PAINTING

[ Edward Caruana Dingli; Art and the War in Malta ] Autograph Letter Signed E Carnana Dingli to Mr Tuckwell

Author: 
Edward Caruana Dingli, Maltese artist.
Publication details: 
52 South St | Valetta, 2 Dec. 1943.
£950.00

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

[ Christ's Hospital (the Bluecoat School). ] Original photographs, reports, correspondence, from the papers of C. W. Carey, regarding his work on the removal and renovation of paintings by Verrio and others, on the move from London to Horsham. ]

Author: 
Charles William Carey (1862-1943), Curator of Picture Gallery, Royal Holloway College, Egham, Surrey [ Christ's Hospital (the Bluecoat School), successively of London and Horsham, Sussex ]
Publication details: 
[ Christ's Hospital, London and Horsham. C. W. Carey, Egham. ] Between 1900 and 1926.
£2,000.00

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

[ Charlotte Nasmyth, landscape artist. ] Autograph Note Signed [ to W. G. Herdman, Secretary, Liverpool Academy ], asking for information regarding her family's paintings in an exhibition.

Author: 
Charlotte Nasmyth (1804-1884), landscape artist, one of the daughters of the Scottish artist Alexander Nasmyth (1758-1840)
Publication details: 
Richmond Terrace, Pendleton, Manchester. 1 January [ no year ].
£220.00

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

[ Frederick William Fairholt, artist and antiquary. ] Autograph Letter Signed to '<Mayland?>, suggesting an appointment to discuss an individual who 'seems very anxious to come to some arrangement'.

Author: 
Frederick William Fairholt (c.1813-1866), artist and antiquary
Publication details: 
'Wednesday'. [ No place or date. ]
£50.00

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.?>

[ Sir Charles Holroyd, Director of the National Gallery. ] Two Autograph Letters Signed (both 'Charles Holroyd') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, declining to take the chair for two lectures.

Author: 
Sir Charles Holroyd (1861-1917), artist and curator, Keeper of the Tate, 1897-1906, and Director of the National Gallery, 1906-1916 [Sir Henry Trueman Wood, Secretary, Royal Society of Arts, London]
Publication details: 
First letter on letterhead of Sturdie House, Beechwood Avenue, Weybridge. 26 January 1915. Second letter on letterhead of the National Gallery [ London ]. 1 April 1915.
£45.00

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

[ William Roscoe of Liverpool, historian, art collector and abolitionist. ] Autograph Letter Signed ('W: Roscoe.'), giving various instructions to an unnamed London bookseller.

Author: 
William Roscoe (1753–1831) of Liverpool, historian, patron of the arts, and leading abolitionist
Publication details: 
Liverpool. 17 September 1808.
£300.00

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,?>

[ Elizabeth, Lady Eastlake, art critic and wife of Sir Charles Eastlake, Director of the National Gallery. ] Autograph Note Signed ('Eliz: Eastlake')

Author: 
Elizabeth, Lady Eastlake [ nee Rigby ] (1809-1893), art critic and art historian, the first woman to write regularly for the Quarterly Review, wife of Sir Charles Eastlake, Director, National Galery
Publication details: 
7 Fitzroy Square [ London ]. 11 June 1836.
£35.00

1p., 12mo. In fair condition, lightly aged, with small glue stain and thin strip of stub adhering to one edge. Reads: 'Dear Lady Stanhope | If you & Lord Stanhope could honor us with your company on Thursday evng the 19th. Sir Chas. & Dr. Waagen & I wd. be much gratified | Believe me yr's truly | Eliz: Eastlake'. 'Dr. Waagen' is the German art historian Gustav Friedrich Waagen (1794-1868).

[ William Gilpin, art critic and educationalist. ] Autograph Letter Signed ('W. Gilpin') to his son William Gilpin the younger, Headmaster of Cheam School, with reference to Thomas Gisborne and William Farish.

Author: 
William Gilpin (1724-1804), writer on art and headmaster of Cheam School, Surrey [ Thomas Gisborne (1758-1846), religious writer; William Farish (1759-1837), chemist ]
Publication details: 
No place. 22 May 1795.
£600.00

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

[ With presentation inscription from the subject of the book. ] Frank Lascelles "Our Modern Orpheus"

Author: 
Right Honourable the Earl of Darnley, ed. [ Frank Lascelles [ Frank William Thomas Charles Christian Culpeper Lascelles ] (1875-1934), pageant master and artist ]
Publication details: 
Printed by John Johnson at the Oxford University Press, 1932.
£45.00

X + 256pp., 4to. Frontispiece. In blue buckram binding, gilt. A good tight copy, in lightly aged binding. Presentation inscription on front free endpaper: 'To | Mr: Oliver Hooper, | in much appreciation and with every kind wish. | Frank Lascelles. | Sibford Gower Manor. 1926.' Tributes from a large number of individuals, ranging from the Prime Minister Ramsay MacDonald to the Poet Laureate Robert Bridges.

[ Cecil Lawson, landscape painter. ] Autograph Note Signed ('Cecil Lawson') to London art dealer C. W. Deschamps, regarding the Melbourne International Exhibition.

Author: 
Cecil Lawson [ Cecil Gordon Lawson ] (1849-1882), English landscape painter [ Charles William Deschamps (1848-1908), London art dealer ]
Publication details: 
Bolton Bridge, Skipton, Yorkshire. 21 July 1880.
£45.00

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

[ George Denholm Armour, English artist. ] Autograph Letter Signed ('G Denholm Armour'), a letter of condolemce to the widow of composer Herman Finck.

Author: 
George Denholm Armour (1864-1949), English artist associated with Phil May and Joseph Crawhall, and horse breeder [ Herman Finck [ born Hermann Van Der Vinck ] (1872-1939), composer and conductor ]
Publication details: 
On letterhead of The Old Court House, Tetminster, Dorset. 22 April 1939.
£35.00

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

[ Frederick Kill Harford, poet and hymnologist. ] Autograph Letter Signed ('Frederick K Harford') to the artist Eric Forbes-Robertson, regarding the 'Te Deum Committee'.

Author: 
Frederick K. Harford [ Frederick Kill Harford ] (1832-1906), cleric, poet and hymnologist [ Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
'On letterhead of Purcell House, Dean's Yard, Westminster. 28 August 1902.
£56.00

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

[ Edward Lucie-Smith, poet and art critic. ] Two mimeographed typescripts: one with five poems (first, 'A Tropical Childhood'; last, 'To be justified'), the other a commentary on each poem, signed at head: 'one of 24 | No 2: Edward Lucie-Smith'.

Author: 
Edward Lucie-Smith (born 1933), wrtier, poet and art critic
Publication details: 
Without place or date. [ Mid-sixties? ]
£200.00

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

[ James Faed, Scottish artist. ] Autograph Note Signed to 'G. Ashley Dodd Esqre', thanking him for a 'great favour' and 'privilege'.

Author: 
James Faed (1821-1911), Scottish artist
Publication details: 
'<GlenCoe'?> 23 July 1870.
£25.00

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

[ The John Hassall Correspondence Art School. ] Sixteen Typed 'Lessons', being personalised anonymous assessments of the work of Miss E. Elderton of Teignmouth.

Author: 
The John Hassall Correspondence Art School, London [ John Hassall (1868-1948), artist and poster designer; E. Elderton of Teignmouth ]
Publication details: 
The John Hassall Correspondence Art School [ London ]. Lessons I to XVI, 17 November 1932 to 24 May 1934.
£450.00

The 16 'lessons (I-XVI)' total 31pp., 8vo., with Lesson XIV on 1pp., and the other 15 on 2pp. In fair condition, on aged paper with slight rusting and pin holes at the corner where the sixteen have been attached. All 16 are anonymous, but each carries a set of initials at the end: the last 12 ending with 'JH/W', and of the first four two with 'JH/D', and two with 'JH/MW'.. 'JH' presumably stands for 'John Hassall', with 'D', 'MW' and 'W' the name of the writer of the response.

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

[ William Bruce Ellis Ranken, Scottish artist and aesthete. ] Autograph Letter Signed ('William B E: Ranken.'), submitting his name for election to a 'well-known & important Society'.

Author: 
William Bruce Ellis Ranken (1881-1941), Scottish artist and aesthete
Publication details: 
On letterhead of 14 Cheltenham Terrace, Kings Road, S.W. [ London ] 20 December [ 1927 ].
£65.00

2pp., 12mo. In good condition, on lightly-aged paper. Docketed 'Ackd | 12/12/27 | J F', and with Ranken's name written out in a neat contemporary hand at the foot of the second page. After apologising for the delayed response he writes that he is 'much flattered' by the recipient's suggestion that he join his 'well-known & important Society', and will have much pleasure in submitting his name for election.

[ Katharine Ada Esdaile, art historian. ] Autograph Letter Signed ('Katharine A. Esdaile') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, requesting access to James Barry's paintings in the Adelphi and explaining the nature of the work.

Author: 
Katharine Ada Esdaile [ née McDowall ] (1881-1950), art historian, wife of Arundell Esdaile (1880-1956), Secretary of the British Museum [ Sir Henry Trueman Wood, Royal Society of Arts; James Barry ]
Publication details: 
On letterhead of Keynes, Austenway, Gerrard's Cross. 22 January 1913.
£180.00

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

[ Lowes Cato DIckinson, portrait painter. ] Autograph Letter Signed ('Lowes Dickinson') to Sir Richard Harington

Author: 
Lowes Cato Dickinson (1819-1908), portrait painter and Christian socialist, associate of Ruskin and Rossetti, founder of the Working Men's College, London [ Sir Richard Harington (1835-1911) ]
Publication details: 
Hanwell. 16 April 1877.
£120.00

4pp., 12mo. In good condition, lightly aged. Monogram letterhead. Docketed by Harington. Much of the letter relates to the delicate health of his wife 'Ellen' (Margaret Ellen Dickinson, nee Williams, 1825-1882), but the reason for writing is a painting Harington has asked him to make of his 'boy'. He has received Harington's 'letters & enclosure' and 'will gladly do anything' he can for him. (1825-1882), but asks him to 'write to the photographers Messrs.

[ Wilfrid Henry Wells, sinologist. ] Typescript of his paper 'The Auditory Element in some Chinese Landscape Paintings. With Autograph draft of his paper 'A Blue-print of Chinese Landscape Painting | For the Use of Beginners' and portrait photograph.

Author: 
W. H. Wells [ Wilfrid Henry Wells ] (b.1878), Reader at the University of Munich, sinologist
Publication details: 
The Typescript with authorial inscription: 'W. H. Wells | Reichersbeuern | Germany 13b'.
£950.00

There is no indication that either of the two papers was ever published. Wells's 1935 book, 'Perspective in early Chinese Painting' is considered the first Western treatment of the subject. The three items in good condition, lightly aged and worn. ONE: Typescript of 'The Auditory Element in some Chinese Landscape Paintings'. 6pp., with three plates (i.e. black and white photographs laid down on three leaves with typed credits). Bound up in a folder of orange card, with title and Wells's details on cover in his hand.

[ Vera Stacey Wainwright, West Country painter and poet. ] Autograph Letter Signed ('Vera (Wainwright)') to Ida Forbes-Robertson ('Dear Idzie'), with reference to Gaugin's drawing of her father Eric Forbes-Robertson.

Author: 
Vera Wainwright [ Vera Stacey Wainwright ] (1893-1967), West Country painter and poet, friend of Austin Osman Spare [ Ida Forbes-Robertson, daughter Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
Crows Nest, Darite, Liskeard, Cornwall. 18 September 1947.
£56.00

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

[ Janina Forbes-Robertson [ Janina Flamm ], artist. ] Three Autograph Letters Signed (all 'Jania') to her husband Eric Forbes-Robertson, complaining of poor treatment by his brother the actor Sir Johnston Forbes-Robertson and the rest of his family.

Author: 
Janina ('Jania') Forbes-Robertson [ née Janina Flamm ] (d.1922), Polish artist, wife of the English artist Eric Forbes-Robertson (1865-1935), sister-in-law of Sir Johnston Forbes-Robertson
Publication details: 
One from 13 Batoum Gardens, Shepherds Bush [ London ], 'Sunday'. One in French from 79 Netherwood Road, Shepherds Bush, 'Lundi'. Another simply dated '1 November.'
£250.00

Janine Flamm attended the Académie Julian in Paris with Eric Forbes-Robertson, an associate at Pont-Aven of Gaugin and Robert Bevan, who married her college friend the Polish artist Stanislawa de Karlowska (1876-1952). The couple married on Jersey in 1897, and their son Philippe was born soon after, followed by sisters Ida and Cecilia. None of these three letters is dated, but they must all have been written in the early years of the twentieth century, with Janina miserably placed with her young children in London while her husband pursued his artistic ambitions in the country.

[ Eric Forbes-Robertson, artist. ] Three Autograph Letters Signed (all 'Eric') to his daughter Ida ('Idzie'), written while serving with the Royal Artillery during the First World War.

Author: 
Eric Forbes-Robertson (1865-1935), artist and brother of the Shakespearian actor Sir Johnston Forbes-Robertson [ his daughter Ida ('Idzie') Forbes-Robertson ] [ Royal Artillery ]
Publication details: 
The first two on Royal Artillery letterheads of the 'R. A. MESS, | SHOEBURYNESS.' 19 October and 19 November 1916. The third on letterhead of the Prince of Wales' Hospital for Convalescent Officers, Marylebone [ London ]. 7 March 1917.
£220.00

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

[ Lillah McCarthy and Harley Granville-Barker, Shakespeare production at Savoy Theatre, London. ] Typed Letter Signed ('A. S. Pigott') to 'Mr. Kelt' [ i.e. 'John Kelt', stage-name of Eric Forbes-Robertson ] regarding his availability for matinees.

Author: 
A. S. Pigott, general manager [ Lillah McCarthy (1875-1960) and Harley Granville-Barker (1877-1946), actors and producers; William Shakespeare; The Savoy Theatre, Strand ]
Publication details: 
On letterhead of 'Shakespeare | THE WINTER'S TALE', production by Lillah McCarthy and Granville Barker at the Savoy Theatre, Strand [ London]. 25 October 1912.
£45.00

1p., 4to. On aged and worn paper. Enquiring whether 'Mr. Kelt' will be free to play, 'at the same salary you are now receiving pro rata', in 'three special Matinees of "The Winter's Tale" on Tuesday, Wednesday & Thursday during the week commencing November 4th.', and also possibly a further two matinees a week during 'the run of "Twelfth Night"', the first week's matinees being on the Wednesday and Thursday. Beneath Pigott's signature Forbes-Robertson has written: 'got 10s per performance'. From the Forbes-Robertson papers.

[ Alfred Wareing, theatre producer. ] Autograph Note Signed ('Alfred W.') to 'Dear Eric' [artist and actor Eric Forbes-Robertson], regarding 'Ian [ his brother Ian Forbes Robertson ]' and the sending of his work to Edgar Wilson.

Author: 
Alfred Wareing (1876-1942), theatrical producer [ Eric Forbes-Robertson (1865-1935), artist and actor, brother of Sir Johnston Forbes-Robertson (1853-1937) ]
Publication details: 
On letterhead of 20 Old Buildings, Lincoln's Inn, W.C. 2 December 1901.
£35.00

2pp., 12mo. In fair condition, on lightly-aged paper. After thanking him for his note he reports that he has written, 'bearing in mind your injunction, to Ian', i.e. the actor Ian Forbes Robertson (1859-1936). He will be going 'down to S. N. or Notting Hill to see him', and asks Forbes-Robertson to send in the coming week 'some specimens of your black & white work to Edgar Wilson, 1, Middleton Rd. Battersea Rise S.W.' Wilson is 'the art editor of a magazine', and Wareing has written to him suggesting that he take some of Forbes-Robertson's work.

[ Printed item. ] Burlington Fine Arts Club. Catalogue of a Collection of Counterfeits, Imitations and Copies of Works of Art.

Author: 
'R. C. W.' [ Sir Robert C. Witt, editor; Burlington Fine Arts Club ]
Publication details: 
London: Privately Printed for the Burlington Fine Arts Club. 1924. [ Printed in England at the Oxford University Press by Frederick Hall ]
£50.00

112pp., 4to. Internally in good condition, on lightly-aged paper, in worn and chipped printed grey wraps, with slight tape staining at foot of spine. An elegant production, on good paper, with catalogue of 329 items in the fields of pictures, drawings, furniture, carpets, metalwork, ceramics and sculpture, preceded by list of contributors, bibliography. and seventeen-page introduction by a variety of specialists.

[ Sale catalogue by Maggs Brothers of London. ] Original Drawings by Kate Greenaway and Hugh Thomson | Chiefly in watercolour.

Author: 
[ Maggs Brothers, London booksellers; Kate Greenaway; Hugh Thomson ]
Publication details: 
Maggs Bros. Ltd. London. [ Printed in Great Britian by The Courier Press, Leamington Spa and London. ] No date. [ 1930s?]
£50.00

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

Unused 4to sketchbook/album of good thick paper, with the ownship inscription of the artist/diarist Joseph Farington, and the words 'The Incorporated Society of Artists' on the spine. Enclosed: a membership list and three other items

Author: 
Joseph Farington (1747-1821), landscape painter and diarist [The Incorporated Society of Artists, London]
Publication details: 
The volume contains paper watermarked 1806. The printed membership list of the Society of Artists, London, is dated 1774, and another item is dated 1777.
£200.00

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

[John Sell Cotman, artist.] Autograph Letter Signed ('Jno: Bridgman') [to Cotman] from John Bridgman, describing his reaction to an oil painting commissioned by him, and discussing Cotman's mood and prospects. [With note by James Reeve.]

Author: 
John Bridgman of Wigmore Street, London, patron of John Sell Cotman (1782-1842) [James Reeve (1833-1920), painter]
Publication details: 
'July 1825. | 10. Wigmore St. [London]'.
£350.00

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).

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