DESIGNER

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once.Addressed to 'Dear Miss Lewis' and with good firm signature 'Alfred Parsons'. He will be very pleased to dine with her the following Friday, '& dance one set of Lancers after; I feel much complimented at being asked with the young people'.

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

An attractive and highly-finished production, in black ink, on 17.5 x 20.5 cm piece of wove paper, glued on the reverse at the four corners to a leaf extracted from the autograph album of the novelist George Meredith and his daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Parsons' monogram signature 'AP. in its two-bordered square is at the bottom left of the drawing, and there is an additional autograph signature with date to the right of the drawing on the leaf of the Meredith album: 'Alfred Parsons.

Album Page (extracted), 20.5 x 16cm, very good condition. A full page headed What is Happiness, continuing, Happiness in the abstract is indefinable - but it is also something for which everyone in their lives seems to be consciously or unconsciously searching - I think one should be humble in this search enjoying simple thins rather than wild escapades. She then lists some rules starting One should have a true sense of values (9 lines), concuding Probably if we could achieve any one of these one would be happy - but I think very few people do.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by thanking him for his 'kindness in the matter of the plate at New'. He called there that morning and has 'sent on Dr Russells letter of introduction', and has 'written to Dr Moyle', explaining his object, and he hopes he will give him permission to have the [?] photod. wh: I consider about the finest piece of dated H English Plate in existence -'.

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

2pp, 4to. In fair condition, lightly aged and worn. Folded once. The letter concerns Colefax's offer to do the interior design of the Old Mill Hotel, Harnham, Salisbury, whose proprietor was Mary Fox-Pitt, daughter-in-law of Augustus Pitt Rivers. Begins: 'Dear Mrs. Fox Pitt | Lady [?] told me to write to you, & she has also told me of your exceedingly interesting plan of making an ideal Hotel near Salisbury.' Colefax boasts that she knows 'all that neighbourhood so well'. She feels the hotel 'would be a wonderful boon to everyone who lives there'. She now comes to the point.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

16pp., 16mo. Stapled. One minor manuscript correction. Aged and worn, in lightly-stained card covers carrying six Bewick woodcuts in black, with text lengthwise and upwards in red. The insides of the covers are red in colour, and on the front inside cover is written 'love from | Sim & Arnold'. Whether the hand is Rattenbury's or his wife's is not clear. Fourteen poems, from 'Considering K 279 to K 284' to 'Koechel's Adoration'.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

1p., 4to. In fair condition, on lightly aged and creased paper. He thanks her 'for giving me the wrongly addressed envelope'. He has tried ringing her 'a dozen times' and gives her number for checking. He ends by inviting her to dinner.

2pp., 8vo. In very good condition, on lightly-aged paper. She apologises for not being able to be 'helpful on any of your questions'. She does not even possess a copy of her own 'Designing and Making Stage Costume'. 'I have no Motley designs at all, as every one which was in my possession has been sold to the University of Illinois, who have taken the whole collection of about 3000 swatches.' She is glad to hear that he has some of them, 'as it means that there are a few still in this country'.

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

The first four letters are each 1p., 12mo; and the fifth letter is 1p., 4to. The price list, which accompanies the last letter, is 2pp., 4to. All items in good condition, on lightly-aged paper. In the first letter (4 May 1980) he replies to his correspondent, thanking him for a letter 'concernant la representation d'Orphée aux Enfers que vous avez vu à Oxford en 1977'.

On one side of a 5.5 x 20 cm strip of laid paper, cut away from the bottom of a letter. In good condition, on lightly-aged paper, with traces of mount adhering to the reverse. Reads, in a firm attractive hand: 'Yours very sincerely | John Hassall.'

1p., folio. Fair, on lightly-aged paper; with staple- and punch-holes in left-hand margin. Docketed in pencil, at head 'file Oliver MESSEL', and at foot '2/XII/52'. He thanks him for 'your charming messages [...] about the designs for the Glyndebourne brochure', which were 'given me by Vagn' (Messel's partner Vagn Riis-Hansen). 'For the one design ie.

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

The first three items are 4to, with the first two of two pages and the last of one page, all with a brown border. The fourth item is 12mo, 1 p. The quarto items have some creasing and discoloration to the extremities, and a few closed tears. The 12mo item is good. Text of all four letters clear and entire. The correspondence concerns Crouch's application for membership. He gives the names of individuals who 'have signified their willingness to second' Crouch: Sir William Wayland, M.P.

Scottish engineer (died 1967), noted for his innovative design of a gas turbine engine. One page, 12mo. Very good. Pinholes to one corner and bearing a date stamp. He is honoured to be nominated as a fellow of the Society, and encloses the proposal and a cheque (neither present), thanking the Council 'for the kind invitation extended to me'. Signed 'H. Sammons'.

Actor and costume designer (1868-?). The first letter, docketted "Alas poor Tom -", to Miss Grosvenor, 4 December 1940, 18 Selwood Terrace., 2 pp, 8vo. He apologises for not being able to attend any of her at homes. "I have been at Plymouth & Cardiff the last fortnight with H. B. Irving [Henry Brodribb Irving, 1870-1919] arranging his new play". The second letter, to L. E. Berman, 21 April 1940, with embossment 52 Temple Fortune Hill, 2 pp, 12mo, in stamped envelope addressed in autograph. He thanks him for forwarding the letter from Barking.