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An interesting piece of Irish demotic verse, an unpublished work by an unknown hand. A rough-hewn but highly-effective piece of writing, in which the author?s voice can be clearly heard (he rhymes ?forget? with ?death?, writes ?trashed? for ?thrashed? and ?fronth? for ?fronth?, and speaks of ?baynots?). The poem clearly conveys the author?s bloodthirsty relish for battle against the ?Yankees?, as he urges his countrymen on with cries of ?Faugh a ballagh? and ?Erin go bragh?. The viewpoint he presents sounds odd to modern ears: he is both one of the ?Brave sons of Saint Patrick?

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See Wheatley's entry in the Oxford DNB. In good condition, lightly aged. The aquatint bookplate, in black and white, is 10.5 x 14.5 cm (plate dimensions 9 x 12.5 cm). It was designed by Wheatley himself, and is everything you would hope from a writer in his field. A naked Wheatley, with slicked-back 1920s hairstyle, sits at the feet of a cloven-footed devil (Wheatley’s mentor G. Eric Gordon-Tombe, and the man he is alleged to have murdered) under the Tree of Life in the Garden of Eden.

Reade was a fellow of Magdalen College, Oxford, from 1836 to his death. According to his entry in the Oxford DNB: ‘in the years of his fame, and particularly in the early 1860s, he did much of his writing in his rooms at Magdalen, using them as a retreat. His tenure of the fellowship was contingent on his remaining unmarried, a stipulation he complained of bitterly but continued to put up with, even when he was earning thousands a year as a writer’. 1p, 12mo. In fair condition, lightly discoloured, on thin wove paper. Folded once.

Of his activities around this time the Oxford DNB writes: 'he 'wrote film scripts in Hollywood in 1934–5 for classics such as David Copperfield (MGM, 1935), in which he played a bit part, and Little Lord Fauntleroy (1936)'. The subject of the letter may be his novel 'The Inquisitor', published by Macmillan in 1935. 1p, 12mo. In fair condition, lightly aged and worn. Folded once. Reads: ‘Dear Mr. Hunt / Here is a proof. The quotations are from the [?] Version. to me the only [last word underlined] version. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Reads: ‘Dear Miss Jennings / Thank you for your letter. There was however no half crown in the envelope. I searched carefully. / Yours sincerely / Hugh Walpole’.

See his entry in the Dictionary of Irish Biography. On 7 x 4 cm piece of paper. In good condition, with slight discoloration. In O’Connell’s distinctive fine-nibbed hand reads: ‘Ever yours, / most sincerely / Daniel O’Connell’. The ‘C’ of ‘O’Connell’ extends downwards, and this flourish is very slightly cropped beneath the usual a loop.

Betjeman’s daughter Candida Lycett Green, in her edition of her father’s later letters, refers to Moore as the his ‘gentle secretary’, ‘whom he always called “Dorinda,” and who lived on the other side of the street’. She also states that after his stroke in 1981, the poet could no longer sign his name, and dictated letters to Moore. 1p, foolscap 12mo. In good condition, lightly aged and creased. Folded once for postage. On his letterhead (‘Sir John Betjeman’ at top left, and address at top right) printed in brown ink on cream paper. Addressed to ‘Mr. Furness’.

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with thin strip of mount adhering to one edge. Folded for postage.

See her entry in the Oxford DNB, and Elaine Lomax’s 2016 book, ‘The Writings of Hesba Stretton: Reclaiming the Outcast’. 1p, 16mo. Cut down to 11.5 x 12 cm. In good condition, lightly aged and worn. Folded once for postage. The recipient is not named, but is clearly the secretary of the Religious Truth Society (who appear to have published the MS referred to in the letter as ‘The Sweet Story of Old’ (see Lomax). Signed ‘Hesba Stretton’. ‘Dear Sir, / I forward by this post my promised M.

A poignant letter, written during Joad's final illness (he died on 9 April 1953). Joad’s entry in the Oxford DNB ends with this assessment: ‘Cyril Joad was an outstanding educator, a tireless proponent of ‘progressive’ causes, and one of the best-known broadcasters of the 1940s.’ The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler, and the letter concerns his 1952 book 'The Choice of Words'. 2pp, 4to. Aged and discoloured, and cropped at the head with loss of a line of text. Folded once for postage. Date given in ink at head, presumably by Collins.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ?Best / always / Gene Pitney?.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

The inscription reads ‘Best Wishes / [flourish] / Erma Franklin’, and is written on a piece of thick paper cut from an envelope, and shaped into an oval roughly 9.5 x 5 cm. In fair condition, lightly aged, with two vertical folds, one through the centre of the oval. See Image.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.

An excellent letter to enthusiastic autograph collector Eileen Margaret Cond (1911-1984). It shows Cond’s ability to draw a more than perfunctory response from her targets. 1p, 8vo. In fair condition, lightly aged and folded for postage. Signed ‘Francis Vivian’. He is ‘very grateful’ for her ‘appeciation of my book, The Three Short Men. I have to confess that I thoroughly enjoyed writing it, even though both Pam and Hathersage at times refused to obey my orders, and went their own sweet way.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

Jane Aiken Hodge was author of many works, mainly romantic fiction. Her most popular book was a study of Georgette Heyer, and she was also responsible for a biography of Jane Austen. 1p, landscape 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed in type ‘Jane Hodge’, with the following in type: ‘Mrs. Alan Hodge’.

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

On 15 x 11 cm card, with vertical central fold making it into a bifolium with front and back covers, and central text across the opening. In fair condition, a little aged. Perforated outer corner removed from bottom of second leaf, no doubt as proof of use; with slight creasing to first leaf at same point. Printed at the head of the back cover is the word ‘AUTOGRAPHS’, and here in blue ink is the signature ‘Victor Silvester’. There are no other autographs. The front cover is headed ‘T. F. Firth and Sons Ltd.

A nice piece of ephemera, associated with a landmark concert in the history of British popular music. 1p, 8vo. Twenty-three-line typed circular, with perforated order slip for tickets at end. In fair condition, lightly aged. Signed ‘Donegall’ and with autograph address to ‘Dear Mac Queen Pope’ (i.e. the theatre historian W. P. MacQueen Pope). The circular begins: ‘I am writing to you because H. R. H.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.