PERCY

See his entry in the Oxford DNB. A 10 x 3 cm slip of paper, cut from the end of a letter in response to a request for an autograph. In good condition, lightly aged. Reads: ‘Yours Sincerely / Percy Scott’. Beneath this, in contemporary hand, in pencil: ‘Admiral Sir Percy Scott (Terrible)’.

These five items are part of a collection of correspondence (the rest is offered separately) relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney, which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. (The Shelley portrait is reproduced in ‘The Magazine of Art’, 1901, with the caption ‘Reputed portrait of Shelley as a boy, by Romney. In the Shakespeare memorial, Stratford-on-Avon.’, in an article on ‘Portraits of Shelley at the National Portrait Gallery’, p.

See his entry in the Oxford DNB. On one side of a 12 x 7.5 cm post card. On brittle, discoloured card, with chipping to corners and some repair with archival tape. Self-printed with stamp, addressed, with postmark, to 'Percy Fitzgerald, Esq. / 37 St. George's Road / SW.' On other side, with letterhead in fancy type, regarding Fitzgerald's book 'London City Suburbs', which he has just published, reads: 'See todays & last Saturdays Daily Telegraph new no. (June) of Art Journal for notices L. C. Suburbs. Stamped at bottom right: 'The Leadenhall Press, Ltd:' See Image.

Wyndham’s entry in the Oxford DNB states that the family estate was ‘some 4000 acres in Wiltshire’. Milford (1829-1913) was his rector at East Knoyle, and the letters inform him about arrangements for the funeral of Wyndham’s father Percy Scawen Wyndham (1835-1911). Both items in good condition, lightly aged, and folded for postage. Each addressed to ‘My dear Canon Milford’ and signed ‘George Wyndham.’ ONE: 14 March 1911. 3pp, 12mo. Bifolium. Begins: ‘I have found a written permission from my Father to have the Funeral - committal to the erth - where I think best.

A nice piece of Ealing ephemera, and scarce: no other copy traced, either on WorldCat or JISC. 48pp, 12mo. Stapled into grey wraps, with heavily-inked cover illustration by Joan Murrell, depicting six figures from various nations (Japanese geisha in the middle), beneath bunting of five flags with Union Flag in centre, and with 'BAZAAR OF NATIONS' at head. Title page reads: ?Book of the Bazaar / held at the / Ealing Town Hall, / Tuesday, Wednesday, Thursday, / June 8th, 9th, 10th / 1920.

Pp.[xxxiv].280, dj sl. worn edges, end of front endpaper with fold marks, book in very good condition. Illustrated throughout and with the fine double-page title printed in red and white (by Reynolds Stone). Note: Barbara Kaye (Muir), Percy Muir's widow, purchased this copy at auction (Bloomsbury) and sold it to me after exhibiting it at the Cafe Royal in 1996. She added a pencil note to the front endpaper: Presentation copy from co-editor [John Carter] to John Rayner. With cutting of review of book by Head Master of Eton Dr Robert Birley.

A scarce item, no other copy discovered on ViaLibri, WorldCat or JISC LHD. 4pp, 12mo. Paginated bifolium in small print. Aged and worn, with short closed tear in gutter. Folded twice.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). Merriman was accorded the honour of an episode of the BBC’s Desert Island Discs in 1964. 2pp, 12mo. Signed ‘Percy’ and addressed to ‘Dear Popie’. In good condition, lightly aged, with one dog-eared corner and folded twice for postage. Begins: ‘Am not of course seeking any publicity over your book on St. James Theatre [published in 1958] only wish I could help more. / You know of course Allan Ainsworth [sic, for ‘Aynesworth’] is alive the doyen of the Garrick Club! He played often with G[eorge]. A[lexander]. - in Pinero & Wilde.

From the Macqueen-Pope papers. (See MP's entry in the Oxford DNB.) Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. Both items in good condition, lightly aged, each with light rust staining at one corner from paper clip. LETTER: 1p, 4to. Signed ‘Percy Nash’.

Good condition. [1968] About an appointment. [obscured date] Well, yes, I suppose some of the fun & games of those days ought to be recorded before we're all dead. I must think about it. Percy Muir covered some of the ground in his Minding my own Business [title underlined], 1956, ch.8 [= Sherry and Shibboleths], but he got a good many things wrong. He discusses the place where Ritchie lives, saying the aounts who also live there were worth knowing.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

2pp, 4to. 34 lines of closely-written text. In good condition, lightly aged. Folded twice. Addressed to ‘Mr. Poole’. After expressing a hope that they will be meeting Poole now that they are both on the council of the Royal Historical Society, he explains that he is writing in relation to his redrafting of ‘the early part of Percy for the Complete Peerage’, noting that ‘the present draft is certainly alarming’. He is taking it ‘down to 1245’ and finds it ‘full of snags’. He has ‘just finished a draft of Jocelin, Agnes de Percy’s husband’, and L. C.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

2pp, 12mo. On bifolium. Twenty lines of text. In fair condition, aged and worn, with chipping and short closed tears to extremities. Folded twice. Addressed on reverse of second leaf to 'Joseph Blunt Esqre.' Signature underlined with a flourish.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by thanking him for his 'kindness in the matter of the plate at New'. He called there that morning and has 'sent on Dr Russells letter of introduction', and has 'written to Dr Moyle', explaining his object, and he hopes he will give him permission to have the [?] photod. wh: I consider about the finest piece of dated H English Plate in existence -'.

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

One page, 16mo (9 x 11.5cm), trimmed, staining (recto and verso, from being laid down in an album presumably) but text clear and complete: "Sir Percy Shelley would be obliged to Messrs Sewell & Co. to send home the articles he purchased today - before two o'clock tomorrow, as Sit Percy is going into the country and wishes to take the parcel with him." Note: a. Sewell & Co. were perhaps the silk mercers and drapers of Compton St., London; b. Image on website.

1p, 12mo. In fair condition, lightly aged, with three punch holes to margin, and endorsement of number in a circle. The letter begins: 'My dear Percy | Your catalogues – especially the literary parts of them – are my favourite reading. You find such unusual books, and describe them with such care and skill.' He asks him to send him, 'to Soho Square', the two Rothenstein items nos 260 and 260 a'. He explains that while he longs 'for some of the Blunts', his daughter is getting married that June, and he is 'saving up for that'.

Other than 'The Lavender Hill Mob', for which he won an Oscar, Clarke's screenplays include 'The Blue Lamp' and 'The Titchfield Thunderbolt'. For the recipient Barbara Kaye [Barbara Kenrick Gowing] (1908-1998), writer, bookseller and wife of Percy Muir, see her obituary by Nicolas Barker in the Independent, 12 March 1998. The present letter was written a few days after Clarke's appearance on 31 October on the television programme 'This Is Your Life'. 2pp, 12mo. In fair condition, aged and worn. Folded once. The letter begins: 'Dear Barbara, | Many thanks for your kind letter.

See Harling's entry in the Oxford DNB. 2pp, 4to. In fair condition, lightly aged and worn. Folded twice. The salutation ('My dear Percy'), valediction ('Luv Robert'), and one additional word in autograph; the rest typed. He begins by thanking Muir for a copy of 'PHM 80', the volume celebrating Muir's eightieth birthday.

2pp, 12mo. In fair condition, on aged and worn paper. Folded once.

1p, 8vo. Text clear and complete, on heavily chipped and worn thin paper, with loss to extremities. An unusual and revealing letter, in which Rothenstein gives his own jokey suggestion of how Horder should approach a biographical entry he has been asked to write, begins: 'My dear Horder – of course you will do it! “Mr W. R.

1p., 12mo. In good condition, lightly aged, wtih light paperclip damage at one corner. The recipient is not named, but the item is from the Wyllie papers. Reads: 'I have been in Herefordshire working for Captain Clive the Conservative candidate - I daresay you may have seen we got him in. | Yours very truly | Day H. Bosanquet'. Percy Archer Clive (1873-1918) was member of parliament for Ross, Herefordshire, 1900-1906 and 1908-1918.

1p., 12mo. In good condition, lightly aged. The brothers ask Gregory to 'please accept this special copy of RIDERS ACROSS THE BORDER, with our warmest regards, and with every good wish for Christmas and the New Year.' Gregory had published his book with the firm earlier in the year.

2pp., foolscap 8vo. On watermarked laid paper, and plainly intended as an index to a volume of bound tracts. Aged and worn, with chipped edges, and a small part of the bottom outer corner of the leaf torn away, resulting in the loss of two numbers from the pagination. The document is headed 'The Contents of the 2. Volume', and is closely written in a clerk's hand. Both pages divided into two columns.

2pp., 12mo. In good condition, lightly aged. Craft and his wife have 'just heard with surprise of the great loss' Forbes has 'so suddenly sustained', and send their 'sincere sympathy for you in so sudden a bereavement'. They extend their condolences to Forbes's mother, and Craft explains that his wife has not written to her personally, as she did not wish 'to add to the burden that unfortunately she is now compelled to bear'. From the Forbes papers, from which other Newlyn items are offered separately.