savage Landor') to 'Capt How', making arrangements for a meeting.

Author: 
Arnold Henry Savage Landor (1865-1924), painter, explorer, writer, and anthropologist, grandson of the poet Walter Savage Landor
Publication details: 
St Ermin's Hotel, Westminster. No date.
£45.00

1p, 12mo. On bifolium with mourning border. In fair condition, lightly creased and worn. Folded once. Reads: 'Dear Capt [How?], | I am expecting you to morrow Thursday at Princes Restaurant 1.30 pm | Yrs vy sincerely | A H Savage Landor.' Endorsed in pencil on reverse: 'author of IN THE FORBIDDEN LAND. | EXPLORER TO TIBET. | IMPRISONED | TORTURED | DECEASED'.

[Paul Henry, Irish post-impressionist painter.] Autograph Letter Signed ('Paul Henry') to 'Robert', i.e. Ulster poet R. N. D. Wilson, expressing condolences on the death of his wife.

Author: 
Paul Henry (1876-1958), Irish post-impressionist painter, noted for his West of Ireland landscapes [R. N. D. Wilson [Robert Noble Denison Wilson] (1899-1953), Ulster poet]
Publication details: 
On letterhead of Carrigoona Cottage, Kilmacanogue, Bray, Co. Wicklow; 9 March 1932.
£450.00

2pp, 12mo. On pink paper. In fair condition, lightly aged and worn. Folded twice. A letter of condolence beginning: 'Dear Robert. | I have just seen the miserable news of the death of your wife. I had heard she was ill but had no idea things were so bad.' After asking him to accept his sympathies, he continues: 'I well remember the last time I saw you both together at my studio in Dublin & I can hardly realise yet that she has gone.' He has been 'out of Dublin so long now', and so seldom sees people that he doesn't often 'hear news of folk'.

[Chauncy Hare Townshend, poet, clergyman and dilettante.] Autograph Letter Signed ('C. Hare Townshend') [to George Cruikshank] explaining that he will never let his 'favourite picture', Cruikshank's 'Cinderella' quit his walls, or have it retouched.

Author: 
Chauncy Hare Townshend [born Townsend] (1798-1868), poet, clergyman, collector, dilettante, friend of Charles Dickens [George Cruikshank; Victoria an Albert Museum, London, Hampstead Conversazione]
Publication details: 
21 Norfolk Street, Park Lane [London]; 29 April 1859.
£180.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to the reverse of the blank second leaf. The unnamed recipient is the artist George Cruikshank, and the present letter is a reply to a letter from Cruikshank among the Townshend papers at Wisbech, dating from the previous day (28 April 1859). In that letter Cruikshank asks to borrow back his painting 'Cinderella', in order to add some touches to it, and exhibit it at the Hampstead Conversazione. The painting is among those bequeathed by Townshend to the Victoria and Albert Museum, London.

[Sir Edwin Landseer, painter and sculptor of animals.] Autograph Letter Signed ('E Landseer.') regarding 'the Lions Heads' - presumably the bronze statues of lions at the base of Nelson's Column, Trafalgar Square, London.

Author: 
Sir Edwin Landseer (1802-1873), English painter and sculptor noted for his treatment of animals, such as 'The Monarch of the Glen' and the lion sculptures in Trafalgar Square, London
Publication details: 
Undated. On his letterhead, St John's Wood Road, N.W. [London] [before 1867?]
£180.00

1p, 12mo. On bifolium. Printed on grey-blue paper, with letterhead printed in orange-red, without Landseer's name, but with his stag's head motif. In fair condition, lightly aged and worn, with thin strip from stub mount adhering to blank second leaf. Folded twice. The recipient is not named. Apparently referring to his bronze sculptures of the four lions at the base of Nelson's column (installed in 1867), the letter reads: 'My Dear Sir | Many thanks for your obliging Note and kind attention to the Lions Heads – I can't leave home Tomorrow before 4. oc when I shall go to B.

[Sir Edward J. Poynter, painter, President of the Royal Academy.] Autograph Card Signed ('Edward J. Poynter') to 'Mr. Armstrong' [journalist George Gilbert Armstrong (1870-1945)], arranging a meeting around 'the private view of Burne Jones's pictures

Author: 
Sir Edward John Poynter [Sir Edward John Poynter] (1836-1919), painter and President of the Royal Academy [George Gilbert Armstrong (1870-1945), journalist]
Publication details: 
Card with letterhead of 28 Albert Gate, S.W. [London] 23 April 1890.
Upon request

On one side of a 9 x 11.5 cm card, with letterhead printed in red at top right. In good condition, lightly-aged. Annotated on otherwise-blank reverse, which bears traces of glue from mount at corners. Reads: 'Ap. 23. 90 | Dear Mr. Armstrong | I forgot that on Friday I go to the R.A. in the aft. & to the private view of Burne Jones's pictures. Will Saturday suit you as well? Yrs. sincy | Edward J. Poynter.'

[James Nasmyth, Scottish engineer, inventor and artist.] Autograph Letter Signed ('James Nasmyth', with fingerprint jokingly appended to signature as 'Hys marke', inviting the artist John Callcott Horsley to dinner with 'Col Colville' and others.

Author: 
James Nasmyth [James Hall Nasmyth] (1808-1890), Scottish engineer, inventor and artist [John Callcott Horsley (1817-1903), artist]
Publication details: 
[Baileze?] Hotel. 14 January 1880.
£180.00

1p, 12mo. In good condition, lightly aged. Signed 'James Nasmyth', with a fingerprint beneath the signature, flanked by the words 'Hys' and 'marke', and with 'impression before Letters' jokingly added beneath. Written in a shaky hand, the letter invites Horsley to a dinner 'to meet Col Colville Mrs. [Maclins?] and Dr. [Savile?]'.

[John Callcott Horsley, RA, painter.] Autograph Letter Signed ('J. C. Horsley.') to 'Archdeacon Farrar' [Frederic William Farrar], asking him to officiate at the wedding of his daughter Fanny to Dr Arthur Whitelegge.

Author: 
John Callcott Horsley (1817-1903), RA, painter [Frederic William Farrar (1831-1903), Desn of Canterbury]
Publication details: 
On letterhead of High Row, Kensington, W. [London] 31 January 1885.
£56.00

4pp, 12mo. Bifolium of grey paper. In good condition, lightly aged.

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