RADIO

See the biography of this much-beloved figure in the Oxford DNB. Stylish signature ‘Humphrey Lyttelton’, on irregularly-shaped piece of paper, roughly 7.5 x 4.5 cm, torn from an envelope flap. Somewhat worn and a little creased.

See his entry in the Oxford DNB. 1p, 12mo. In poor condition, aged, worn and creased, with damage to edges. Tape was previously present as a border along all the edges, and the corners are still strengthened with tape, causing discoloration that affects the end of Handley's signature. Reads: 'B.B.C. / London / Dear Pte Dean. / In reply to Yours. I would send you a ticket with Pleasure but I have no control over same. I'm afraid you will have to write direct to the B.B.C. / Best wishes. / Tommy Handley'. Scan available.

1p, foolscap 8vo. In good condition, lightly aged. Folded for postage. Addressed to ‘Dear Paul Furness’ and signed ‘Roger McGough’. On the subject of Furness’s ‘fascinating pub study’, he names ‘the ones I was associated with during those poetry-reading days’: ‘O’Connors Tavern in Hardman Street (Liverpool all), The Philharmonic (corner of Hope St. & Hardman Street), The Grapes, Pilgrim Street’. In addition there were ‘clubs which we took over on quiet nights i.e. Monday at Chauffeurs Club, Hope Street’.

Thomas broadcast many of his programmes from the Hammersley Hill estate, overlooking the Catskills. 1p, foolscap 8vo. On cream paper with letterhead in green. In good condition, folded twice for postage. Thomas’s bold signature, also in green, rises at an angle. Reads: ‘Dear Mr. McCormick, / I’ve entirely forgotten. / If you know of an extra copy I would like to add it to my collection. / With best wishes. / Sincerely, / Lowell Thomas’.

From the papers of Sarah Emmeline Hamilton, whose extensive collection of letters from her lover the poet Patric Hamilton is offered separately. Sail is a widely-respected poet. He has presented the BBC Radio 3 programme 'Poetry Now' and 'Time for Verse' on BBC Radio 4.

An interesting letter, in which Johnson discusses her writing practice. See her entry and that of her husband in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 2pp, 12mo. 27 lines of text. In good condition, lightly aged, with slight rust spotting from a paperclip. Folded twice for postage. On the topic of ‘Madame de Charlus’, one of the ‘Six Proust Reconstructions’ - plays by Johnson inspired by the work of Marcel Proust - just broadcast on the BBC Third Programme, she thanks him for his ‘most kind & pleasing letter’.

A poignant letter, written during Joad's final illness (he died on 9 April 1953). Joad’s entry in the Oxford DNB ends with this assessment: ‘Cyril Joad was an outstanding educator, a tireless proponent of ‘progressive’ causes, and one of the best-known broadcasters of the 1940s.’ The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler, and the letter concerns his 1952 book 'The Choice of Words'. 2pp, 4to. Aged and discoloured, and cropped at the head with loss of a line of text. Folded once for postage. Date given in ink at head, presumably by Collins.

See his entry, and those of Sellers, Secombe and Bentine, in the Oxford DNB. On 11.5 x 10 cm leaf of light-blue paper, extracted from an album. In good condition, lightly aged, with short crease to one corner. Nothing else is written on either side of the leaf, apart from the large spidery signature 'Spike Milligan'. See Image.

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, small 4to. In good condition, lightly aged and creased. Folded.. Signed ‘Marghanita Laski’. She had no fears about the cheque for £50 he has sent: ‘I knew it would turn up.’ She thanks him for offering her ‘some reviewing.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice. Addressed ‘To the Rev. A. H. Vayers’, but with the ‘V’ corrected in manuscript to ‘S’. Signed ‘Oliver Lodge’. Reads: ‘My dear Sir, / I am exceedingly busy, and a visit to Monmouth is quite out of the question. There are many others better qualified to speak for The League of Nations Union; and I trust you will have a successfull meeting.’

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Harding, broadcast in the groundbreaking BBC television series 'Face to Face' on 18 September 1960, a few weeks before Harding’s death on 16 November 1960. Harding’s entry in the Oxford DNB states that, ‘in radio programmes such as The Brains Trust and Twenty Questions, and on television in What's my Line?, Harding became a great popular figure, especially of television in which he was probably the best-known performer in the country.

Dating from what his entry in the Oxford DNB describes as Askey’s ‘prime professional days’: ‘In 1938 Askey joined Powis Pinder's Sunshine concert party at Shanklin, Isle of Wight, where he performed successfully for the next eight years. In 1938 the BBC also engaged him for a new radio show called Band Waggon, in which his partner was Richard Murdoch. The show, first broadcast in January 1938, was an enormous success and its innovative style was perhaps Askey's greatest contribution to the entertainment business.’ On one side of a 12.5 x 8.5 cm piece of light-green card.

According to Barry Took’s entry on Constanduros in the Oxford DNB, ‘The Buggins Family’ was ‘the first radio family’, and she played all six parts, writing and performing in more than 250 episodes between and 1928 and 1948: ‘The popularity of the family was such that the Ministry of Food used Mrs Buggins to broadcast recipes during the Second World War.’Constanduros is also credited with having written more than one hundred plays. The recipient of these two letters, 'Miss Booth', is clearly her agent. Two items, the first in good condition and the second fair, on lightly discoloured paper.

Page extracted from autograph album, 15 x 10cm, right edge rough, ow good condition. See image. The inks (green particularly) don't respond well to the camera.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

The signature 'Oliver Lodge' is firmly written in the bottom of three rectangular panels printed in red, with no other writing on the page, on one side of a 12mo leaf removed from 'The Meredith Birthday Book', the other side featuring quotations from the novelist for 13 to 15 June. In good condition, lightly aged.

The book is 272pp, 8vo. A good copy, lightly aged, with binding sunned along top, in worn dustwrapper. The volume contains – along with autograph corrections of incidentals – a couple of autograph notes in pencil, one of a minor nature and the other reading: 'Daisy & Charles attended the funeral – March 26 – as recorded in Archibald Marshall's diary'; also one minor emendation in ink. The material inserted in the volume is described below. Accompanying the volume is a long typewritten radio script of an interview between Fry and 'Leslie', with autograph additions in pencil by Fry.

1p., 12mo. In fair condition, lightly aged, with slight damp staining. Addressed to 'Mr Brooks'. She is sending 'the script for you. It can, of course, be knocked about how you like. It is just a peg on which to hang things.' She reports that 'Collie' (i.e. Collie Knox) was pleased with Brooks's message, 'and sent most cordial ones back to you'. She concludes: 'We had an extremely pleasant lunch, and I shall look forward very much to meeting you again'.

1p., 4to. In good condition, lightly aged. Signed 'Cyril Joad'. Written in the same month as Britain and France had declared war, the letter begins: 'I don't know whether you are still running the Sunday Dispatch, but if you are, how about an article on the philosophy which underlies the Nazi rule in Germany?

1p., 4to. In fair condition, on aged and lightly-creased paper. Reads: 'Dear Mrs. Finck, | Mrs. Wood and I deeply regret to hear of the Passing of Herman. | Please accept our deepest Sympathy.' The word 'Ans'[wered]' is written at the head. Finck's 'In the Shadows' was one of the last tunes played as RMS Titanic went down.

Script, titlepage plus 6pp., folio, folded, very good condition. Converstaional interchange between "Announcer" and Herman Finck with background (and foreground) of Finck's songs, starting with "In the Shadows" and with Finck giving the history of the song. Finck "asks" John Rorke to sing 'The Constant Lover@ and teslls a story about the revue, Then comes Rorke singing "Gilbert the Filbert" with Finck narrative, followed by anecdote about soldiers singing one of his songs. Betty Huntley-Wright then sings "To Make a Man of you".

149pp., 4to. Carbon copy. On rectos of leaves only, and bound in a buff card folder with metal clasps. Internally in good condition, on lightly-aged paper, in worn binding. The play centres around 'the "Hibiscus" night-club, one of those London resorts which are alike the despair of Social Reformers and the delight of the Forces when on Leave. It is situated somewhere between Berkeley Square and Dover Street.' The typescript is clearly an actual play and not a radio play, but there is no record of it having been performed on stage.