HAMPTON

See Terry’s entry in the Oxford DNB. At the time of writing Dr. W. J. Phillips was the organist at St Barnabas, Pimlico; he was unsuccessful in the present application, but was subsequently organist of the Chapel Royal at Hampton Court. See his entry in Humphreys and Evans, ‘Dictionary of Composers for the Church in Great Britain and Ireland’ (1997). These two items are uniform on a total of three leaves of light paper. Both discoloured and worn, and folded three times. ONE: ALS from Terry to Phillips. 1p, 4to. He is ‘most pleased to have opportunity of supporting’ Phillips’s application.

1p, 4to. In good condition, lightly aged and creased. Ten lines in a close, controlled hand. Addressed to ‘Dear Mr. Whitworth’ and signed ‘Christopher Hampton’. He writes to confirm that he will be free on the date he suggested he ‘might be able to come down to meet you’. He also gives an alternative date. ‘At the moment I’m working on a new translation of “Uncle Vanya”, which was to be finished by the end of November.

The present autographs were taken within a few years of the quartet’s formation in 1931. Accompanying the item is an 11 x 9 cm newspaper cutting of a photograph of the youthful members of ‘THE FAMOUS GRILLER QUARTET - often heard over the wireless - which created a very favourable impression last night at the first concert for the season of the Aberdeen Chamber Music Club.’ The autographs are on one side of a 16 x 11 cm leaf with rounded edges, extracted from an autograph album. The signatures are one above the other, with Sidney Griller’s large and bold.

196pp, 4to. In ruled notebook. Internally in fair condition, on aged and lightly-worn paper, with covers detached and worn. Providing an interesting view of the day to day challenges of amateur dramatic production in the 1970s. Each set of minutes is signed by one member of the committee. The first set, 7 June 1973, list Philip Rayner as chairman, Bernard Wigginton as secretary, Philip Hickson as Treasurer, with other committee members Gill Ager, Derek Barrett, Peter Orton and Sue Rowlands.

2pp., 12mo. Bifolium. In good condition, lightly aged. The male recipient is not named. The year has been added in another hand at the head of the first page. She will be 'pleased to speak at your proposed meeting if possible'. She a question regarding the timing of the meeting, which would have to be in 'the week beginning Jan. 29 to suit me'. She gives a number of dates and times when she has 'engagements in London', concluding: 'If you can fix the meeting so as to make it possible for me to keep these engagements I will come'.

3pp., 12mo. Bifolium. In fair condition, lightly aged and creased. He is sending 'the usual Certificate', and is sorry to hear of the recipient's father's accident. 'How did he do it? I hope he will have no ill effects from it.' He asks to be remembered to his mother. 'Cyril is staying out with a Cold to day but not much the matter.' He concludes: 'I hope you will get through the Exam all right at Balliol. Come & see us on yr way down'. A postscript refers to 'the Hampton Court Tapestry "The Fates" 3 pieces', and ends with a Latin quotation.

3pp., 12mo. Bifolium on mourning paper. Good, on lightly-aged paper. He writes to thank Gardiner for sending him 'a copy of your printed but unpublished Report to His Majesty's Government on the danger of governing Gibraltar as a Colony'. Gardiner's report 'forms an appropriate termination' to his 'administration of the affairs of the "Rock," & I shall read it with the interest and attention due to your long Experience in that Fortress'. He ends by sending his compliments to Lady Gardiner.

Landscape photograph, 19.5 x 14.5 cm, laid down on a piece of thin card cut from an album, 18 x 21 cm. Around sixty boys are posed in four rows in front of a grand house, with two masters to the right and two to the left, and with a fifth in the centre of the group. The group are surprisingly fat-faced, posing sulkily in jackets, with some waistcoats and tam o'shanters. Five more boys look out of a downstairs window, three from an upstairs window, and one peeks out from behind the front door.

On one side of a piece of laid paper, with pot watermark, 26 x 20 cm. On sound, crisp paper, heavily foxed, and with slight wear to extremities, and remains of previous mounting at corners of reverse. Two small oval stains beneath text, and small clipping from autograph dealer's catalogue laid down in bottom left-hand corner. Firm signature. Fifteen lines of text beneath two-line date in Latin.