[Costume designs for the 1934 production of 'Josephine' by J. M. Barrie, at His Majesty's Theatre, London] [Lady Helen Beerbohm Tree; George Grossmith Jnr; Lyn Harding; Spencer Trevor; Allan Jeayes]
1934; His Majesty's Theatre, London.
Twelve pages of illustrations, each on a separate leaf. Seven are portrait folio, four are portrait 8vo, and one is landscape 8vo. All clear and complete, on aged and creased paper. All coloured in watercolour. The seven folio portraits are: Napoleon as First Consul; Talma; Eugene; Moustache ('Mr. Lyn Harding [(1867-1952)]'); two 'Flunkies'; and Austrian Ambassador ('Mr Spencer Trevor [(1875-1945)]'). The four portrait 8vo illustrations consist of: two of Larose ('Lady Tree [Lady Helen Beerbohm Tree (1858-1937)]'); Louise ('Miss Lemand') and the overcoat of Talma ('Mr.
Jill Casson and Andrew Storie, British costume designers
The invitation, for 20 July 1928, from Casson's studio, The Little House, 24, Clareville Street, Queen's Gate. Autograph note by Casson undated.
Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.
Thomas Townend & Co, Hatters to the Royal Family, 16 and 18 Lime St., London, E.C., established 1778.
Thomas Townend & Co, 16 and 18 Lime St., London, E.C. Undated [Printers: Howard & Jones. Litho. London. Entered at Stationers Hall.] [Edwardian].
12pp., small 4to., on twelve leaves of thick art paper bound with pink ribbon, in blue and brown illustrated chromo-litho covers with flap carrying the royal crest. Internally good, in worn covers repaired with tape. The covers are designed in the distinctive style of the periodThe first eight pages each carry an arrangement of as many as a dozen black and white photographic illustrations of the firm's stock, within a coloured decorative borders (varying from page to page). The last four pages are entirely printed in black. The only text consists of captions to the illustrations.
Margaret Harris [Margaret Francis Harris] (1904-2000), English opera, costume and theatre designer [Motley Theatre Design Group]
On letterhead of the Theatre Design Course at Riverside, Riverside Studios, Crisp Road, Hammersmith. 17 June 1982.
2pp., 8vo. In very good condition, on lightly-aged paper. She apologises for not being able to be 'helpful on any of your questions'. She does not even possess a copy of her own 'Designing and Making Stage Costume'. 'I have no Motley designs at all, as every one which was in my possession has been sold to the University of Illinois, who have taken the whole collection of about 3000 swatches.' She is glad to hear that he has some of them, 'as it means that there are a few still in this country'.
[Victorian photographs of folk costume of Brittany; Cornish weddings; customs]
'Villard Photographe - Editeur | Quimper | Dépôt G. Le Bras, Libraire. Heliotype E. La Deley, Paris.' Undated [late nineteenth century].
The album is landscape, 13 x 19 cm. Internally clean on lightly-aged paper, stapled into worn and spotted printed covers. It contains 26 photographs (10 full-page and 16 half-page), on 18 leaves separated by tissue guards, a mixture of indoor and outdoor scenes, and some posed. Images include: 'Les Mariages de Plougastel-Daoulas. - Le Défile des Mariés'; 'La Gavotte Bretonne'; 'DOUARNENEZ. - Toilette de la Mariée'; Arrivée du Cortege au Bourg'; 'Le Repas de Noces.
John Seymour Lucas (1849-1923), R.A., English artist and costume designer
17 April 1906; on letterhead of Priory Place, Blythburgh, Suffolk.
Two pages, 12mo. Good, on lightly aged and creased paper. 'In the rush of finishing [his] Academy work' he finds Wright's letter 'among numerous others unanswered'. He will be returning to London in a fortnight 'and shall have great pleasure in sending you the bookplate together with an early one. Also my autograph &c.'