Leslie Cope Cornford (1867-1927), architect and journalist; his wife Christabel Lawrence (1869-1952), sister of three Lawrence sisters, founders of Roedean School, Sussex [ Wimbledon House S
Two items from his addresses: 47 Norfolk Road and 46 Sutherland Road, Brighton, East Sussex. [ Wimbledon House, 36 Sussex Square, Hove, Sussex. ] Between 1889 and 1908.
65 items of varying size, on pieces of card and paper. The collection is in good condition, with light signs of age and wear. As his obituary in The Times (5 August 1927) describes, before embarking on his journalistic career, Cornford trained as an architect. He was articled for three years from 1884 to Sir John William Simpson (1858-1933), and then studied at the Royal Academy in 1888. He then served briefly as assistant, first to Thomas Verity (1837-1891), and then to F. S. Waller and F. W. Waller, before qualifying as an architect in 1889, and ARIBA the following year.
H. A. Burnell, Secretary, Huntley & Company of Lawrence Hill Railway Wharf, coal factors and builders merchants, also 'Hauling & Furniture Removal', 'House Furnishing & Drapery' and 'Estate Agency'
[Huntley & Company, Coal Factors and Merchants, Lawrence Hill Railway Wharf, Bristol.] Entries dating from 1 July 1904 to 7 October 1930.
293pp., 4to. In brown leather half-binding, with black cloth boards and marbled endpapers. Three-page form relating to the firm's dealings with National Provincial Bank of England, filled-in and signed on behalf of the company by the secretary Henry A Burnell, dated July 1904. The minutes are in a number of different hands (beginning with Burnell's) and signed by a number of different chairmen.
'Dulcie Gray' [ Dulcie Winifred Catherine Savage Bailey ] (1915-2011), actress, wife of actor Michael Denison [ (John) Michael Terence Wellesley Denison ] (1915-1998)
None of the three items with place or date. 'Looking Forward, Looking Back' published in 1991. 'Four Years', 1940s or 1950s. The prompt copies for production of 'Curtain Up' at the Guildford Theatre, 1998.
Gray - who in addition to her acting career was a crime novelist and lepidopterist - has an excellent entry in the Oxford Dictionary of National Biography, which also carries details of Denison. ONE: Typescript of 'Four Years | By | Dulcie Gray'.  + 63pp., 4to. Stapled. With front brown-paper cover with red label bearing title, with stamp of typewriting agency Ethel Christian, 36-38 Southampton Street, Strand. Signature of 'Michael Denison' at head of title-page. On aged and worn paper, and lacking the last couple of leaves and back cover.
Sir Henry Montgomery Lawrence (1806-1857), British soldier and statesman in India, who died during the Siege of Lucknow in the Indian Mutiny
Without place or date [ 1844 ].
2pp., 4to. On bifolium. Dated in another hand in pencil '1844'. In good condition, on lightly aged paper. The letter begins: 'My dear Sir Thomas | I have at last ascertained from the Civil Auditor that Mr Hodgson drew the four hundred & fifty Rupees (450) on the 1st Feby nine days before he sailed, and that the bill was made out in his own hand writing'. He is forwarding the recipient's 'note of hand' to his agents, and assumes that 'Mr H, [...] in the hurry of departure doubtless forgot to write' to him. He concludes: 'I hope that your Ceylon trip has been of use to you.
William Lawrence Balls (1882-1960), FRS, botanist who specialised in cotton technology [ the Fine Cotton Spinners' and Doublers' Association, Limited, Manchester; Royal Society of Arts, London ]
All on letterheads of the Fine Cotton Spinners' & Doublers' Association, Limited, St. James's Square, Manchester. Two from 1917 and eight from 1918.
The ten letters total 4pp., landscape 8vo, and 6pp., 4to. The collection in good condition, lightly aged and worn. With stamps and annotations of the Royal Society of Arts. The correspondence relates to a lecture given by him by invitation, and its subsequent publication in the Society's journal. He originally suggests that it be titled 'The Application of Science to economic purposes, with illustrations from the Cotton Trade', thinking that it would 'attract people outside cotton circles', but is persuaded to alter this to 'Examples of Applied Science in the Cotton Industry'.
Sir Lawrence Alma-Tadema (1836-1912), English artist, born in Friesland, Holland
On letterhead of 34 Grove End Road, St John's Wood, London NW. 3 December 1910.
On letterhead cut down to 7.5 x 9.5 cm, laid down on small piece of grey paper. In good condition, lightly-aged. Reads: 'An autograph for Miss Phoebe Tull's collection | L Alma Tadema'. Caption on mount: 'Sir Lawrence Alma-Tadema. R.A. (His pictures for the most part classical subjects.)'
L. P. Williams [ Lawrence Paul Williams ] (1905-1996), English art director in England and Hollywood 'Edward Carrick' [ pseudonym of Edward Anthony Craig ] (1905-1998), film and stage designer ]
ALS: 138 Mabery Road, Santa Monica, California, USA. 12 December 1940. TLS: 1914 Laurel Canyon Boulevard, Hollywood, California, USA. 21 June 1941.
Both items in fair condition, on lightly-aged and creased paper., the typed letter having a few autograph notes by Craig at end. ONE: ALS. 4pp., 8vo. He begins by telling Craig that he has been worrying about 'how to get your dope for you'. He is going to get in touch with 'Say & Drier', but does not know how the latter will react, 'being pro German you know - in the Guard Cuirasiers of the Prussian Guard in the last war'.
Sir Lawrence Alma-Tadema [ Lourens Alma Tadema ] (1836-1912), Anglo-Dutch artist
On letterhead of 10 Park Street, Windsor. 15 July 1885.
1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.
Paul Robeson [ Paul Leroy Robeson ] (1898-1976), African-American singer and actor associated with the Civil Rights Movement; Lawrence Benjamin Brown (1893-1972), African-American pianist and arranger
[ On Robeson's concert tour of the British Isles with Lawrence, 1934. ]
The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.
George Arnald (1763-1841), English landscape painter; Sir Thomas Lawrence (1769-1830), President of the Royal Academy and portrait painter [ Thomas Whitcombe (1763-c.1824), English artist ]
18 June 1829.
3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.
Lionel Curtis [ Lionel George Curtis ] (1872-1955), writer; John Johnson [ John de Monins Johnson ] (1882-1956), Printer to University of Oxford [ T. E. Lawrence; Lawrence of Arabia; Eric Kennington ]
Curtis's letter from Hales Croft, Kidlington, Oxford. 20 November 1935. Johnson's letter on letterhead of the University Press, Oxford. 15 July 1936.
Both items in good condition, lightly aged and worn. ONE: TLS from Curtis to Francis. 1p., folio. Signed 'L. Curtis'. A circular letter, with signature, date and name of recipient added. Curtis begins the letter: 'I am writing to ask whether you would care to acquire a replica of a portrait of Lawrence which has now come to be known as "the ghost portrait." Its history is as follows: In 1923 Eric Kennington made a portrait in pastel of Lawrence, who was then a fellow in residence at All Souls.
Sir Lawrence Alma-Tadema (1836-1912), Dutch-born English painter of the 'Victorian Olympus' period [William Roberts (1862-1940), art historian]
Address in bottom left-hand corner of 'W. Roberts 47, Lansdowne Gardens, Clapham, S.W.' [Circa 1898.]
1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.
Leopold Lowenstam [Leopold Henry Lowenstam] (1842-1898), Dutch etcher working in England [Sir Lawrence Alma-Tadema; Rosa Bonheur; Jozef Israels; Robert Dowling]
Most earlier letters from 9 Titchfield Terrace, Regents Park [London]; most later letters from Woodcroft, Three Bridges [Sussex]. Dating from between 1877 and 1897.
380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.
Lawrence B. Phillips, F.R.A.S. Lithographed by F. G. Netherclift.
London: Robert Hardwicke, 192, Piccadilly. 1866. [ Letterpress printed by W. J. Perry, 22, Cursitor Street, London. ]
iv + 37 +  + 234pp., 4to. In grey cloth binding, gilt. All edges gilt. Internally in good condition, lightly aged, in worn binding with rear spine shoulder splitting. The title continues: 'Designed for the use of Librarians, Autograph Collectors, Literary Men, and as a Work of General Interest. With Biographical Notices, and Occasional Translations.' The letterpress consists of a title leaf; and a two-page preface followed by a 'Biographical Index' of 37pp., and a page of errata and addenda.
Major-General Sir Benjamin Charles Stephenson (c.1766-1839), G.C.H., Surveyor-General of the Office of Works
Office of Works [London]. 19 March 1823.
1p., 4to. In good condition, on lightly aged and worn paper, with a short closed tear along a crease and slight loss to one corner. He regrets that 'it is not in my power to afford any Official Assistance, in promoting the use of your very Ingenious, & Valuable Invention; as the Business of this Department is exclusively confined to the Building, & <?>, belonging either to His Majesty, or the Public, such as Palaces, Public Offices &c.' He suggests a number of organisations to which Lawrence should apply., 'as the Departments most likely to encourage your useful Undertaking'.
[ Walter Jerrold [Walter Copeland Jerrold] (1865-1929), English author and journalist] Alfred George Gardiner ('Alpha of the Plough'); William Archer; A..St John Adcock; George Sampson; C. E. Lawrence
On letterhead menu of the Wayside Inn, 2 & 3 Bishops Court, Chancery Lane, WC [London]. Dated 4 June 1919.
2pp., 12mo. In fair condition, lightly aged and worn. The menu is written out in faint pencil on one side, beneath the letterhead. On the other side, and headed with the date 4 June 1919 is the following playful address: 'Dear Jerrold, | "Carry on"! | This has no reference to the food we have just eaten. | You Walter [pun on 'ought to'] be here because you're a Jerrold [pun on 'dear old'] fellow. | And so say all of us.' Beneath this are nine signatures, two of which are undeciphered.
pp., 8vo. Stapled in red card wraps with circular cartridge design in silver. An attractive and glossy production, profusely illustrated. In good condition, lightly aged and worn, with dink to spine. Section titles read: '"Who is this C. Eley?"'; 'The Brothers'; 'Together now for 40 years'; 'New Century, new problems'; 'Crisis and congratulations'; 'Pastures new'; 'War and Peace'; '"A policiy of enlightened self-interest"'; 'Eley at 150 years old'. From the papers of the noted gunsmith C.
15 x 21 cm print laid down on 17.5 x 23.5 cm piece of card. Faded and aged, with wear to extremities of card (not print) and staining to reverse. The men are posing in four rows, in front of a large window in a brick wall. They are hatless, and wear single-breasted jackets with seven gilt buttons at the front, with black belt and metal buckle. Four numbers embroidered on either side of collars. In the centre of the group is a sergeant. Most of the men sport moustaches, and many pomaded hair and centre partings. From the papers of the gunsmith C.
[ James Purdey & Sons Ltd, London gunsmiths; C. Harry Lawrence (c.1900-1984); Worshipful Company of Gunmakers; Angus Ogilvy; Sir William Fellowes; Christopher Bonham-Carter; Sir Frederick Browning ]
From various locations in England and the United States, including Buckingham Palace, Sandringham, and the firm's headquarters, Audley House, 57-58 South Audley Street, London. Dating from between around 1914 to 1987.
Charles Harry Lawrence (hereafter CHL) was perhaps the finest gunmaker of the twentieth century. At the age of 14 he joined James Purdey & Sons as an actioner's apprentice, and he remained with the firm for the rest of his life. For fifteen years, ending in 1970, he was the firm's managing director. He was twice (1954 and 1962) Master of the Worshipful Company of Gunmakers, and was Chairman of the Proof House Committee for 27 years from 1954. Having previously received an MBE for his war work, he was awarded an OBE in 1978.
Letter: 2pp., 12mo. Bifolium. Closely-written with 40 lines of text. In very good condition, lightly-aged, and attached to the book by a thin strip of gummed paper. Mathews writes that it gave him great pleasure to receive Hodson's letter 'a month or two ago', and that he has only delayed replying because it has 'taken some time to get into touch with Rd. Aldington'. He gives a quotation of 24 lines from a letter he has received from Aldington after passing on Hodson's 'kind appreciation'.
Giuseppe Orioli [Pino Orioli] (1884-1942), Italian bookseller, first publisher of 'Lady Chatterley's Lover' by D. H. Lawrence, and close companion of the English novelist Norman Douglas
The inscription is dated 'Florence day of publication', the book being published in Florence in 1937.
Only the prelims of the book are present, on four leaves. In fair condition, on aged paper, with slight damage at the margin of the first leaf. Orioli's two inscriptions are on the two central leaves. Comprising a leaf with series title ('The Lungarno Series No. 12'); leaf with half-title and limitation (no 5 of 300) on reverse, signed 'G. Orioli'; title leaf; and contents leaf. The inscription on the title reads: 'This is for Barbara and Raphael | with love and affection | from Pino [Orioli] | Florence day of publication'.
Percival Lowell [Percival Lawrence Lowell (1855-1916), American astronomer] [Mary Proctor (1862-1957), American astronomer]
'Reprint from Popular Astronomy'. 'Lowell Observatory, November, 1896.'
5pp., 8vo, with five plates. Stitched. In brown printed wraps headed 'Compliments of the Author', with 'Reprint from Popular Astronomy' at foot. Heavily aged, in worn and stained wraps repaired with tape. At the head of the cover Lowell has written 'iss Mary E. Proctor'. Manuscript note in another hand (presumably Procter's) on cover: 'Contains a note in Lowell's own handwriting on page 2'. Lowell's autograph note on p.2, with slight loss due to trimming of the edges of the pamphlet, reads: 'For further story by me see Jan. '97 pular stronomy'.
The Royal Academy, London [Ralph Nicholson Wornum (1812-1877), Keeper and Secretary of the National Gallery of London; Sir Thomas Lawrence]
[Both items circa 1825?] First (1769) catalogue: 'Printed by William Bunce, Printer to the Royal Academy.' Second (1770) catalogue: 'Printed by W. Griffin, Printer to the Royal Academy.'
Both catalogues disbound from a volume of pamphlets, and bound together with library stitching. Aged and worn, with wear and chipping to extremities. The first (1769) catalogue with library shelfmark in manuscript on reverse of title-leaf. Flyleaf with ownership inscription of 'R. N. Wornum | 1855' and note 'Reprinted at the expense of Sir Thomas Lawrence'. First (1769) catalogue: 15pp., 4to. On laid paper with crown and monogram 'G R' watermark. Second (1770) catalogue: 22pp., 4to. On wove paper with '1825' watermark.
Edward Marsh [Sir Edward Howard Marsh (1872-1953)], editor of 'Georgian Poetry' [Harold Monro (1879-1932), proprietor of the Poetry Bookshop, London; Rupert Brooke; Walter de la Mare; D. H. Lawrence]
The Poetry Bookshop, 35 Devonshire St. Theobalds Rd. London W.C. 1923. [Printed by W. H. SMITH & SON, The Arden Press, Stamford Street, London, S.E.1.]
 + 244 + pp., 8vo, consisting of sixteen loose signatures, unstitched and unbound, wrapped in a piece of green paper on which is written in pencil 'Group 2 | Special'. Very good, on lightly-aged 'Holbein' wove paper. Each signature with uncut edges, and with only the first four of the eight leaves opened.
Lawrence Dundas (1844-1929), 1st Marquess of Zetland, of Aske Hall, Richmond, Yorkshire, British Conservative politician [Charles Llewellyn Shirley Slocombe (1872-1935), portrait painter]
Twenty-two on letterhead of Aske, Richmond, Yorkshire; eight on letterhead of 10 Arlington St, London SW. The other eleven from various addresses. Between 1897 and 1911.
The collection is in good condition, on lightly-aged paper. Zetland's letters total 26pp., 8vo; 19pp., 12mo; 1p., 16mo. The theme is the painting and engraving of a portrait of Zetland by Slocombe, and the correspondence casts an interesting light on the relations between patron and artist in late nineteenth-century England, with the drafts of Slocombe's two letters, and his accounts for painting and engraving, adding to its value.
St James's Theatre, Duke Street, St James's, London [Leslie Howard; Max Miller; Gertrude Lawrence]
St James's Theatre [Duke Street, St James's, London]. 'Treasury Sheet for Week ending 31st August 1929'.
On one side of a piece of 33 x 52 cm paper. In fair condition, on aged and worn paper. A form printed in black and red, completed in manuscript. Divided into sections on: Artiste's Salaries; Advertising; Stage Expenses; Front of House Expenses; Gas and Electricity; Printing & Stationery; Author's Fees; Miscellaneous; Receipts; Summary of Expenses. The 'Artiste's Salaries' were: Leslie Howard £20; Reginald Owen £40; Betty Schuster £20; Adrienne Allen £40; Robert English £15; Duncan McRae £15; Jack Carlton £8.
Francis Coles; Lawrence Blaikelock; D. Stewart [Stewart & Co., Warwick Chambers, Paternoster Row, London EC]; Hay Nisbet, Glasgow printer
Re-issued by D. Stewart [Stewart & Co.], at the Offices, Warwick Chambers, Paternoster Row, London. [Hay Nisbet, Printer, 219 George Street, Glasgow.] July and August 1876.
Both 48pp., 4to (Part II paginated 49-96). Both in printed blue wraps, with front cover carrying the ownership inscription of R. R. Lloyd. Both with stamps of the St. Albans' Architectural & Archaeological Society, and small taped label to wraps. Both in good condition, on lightly-aged paper, in chipped and worn wraps. Part I reprints seven items from 1641 to 1645 (the first: 'Diurnall Occurrences from 27. December to the 3. of January 1641.