PAINTING

[ Edward Lucie-Smith, poet and art critic. ] Two mimeographed typescripts: one with five poems (first, 'A Tropical Childhood'; last, 'To be justified'), the other a commentary on each poem, signed at head: 'one of 24 | No 2: Edward Lucie-Smith'.

Author: 
Edward Lucie-Smith (born 1933), wrtier, poet and art critic
Publication details: 
Without place or date. [ Mid-sixties? ]
£200.00

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

[ James Faed, Scottish artist. ] Autograph Note Signed to 'G. Ashley Dodd Esqre', thanking him for a 'great favour' and 'privilege'.

Author: 
James Faed (1821-1911), Scottish artist
Publication details: 
'<GlenCoe'?> 23 July 1870.
£25.00

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

[ The John Hassall Correspondence Art School. ] Sixteen Typed 'Lessons', being personalised anonymous assessments of the work of Miss E. Elderton of Teignmouth.

Author: 
The John Hassall Correspondence Art School, London [ John Hassall (1868-1948), artist and poster designer; E. Elderton of Teignmouth ]
Publication details: 
The John Hassall Correspondence Art School [ London ]. Lessons I to XVI, 17 November 1932 to 24 May 1934.
£450.00

The 16 'lessons (I-XVI)' total 31pp., 8vo., with Lesson XIV on 1pp., and the other 15 on 2pp. In fair condition, on aged paper with slight rusting and pin holes at the corner where the sixteen have been attached. All 16 are anonymous, but each carries a set of initials at the end: the last 12 ending with 'JH/W', and of the first four two with 'JH/D', and two with 'JH/MW'.. 'JH' presumably stands for 'John Hassall', with 'D', 'MW' and 'W' the name of the writer of the response.

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

[ William Bruce Ellis Ranken, Scottish artist and aesthete. ] Autograph Letter Signed ('William B E: Ranken.'), submitting his name for election to a 'well-known & important Society'.

Author: 
William Bruce Ellis Ranken (1881-1941), Scottish artist and aesthete
Publication details: 
On letterhead of 14 Cheltenham Terrace, Kings Road, S.W. [ London ] 20 December [ 1927 ].
£65.00

2pp., 12mo. In good condition, on lightly-aged paper. Docketed 'Ackd | 12/12/27 | J F', and with Ranken's name written out in a neat contemporary hand at the foot of the second page. After apologising for the delayed response he writes that he is 'much flattered' by the recipient's suggestion that he join his 'well-known & important Society', and will have much pleasure in submitting his name for election.

[ Katharine Ada Esdaile, art historian. ] Autograph Letter Signed ('Katharine A. Esdaile') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, requesting access to James Barry's paintings in the Adelphi and explaining the nature of the work.

Author: 
Katharine Ada Esdaile [ née McDowall ] (1881-1950), art historian, wife of Arundell Esdaile (1880-1956), Secretary of the British Museum [ Sir Henry Trueman Wood, Royal Society of Arts; James Barry ]
Publication details: 
On letterhead of Keynes, Austenway, Gerrard's Cross. 22 January 1913.
£180.00

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

[ Lowes Cato DIckinson, portrait painter. ] Autograph Letter Signed ('Lowes Dickinson') to Sir Richard Harington

Author: 
Lowes Cato Dickinson (1819-1908), portrait painter and Christian socialist, associate of Ruskin and Rossetti, founder of the Working Men's College, London [ Sir Richard Harington (1835-1911) ]
Publication details: 
Hanwell. 16 April 1877.
£120.00

4pp., 12mo. In good condition, lightly aged. Monogram letterhead. Docketed by Harington. Much of the letter relates to the delicate health of his wife 'Ellen' (Margaret Ellen Dickinson, nee Williams, 1825-1882), but the reason for writing is a painting Harington has asked him to make of his 'boy'. He has received Harington's 'letters & enclosure' and 'will gladly do anything' he can for him. (1825-1882), but asks him to 'write to the photographers Messrs.

[ Wilfrid Henry Wells, sinologist. ] Typescript of his paper 'The Auditory Element in some Chinese Landscape Paintings. With Autograph draft of his paper 'A Blue-print of Chinese Landscape Painting | For the Use of Beginners' and portrait photograph.

Author: 
W. H. Wells [ Wilfrid Henry Wells ] (b.1878), Reader at the University of Munich, sinologist
Publication details: 
The Typescript with authorial inscription: 'W. H. Wells | Reichersbeuern | Germany 13b'.
£950.00

There is no indication that either of the two papers was ever published. Wells's 1935 book, 'Perspective in early Chinese Painting' is considered the first Western treatment of the subject. The three items in good condition, lightly aged and worn. ONE: Typescript of 'The Auditory Element in some Chinese Landscape Paintings'. 6pp., with three plates (i.e. black and white photographs laid down on three leaves with typed credits). Bound up in a folder of orange card, with title and Wells's details on cover in his hand.

[ Vera Stacey Wainwright, West Country painter and poet. ] Autograph Letter Signed ('Vera (Wainwright)') to Ida Forbes-Robertson ('Dear Idzie'), with reference to Gaugin's drawing of her father Eric Forbes-Robertson.

Author: 
Vera Wainwright [ Vera Stacey Wainwright ] (1893-1967), West Country painter and poet, friend of Austin Osman Spare [ Ida Forbes-Robertson, daughter Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
Crows Nest, Darite, Liskeard, Cornwall. 18 September 1947.
£56.00

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

[ Janina Forbes-Robertson [ Janina Flamm ], artist. ] Three Autograph Letters Signed (all 'Jania') to her husband Eric Forbes-Robertson, complaining of poor treatment by his brother the actor Sir Johnston Forbes-Robertson and the rest of his family.

Author: 
Janina ('Jania') Forbes-Robertson [ née Janina Flamm ] (d.1922), Polish artist, wife of the English artist Eric Forbes-Robertson (1865-1935), sister-in-law of Sir Johnston Forbes-Robertson
Publication details: 
One from 13 Batoum Gardens, Shepherds Bush [ London ], 'Sunday'. One in French from 79 Netherwood Road, Shepherds Bush, 'Lundi'. Another simply dated '1 November.'
£250.00

Janine Flamm attended the Académie Julian in Paris with Eric Forbes-Robertson, an associate at Pont-Aven of Gaugin and Robert Bevan, who married her college friend the Polish artist Stanislawa de Karlowska (1876-1952). The couple married on Jersey in 1897, and their son Philippe was born soon after, followed by sisters Ida and Cecilia. None of these three letters is dated, but they must all have been written in the early years of the twentieth century, with Janina miserably placed with her young children in London while her husband pursued his artistic ambitions in the country.

[ Eric Forbes-Robertson, artist. ] Three Autograph Letters Signed (all 'Eric') to his daughter Ida ('Idzie'), written while serving with the Royal Artillery during the First World War.

Author: 
Eric Forbes-Robertson (1865-1935), artist and brother of the Shakespearian actor Sir Johnston Forbes-Robertson [ his daughter Ida ('Idzie') Forbes-Robertson ] [ Royal Artillery ]
Publication details: 
The first two on Royal Artillery letterheads of the 'R. A. MESS, | SHOEBURYNESS.' 19 October and 19 November 1916. The third on letterhead of the Prince of Wales' Hospital for Convalescent Officers, Marylebone [ London ]. 7 March 1917.
£220.00

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

[ Lillah McCarthy and Harley Granville-Barker, Shakespeare production at Savoy Theatre, London. ] Typed Letter Signed ('A. S. Pigott') to 'Mr. Kelt' [ i.e. 'John Kelt', stage-name of Eric Forbes-Robertson ] regarding his availability for matinees.

Author: 
A. S. Pigott, general manager [ Lillah McCarthy (1875-1960) and Harley Granville-Barker (1877-1946), actors and producers; William Shakespeare; The Savoy Theatre, Strand ]
Publication details: 
On letterhead of 'Shakespeare | THE WINTER'S TALE', production by Lillah McCarthy and Granville Barker at the Savoy Theatre, Strand [ London]. 25 October 1912.
£45.00

1p., 4to. On aged and worn paper. Enquiring whether 'Mr. Kelt' will be free to play, 'at the same salary you are now receiving pro rata', in 'three special Matinees of "The Winter's Tale" on Tuesday, Wednesday & Thursday during the week commencing November 4th.', and also possibly a further two matinees a week during 'the run of "Twelfth Night"', the first week's matinees being on the Wednesday and Thursday. Beneath Pigott's signature Forbes-Robertson has written: 'got 10s per performance'. From the Forbes-Robertson papers.

[ Alfred Wareing, theatre producer. ] Autograph Note Signed ('Alfred W.') to 'Dear Eric' [artist and actor Eric Forbes-Robertson], regarding 'Ian [ his brother Ian Forbes Robertson ]' and the sending of his work to Edgar Wilson.

Author: 
Alfred Wareing (1876-1942), theatrical producer [ Eric Forbes-Robertson (1865-1935), artist and actor, brother of Sir Johnston Forbes-Robertson (1853-1937) ]
Publication details: 
On letterhead of 20 Old Buildings, Lincoln's Inn, W.C. 2 December 1901.
£35.00

2pp., 12mo. In fair condition, on lightly-aged paper. After thanking him for his note he reports that he has written, 'bearing in mind your injunction, to Ian', i.e. the actor Ian Forbes Robertson (1859-1936). He will be going 'down to S. N. or Notting Hill to see him', and asks Forbes-Robertson to send in the coming week 'some specimens of your black & white work to Edgar Wilson, 1, Middleton Rd. Battersea Rise S.W.' Wilson is 'the art editor of a magazine', and Wareing has written to him suggesting that he take some of Forbes-Robertson's work.

[ Printed item. ] Burlington Fine Arts Club. Catalogue of a Collection of Counterfeits, Imitations and Copies of Works of Art.

Author: 
'R. C. W.' [ Sir Robert C. Witt, editor; Burlington Fine Arts Club ]
Publication details: 
London: Privately Printed for the Burlington Fine Arts Club. 1924. [ Printed in England at the Oxford University Press by Frederick Hall ]
£50.00

112pp., 4to. Internally in good condition, on lightly-aged paper, in worn and chipped printed grey wraps, with slight tape staining at foot of spine. An elegant production, on good paper, with catalogue of 329 items in the fields of pictures, drawings, furniture, carpets, metalwork, ceramics and sculpture, preceded by list of contributors, bibliography. and seventeen-page introduction by a variety of specialists.

[ Sale catalogue by Maggs Brothers of London. ] Original Drawings by Kate Greenaway and Hugh Thomson | Chiefly in watercolour.

Author: 
[ Maggs Brothers, London booksellers; Kate Greenaway; Hugh Thomson ]
Publication details: 
Maggs Bros. Ltd. London. [ Printed in Great Britian by The Courier Press, Leamington Spa and London. ] No date. [ 1930s?]
£50.00

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

Unused 4to sketchbook/album of good thick paper, with the ownship inscription of the artist/diarist Joseph Farington, and the words 'The Incorporated Society of Artists' on the spine. Enclosed: a membership list and three other items

Author: 
Joseph Farington (1747-1821), landscape painter and diarist [The Incorporated Society of Artists, London]
Publication details: 
The volume contains paper watermarked 1806. The printed membership list of the Society of Artists, London, is dated 1774, and another item is dated 1777.
£200.00

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

[John Sell Cotman, artist.] Autograph Letter Signed ('Jno: Bridgman') [to Cotman] from John Bridgman, describing his reaction to an oil painting commissioned by him, and discussing Cotman's mood and prospects. [With note by James Reeve.]

Author: 
John Bridgman of Wigmore Street, London, patron of John Sell Cotman (1782-1842) [James Reeve (1833-1920), painter]
Publication details: 
'July 1825. | 10. Wigmore St. [London]'.
£350.00

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).

Anonymous coloured print on sateen [cotton satin] entitled 'Three Christmas Roses'.

Author: 
The Gentlewoman [Victorian illustration; printing on cloth]
Publication details: 
'Supplement to The Gentlewoman Christmas Number.' [1890s]
£85.00

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

[ James Stuart ('Athenian Stuart'), painter and architect. ] Autograph Letter Signed ('J Stuart'), requesting that the bookseller Francis Wingrave ('Frank') place a number of advertisements regarding 'our exhibition'.

Author: 
James Stuart [ called 'Athenian Stuart' ] (1713-1788), painter and architect [ Francis Wingrave (c.1745-1820), London bookseller ]
Publication details: 
Place and date not stated.
£180.00

1p., 4to. On bifolium. Written in an elegant assured hand. Addressed on second leaf, 'To | Mr Francis Wingrave'. In fair condition, on lightly aged and worn paper. Reads: 'Dear Frank | I shall be much obliged to you if you can possibly get the copies I leave with this, inserted in the Gazeteer, the Public, & the Ledger, & the Morning Chronicle, we suppose it of consequence to the success of our exhibition, the interests of which I have greatly at heart. | Yours sincerely | J Stuart | Any expence attending the publication I shall gladly reimburse you'.

[ Frederick Richard Pickersgill, RA. ] Autograph Signature ('Fred R PIckersgill') on part of letter.

Author: 
F. R. Pickersgill [ Frederick Richard Pickersgill ] (1820-1900), RA, English artist and book illustrator
Publication details: 
36 Mornington Crescent, 24 May 1853.
£20.00

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

[ E. Rimbault Dibdin, art critic and curator. ] Five Typed Letters Signed (all 'Edwd Rimbault Dibdin') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, regarding the Liverpool artists Richard Wright, Peter Perez Burdett and William Tate.

Author: 
E. Rimbault Dibdin [ Edward Rimbault Vere Dibdin ] (1853-1941), art critic, curator of the Walker Art Gallery, Liverpool [ Sir Henry Trueman Wood (1845-1929), Secretary, Royal Society of Arts ]
Publication details: 
The five on letterheads of the Walker Art Gallery, City of Liverpool, and dating between 27 November 1915 and 23 February 1916.
£220.00

The letters total 5pp., 4to; and 1p., 12mo. In good condition, on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes, presumably by Wood.

[ Peter Wardle, British portrait painter. ] Around 90 items from his papers, including incoming material relating to his work for the National Portraiture Association; correspondence with Ruskin School of Drawing, Oxford; receipts; payslips; tax.

Author: 
Peter Wardle (b.1929), British portrait painter [ William Deeves (1893-1977), Director, The National Portraiture Association; ]
Publication details: 
Mainly from London. Dating from between 1972 and 1974.
£320.00

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

[ Felix Stone Moscheles, English painter. ] Autograph Note Signed ('Felix Moscheles') to 'Mrs Lewis', acknowledging receipt of a cheque.

Author: 
Felix Moscheles [ Felix Stone Moscheles ] (1833-1917), English painter of Jewish origin, peace activist and advocate of Esperanto
Publication details: 
On letterhead of Cadogan Gardens, Sloane Street, S.W. [ London ] Undated.
£30.00

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

[ Jane Wardle, psychologist. ] Three Autograph Letters Signed (all 'Jane') to her father the painter Peter Wardle, together with a small collection of childhood writings and drawings.

Author: 
Jane Wardle [ Frances Jane Wardle ] (1950-2015), Professor of Clinical Psychology, University College, London [ Peter Wardle (b.1929), English artist ]
Publication details: 
Two of the letters from 48 Abingdon Road, Oxford, and one on letterhead of the Department of Experimental Psychology, University of Oxford. One of the childhood items from Lidstone, Enstone, Oxfordshire. All items undated (adult letters pre-1991).
£180.00

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

[ Antoine Renou, French painter and playwright. ] Autograph Letter Signed ('Renou'), 'Au Citoyen Monger', a secretary to the Institut National

Author: 
Antoine Renou (1731-1806), French painter and playwright [ Monger of the Institut National; Pierre Bénézech (1749-1802), French Minister of the Interior ]
Publication details: 
'ce 4 Thermidor. An 5e.' [ 23 July 1797 ]
£450.00

4pp., 8vo. Bifolium. In good condition, on lightly-aged paper. Signed 'Salut et fraternité | Renou'. A long and interesting letter, regarding student unrest in the French revolution, and involving a descision taken by the 'Classe des Sciences et Artes de l'Institut, qui acorde un jour de prolongation aux Concurrens pour les prix de Peinture', and the attempts of the Institut National to impose discipline.

[ William James Callcott, marine artist. ] Autograph Letter Signed ('W. J. Callcott') to Dr Maitland Coffin, offering a painting at an 'awfully low' price so that he can pay his studio rent.

Author: 
William James Callcott (c.1823-1900), English marine artist [ Maitland Coffin ]
Publication details: 
From 48 Stockwell Park Crescent, London S.W. On letterhead of the Savage Club, Lancaster House, Savoy, W.C. 22 December 1886.
£180.00

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.

[ Charles Dupaty, French sculptor. ] Signed appeal written 'au nom de ses camarades', the artist Edme Gaulle, 'Vauthier Peintre' and 'Citoyen Grandjean eleve de L'ecole de'Architecture [sic]'), regarding their position as 'requisitonnaires'.

Author: 
Charles Dupaty [ Louis-Marie-Charles-Henri Mercier Dupaty ] (1771-1825), French sculptor [ Edme Gaulle; Jules-Antoine Vauthier; Auguste-Henri-Victor Grandjean de Montigny ]
Publication details: 
[ France, 1790s. ]
£400.00

1p., 4to. In fair condition, on lightly-aged paper, with slight wear along one edge. The recipient is not named. Reads: 'les Citoyens Edme Gaulle, L. M. Charles Henry Mercier Dupaty réquisitionnaires éleves de L'ecole de Peinture et Sculpture concurrents aux grand prix de cette armée sont incorporés dans la 96eme 1/2 brigade actuellement a Paris | Le Citoyen Vauthier Peintre et réquisitionnaire est dans la 9 1/2 bridgade.

[ Edme Gaulle, French sculptor. ] Autograph Letter Signed ('Gaulle') to the painter François Devosge, describing his success since leaving Dijon for Paris, and giving news of the recipient's son Anatole Devsoges.

Author: 
Edme Gaulle (1762-1841), French sculptor [ François Devosge (1732-1811), French painter and sculptor; his son the painter Anatole Devosges (1770-1850) ]
Publication details: 
'Paris Le 14 Germinal An 7'. [ 3 April 1799 ]
£300.00

4pp., 4to. Bifolium. Long letter (95 lines) in a small and neat hand. Addressed, with broken seal in red wax, on reverse of second leaf, 'Au Citoyen Devosge professeur de L'Ecole nationale de peinture et Sculpture | À Dijon'. An interesting letter, including news of his success since leaving Dijon for Paris ('Mon début a été heureux') and several references to 'Anatoille', a pet-name for the recipient's son, then studying at the studio of David, as well as the 'nouvelle officielle' of a French victory over the Austrians.

[ Pierre Audouin and Pierre Laurent, French engravers. ] Manuscript contract, signed by the 'deux Graveur en Taille douce' ('P. Audouin' and 'Pre Laurent'), binding Audouin to produce an engraving of a painting by Gerard ter Borch in the Louvre.

Author: 
Pierre Audouin (1768-1822) and Pierre Laurent (1739-1809), French engravers
Publication details: 
Paris. 17 May 1792.
£250.00

1p., 8vo. In good condition, with tax stamp on reverse. The addresses of the two men are given as 'enclos du Temple' for Laurent and 'Rue de Tournon No. 4' for Audouin. Audouin undertakes to engrave, with 'tous mes soins pour y mettre toute La perfection', 'un dessein fais d'après Le Tableau de Terburg du Cabinet du Roi, Representans un Riche financier qui offre de L'ord [sic] a une jeune femme'. For his part Laurent agrees to pay Audouin 'La Somme de deux mille deux cens [sic] Livre'.

Syndicate content