PAINTING

[Meredith Frampton, 'the forgotten genius of British art'.] Autograph Letter Signed , thanking portraitist Maurice Codner for 'a most enjoyable evening'.

Author: 
Meredith Frampton [George Vernon Meredith Frampton], English artist, 'the forgotten genius of British art' [Maurice Frederick Codner (1888-1958), portraitist]
Publication details: 
16 May 1938. On his letterhead, 92 Carlton Hill, NW8 [London].
£30.00

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

[Martin Hardie, artist, engraver, art historian, and a Victoria & Albert Museum Keeper.] Autograph Card Signed to C. H. Whitby, regarding an engraving by the disciple of William Blake, Samuel Palmer.

Author: 
Martin Hardie (1875-1952), artist, engraver, art historian and Keeper of Painting, Engraving, Illustration, and Design at the Victoria and Albert Musem, London [Samuel Palmer; William Blake]
Publication details: 
4 June 1925; with London postmark of the same date.
£35.00

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

[Charles Robert Cockerell, architect, archaeologist and author.] Autograph Note Signed ('C. R. Cockerell') to 'Roberts' [the Scottish painter David Roberts], accepting an invitation to a 'meeting' with 'Distinguished Guests'.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author [David Roberts (1796-1864), Scottish painter]
Publication details: 
12 February 1858. No place.
£45.00

1p, 12mo. In good condition, lightly aged. Folded twice. The letter reads: 'My Dear Roberts. | I shall have great pleasure in accepting your kind invitation for Friday next, & in meeting such Distinguished Guests as you propose to gather round you. | Ever my Dear Roberts | Sincerely yours | C. R. Cockerell.' From the Roberts papers.

[Angna Enters, American dancer, painter, author.] Sketch of dance costume in pencil and watercolour, captioned 'Fleur du Mal (Proust Sequence)', signed 'Angna Enters '56'. In envelope addressed by her to theatre historian W. J. MacQueen-Pope.

Author: 
Angna Enters [Anita Enters] (1907-1989), American painter, writer, dancer and mime, partner of Michio Ito, wife of Louis Kalonyme [Louis Kantor] [W. J. MacQueen-Pope, theatre historian]
Angr
Publication details: 
Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street, New York.
£200.00
Angr

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

[Alma Tadema [Sir Lawrence Alma-Tadema], artist of the 'Victorian Olympus' school.] Autograph Letter Signed ('votre dévoué | L Alma Tadema').], in French, regarding the subscription to 'votre estimable journal'.

Author: 
Alma Tadema [Sir Lawrence Alma-Tadema, born Lourens Alma Tadema] (1836-1912), English-based Dutch artist of the 'Victorian Olympus' school
Publication details: 
27 December 1882. On letterhead of Townshend House, North Gate, Regents Park, N.W. [London]
£45.00

2pp, 18mo. Bifolium. In good condition, lightly aged. Addressed to 'Monsieur', with no other indication of the identity of the recipient. He has always had pleasure in reading his 'estimable journal', but as it has not always been properly addressed it has arrived 'que très rarement'. He is sending 'la petite somme', 'pour quatre année d'abonnement', although 'c'est si difficile à transmettre'.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Lucy Kemp-Welch, painter noted for her depiction of military horses in the Great War.] Autograph Letter Signed ('Lucy Kemp-Welch'), accepting an invitation from 'Cousin Florence'.

Author: 
Lucy Kemp-Welch (1869-1958), painter noted for her depiction of horses, especially during the First World War
Publication details: 
24 December 1902. On letterhead of Kingsley, Bushey, Hertfordshire.
£50.00

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Sir William Rothenstein, artist.] Autograph Card Signed ('W. Rothenstein') to Rachel Kay-Shuttleworth, announcing that 'with some regret' he will be changing his name to 'W. Rutherston'.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Rachel Kay-Shuttleworth (1886-1967)]
Publication details: 
'Sunday' [no date, but circa 1914]; card with letterhead of the Civic Arts Association, 28 Prince's Garden, London, S.W.
£180.00

Twelve closely-written lines, on 8.5 x 11.5 cm card addressed by Rothenstein to 'The Hon. R Key-Shuttleworth | 28 Princes Garden | SW'., this being the same address as on the letterhead. In good condition, lightly aged. He begins by discussing 'Mr Booth' and his offer concerning 'the second prize', before expressing a hope that she is 'not overtiring' herself.

[Sigismund Goetze, English artist.] Autograph Letter Signed to 'Mrs. Poole', regarding a portrait of King Charles II, as prince and in Oxford robes, in his Grove House collection.

Author: 
Sigismund Goetze [Sigismund Christian Hubert Goetze] (1866-1939), English artist and art patron at Grove House, who painted the Foreign Office 'Empire Murals'
Publication details: 
20 October 1932; on letterhead of Grove House, Park Road, Regent's Park, N.W.8 [London].
£80.00

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

[Jean-François Raffaëlli, French realist painter associated with the Impressionists.] Autograph Letter Signed ('J. F. Raffaëlli'), proposing a meeting with the recipient's friends, and thanking her for her defence of his work to the 'gens raffinés'.

Author: 
Jean-François Raffaëlli (1850-1924), French realist painter, sculptor, and printmaker who exhibited with the Impressionists, admired by Huysmans and Degas
Publication details: 
'Dimanche'. 19 rue de la Bibliothèque, Asnières.
£90.00

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

[Eric Forbes-Robertson, painter, brother of actors Sir Johnston Forbes-Robertson and Norman Forbes.] Fourteen items from his personal papers: including army commission and military notice and photographs, and birth, death and marriage certificates.

Author: 
Eric Forbes-Robertson (1865–1935), painter who studied in Paris with Bonnard and Vuillard, and knew Gaugin, brother of the actors Sir Johnston Forbes-Robertson and Norman Forbes
Publication details: 
Between 1887 and 1935. London, Jersey and other locations.
£220.00

Fourteen items from the personal papers of Eric Forbes-Robertson, relating to his birth, marriage, death and military career. The collection in good overall condition, lightly aged and worn. In orange card folder. ONE: Copy of EFR's birth certificate ('Sixteen June 1865 | Montfort House'). Islington, 6 July 1865 (copy of 21 December 1893). TWO: Copy of EFR's baptismal certificate. Islington, 9 August 1865. THREE: Printed 'Notice. | To be given to a MAN at the time of his offering to join the Army.' Completed and signed by EFR, 1 March 1887. 2pp, folio.

[Robert Gibb, Scottish painter.] Autograph Letter Signed ('Robert Gibb') to the publisher of 'Black and White Budget', W. J. P. Monckton, re. 'the incident depicted in "Saving the Colours" ["Saving the Colours: The Guards at the Battle of Inkerman"]

Author: 
Robert Gibb (1845-1932), Scottish painter; Keeper of the National Gallery of Scotland and Painter and Limner to the King [W. J. P. Monckton, publisher of the London magazine 'Black & White Budget']
Publication details: 
8 May 1901. On letterhead of 2 Bruntsfield Crescent, Edinburgh.
£45.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gibb hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street.

[Anne-Louis Girodet-Trioson, French artist; Girodet] Autograph Letter Signed ('Girodet'), inviting 'Monsieur Gros peintre d'histoire', i.e. Antoine-Jean Gros, to 'un diner aux Truffes'.

Author: 
Anne-Louis Girodet-Trioson [Anne-Louis Girodet de Roussy-Trioson] (1767-1824), French painter, pupil of Jacques-Louis David [Antoine-Jean Gros (1771-1835), French artist, from 1824 styled Baron Gros]
Publication details: 
[Paris.] Undated, but apparently from the time of the French Republican Calendar, between 1793 to 1805.
£220.00

1p, 12mo. Bifolium. In fair condition, lightly aged and worn. From the celebrated manuscript collection of Richard Monckton Milnes (Baron Houghton). Addressed by Girodet on reverse 'préssée | A Monsieur | Monsieur Gros peintre d'histoire rue des champs Elissés la 1ere or 2e porte cochere a droite'.

[Margaret Gillies, Anglo-Scottish painter.] Autograph Letter Signed ('Margaret Gillies') to a son [W. W. Linton] of wood engraver William James Linton, regarding the father's move to America, 'Mr. Horne', 'Mrs. Lewes', and Crockham.

Author: 
Margaret Gillies (1803-1887), Anglo-Scottish portrait painter and watercolourist whose sitters included Wordsworth and Dickens [William James Linton (1812-1897), Anglo-American wood engraver and radic
Publication details: 
10 September 1872. Crockham [i.e. The Warren, Crockham Hill, Kent].
£90.00

The recipient of the letter is William Wade Linton (c.1839-1892), son of the wood engraver William James Linton, who in 1867 had separated from his wife the novelist Eliza Lynn Linton (1822-1898), and emigrated to America with three of his children by his first wife's sister, settling at Appledore, Hamden, Connecticut, where he set up a printing-press. 3pp, 16mo. Bifolium. In good condition. The letter begins: 'Dear Mr Linton | My having been very poorly and also having been away from home & full of many absorbing matters must plead my only excuse for having left your note so long unanswered.

[Sir Robert Witt, art historian and co-founder of the Courtauld Institute.] Autograph Letter Signed ('Robert C. Witt') regarding the approach to be taken 'for the purchase of the Velasquez', i.e. the Rokeby Venus, now in the National Gallery.

Author: 
Sir Robert Witt [Sir Robert Clermont Witt] (1872-1952), art historian, co-founder of the Courtauld Institute of Art, London [Diego Velasquez; Rokeby Venus; National Gallery]
Publication details: 
19 November 1905. 27 Connaught Square, Hyde Park, [London] W. On letterhead of the Union Society, Oxford.
£250.00

For information on the campaign to save the Rokeby Venus for the nation, see Charles Saumarez Smith, 'The Battle for Venus', Spectator, 10 November 2003. 4pp, 16mo. Bifolium. In good condition, lightly aged. With one fold.

[Ralph Peacock, portrait painter and illustrator.] Autograph Letter Signed ('Ralph Peacock.') to 'Mrs. Williams'

Author: 
Ralph Peacock (1868-1946), portrait painter and illustrator, associated with G. A. Henty and boys' books
Publication details: 
23 January 1908. On letterhead of 1A Holland Park Road, Kensington, [London] W.
£45.00

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

[Edmond Brock, painter.] Five Autograph Letters Signed (four signed 'Edmond Brock' and one 'E. Brock') to Colonel F. H. L. Oldham, regarding a commission to paint his wife Christabel Josephine Oldham.

Author: 
Edmond Brock [Charles Edmond Brock] (1882-1952), painter [Colonel Frederick Hugh Langston Oldham Overley Hall, Shropshire]
Publication details: 
Four from 1920, the other undated but from the same period. Four from 2 St John's Wood Studios, Queens Terrace, [London] N.W.8., three of them on letterheads; the other from Merrieweathers House, Mayfield, Sussex.
£250.00

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo).

[Edmund Thomas Parris, Victorian history and panorama painter.] Autograph Letter Signed ('E. T.. Parris'), informing 'J: [Duffane?] Esqre', that he is sending an account of his 'apparatus' for restoring Thornhill's paintings in St Paul's Cathedral.

Author: 
Edmund Thomas Parris (1793-1873), history and panorama painter, History Painter to Queen Adelaide [St Paul's Cathedral; Thornhill; Samuel Carter Hall (S. C. Hall), editor of Art Journal]
Publication details: 
12 April 1853. 5 Aubrey Villas, Notting Hill [London].
£280.00

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fredc Yates') to Mrs Oldham, describing in moving terms the funeral of Anne Oldham.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist active in America before returning to England and settling in the Lake District [Anne Oldham]
Publication details: 
17 May 1895, on letterhead of 3a Portman Mansions, W. [London]
£180.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[Frederic Yates, English artist active in America.] Autograph Letter Signed ('Fred Yates') to Mrs Oldham, describing his examination of the wreck of HMS Foudroyant, for a painting she has commissioned. With sketches of the ship in ink and pencil.

Author: 
Frederic Yates [born Frederic Keeping] (1854-1919), English artist who found fame in America before settling in the Lake District [Oldham family; HMS Foudroyant; Royal Navy; Plymouth; Devonport]
Publication details: 
Letter: 'Sunday noon' [no date]. On letterhead of the Royal Hotel, Devonport. Pencil sketches without date or place.
£450.00

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

[ Franklin White, Australian artist. ] 24 items from his papers, including drafts and copies of his letters to the feminist Thelma Cazalet-Keir and the artist Harold Copping, and an ALS to him from Louis McCubbin, National Gallery of South Australia.

Author: 
Franklin White (1892-1975), Australian artist, teacher at the Slade Art School, London; Harold Copping (1863-1932), artist;; Louis McCubbin (1890-1952), Director, National Gallery of South Australia ]
Publication details: 
Several of White's letters on letterheads of The Reedbeds, Shoreham, Nr. Sevenoaks, Kent. Between 1921 and 1968.
£950.00

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

[Henry Perlee Parker of Newcastle-upon-Tyne, artist.] Autograph Letter Signed ('H. P. Parker') to 'Mr Johnson' [E. A. Johnson], regarding his departure for Newcastle, the artist J. C. Zeitter, Emmerson, the Newcastle Exhibition.

Author: 
Henry Perlee Parker (1785-1873) of Newcastle-upon-Tyne, genre and portrait painter [E. A. Johnson of the Zoological Gardens, Regents Park, entomologist; John [Johann Christian] Zeitter (1798-1862)]
Publication details: 
'Sunday Evening | June 2nd –' [1833]. 27 Newcastle Street, Strand [London].
£120.00

3pp, 4to. Bifolium, addressed, with postmarks, on reverse of second leaf, 'to | Mr Johnson | Zoological Gardens | Regents Park | or Wellington Cottage | Wellington Place | Camden Town'. In good condition, lightly aged, with paper repairs last leaf. Folded several times.

[William Buckler, painter and entomologist.] Autograph Letter Signed ('William Buckler') informing 'Miss C. Fox' that the girl model he intended for her has not arrived.

Author: 
William Buckler (1814-1884), painter and entomologist
Publication details: 
'Wednesday afternoon' [no place or date].
£56.00

1p, 12mo. Bifolium, addressed on reverse of second leaf to 'Miss C. Fox'. In fair condition, on aged paper. Folded twice. From the context it would seem that Buckler was acting as the recipient's painting master. Begins: 'Madam | The little Girl which I intended as a Model for you this afternoon has not arrived (on account of the weather no doubt).' As a consequence he asks her to 'excuse my attendance today'. He will 'call and fix another day as soon as I have seen her'.

[Sir John Charles Robinson, as Hon. Sec. of the Fine Arts Club, London.] Letter, in a secretarial hand, signed by Robinson ('J C Robinson'), informing Rev. James Beck that he has been elected a member.

Author: 
Sir John Charles Robinson [J. C. Robinson] (1824-1913), painter, etcher, art collector, curator at the Victoria and Albert Museum, first President of the Burlington Fine Arts Club, London [James Beck]
Publication details: 
Fine Arts Club, 13 Foulis Terrace, Brompton, S.W. [London] 23 February 1863.
£35.00

2pp, folio. In good condition, lightly aged. Folded twice.

[Josiah Wood Whymper, Suffolk artist and wood-engraver.] Autograph Letter Signed ('J. W. Whimper'), giving detailed instructions to a book illustrator, with reference to Sir John Gilbert and 'Hardings book'.

Author: 
J. W. Whymper [Josiah Wood Whymper, also Whimper] (1813-1903), Suffolk artist, wood-engraver, book illustrator and watercolourist in natural history and landscape [Sir John Gilbert (1817-1897), artist
Publication details: 
'Saty Evng.' [No date or place.]
£80.00

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

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