1960S

Despite criticism for his supposedly sexist humour, Hill’s work was admired by men from the novelist Anthony Burgess to Michael Jackson and Burt Reynolds. See his entry in the Oxford DNB. In good condition, lightly aged, with light traces of glue from mount on reverse. An 8.5 x 14 cm photographic print, carrying an 8.5 x 10.5 cm black and white head and shoulders shot of a smirking Hill, staring fixedly at the viewer in black top. Inscribed in light ink in the blank patch beneath the image: ‘To Eric / Cheers! / Benny Hill’.

See his entry in the Oxford Dictionary of Art. 1p, 16mo. On a leaf, with curved corners, extracted neatly from an address book or diary. In good condition. A n oddly attractive item. Apart from the word 'MEMO' printed at the head of the page above a thick-thin rule, the only writing on the leaf is the name 'PETER BLAKE', with his address and phone number (both withheld), written in black ink a neat and childlike hand. See Image (onitting address and phone number).

3 pp, foolscap 8vo. In good condition, lightly aged. Central horizontal fold. Each page on a separate piece of paper, with the three pieces stapled together. In small print (not typed).

1p, foolscap 8vo. In good condition, lightly aged. Folded for postage. Addressed to ‘Dear Paul Furness’ and signed ‘Roger McGough’. On the subject of Furness’s ‘fascinating pub study’, he names ‘the ones I was associated with during those poetry-reading days’: ‘O’Connors Tavern in Hardman Street (Liverpool all), The Philharmonic (corner of Hope St. & Hardman Street), The Grapes, Pilgrim Street’. In addition there were ‘clubs which we took over on quiet nights i.e. Monday at Chauffeurs Club, Hope Street’.

See Michael Coveney?s obituary in the Guardian, 10 August 2011, which states that Wood was ?one of the greatest stage actors of the past century?, and that he ?returned to the West End in 1961 as Henry Albertson in the whimsical off-Broadway musical The Fantasticks, at the Apollo?. 86pp, 4to. Each act separately paginated. Duplicated and bound with metal studs into black waxed-card wraps, with each page on the recto of a separate leaf. Title ?THE FANTASTICKS? printed on front cover, with details of the Studio Duplicating Service. In good condition, lightly aged, in lightly creased wraps.

The present item - presumably autobiographical and definitely unpublished - is in a disordered state, and certainly not in the best of condition, with some parts apparently missing; but it is certainly worthy of attention, as a well-written production over which the author has taken some pains, with numerous manuscript additions and emendations in green and black felt-tip pen, describing from the point of view of a young Englishman 1960s Anglo-Japanese culture shock. 239pp, all but two of which are 4to, the two being foolscap.

The inscription reads ‘Best Wishes / [flourish] / Erma Franklin’, and is written on a piece of thick paper cut from an envelope, and shaped into an oval roughly 9.5 x 5 cm. In fair condition, lightly aged, with two vertical folds, one through the centre of the oval. See Image.

A nice piece of anti-nuclear war ephemera. A 19 x 6.75 cm block of perforated stamps with gum on reverse. The block originally had twelve stamps, but the one at top right is lacking. Printed in blue on white with a simple design of a dove with an olive branch in its mouth, encircled by the words 'THE SOUTH AFRICAN PEACE COUNCIL.' Stapled between two 19 x 6.75 pieces of paper: the one behind the stamps blank and grey, the one before the stamps being the cover, on which is printed: ‘OUTLAW ATOMIC WEAPONS / THE SOUTH AFRICAN PEACE COUNCIL / P.O.

The Committee for Communist Unity and Vanguard were both mouthpieces of the Maoist Welsh Communist A. H. Evans, who was born in the village of Aber Clydach, near Talybont on Usk, Breconshire. He gives biographical information in his ‘English Historians and Welsh History’ (1975). The only copy of the present item traced is at the British Library, which dates it to 1964 or 1965. 8pp, small 4to. Mimeographed on two bifoliums, one loosely inserted in the other. A lo-fi production. The full title reads: ‘VIETNAM / OPPOSE “NEGOTIATIONS AT ANY PRICE!” / OPPOSE A CEASEFIRE WHILE U.S.

An interesting artefact of what was to become the Royal Exchange Theatre, Manchester. See Murray's Guardian obituary, 3 August 2018: 'Murray left Oxford in 1964 without sitting his finals but with a starry reputation.

Both items in good condition, with minor signs of age and wear. The black and white photographic print is 24.5 x 19.5 cm, and depicts a chubby Hall, in shirtsleeves and tie, leaning over a seat at the back of a darkened theatre, with a positive look of concentration on his face, as he stares at the stage, a playscript in his hand. The reverse carries two stamps by 'Tony Armstrong Jones, one of them declaring his copyright. Also on the reverse are pencil calculations of dimensions for cropping for publication.

16pp., 4to, with additional yellow cover leaf carrying title, with 'Introduction' on reverse. In good condition, on aged and worn paper, with slight damage to the fore-edge of the cover leaf. Neat ownership inscription of John H. Shaw. According to the introduction 'Bert Bensen's account of his attempts to stay in Britain - and of the determination of two successive Home Secretaries that he shall not - reads like something out of Kafka. The Sense of unreality that permeates the Bensen affair should not be allowed to hide the serious questions it raises. Why was Mr.

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

An attractive item, printed in black, blue and red on both sides of a piece of 40 x 56cm. paper, folded twice to make a 20 x 28cm. packet. In good condition, lightly-aged with a short tape stain on one edge. Four black and white photographs: two showing a smiling Reginald Maudling, with before/after captions 'At the inauguration of the City Computer Centre, the Chancellor of the Exchequer presses the button and starts the Reader/Sorter . . .' and '. . .

10 mimeographed pages, 4to (A4), small rust marks where staple used to be, (pages now detached), mainly good condition, discussing a newly founded organisation, with some church involvement, to stimulate Black participation in American society. Headings include: I. The Dark Backdrop; II. The Options; III. Project CN - Unique Approach (developing over thelast seventeen months!, including list of crisis points - Martin Luther's King's assassination, Tuskagee, support of workers groups, "Eastman Kodak encounter with FIGHT", etc); IV.