PAINTING

[ Fernand Gampert, Swiss artist, friend of Christian Dior. ] Autograph Letter Signed, in French, to Captain C. W. Townsend, with reference to the painter Lucien Monod.

Author: 
Fernand Gampert (1898-1989), Swiss artist, friend of Christian Dior; his sister Edith Gampert [ later Edith Arnaud ] (1897-1987) [ Captain Cecil William Townsend ]
Publication details: 
9 Rue Bellot, Geneva [ Switzerland ]. 16 November [ no year, but dating from the First World War ].
£75.00

8pp., 12mo. On two bifololiums with mourning borders. In good condition, lightly aged and worn. Addressed to 'monsieur Townsend'. From the papers of Captain Cecil William Townsend of the Warwickshire Yeomanry, Dunsterforce and Norperforce, and the British Military Mission to South Russia. Gampert is still at college as he writes, and the reference to the 'boches' dates the letter to the First World War. Gampert begins by explaining the reason for the delay in writing, with reference to 'Mlle Trithen'.

[ Sir Hubert von Herkomer, painter, film director and composer. ] Autograph Letter Signed ('Hubert Herkomer') to 'Lady Wynn', regarding a 'word portrait' of his 'splendid wife', who has just died.

Author: 
Sir Hubert von Herkomer [ originally Hubert Herkomer ] (1849-1914) German-born British painter, pioneering film director and composer
Publication details: 
New York. 23 December 1885.
£90.00

1p., 16mo. With mourning border. In good condition, lightly aged. Begins: 'Dear Lady Wynn | I thank you from the depths of my heart for your kind letter. I enclose you a word portrait of my splendid wife. More I dare not write or I shall not regain the strength I need to carry out her wishes in life.' As the Oxford DNB explains, after the death of his first wife in 1883 'Herkomer married, on 14 August 1884, a Welsh nurse, Lulu Griffiths (b. 1849), who had been a member of his household since 1874. He was devastated by her sudden death a year later.'

[ William Powell Frith invites Sir Edwin Landseer to 'tea-supper smoke-whist'. ] Autograph Letter Signed ('W. P. Frith') from Frith to Landseer, inviting him to an evening with 'a few artists & others'.

Author: 
W P. Frith [ William Powell Frith ] (1819-1909), RA, Victorian genre painter [ Sir Edwin Landseer (1802-1873), painter and sculptor, mainly of animals
Publication details: 
On his letterhead, 10 Pembridge Villas, Bayswater, W. [ London ] 13 March 1862.
£80.00

2pp., 12mo. On bifolium. In fair condition, lightly aged, with minor damage in margin at the gutter of the second leaf caused by removal from stub. Addressed to 'Sir Edwin Landseer RA | &c &c'. A week from the writing of the letter Frith is expecting 'a few artists & others to tea-supper smoke-whist &c'. He explains that the group usually meets 'about eight supper at ten or half past. We should all be pleased if you can be induced to give us the pleasure of your company.

[ George Allen, London publisher and associate of John Ruskin. ] Sale catalogue of 'Books and Pictures from the Estate of the Late Mr. George Allen', containing a large number of books and pictures by Ruskin.

Author: 
[ George Allen (1832-1907), London publisher, craftsman and engraver associated with John Ruskin [ Allen and Unwin ]
Publication details: 
'For Sale | May be seen at 156, Charing Cross Road | London | December 1908'.
£400.00

12 pp., 8vo. Modern marbled bds. In good condition, lightly aged and worn. This interesting item is of significance to Ruskin scholars, containing a whole page describing 24 drawings and engravings by him, as well as a number of interesting books from the library of a close associate. The item was previously bound by Rossetti in a volume with two, unrelated, others. It then passed into the collection of the art historian Rose Sketchley, whose sister C. J. Sketchley presented it to Fulham Public Libraries in 1949. It is scarce: no copy has been traced on either OCLC WorldCat or COPAC.

[ Arthur Hacker RA, English artist. ] Autograph Letter Signed, responding to the flattery of an admirer.

Author: 
Arthur Hacker (1858-1919) RA, versatile and popular English artist who trained at the Royal Academy Schools and in the Paris atelier of Léon Bonnat
Publication details: 
On letterhead of 7 Cavendish Buildings, Old Cavendish Street, W. [ London ] 29 July 1899.
£90.00

1p., 4to. In good condition, on lightly-aged paper. The letter reads: 'Dear Sir/ | I am very pleased to hear you like my pictures and seem so well acquainted with them - | I hope you will go on taking an interest in Art. | I am | Yours Sincerely | Arthur Hacker'.

[ Orlando Greenwood, Lancashire artist. ] Two Autograph Letters Signed (both 'Greenwood') to J. Cuming Walters, describing his background (having been born 'between Pendle and Boulsworth'), reminiscing on his childhood, and commenting on dialect.

Author: 
Orlando Greenwood (1892-1989), Lancashire artist and creator of London Underground posters [ J. Cuming Walters [ John Cuming Walters ] (1863-1933), editor of the Manchester City News ]
Publication details: 
Both on letterhead of 9 Hillmarton Road, Camden Road, N.7. 8 December 1929 and 31 October 1930.
£200.00

Both items in fair condition, on lightly aged and worn paper. ONE: 8 December 1929. 4pp., 12mo. Bifolium. He begins by stating that he has read Walters' 'Charm of Lancashire' with great enjoyment, and considers it one 'of which every Lancashire family and lover of the county should possess a copy'. He continues: 'I myself was born between Pendle and Boulsworth. My Father's stock farmed around Trawden and the Boulsworth side, and my mother's around Blacko and the Pendle slopes, so your section devoted to this locality has an especial attraction for me.

[ Sir Claude Phillips, art critic and first Keeper of the Wallace Collection. ] Autograph Letter Signed ('C. P.') to 'Dearest Dick' [ i.e. the art critic R. A. Streatfeild ], regarding the obituaries of 'H. H.' and Elgar's 'wonderful' new 'things'.

Author: 
Sir Claude Phillips (1846-1924), art historian and critic for the Daily Telegraph and Manchester Guardian, first keeper of the Wallace Collection, 1900-1911 [ Richard Alexander Streatfeild ]
Publication details: 
On letterhead of 40 Ashburn Place, S.W. [ London ] 4 May 1916.
£40.00

2pp., 4to. In fair condition, on aged, worn and creased paper. Written in a hurried, difficult hand. He begins by saying he was 'just thinking' of him, 'and wondering!' He then invites him to dine the following Sunday in the 'usual way'. He continues: 'No, I didn't write about H. H. . There was a <?> ordinary notices in the D[aily]. T[elegraph]., but by whom written I can't say. I didn't really know enough about him.' He is 'going with Mr. Crawshay to the Elgar performance: it appears the new things are wonderful.?>

[ Lord Hobhouse on Titian. ] Autograph Letter Signed ('Hobhouse') [ to Sir George Newnes, editor the Strand Magazine ], offering an article inspired by W. P. Frith's comments on 'Titians exquisite work' [ Sacred and Profane Love ].

Author: 
Arthur Hobhouse, 1st Baron Hobhouse [ Lord Hobhouse ] (1819-1904), judge and legal reformer [ William Powell Frith (1819-1909), artist; Sir George Newnes (1851-1910), editor of the Strand Magazine ]
Publication details: 
Charlton House, Portbury, Bristol. 8 August 1900.
£50.00

4pp., 12mo. Bifolium on grey paper. In good condition, lightly aged. Although unnamed, the recipient Sir George Newnes, editor of the Strand Magazine, which in August 1900 had published William Powell Frith's comments on Titian's 'Sacred and Profane Love' in its 'World's Greatest Paintings' series. Hobhouse begins: 'Sir, | My eye has been caught by the interesting and finely illustrated article in your August number on Paintings. With regard to the popular title of Titians exquisite work (p. 193) I am glad to see that Mr. Frith is as dissatisfied as I could wish.

[ William Sowerby, artist and botanist. ] Autograph Signature ('Wm. Sowerby | Secty') as Secretary, Royal Botanic Society of London, on communication to 'The Proprietors of "Scientific Roll"'.

Author: 
William Sowerby (1827-1906), Secretary, Royal Botanic Society of London, artist and botanist [ [ Alexander Ramsay, editor of the 'Scientific Roll' ]
Publication details: 
On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park, London. 24 January 1883.
£120.00

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

[ Neville Bulwer-Lytton, 3rd Earl of Lytton, British military officer, Olympian and artist. ] Autograph Letter Signed ('Neville Lytton') to Digby la Motte, describing the 'magnificent' appearance at a Bach concert of Sir Claude Phillips.

Author: 
Neville Bulwer-Lytton (1879-1951), 3rd Earl of Lytton, British military officer, Olympian (Real Tennis) and artist [ Sir Claude Phillips; Richard Alexander Streatfeild ]
Publication details: 
On letterhead of Crabbet Park, Poundhill, Crawley, Sussex. 18 March 1911.
£65.00

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

[ The New Society of Painters in Water Colours, London. ] Engraved invitation to the 'Evening View of their 14th. Annual Exhibition', made out and signed by the Society's secretary, the watercolour painter James Fahey.

Author: 
James Fahey (1804-1885), watercolour painter, Secretary (1838-1874) of the New Society of Painters in Water Colours, London
Publication details: 
[ The New Society of Painters in Water Colours, 53 Pall Mall [ London ]. For an 'Evening View' on 17 May 1848.
£80.00

Printed in black on one side of a 10 x 13 cm piece of grey-blue paper. In good condition, lightly aged, laid down on part of a leaf from an album. A tastefully-presented piece of London artistic ephemera, reading (with manuscript text in square brackets): 'THE NEW SOCIETY OF PAINTERS IN WATER COLOURS. | The Committee solicit the honor of | [The Editor of the Gentleman's Magazine and friend] Company at their Gallery 53, Pall Mall, on Wednesday the 17th. of May, to an Evening View of their 14th. Annual Exhibition. | from 8 o'Clock to 11. | 1848 | [James Fahey] Secy. | NOT TRANSERABLE'.

[ Edward Caruana Dingli; Art and the War in Malta ] Autograph Letter Signed E Carnana Dingli to Mr Tuckwell

Author: 
Edward Caruana Dingli, Maltese artist.
Publication details: 
52 South St | Valetta, 2 Dec. 1943.
£950.00

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

[ Christ's Hospital (the Bluecoat School). ] Original photographs, reports, correspondence, from the papers of C. W. Carey, regarding his work on the removal and renovation of paintings by Verrio and others, on the move from London to Horsham. ]

Author: 
Charles William Carey (1862-1943), Curator of Picture Gallery, Royal Holloway College, Egham, Surrey [ Christ's Hospital (the Bluecoat School), successively of London and Horsham, Sussex ]
Publication details: 
[ Christ's Hospital, London and Horsham. C. W. Carey, Egham. ] Between 1900 and 1926.
£2,000.00

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

[ Charlotte Nasmyth, landscape artist. ] Autograph Note Signed [ to W. G. Herdman, Secretary, Liverpool Academy ], asking for information regarding her family's paintings in an exhibition.

Author: 
Charlotte Nasmyth (1804-1884), landscape artist, one of the daughters of the Scottish artist Alexander Nasmyth (1758-1840)
Publication details: 
Richmond Terrace, Pendleton, Manchester. 1 January [ no year ].
£220.00

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

[ Frederick William Fairholt, artist and antiquary. ] Autograph Letter Signed to '<Mayland?>, suggesting an appointment to discuss an individual who 'seems very anxious to come to some arrangement'.

Author: 
Frederick William Fairholt (c.1813-1866), artist and antiquary
Publication details: 
'Wednesday'. [ No place or date. ]
£50.00

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.?>

[ Sir Charles Holroyd, Director of the National Gallery. ] Two Autograph Letters Signed (both 'Charles Holroyd') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, declining to take the chair for two lectures.

Author: 
Sir Charles Holroyd (1861-1917), artist and curator, Keeper of the Tate, 1897-1906, and Director of the National Gallery, 1906-1916 [Sir Henry Trueman Wood, Secretary, Royal Society of Arts, London]
Publication details: 
First letter on letterhead of Sturdie House, Beechwood Avenue, Weybridge. 26 January 1915. Second letter on letterhead of the National Gallery [ London ]. 1 April 1915.
£45.00

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

[ William Roscoe of Liverpool, historian, art collector and abolitionist. ] Autograph Letter Signed ('W: Roscoe.'), giving various instructions to an unnamed London bookseller.

Author: 
William Roscoe (1753–1831) of Liverpool, historian, patron of the arts, and leading abolitionist
Publication details: 
Liverpool. 17 September 1808.
£300.00

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,?>

[ Elizabeth, Lady Eastlake, art critic and wife of Sir Charles Eastlake, Director of the National Gallery. ] Autograph Note Signed ('Eliz: Eastlake')

Author: 
Elizabeth, Lady Eastlake [ nee Rigby ] (1809-1893), art critic and art historian, the first woman to write regularly for the Quarterly Review, wife of Sir Charles Eastlake, Director, National Galery
Publication details: 
7 Fitzroy Square [ London ]. 11 June 1836.
£35.00

1p., 12mo. In fair condition, lightly aged, with small glue stain and thin strip of stub adhering to one edge. Reads: 'Dear Lady Stanhope | If you & Lord Stanhope could honor us with your company on Thursday evng the 19th. Sir Chas. & Dr. Waagen & I wd. be much gratified | Believe me yr's truly | Eliz: Eastlake'. 'Dr. Waagen' is the German art historian Gustav Friedrich Waagen (1794-1868).

[ William Gilpin, art critic and educationalist. ] Autograph Letter Signed ('W. Gilpin') to his son William Gilpin the younger, Headmaster of Cheam School, with reference to Thomas Gisborne and William Farish.

Author: 
William Gilpin (1724-1804), writer on art and headmaster of Cheam School, Surrey [ Thomas Gisborne (1758-1846), religious writer; William Farish (1759-1837), chemist ]
Publication details: 
No place. 22 May 1795.
£600.00

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

[ With presentation inscription from the subject of the book. ] Frank Lascelles "Our Modern Orpheus"

Author: 
Right Honourable the Earl of Darnley, ed. [ Frank Lascelles [ Frank William Thomas Charles Christian Culpeper Lascelles ] (1875-1934), pageant master and artist ]
Publication details: 
Printed by John Johnson at the Oxford University Press, 1932.
£45.00

X + 256pp., 4to. Frontispiece. In blue buckram binding, gilt. A good tight copy, in lightly aged binding. Presentation inscription on front free endpaper: 'To | Mr: Oliver Hooper, | in much appreciation and with every kind wish. | Frank Lascelles. | Sibford Gower Manor. 1926.' Tributes from a large number of individuals, ranging from the Prime Minister Ramsay MacDonald to the Poet Laureate Robert Bridges.

[ Cecil Lawson, landscape painter. ] Autograph Note Signed ('Cecil Lawson') to London art dealer C. W. Deschamps, regarding the Melbourne International Exhibition.

Author: 
Cecil Lawson [ Cecil Gordon Lawson ] (1849-1882), English landscape painter [ Charles William Deschamps (1848-1908), London art dealer ]
Publication details: 
Bolton Bridge, Skipton, Yorkshire. 21 July 1880.
£45.00

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

[ George Denholm Armour, English artist. ] Autograph Letter Signed ('G Denholm Armour'), a letter of condolemce to the widow of composer Herman Finck.

Author: 
George Denholm Armour (1864-1949), English artist associated with Phil May and Joseph Crawhall, and horse breeder [ Herman Finck [ born Hermann Van Der Vinck ] (1872-1939), composer and conductor ]
Publication details: 
On letterhead of The Old Court House, Tetminster, Dorset. 22 April 1939.
£35.00

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

[ Frederick Kill Harford, poet and hymnologist. ] Autograph Letter Signed ('Frederick K Harford') to the artist Eric Forbes-Robertson, regarding the 'Te Deum Committee'.

Author: 
Frederick K. Harford [ Frederick Kill Harford ] (1832-1906), cleric, poet and hymnologist [ Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
'On letterhead of Purcell House, Dean's Yard, Westminster. 28 August 1902.
£56.00

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

[ Edward Lucie-Smith, poet and art critic. ] Two mimeographed typescripts: one with five poems (first, 'A Tropical Childhood'; last, 'To be justified'), the other a commentary on each poem, signed at head: 'one of 24 | No 2: Edward Lucie-Smith'.

Author: 
Edward Lucie-Smith (born 1933), wrtier, poet and art critic
Publication details: 
Without place or date. [ Mid-sixties? ]
£200.00

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

[ James Faed, Scottish artist. ] Autograph Note Signed to 'G. Ashley Dodd Esqre', thanking him for a 'great favour' and 'privilege'.

Author: 
James Faed (1821-1911), Scottish artist
Publication details: 
'<GlenCoe'?> 23 July 1870.
£25.00

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

[ The John Hassall Correspondence Art School. ] Sixteen Typed 'Lessons', being personalised anonymous assessments of the work of Miss E. Elderton of Teignmouth.

Author: 
The John Hassall Correspondence Art School, London [ John Hassall (1868-1948), artist and poster designer; E. Elderton of Teignmouth ]
Publication details: 
The John Hassall Correspondence Art School [ London ]. Lessons I to XVI, 17 November 1932 to 24 May 1934.
£450.00

The 16 'lessons (I-XVI)' total 31pp., 8vo., with Lesson XIV on 1pp., and the other 15 on 2pp. In fair condition, on aged paper with slight rusting and pin holes at the corner where the sixteen have been attached. All 16 are anonymous, but each carries a set of initials at the end: the last 12 ending with 'JH/W', and of the first four two with 'JH/D', and two with 'JH/MW'.. 'JH' presumably stands for 'John Hassall', with 'D', 'MW' and 'W' the name of the writer of the response.

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

[ William Bruce Ellis Ranken, Scottish artist and aesthete. ] Autograph Letter Signed ('William B E: Ranken.'), submitting his name for election to a 'well-known & important Society'.

Author: 
William Bruce Ellis Ranken (1881-1941), Scottish artist and aesthete
Publication details: 
On letterhead of 14 Cheltenham Terrace, Kings Road, S.W. [ London ] 20 December [ 1927 ].
£65.00

2pp., 12mo. In good condition, on lightly-aged paper. Docketed 'Ackd | 12/12/27 | J F', and with Ranken's name written out in a neat contemporary hand at the foot of the second page. After apologising for the delayed response he writes that he is 'much flattered' by the recipient's suggestion that he join his 'well-known & important Society', and will have much pleasure in submitting his name for election.

[ Katharine Ada Esdaile, art historian. ] Autograph Letter Signed ('Katharine A. Esdaile') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, requesting access to James Barry's paintings in the Adelphi and explaining the nature of the work.

Author: 
Katharine Ada Esdaile [ née McDowall ] (1881-1950), art historian, wife of Arundell Esdaile (1880-1956), Secretary of the British Museum [ Sir Henry Trueman Wood, Royal Society of Arts; James Barry ]
Publication details: 
On letterhead of Keynes, Austenway, Gerrard's Cross. 22 January 1913.
£180.00

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

Syndicate content