Joaquín Álvarez Quintero (1873-1944), Spanish dramatist, with his brother Serafín Álvarez Quintero (1871-1938) one of 'los hermanos Quintero'
'Madrid 23 de Febrero de 1922.'
27pp., 4to. On 23 leaves (one blank), stitched together with red ribbon. Title-page, page of characters, and the play itself on 25pp., with the main text on 20 rectos and supplementary portions on five versos. In fair condition, lightly aged and worn. The play, by both brothers, premiered at Lara Theatre on 8 March 1922, and was published in the same year.
Sir Arthur Wing Pinero (1855-1934), playwright [ Arthur Cecil [ Arthur Cecil Blunt (1843-1896), actor-manager and playwright ]
On letterhead of 64 St John's Wood Road, NW [ London ]. 26 May 1887.
2pp., 12mo. In good condition, on lightly-aged paper. Addressed to 'Arthur C. Blunt, Esq', with salutation to 'My dear Cecil'. With regard to 'Mr. Wigram's letter' he writes that he 'would rather not dramatize a novel, and did I feel an inclination to do so I don't think I am at all a good man for the work'. He nevertheless asks the recipient to inform Wigram that he is 'complimented by his and Lord Desart's proposal'. The postscript is mildly amusing: 'P.S. I hope I am not liable to misconstruction in enquiring after your Housemaid's Knee'.
Paschoal Carlos Magno (1906-1980), Brazilian author [ Evelyn Dagnall [ Mrs T. C. Dagnall ], English dramatic agent; Walter James Macqueen-Pope (1888-1960), theatre manager and historian ]
The play without place or date. Evelyn Dagnall's letter on her letterhead as 'Mrs. T. C. Dagnall | Dramatic Agent | in association with | A. M. Heath & Company Ltd.', London. 13 May 1946.
Both items in good condition, on lightly-aged paper. ONE: Typed playscript. 85pp., 4to. Typed in black and red on rectos only. Typed by May Hemery of London. Bound into black card covers, with label on front. TWO: Typed Note Signed to theatre historian W. J. Macqueen-Pope from 'Evelyn Dagnall', i.e. the dramatic critic Mrs T. C. Dagnall.
Miles Malleson [ William Miles Malleson ] (1888-1969), English film actor and dramatist
135 Harley Street, W1 [ London ]. 3 May 1960.
2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.
Charles Dance (1794-1863), English dramatist who collaborated with James Planché [ Charles John Kean (1811-1868), actor and theatre manager, son of Edmund Kean (1787-1833) ]
64 Mornington Road, Regent's Park, N.W. [ London ] 4 May 1857.
1p., 12mo. In fair condition, on aged paper. He hopes he is not 'premature' in asking for 'a box for Richard 2d for tomorrow - Tuesday - night!' If he is not he will be 'thankful'; if he is he will 'wait patiently for a future occasion'. Kean's Richard II opened at the Princess's Theatre on 14 March 1857 and ran for 112 nights.
The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.
James Gardiner [ Commander Vivian Ellis (1904-1996), English music comedy composer; Myron Selznick ]
The play is undated. [ 56 Welbeck Street, London? ] Harding's letter on letterhead of Myron Selznick (London) Ltd; 23 January 1946.
ONE: Typescript of '"Small Hotel" | A Comedy in Three Acts |by | James Gardiner'. 144pp., 4to. Bound with ribbon in blue card wraps with typed label. Text on rectos only. In pencil on title-page: '56 Welbeck Street'. In fair condition, on aged paper, in heavily worn wraps. 'The action takes place in the Lounge of the Bay View Hotel, near Dormouth, a South Coast Naval port.' No record of the play has been found, either on OCLC WorldCat or on COPAC, or on the ITDb. TWO: Typed Letter Signed to Commander Vivian Ellis from Olive Harding of Myron Selznick (London) Ltd.
96pp., 8vo. In exercise book, in blue ink with red underlining. With two additional passages on slips of paper pinned onto leaves. Aged and worn, in red card wraps with repaired spine. Nicoll notes an earlier title 'All for Him'. Set in the house of London stockbroker David Carne. Considering the play's popularity in the provinces, its fall into oblivion is surprising. Productions are noted at Southampton (1918-1919, 1930-1931), Oxford (1919), Swansea (1920), Sunderland (1924, the poster announcing: 'J. R. C.
Richard Walton Tully (1877-1945), American dramatist
'Please Return | R. Percy Burton | Farmers Loan & Trust Co | 15 Cockspur Street | London SW'. Undated. [ Circa 1912. ]
'The Bird of Paradise', Tully's best-known play, is set in Hawaii during the 'Revolutionary Days of the Early Nineties'. It was the subject of what the New York Times called 'one of the bitterest plagiarism suits on record'. A schoolteacher named Grace Fender was initially successful in her claim that it was based on her play 'In Hawaii', but the case was reversed on appeal. It was first produced in Rochester, USA, in December 1911, with productions at Daly's in New York in 1912, and the Lyric Theatre, London, in September 1915. A total of 158pp., 4to.
Lajos Bíró [ Lajos Biro ] [ born Lajos Blau ] (1880-1948), Austro-Hungarian novelist, playwright and screenwriter who worked for Alexander Korda at London Film Productions
'Copyright 1942 by British and Continental Plays Ltd.'
168pp., 4to. Pages typed in black and red (by Active Secretarial Bureau, Wardour Street) on versos only. Bound in grey card wraps, with red tape spine. Typed title on cover, with circular red label of 'British and Continental Plays Ltd'. The main characters include the unnamed members of a continental royal family, together with 'Baroness Sibyl Konigsmark' and 'Section-Leader Grumb', and the scene is set at an Old Castle and Summer Palace, and 'Late in June of the year 1941. Three o'clock p.m.' and periods shortly following.
Nisim Aloni [ Nissim Aloni ] (1926-1998), Israeli playwright and translator, born in Bulgaria [ Ruth Koppel-Debel, translator ]
[ Israel, circa 1963. ]
74pp., 8vo. Stapled duplicated typescript, with pages on rectos only. In fair condition, with moderate signs of age and wear. Light staining at head, and discoloured title-leaf detaching. A few minor manuscript emendations, and '-Debel' added in manuscript to the translator's name. 'La Princesse Americaine' was first performed in 1963, and like Aloni's other early work was influenced by the European Theatre of the Absurd. An English translation of the play appeared in 1980, but OCLC WorldCat has no record of the publication of a French translation.
John Coulter (1888-1980), Irish Canadian playwright [ Laurence Olivier ]
'Please return to: Laurence Olivier Productions, St. James' Theatre, King Street, London, S.W.1.' [ Circa 1951. ]
136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.
Edward Knoblock [ born Edward Gustavus Knoblauch ] (1874-1945), American-born British playwright and novelist, author of 'Kismet' (1911) [ W. J. MacQueen-Pope (1888-1960) ]
21 Ashley Place, SW1, under label of Joan Ling Ltd, London. Without date.
137pp., 4to. Typed text on rectos only. Bound with red ribbon into red wraps, with typed label on front cover. In fair condition, aged and worn, in heavily-aged wraps. Pencil annotations to the list of characters. Bound in before the beginning of almost every scene is a manuscript leaf carrying a page giving the layout of the set. The label of Joan Ling Ltd, Gloucester House, 19 Charing Cross Road, WC2, is pasted over Knoblock's typed address 21 Ashley Place on the title page. Knoblock's papers are at his alma mater Harvard.
Robin Chapman, English novelist and screenwriter; Laurence Harbottle (1924-2015) [ Joao Bethencourt [ João Estevão Weiner Bethencourt] (1924-2006), Hungarian/Brazilian playwright; Jill Booty ]
Typescript: 6a Sloane Square, London, SW1. Undated [circa 1966]. Harbottle's letter: on letterhead of Harbottle & Lewis, Solicitors, 34 South Molton Street, London. 8 December 1966.
Typescript: 132pp., folio. Each page on a separate leaf, all of which are attached with metal clasps in a grey card folder, with the label of the International Copyright Bureau Ltd, London, on the front cover (as well as on the title page). In fair condition, lightly-aged and worn, with title leaf coming away. Text with a few minor manuscript emendations. Accompanying the typescript is Harbottle's letter, signed 'Laurence'. 1p., 8vo. In good condition, on lightly-aged paper.
Watts Phillips (1825-1874), British illustrator, novelist and playwright [ Frederick Balsir Chatterton (1834-1886), actor and theatre manager ]
45 Redclifffe Road, West Brompton. 28 June .
1p., 12mo. On aged and ruckled paper, with closed tear unobtrusively repaired. In the author's distinctive, heavily-inked hand. He writes to inform him that he has 'the MS of the piece I wrote about', and that if it meets with his approval 'it may fill up the gap till Black Mail is completed'. He continues: 'I repeat it is a most powerful drama as strong as the Dead Hearts | Will you and Churchill come and hear me read it? [last two words underlined three times] | If so - when? | Will you drive over tomorrow???? | If so - at what hour? - Telegram back and I will be in Price and condition.
Ulla-Brit Edberg (b.1928), Swedish playwright [Kungliga Teatern, Operan; Sveriges Radio.]
'Ulla Britt Edberg | Stockholm, Sweden. Circa 1977.]
105pp., 8vo. Duplicated typescript, in two parts, each with title-page, continuously paginated. In good condition, lightly aged and worn. The piece, described as a 'musikdramatiskt' (music drama), was produced in 1976 by the Kungliga Teatern, Operan, and in 1977 on the Sveriges Radio. No other copy traced, either on COPAC or OCLC WorldCat.
Simon Lane [Oliver Simon Lane] (1957-2012), novelist, playwright, bon viveur and wit
'Anagrams' signed by Lane with the address 9 Kenilworth Court, Lower Richmond Road, Putney, London SW15 1EW, and dated 9 November 1978, 'Petipa Dort' with typed name 'O S LANE ESQ', from the same address.
In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'.  + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.
Sir Arthur Wing Pinero (1855-1934), English playwright [W. Teignmouth Shore (1865-1932), author]
On letterhead of 115A. Harley Street, London W1. 12 April 1926.
1p., 8vo. With mourning border. In fair condition, on aged and lightly-ruckled paper. After exclaiming 'How kind of you!' Pinero explains that he has been 'inoculated regularly since the autumn, and it has done me no good'. He continues: 'No, I won't say that; I might have been worse but for the injections.' He concludes by stating that he will show Shore's letter to his doctor, 'to prick his conscience'.
UEA Norwich, Sunday 14 May 1989 (University of East Anglia).
Programme, pp., 4to, illus. printed wraps (partly in red). Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Esther | Arthur MIller). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell". This item derives from the Papers of Sally Worboyes who organised writing courses involving well-know TV personnel, actors, singers and writers as tutors at Fen Farm nr.
UEA Norwich, Sunday 14 May 1989 (University of East Anglia).
Programme, pp., 4to, illus. printed wraps. Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Sally [Worboyesof Fen Farm Arts] | Arthur MIller) and several of the Cast inc. Susannah York, Timothy West, Connie Booth, John Shrapnel prob.others unreadable (but inc. playwright Brian Clark). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell".
Arnold Wesker (b.1932), English playwright of the 'kitchen sink' school [Renee Hellman; Imperial Cancer Research Fund; Alan Bates]
27 Bishops Road, London N6. 11 October 1965.
1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.
Zeke Berlin, director (Gramercy Theatre, New York).
NY, 29 Jan. 1961.
Substantial TLS from Zeke Berlin to Marsh, 29 Jan. 1963, 2pp., sm. folio, giving information about rehearsals, the Theatre, the actors, commenting on the "idiom" in the play, music, characters. Play not mentioned but characters named reveal Anouilh's "Dinner with the Family".
Marcel Achard, French Playwright, French Academician:
Total: 18 items, 1957-1961, including:One ALS, one TLS, one telegram from Marcel Achard to Edward Marsh, translator, only the TLS in French, others in English.Subjects: rights to translation of "Voulez-vous jouer avec moa" (gentleman's agreement for six months); this play "on appelle communément un 'théatre d'avant-garde'", requiring "excellent" actors like Peter Sellers; other information, including his agent's name; [telegram] "Waiting for you Stop Love".Memorandum of Agreement between Achard and Dr Van Loewen, agent, with Donmar Productions Ltd (New Theatre, London), not signed, 4pp., fol.T
Jean Cocteau, dramatist [Edward O. Marsh, translator and adapter of French plays]
Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed "Jean Cocteau", 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b.
Total: c.21 items, 1977-1983.Four TLsS from Félicien Marceau to Edward Marsh, in French, (1978) saying that he'll go along with Marsh's proposals [about "L'Ami du Président"], reiterating two thirds for him; (1979) declining an adaptation for British television, anxious about the effect on "sa carrière théatrale"; (March 1983) having agreed film rights he is not free to authorise TV production; (May 1983) repeating what he understands about the cinema deal, and saying he'll be in touch on expiration.Eight copy TLs, some very substantial (one heavily worked), from Marsh to Félicien Marceau, 1