ARTS

See his entry in the Oxford DNB. The letter is 1p, 16mo. In good condition, lightly aged, with slight discoloration to margin at head and light rust spot. Reads: ‘Dear Mr. Haynes King, / It was extremely kind of you to write & congratulate me on my election as R.A. & I appreciate the attention very much.

See his entry in the Oxford DNB. From the Piffard papers. Marshall’s handwriting is hurried and in places difficult to decipher. 2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to ‘Dear Mr. Piffard’ and signed ‘John Marshall’. Piffard’s gift of ‘the Box of flowers, with [?]’ leads him to opine: ‘The Daffodils are lovely. - Why is Nature so beautiful? Can it be merely to please the Eye of Man?

See his entry in Who Was Who. The thirteen items in good condition, lightly aged, most with RSA date stamp and annotations. A total of 12pp, 8vo, in autograph; and 5pp, 4to, typed. The first ten signed ‘D T Chadwick’ and the last three ‘David Chadwick’. The earliest letter, to RSA Secretary Sir Henry Trueman Wood on 22 December 1916, deals with the publication of Chadwick’s remarks ‘at the discussion on Prof. Todds paper before the Indian Section of the Society of Arts’.

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke?s entry, and Eastlake?s, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991).

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightl aged. Folded once for postage. The recipient is not named, but the letter has at its head the date stamp of the Royal Society of Arts, London, and is docketed by Wood. Signed ?H. Brereton Baker?. He agrees to give ?the three Cantor lectures as you suggest, provided they can begin after the 3rd. week in February?. He gives the subject as ?Catalysis in its scientific and industrial aspects?. A pencil note at the foot gives dates for the lectures as ?Mch 16, 23, 30?.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

See his entries in the Oxford DNB and Australian Dictionary of Biography. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, lightly aged, and are folded for postage. Each bears the stamp of the RSA, some with manuscript docketting. Letters of 4 April and 18 September 1925 are in autograph, the rest typed; all nine are signed ‘Walter Rosesnhain’.

See his entry in the Oxford DNB. The fibre-glass dress in which his second wife Helen married him is exhibited in his museum at the University of Sheffield, and was included in the 2010 BBC radio series A History of the Word in 100 Objects. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, on lightly aged paper, and are folded for postage. All nine are signed 'W. E. S. Turner'. Each bears the stamp of the RSA, some with manuscript docketting.

In one of the present letters Hay signs himself as ‘Retired Behar Indigo planter’, and the material provides an knowledgeable commentry on the colonial textiles industry at the beginning of the First World War. Some of the material was printed in the Journal of the Royal Society of Arts. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. A total of 21pp, 4to. Each bears the stamp of the RSA, some with manuscript docketting.

See his entry in the Oxford DNB. (In his Who’s Who entry he stated that he was ‘author of a great number of papers and articles in the Journals of Scientific Societies’.) 1p, landscape 12mo. In good condition, lightly aged. Folded once. With stamp and manuscript docketting of the RSA. He writes: ‘In 1900 (I think) I gave a lecture on Round About the Andamans & Nicobars published in vol XLVIII. If you have a separate copy left I shall be glad if you can send me one on payment / from Yrs trly / R. C. Temple’.

See his entry in the Oxford DNB. On 13 x 8 cm piece of paper, cut from the end of a letter. The valediction, firmly written in Angerstein’s hand, reading: ‘I am / D. Sir / Your Mt Obt Sert / J J. Angerstein’. First initial of the signature lightly inked. In good condition, lightly aged.

See his entry in the Oxford DNB. 3pp, 12mo. On bifolium. In good condition, lightly aged. He thanks him for ?letting me try the little horse which I returned to Banks?s. I wrote to them to say that I found him too small for the Victoria. This & his taking too much interest in the subterranian openings alone prevented me from keeping him at once for a hack as his paces & temper seemed to me perfect.? He sends his compliments to Bristow?s family, ?if they should still recollect me - and the terrible ascent on the ?Monks cap? - never to be attempted again by me -?.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. The year of the letter looks more like ‘1901’ than ‘1961’, but the letterhead names the writer as ‘Charles Wheeler, C.B.E., R.A.’ Addressed to ‘Dear Sir’ and signed ‘Charles Wheeler’. Having received two letters from the unnamed recipient, he explains that the first ‘got mixed with some papers sent to my Accountant and therefore was not answered’. He apologises for ‘the consequent neglect’.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged and with two creases from folding for postage. Addressed to ‘Carmichael Thomas, Esq., / Mount Cottage, / Borough Green, / Kent.’ Cyclostyled signature of ‘Ben Purser.’ Begins: ‘For some time I have been desirous of becoming a member of the Royal Society of Arts. Mentioning this matter to your daughter a few days ago, Miss Thomas thought that if I wrote you in this connection you might possibly be able to arrange this matter for me.

Despite the fact that Reynolds and Crookes’s X-ray apparatus is now in the Science Museum at South Kensington, Reynolds has no entry in the Oxford DNB, although Crookes’s entry can be consulted. The two items are in good condition, lightly aged and worn. Both folded several times. Both 1p, 4to, and both signed ‘Russell J. Reynolds’. ONE: Addressed to G. K. Menzies of the Royal Society of Arts. With recipient's red pencil tick.

See his entries in the Oxford DNB and History of Parliament. A loyal Pittite (‘publicity agent for the ministry’, and founder of the Tory ‘Sun’ newspaper) who served as Irish Secretary. As a connoisseur he had a strong influence on the taste of the Prince of Wales, besides recommending the purchase for the nation of the Elgin Marbles. He bequeathed fifteen paintings to the new National Gallery. 2pp, 12mo. Signed ‘Farnborough’. The circumstances of the present item are unknown. In good condition, lightly aged and worn. Folded twice.

See the recent biography by Colin Porter, ‘Alan Tabor: the Life and Work of a Master Calligrapher and Illuminator’ (Cock and Bull Press, 2022). Tabor’s family donated his papers to the Rylands Library in Manchester, which provides a useful short biography. Excessively scarce: no other copy of this item traced, either on WorldCat, JISC, or ViaLibri. Seven unpaginated pages, 16mo. The pages are printed in red and black on the same side of a folio sheet of thick wove paper, that has been cut into two, and then folded to make two sections like bifoliums, but with the internal parts blank.

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

In 1867 Starr was the first woman to win a gold medal for painting at the Royal Academy, having won a silver two years before. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse of second leaf. Folded twice. She has ‘just received the ticket for the lecture at the Associated Arts Institute’ which he sent, and is afraid she will not be able to use it herself: ‘as we are going to the Opera’. She wonders whether she ‘may be allowed’ to ‘give it to some friends who I think would like to come very much’.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

John Bromfield Gay Rees (1912 - 1965), known to his family and friends as Brom, was a Welsh painter whose work was admired by such eminent figures as Dylan Thomas, Augustus John, William Rothenstein and Eardley Knollys, among others. Introspective and private, he was practically unknown to the general public during his lifetime, and the first major exhibition devoted solely to his work was in 1989.

Both letters relate to the binding of a book that Voysey values and make considerable use of. Letter One (12 June): three pages, 12mo, bifolium, an expansive hand, good + condition. Text: I wonder if you will mind my begging for your kind help. The littel book which is a sort of catalogue of book plates & badges which I have designed is tumbling to pieces and I want it stitched together so that nothing is lost. He hopes he's not wasting her time, but he constantly needs the book for refernce. He would also like Sir Frank to see it, and to know how much she wants.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

Twelve closely-written lines, on 8.5 x 11.5 cm card addressed by Rothenstein to 'The Hon. R Key-Shuttleworth | 28 Princes Garden | SW'., this being the same address as on the letterhead. In good condition, lightly aged. He begins by discussing 'Mr Booth' and his offer concerning 'the second prize', before expressing a hope that she is 'not overtiring' herself.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.