DAVID

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

See his entry in the Oxford DNB, and his Guardian obituary by Kemp’s collaborator Michael Coveney, 26 August 2018. Sprawling autograph inscription in green ink (‘with love for Paul from lindsay X’) across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde, with numerous photographs and illustrations: 16pp, 8vo, in black and white, on glossy paper, stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph.

See the entries for Cathcart and Dundas in the Oxford DNB. 1p, folio. In fair condition, on aged paper, with wear along one edge, and repair with archival tape along folds. Addressed ‘To / The Paymasters General of His Majesty’s Forces, or the Paymasters General for the time being -’. Signed ‘G Hotham Lt Genl. / D. Dundas Lt Gl.

See her entry, and those of Robey and her husband, in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. With two folds. Addressed to ‘Geo Robey. Esq. C.B.E.’ and signed ‘Margaret Lloyd George.’ She gives details of a concert she is having at Downing Street the following month, ‘in aid of the Electrical Industries Association’, and has been asked by its committee to ‘invite your kindly assistance’.

See his entry, and that of Lawrence, in the Oxford DNB. 2pp, 8vo. In fair condition, lightly aged and worn, with slight nicking and damage at edges. Folded for postage. Signed ‘D. Y. C/’. Begins: ‘My dear Lawrence. / You are often in my thoughts & many a wondering I have as to you & what your life & work is in these grim and sinister days for each & all.’ He asks if his work is printed and his ‘two studios untouched’. ‘Here I am & my sister Katherine and I have much to do & many things to help & try to keep going when so many are away.

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in the Oxford DNB. On 6 x 3.5 cm slip of paper, cut from letter. Reads ‘Yours very truly, / David Masson.’ Laid down on piece of 16mo paper, beneath oval photographic portrait of Masson cut from magazine. Biographical details typed at head of page. In good condition, lightly aged. Seee Image

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

See his entry in the Oxford DNB, in which ‘deep professional commitment and mental toughness’ are said to be qualities whose possession he demonstrated ‘heroically’. On 8 x 5 cm piece of light blue-grey paper. Good large firm signature 'Beatty'. No other writing on page. In good condition, lightly aged.

See his entry in the Oxford DNB. Autograph Signature and valediction to letter on 11 x 4.5 cm slip of paper: 'My dear Sir / Yours most truly / David Welsh'. In good condition on lightly-aged laid paper, with neat vertical fold. Tiny slip of paper with pencil note in contemporary hand laid down on blank space at left of slip.

See his entry in the Oxford DNB. 1p, folio. Text clear and entire, on worn and grubby paper, with chipping to edges and slight loss to one corner, with one closed tear repaired with archival tape. Embossed tax stamps at head. Good firm signature at bottom right ‘David Dundas.’, beside small seal in red wax, with crumbling impression. At bottom left: ‘Signed Sealed and Delivered (being first duly stampt) in the Presence of us / John Landon / M King’. Downwards in left-hand margin: 'Entered in the Office for Auditing the Public Accounts the 9th of February 1797 / Thos Gibbes’.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. Folded for postage and in stamped and postmarked envelope (with Wesker’s address printed on it), addressed to Furness in Battersea. One of a number of letters from British poets in response to enquiries from Paul Furness with regard to their pub memories. Addressed to ‘Dear Mr Furness’ and signed ‘Arnold Wesker’.

1p, 12mo. In fair condition, on discoloured and lightly-creased paper. Beneath letterhead: ‘to J D Hughes Esq’. Around middle of page: ‘Pen & Ink Sketch / Stokesay 15/-’. On lower part of page: ‘Recd with thanks / Frank Greenwood’. Beneath the signature is a simple stylized cartoon depicting the head and shoulders of a smiling walrus-faced figure (Greenwood?) in a trilby, with stiff-colour shirt and black bow tie.

See the two men’s entries in the Oxford DNB. In good condition, lightly aged, with traces of brown paper mount at corners of the blank reverse. Folded for postage. Addressed to ‘T. H. Lister Esq, / &c &c’ and signed ‘J. R. McCulloch’. Sending his ‘best thanks for the account you have sent me of the new system of [Registration?]: it is exactly the sort of thing that I wished for, and will be a most valuable addition to my work’. See Image.

See his entry, and that of Ross, in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. On blue paper. Folded twice for postage. Ross is not named, the letter being addressed to him as ‘The Provost, / Oriel College, / Oxford.’ Bold signature: ‘Nuffield’.

Cecil, who was the best man at Churchill’s wedding, was regarded as the finest orator of his generation. See his entry, and that of Ross, in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice. Addressed to ‘Dear Mr Provost’ and signed ‘Hugh Cecil’. He apologises for the late reply, but has ‘been ill and until yesterday was strictly confined to my room here’. He has received too many letters to be able to reply to each. ‘I therefore venture to enclose to you a brief Memorandum which I have drawn up dealing with the recent crisis in Foreign Affairs’.

An interesting letter, revealing some of Cecil's views on the art of writing. See his entry in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler, and Cecil has clearly been on the receiving end of a ticking off. 2pp, 4to. On grey paper. In fair condition, lightly aged, with creasing and a short closed cut at the foot. He begins by stating that he found Collins’s letter ‘very interesting’: ‘I take a great interest in the small points of style.’ He agrees with some of Collins’s ‘strictures’, ‘in particular that about the exclamation mark.

See the entries for Bevin and Ross in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. Addressed to ‘Sir David Ross, K.B.E., LL.D.’ and signed ‘Ernest Bevin’. Begins: ‘Dear Sir David, / In connection with my general plans I wish as soon as possible to make definite proposals concerning the Fair Wages Clause.’ He understands that ‘discussions between the T.U.C.

See the entries on Simon and Ross in the Oxford DNB. At the time of writing Ross was a Fellow of Oriel College. Barnett House in Oxford was established in 1914 as a result of an appeal to academic and political figures, mainly through the actions of another Oriel fellow, Sidney Ball (1857-1918). It was named after Canon Barnett, founder of the university settlement Toynbee Hall. Barnett House was intended as a ‘citizens’ house’ - a centre for economic and social enquiry, and between 1957 and 2004, as a department of the university, was a centre for the training of social workers. See G.

Four scarce pieces of ephemera: no other copies of them traced on either JISC or WorldCat. See Ross’s entry in the Oxford DNB. The three reports give lists of college persons, with general and particular news. Items Two to Four in good condition, lightly aged and creased; Item One as described below. ONE: ‘ORIEL COLLEGE, OXFORD / 1917-1918’. Signed in type by ‘L. L. P.’ [i.e. Langford Lovell Price, retiring treasurer] and dated 31 July 1918. 7pp, 12mo. On two bifoliums of thin war-economy paper, glued together.

See the two men’s entries in the Oxford DNB. 1p, 4to. In good condition, on lightly aged and creased cartridge paper. Folded three times. The letterhead is quite an impressive affair, with an engraving of ‘Unity House’ and lettering in a variety of styles. The letter is addressed to ‘W. D. Ross, Esq., / Oriel College, / Oxford.’ The ink on the ribbon appears to have been running out, as the latter part of the note is faded.

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

See the entries for Grey and Ross in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?My dear Provost / Probably you will not think that the enclosed requires any answer or that it is a matter for the head of a College but as it concerns a member of Oriel I send it on to you / Yours very truly / Grey of Fallodon.?

See the entries for Morrison and Ross in the Oxford DNB. The three items are in good condition, lightly aged and folded for postage. The second item has a punch hole centred at the head of the leaf. All three 1p, 12mo, and each with Morrison’s sprawling signature ‘Yrs sincerely / Herbert Morrison /’, the first in green ink. ONE (25 November 1941): Addressed by Morrison in green ink to ‘Dear Sir David’. Thanking him for a note ‘in which you assure me of the appreciation of the Nuffield College Committee at my action in agreeing to release Mr.

See the entries for Bevin and Ross in the Oxford DNB. In good condition, lightly aged. Folded once for postage. Addressed to ‘The Vice Chancellor, / Oxford University’. The two lines of Bevin’s autograph valediction ascending and converging at the same time: ‘Yours sincerely / Ernest Bevin’. He was glad to receive Ross’s letter ‘about the visit of the Greek Regent to this country’. He feels sure that ‘the Regent will wish to accept an invitation to visit Oxford’. He gives tentative dates for his stay, undertaking to ‘have a day at least set aside for this purpose’.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Addressed to 'The Provost of Oriel' and with sprawling signature 'Yours vy trly / Cosmo Cantuar:'. Reads: 'Dear Provost, / I have received your letter of November 20th about Mr. Randall Cooper. I am sorry to say that your letter came too late for the appointment of the first batch of Assistant Cataloguers. They have now been appointed but I am informed that there may be further appointments in the Spring.

See the entries for Lang and Ross in the Oxford DNB. 1p, 12mo, on light-grey paper. In good condition, lightly aged. Folded once for postage. Begins 'Dear Vice Chancellor. / Some time ago I proposed Sir David Cecil for election to the Athenaeum. His name has produced a remarkable number of supporters, but no one has been put down as seconder to my proposal.' He asks Ross to second Cecil's nomination, before writing a sentence which is hard to decipher. He concludes by suggesting that he inform the club secretary accordingly, if Ross is willing.

See the entries for Grenfell and Ross in the Oxford DNB. 3pp, 12mo. On bifolium of light-grey paper. In fair condition, aged and spotted. Folded once for postage. The identity of the recipient is unclear, but the item derives from the papers of Sir David Ross [W. D. Ross], Scottish philosopher and Vice-Chancellor of Oxford University (see the Oxford DNB).