HUMOUR

Despite criticism for his supposedly sexist humour, Hill’s work was admired by men from the novelist Anthony Burgess to Michael Jackson and Burt Reynolds. See his entry in the Oxford DNB. In good condition, lightly aged, with light traces of glue from mount on reverse. An 8.5 x 14 cm photographic print, carrying an 8.5 x 10.5 cm black and white head and shoulders shot of a smirking Hill, staring fixedly at the viewer in black top. Inscribed in light ink in the blank patch beneath the image: ‘To Eric / Cheers! / Benny Hill’.

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium, the verso of the second leaf addressed, with two postmarks, to 'Mrs. William Smith / Park Street / Westminster'. In fair condition, lightly aged and worn. Annotations in pencil in a modern hand. He begins by apologising for not being able to 'come to your party on Monday', as he was 'forced to go to Bed[.] I always knock up the 2d or 3d Week of London - There is nothing in this World so fatiguing, and horrible as pleasure -'.

See his entry in the Oxford DNB. On 9 x 11 cm piece of Whatman wove paper. Somewhat worn and creased, with a small nick to one edge, and slight damage from erasure of note on reverse. Folded. Reads ‘Dear Sr / many thanks / yours truly / Sydney Smith / May 11 1844.’

See his entry in the Oxford DNB. All three items signed 'Linley Sambourne'. All three in good condition, lightly aged and worn, and all folded for postage. ONE: 10 April 1889. 2pp, 12mo. Bifolium. Begins 'Dear Sir / Mr Furniss [Harry Furniss, Punch illustrator] has kindly written enclosed & I am sending a boy to you at / 5, Clarendon Place / Hyde Park'.

See the two men’s entries in the Oxford DNB. In good condition, on the first leaf of bifolium. (There are extensive pencil annotations in a later hand on the second leaf.) Very neatly written. Addressed to ‘J. G. Wilson Esqre.’ and signed ‘Anstey Guthrie’. He has ‘much pleasure’ in answering Wilson’s question. ‘‘Shut Out’ is a short story of mine which was published in Longmans Magazine about 1895 or 6, afterwards included in a volume of short stories under the title of “The Talking Horse”. I think published by Messrs. Smith & Elder - but now long out of print.

See his entry by Ruari Maclean in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 1p, 12mo. In good condition, lightly aged. With Bentley’s distinctive stylized signature ‘Nicolas Bentley’. After thanking him for his letter he writes (apparently with reference to a newspaper article): ‘I am sorry if in using the phrase “I am afraid” I ruffled your grammatical sensibilities. I used it because I meant it.

Dodd’s entry in the Oxford DNB by Michael Billington concludes with the assessment that he was ‘the greatest theatrical comic of his age and the last link with the hallowed days of music hall’. The two items are in good condition, lightly aged. ONE: TLS, 9 October 1957. 1p, 4to. Good large signature ‘Ken Dodd’. The male recipient is not named. He apologises for the late reply to the recipient’s letter. ‘May I also thank you for the compliments paid to my performance on Television. / I am a Liverpudlian, residing in Knotty Ash Liverpool.

See his entry, and those of Sellers, Secombe and Bentine, in the Oxford DNB. On 11.5 x 10 cm leaf of light-blue paper, extracted from an album. In good condition, lightly aged, with short crease to one corner. Nothing else is written on either side of the leaf, apart from the large spidery signature 'Spike Milligan'. See Image.

See his entry in the Oxford DNB. A bold, untidy and yet stylish signature, in exactly the state one would hope to find Bairnfather moniker. It gives the impression of having been sent post-haste from the trenches, scrawled in pencil on a piece of vertically-ruled paper torn out of a notebook, ruckled and grubby, and laid down on an unruckled and clean 15.5 x 9.5 cm leaf with rounded edges, torn from an autograph album. The signature ‘Bruce / Bairnsfather’ is across the head of the landscape page, with a jagged line (intended for the flourish?) by Bairnsfather across the foot.

Plain white card, blank on reverse. In good condition, lightly aged. Reads: ‘I’m sorry I don’t have any photographs - there’s not much demand. / My second TV play (1974) was about Morecambe. Sunset Across The Bay - probably still available from the BBC / All good wishes / Alan Bennet.’

In good condition. Printed on one side of the card is one of Bennett's self-caricatures, and printed on the other, on a left hand panel, a note apologising for not writing in autograph, as answering so much mail would take away 'time which I would like to spend working'. On the right-hand panel, in actual autograph, is the following: 'Thank you for yr letter and I hope 2021 is a better year for you. I gather from Sam Barnett (ex History Boys) that the Nottingham Playhouse is keeping going. I'm getting slower but still coming to my desk every day. / All good wishes / Alan Bennett.'

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

See his entry in the Oxford DNB. The recipient is the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. 1p, 16mo. In good condition, lightly aged, with slight spotting from blotting at the head of the page, and minor traces of glue from mount at corners of the blank reverse. Folded once for postage. Addressed to ‘Dear Miss Meredith’ and signed ‘Anstey Guthrie’.

See his entry in the Oxford DNB. On rectangular slip of paper, roughly 11 x 3 cm, cut from the end of a letter. In fair condition, lightly aged, slightly spotted and laid down along one edge on thicker piece of paper. In an elegant calligraphic hand he writes: ‘Believe me / Yours truly / Geo du Maurier / Apr. 26, 83’. The ‘eo’ of the ‘Geo’ of the signature is presented as a stylish squiggle, looking a little like a ‘W’. See image.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

Full Signature, on possibly flyleaf of a book, 14.5 x 20cm, one edge rough (as removerd from book, ow good condition. See image.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. The school was in existence in various places and under various names between 1914 and 1965. Four items, in good condition, lightly aged. ONE: Autograph Speech by Knox, headed 'BROOKFIELD SCHOOL'. Dated 19 July 1951. 3pp, 12mo. On three leaves held together with brass stud, with directions to the school on reverse of last leaf. Written in capital letters. Knox begins by noting the prizes: 'Difficult to think of anything else when one sees this table loaded with gifts.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

2pp, 12mo. Bifolium. In good condition, lightly aged, with thin vertical strip of paper from mount adhering along top of first page. Begins: 'My dear Mrs Craigie | Mr Arthur à Beckett tells me that your story will soon be ready. When? I want if possible to commence with it [?] within the next fortnight. I shall have to definitely settle the matter. I hope you will let me have it very soon as I will then have it set up for you at once [last two words underlined]'.

2 x 20 cm slip of paper, cut from an autograph album (written on reverse: 'Prince & Princess Fleming of Denmark.'). In good condition, lightly aged. The two entries written neatly one above the other: 'Chico Marx 9654 [Joadene?] dr. Beverly Hills. | Sam Marx 927 N. Rexford Dr., Beverly Hills, Cal.'

The four items in good condition, lightly aged, with stubs from mounts still adhering. The first three are bifoliums, carrying seals in red wax (that to the third letter broken). The second letter is addressed to her at Grosvenor Square; the third and fourth to her at Upper Brook Street. ONE: No place or date. [London, on paper with watermark of 'J GREEN & SON | 1824'.] 1p, 12mo.

3pp., foolscap 8vo. On a bifolium of laid paper. In fair condition, aged and worn. The first poem, 'Balooning [sic]', covers both sides of the first leaf. No evidence has been discovered that this poem was ever published, but it is inspired by the exploits of 'Mr. Green' in a humorous essay titled 'Ballooning', which appeared in Charles Dickens's 'Household Words' on 25 October 1851. The choice of two phrases ('pipes & backy' and 'Mounted Meershaums') is given in the present manuscript, these variants perhaps suggesting that this item is authorial rather than a transcription.

For information on Graves see his generous obituary in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

1p., 12mo. In fair condition, lightly aged, laid down on part of a page from an album. Reads: 'Dear Teg. | Miss Elizabeth Philp has sent a batch of Songs of her own Company to the Queen. Will you kindly interest yourself to get them a notice?'

3pp., 4to. Bifolium. Folded in customary fashion, with 'Brief | for the opinion of Mr Harington' on the outside of the packet, beneath which, in another hand: 'Feby 14th. 1890 | Richard Harington Esq'. The author's hand is clearly disguised, as is usual with valentines, the writing being markedly ornate. There are various crude drawings in the margins, ranging from images of a barrister and a woman, faces of two women (one smoking a pipe), to small representations of cigar boxes, briefs and books.

Both items in fair condition, lightly aged and worn. ONE: Typed Poem followed by Autograph Note Signed. 24 December 1937. 2pp., 8vo. The poem consists of eleven four-line stanzas, with the title typed in red. An apparently unpublished humorous poem, quite charming and well worthy of publication. Begins: 'For months we've had electric road-drills | Right outside our door, | And two gentlemen who play them | Called in yesterday at four.

Two good tight copies, on lightly aged paper, in worn original bindings with gilt decorations on front covers, with engravings on browning paper because of high acidity content. Both volumes with bookplate of Alan Angele and manuscript library shelf label. ONE: 'The Comic Latin Grammar'. 163 + [3]pp., 8vo. Eight engravings and numerous illustrations in text (the first engraving is positioned as frontispiece rather than at p.23 as specified).

4pp., 12mo. Bifolium. Aged and stained, with creasing along one edge. A wonderful letter, linking two notable figures in late-Victorian society, beginning: 'Do I remember it? how can I ever forget it, considering that we introduced ourselves to each other, without any introduction; & that casual acquaintanceship has developed into a friendship (without a discordant note) which has lasted for about 38 years.' Regarding their first meeting he writes: 'I was not subpoenaed as a short hand writer, as no such functionary was engaged at Bow St.