NOVEL

1p., 12mo. On grey paper. In fair condition, lightly aged. She is returning Cond's bookplate, which she has signed with great pleasure, and is very glad Cond has enjoyed 'A Calabash of Diamonds', which 'really was a thrilling adventure and I don't suppose we shall ever experience anything quite so exciting again'. The book was subtitled 'An African Treasure Hunt', and involved the search for a Zulu chief's burial place. Apparently 'Eileen Cond was a book collector who sent out her bookplate to her favorite authors, many of whom signed and returned them to her.'

The recipient is Rear Admiral Andrew Atkins Vincent (1781-1862), who, as 'Captain Vincent, R.N., of Walmer Beach, features in S. M. Ellis's 1927 biography of James, 'The Solitary Horseman'. 3pp., 12mo. In fair condition, lightly aged, with slight staining to second leaf around area of signature.

From the papers of the family of the second wife of the geologist Alexander Henry Green (1832-1896), previously Miss Wilhelmina Maria Armstrong of Clifton. 1p., 12mo. In fair condition, lightly aged. Addressed at bottom left to 'Mrs Wilhelmina Armstrong'. The letter opens: 'Dear Madam | I heartily wish I could see my way – but the clouds of work are growing so thick I cannot see each of them - & my elasticity is failing.' He does not dare undertake anything at the present time, but feels 'grateful & flattered by the invitation'.

1p., 4to. In good condition, lightly aged. She apologises for the late reply to her 'nice letter', and has 'autographed the bookplate as you requested'. She ends with the question: 'Have you read my latest book, "A Prologue to Love"?' Note: Eileen Cond was an autograph collector who used to send her bookplate for sigining to significant contemporaries.

LETTER: 2pp., landscape 8vo. In good condition, lightly aged. A sprightly missive, beginning: 'My dear, | Fidelity like yours shakes me; book after book, year after year. I'm truly appreciative. | On me dachshunds sit: sometimes two at a time, and they are heavy. Arbitrary, too: if I try to use them as props to a book or a writing pad they shuffle and stir and upset everything.' She informs her that she has become grandmother for a second time: 'This time a boy, born in August.

1p., 4to. In good condition, lightly aged. She begins by agreeing to inscribe Cond's bookplate, before continuing: 'Ye, I did know Hope Collins – not particularly well, since he was based in Glasgow, and I lived in New York and the West Indies from 1955 to 1967 and so our visits to London rarely co-incided.' She remembers Collins as 'a most kindly and courteous man', and he is 'greatly missed.

Written in blue ink and covering both sides of the card, which does not carry an address. After informing her that she is returning her bookmark with her signature she continues: 'I have been through an awful time which has killed all interest in the great success my “Perfect Wife” seems to be having. My husband has had an operation for a lobectomy (removal of part of his lung[)], which, thank God, has been successful. And all this, (for the last 3 months) while we were in the middle of a move!' She states that they have 'sold the Manor, & are living pro tem in one of our lodges.

1p., 4to. In fair condition, lightly aged. She thanks her for her 'tribute to my book', adding: 'Fancy you thinking that I lived in Australia! My brother to whom I gave a dedication lives there. I never get further than Monkstown which is part of Dunlaoghaire.' She ends by observing that Cond's letter 'seems to have been a long time travelling'. Beatrice Coogan was the daughter of a policeman, a Dublin socialite who was crowned Dublin's Civic Queen of Beauty in 1927. She was the author of 'The Big Wind', won the Frankfurt Book Fair’s 'Novel of the Year' in 1969.

1p., 12mo. On grey paper. In fair condition, lightly aged. Reads: 'Dear Sir, | Will you please give me an appointment on Thursday next when I am in town? | Faithfully yours, | Lewis Melville'.

On 13.5 x 11 cm piece of paper, and possibly cropped down from a longer letter. In fair condition, aged and worn, with evidence of mount on blank reverse. Written in a hurried and difficult hand. The letter – which lacks a salutation – reads: 'I am always sorry to lose any opportunity of joining your agreeable society, - but partly from ill health & partly, - from a friend having come to dine with me, I <?> for the Evening, I <?> to the labours of the , a <?> | Most truly yrs | Sy. Morgan'.?>

1p., 12mo. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Tinsley Brothers of 8 Catherine Street, Strand, were Ainsworth's publishers during this period. The letter begins: 'Dear Mr. Tinsley, | You are quite incorrigible.' Ainsworth complains that Tinsley has sent him a letter, 'delayed since Novr. 11th. last', and that he has 'been obliged to write a long letter of explanation and apology'. He hopes that 'the lady – for the writer is a lady – will be satisfied'.

On 6.5 x 12 cm slip of thin laid paper, cut from the end of a typed letter. Signature in blue ink. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Reads: '[...] | Yours sincerely, | [Graham Greene] | Graham Greene. | The Lord Iddesleigh, | Pynes, | Exeter.'

1p., 12mo. Mourning border. With wear at head, causing loss to address, and small hole at foot. She thanks him for his 'kind consideration': 'I will try to get over to King William St. one day this week & we can then come to some decision on the matter.' She concludes: 'Isn't the weather trying'.

Three pages, 12mo, good condition."Mrs Lynd's [ Sylvia Lynd, author ] letter about the Femina Committee followed me here where I am spending a few days. The onlky objection I can see to inserting the word 'formerly' before F.V.H. [Femina - Vie Heureuse ] is that the title of the Prize Committee would be even more unwieldy than it already is!- but of course I am in favour of trying to settle the difference between the two French committees, and hope Mrs Lynd will write the letter she suggests in her letter. I must admit that I didn't realize there were two [underlined] French committees."

1p., 12mo. In fair condition, lightly aged. Begins: 'Mem. for Mr Henry Gray | I have received your Catalogue dated April 25th. | Will you send me, if still in hand, […]'. A list of five works follows, the last four French, including Sarah Scott's Utopian "Millenium Hall", following which Besant writes: 'for wh. I will remit by return post – on receipt.'

1p., 4to. In fair condition, on aged and worn paper. He apologises for his 'long silence', having been 'troubled by several things not connected with literature'. He expresses a desire to call on her 'some time later'. He has not been successful with her articles with Lord Beaverbrook, and thinks 'the most effective step to take would be to publish your novel first'. (Her first novel 'Cold Surge' was published by Hutchinson & Co. in 1929.) He has signed her copy of his novel 'The Polyglots', which he is returning separately.

1p., 12mo. In good condition, lightly aged. Reads: 'My dear Sir/ | I think it is the 28th. thar you proposed to come to me & I hope that you & Mrs. Farrer may find it not interfering with more agreeable <?> please to stay at least till the following Monday or Tuesday Aug 1st'.

Both items in good condition, lightly aged and worn. ONE: Autograph Letter Signed, dated '19th. Dec.' 4pp., 12mo. Bifolium. As 'the public is not apparently able to rise to the occasion', the recipient's appeal should be helped, but she is 'unable to help anything just now. I have been most seriously involved in the Australian

1p., 4to. In fair condition, aged and worn. The breaking open of the wafer has resulted in slight loss at the beginning of Maturin's signature. Addressed on reverse to 'William Spooner Esqre | at Mr Millikin's | Grafton Street'. (His not writing of 'Dublin' implies that he is writing from the same place.) Maturin was the great-uncle of Oscar Wilde, who adopted the name 'Sebastian Melmoth' during his self-exile on the continent.

2pp., 12mo. In good condition. He thanks her for 'the very pleasant glimpse of yourself and your family which I got last Saturday to Monday'. He hopes she will excuse the delay in acknowledging her 'kind and graceful hospitality'.

1p., 16mo. In fair condition, aged and with bands of glue at head and tail on reverse. He thanks her for her note, but he cannot join her party. 'I wish I could!' Postscript: 'I hope you are quite well again!'

2pp., 12mo. Aged and worn, with thin line of glue causing damage to a few words of text. Addressed to 'Dear Harington'. His 'plans have all been upset by this ghastly affair at Bedford, of which you no doubt read in the papers'. He only returned from Bedford the previous night, and will have to go to the funeral there on the coming Monday, so they will have to 'put things off a bit'. He has 'arranged to fish with "Mr. Matheson" on the Didder', and suggests dates around that time for meeting.

'The Ugly Picture' was L. P. Hartley's final short story. It appeared in the Christmas issue of the Spectator, 23 December 1972, a few days before his death. There is a synopsis in Adrian Wright's 'Foreign Country: The Life of L. P. Hartley' (1996). Neither of the two drafts present here corresponds with the published version, whose ending, for example, has been heavily reworked from the ending to the later of the two drafts. The two items are both in good condition, each on loose leaves (one side only) of paper attached with a safety pin.

Gilruth was the author of seven crime novels: 'Sweet Revenge' (1951), 'Death in Ambush' (1952), 'Postscript to Penelope' (1954), 'A Corpse for Charybdis' (1956), 'To this Favour' (1957), 'Drown Her Remembrance' (1961) and 'The Snake is Living Yet' (1963). The material in this collection is in good overall condition, lightly aged and worn. Most of the material is laid down on 41pp. of a 25 x 38 cm. album (ownership signature on front pastedown), with press cuttings of reviews grouped around the cut-down dustwrappers of the first six of Gilruth's books.

On 5.5 x 12.5 cm strip torn from the foot of a letter. In good condition, lightly aged. Beneath the typed words 'Sincerely yours,' is the firm bold signature 'Sinclair Lewis'.

21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.

A total of 50 items, all but the three earliest of Strong's letters held together with a brass stud. The collection in good overall condition, on lightly aged and worn paper. Strong's 24 letters total 37pp., with the early letters signed 'L A G Strong' and the later ones 'Leonard', and occasional variant signatures in between ('Leonard Strong', 'LAGS'). The copies of Greenwood's 26 letters (two in autograph, the rest typed) total 32pp. An interesting correspondence, in which Strong responds with tact and patience to his inexperienced correspondent's proposals and actions.

243 numbered pp., 8vo, dustjacket, sl chipped and rubbed, condition of book v.g.+ INSCRIBED By Author as follows (front free endpaper): "To Allard | In memory of the days on Shift 2, + how frightfully brave we were when all the mines in Nova Scotia caved in on our heads. | Mavis || Paris | Christmas 79".

1p., 4to. In fair condition, on aged paper, with creasing and wear at head. Written in Waugh's close, distinctive hand. Reads: 'Dear Miss Marshall-Hall | It was nice of you to write. I didn't go on the Invalids tour this year. It can't have been the same thing without Milhanger. | Sincerely Yrs | Alec Waugh /'. The reference is presumably to Milhanger, the Surrey country house designed by Harold Falkner.

12mo, 134 pp each on one side of a ring-punched loose leaf, with the leaves attached by green thread within an original worn buckram binder with discoloured endpapers. The leaves themselves in good condition on lightly-aged paper; with those of the draft story ruled in red, and sometimes utilizing scrap paper (for example the blank reverses of prospectuses for Wright's books and scrap pages from Blake Society material).