POPULAR

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

The inscription reads ‘Best Wishes / [flourish] / Erma Franklin’, and is written on a piece of thick paper cut from an envelope, and shaped into an oval roughly 9.5 x 5 cm. In fair condition, lightly aged, with two vertical folds, one through the centre of the oval. See Image.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.

An excellent letter to enthusiastic autograph collector Eileen Margaret Cond (1911-1984). It shows Cond’s ability to draw a more than perfunctory response from her targets. 1p, 8vo. In fair condition, lightly aged and folded for postage. Signed ‘Francis Vivian’. He is ‘very grateful’ for her ‘appeciation of my book, The Three Short Men. I have to confess that I thoroughly enjoyed writing it, even though both Pam and Hathersage at times refused to obey my orders, and went their own sweet way.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

Jane Aiken Hodge was author of many works, mainly romantic fiction. Her most popular book was a study of Georgette Heyer, and she was also responsible for a biography of Jane Austen. 1p, landscape 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed in type ‘Jane Hodge’, with the following in type: ‘Mrs. Alan Hodge’.

1p, 12mo. In good condition, lightly aged. Folded twice. Thirty-one lines of text. Addressed to ‘Dear Miss Cond’ (the autograph collector Eileeen Cond) and signed ‘Jo. Delves-Broughton’. It is ‘splendid’ of Cond to get ‘the thriller’ (presumably her book ‘A Sojurn in England’, Faber & Faber, 1956, but possibly one of the two books she published with the firm in 1957): ‘I hope you enjoy it! I don’t know if you take the “Observer” but it had a splendid review in Maurice Richardson’s “Crime Ration”.

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

On 15 x 11 cm card, with vertical central fold making it into a bifolium with front and back covers, and central text across the opening. In fair condition, a little aged. Perforated outer corner removed from bottom of second leaf, no doubt as proof of use; with slight creasing to first leaf at same point. Printed at the head of the back cover is the word ‘AUTOGRAPHS’, and here in blue ink is the signature ‘Victor Silvester’. There are no other autographs. The front cover is headed ‘T. F. Firth and Sons Ltd.

A nice piece of ephemera, associated with a landmark concert in the history of British popular music. 1p, 8vo. Twenty-three-line typed circular, with perforated order slip for tickets at end. In fair condition, lightly aged. Signed ‘Donegall’ and with autograph address to ‘Dear Mac Queen Pope’ (i.e. the theatre historian W. P. MacQueen Pope). The circular begins: ‘I am writing to you because H. R. H.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

[24]pp, 12mo. Stapled programme, in shiny covers. Strip torn away from back cover, and with staples slightly rusted, otherwise in fair condition. Large signature 'Ivor Novello' diagonally across title on front cover: 'Richard D. Rose | presents | Ivor Novello | in | I Lived With You | A comedy in three acts | by | Ivor Novello'. An illustrated 'magazine' programme, containing articles and advertisements. No copy on OCLC WorldCat. From the papers of Novello's friend and biographer, the theatre historian W. J.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

4pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. With envelope addressed 'To | John Arrow Kempe Esqre. | St James's Rectory | Piccadilly | W'.A long letter, with the words 'To be carefully kept' at the head of the first page. The letter begins with a light-hearted reference to her novel 'De Foix': 'My dear Godson/ | Accept the enclosed trifle - It may help you to make an excursion to the Casle of De Foix - and (vanity of authorship!) to tell me what it is like -'. After this she turns to the real theme, her will.

1p, 4to. In fair condition, creased and lightly aged. Folded twice. Letterhead printed in red, with illustration of quill pen, inkstand and lighted candle. Written in purple ink. The recipient is not named and the letter begins: 'My dear, | I am horrified to find I have made some awful mistake in my diary & am at the Foyle lunch on Wednesday to stand in for someone else who may not turn up, so I can't break with it. I could cry, for I feel that I have let you down & so wanted to see you to hear how you really are'. She is 'worried to death' about the recipient's sight.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. Her letter has been forwarded to him and he has 'much pleasure in sending you my autograph. In order to make it a little more personal, I am sending it on one of my own private book-plates.'

1p, 4to. In fair condition, lightly aged and creased. Folded three times. After thanking Wynn for his letter he continues: 'It is a curious coincidence that in looking through a file of old correspondence yesterday I came across your letter of the 20th November 1915, which I read again with great pleasure'. Postscript: 'With good wishes to you & yours. J F.'

Weyman is largely forgotten now, but he was admired by Robert Louis Stevenson and Oscar Wilde, and Graham Greene singled him out for regular re-reading among the authors of 'the key books in my life'. 1p, 4to. In fair condition, lightly aged, with pin holes to one corner. Folded twice. He is 'relieved' that Balfour thinks 'it will do. Yes, if you will kindly send it me I will look it over again & get it typed.' He has 'not seen the Church for some years', and will be grateful if Balfour will note any inaccuracy. He supposes that if the work is received within a fortnight 'it will do'.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

The full title reads: 'Can Hiraethlon | David Davies (Dai'r Cantwr,) | Pan yn Garcharor yng Nghaerfyrddin, am y Terfysg yn amser Becca. | Cenir ar y dôn “Roslin Castle.'” The title may be translated as 'A nostalgic song, written when a prisoner in Carmarthen, for the riot in Becca's time. | Sung to the tune of 'Roslin Castle'. 4pp, 12mo (15.5 x 9 cm). Paginated [1]-4. Disbound. A frail survival: aged and worn, with damp-stain along one edge. Beneath the title is a small vignette of a sailing ship, and at the end of the final page is another of a crown. Poem in four sixteen-line stanzas.

4pp, 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Disbound. A frail survival, aged and worn. The first leaf (pp.1-2) carries the poem 'Cerdd y Tobacco' ('The Tobacco Poem'), in five eight-line stanzas, with the title followed by a half-page stock woodcut (evidently from a tobacconist's advertisement) of an oriental figure seated on crates on the dockside, with sailing ship in the background. At the foot is engraved: 'FINE TEAS AND TOBACCO'. The second leaf (pp.3-4) carries the poem 'Can y Bachgen Main' ('Song of the Slender Boy'), in six eight-line stanzas.

The title is 'Hanes alarus am 26 o golliers a gollasant eu bywydau yn pwll glo Bedwellty, gerllaw Tredegar, Dydd Gwener, Mehefin 16, 1865.' This may be translated as 'The woeful tale of 26 colliers who lost their lives in the Bedwellty coal mine, near Tredegar, Friday, 16 June 1865. 4pp 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Printer's slug at foot of last page. Disbound. A frail survival: aged and worn.

Two Welsh street ballads, indicative of the desire for emigration during a period of hardship. Both 4pp, 16mo (15 x 9 cm). Both bifoliums, and both paginated [1]-4. Frail survivals, heavily aged and worn. ONE: 'Morgan Bach a'i fam yn ymddiddan ynghylch myned i Australia'. Vignette of a sailing ship beneath the title, which translates as 'Young Morgan and his mother talking about going to Australia'. Poem of eleven eight-line stanzas, in the form of a dialogue between the 'Y FAM' and 'MORGAN'. Signed in type at end: 'ISAAC THOMAS.

2pp, 12mo. In fair condition, on aged and worn paper. Folded once.

The background to this letter is explained in Simpson's entry in the Oxford DNB which states that he 'took a deep interest in the movement for better elementary education. He was one of the founders of the Edinburgh modern infant school, in which he attempted to solve the problem of religious education by allowing parents to select religious instructors themselves. Failing to receive adequate support, however, the school was ultimately sold to the kirk session of New Greyfriars. Simpson continued devoted to the cause of non-sectarian education, and lectured on the subject throughout Britain.