NOVEL

2pp, 16mo. Bifolium. In good condition, lightly aged and worn, with traces of glue from mount adhering to blank reverse of second leaf. Folded twice. She signs 'Anna Eliza Bray', and the letter is a response to a request of an autograph of the artist Thomas Stothard (1755-1834), father of her late husband Charles Alfred Stothard (1786-1821). She writes that she is 'much gratified' by Spence's 'appreciation of Mr. Stothard, not only as an Artist, but as a man: he was indeed truly estimable'.

Carleton's controversial reputation is dealt with in his entry in the Oxford DNB. 1p, 12mo. In fair condition, aged and worn. Folded twice. In response to a request for an autograph, he writes: 'My dear Mrs. Banks | You wish to have my humble name - You have however more than my name – You have my esteem and my highest respect – and I feel proud in [ratifying?] this by the subscription of Yours most faithfully and respectfully - | Wm. Carleton -'.

Admired by both Scott and Byron, Galt's novels are, as his entry in the Oxford DNB states 'so accurate in their account of social change that historians such as G. M. Trevelyan have recommended them as authentic social history'. 1p, 12mo. In good condition, lightly aged, laid down on paper cut from leaf of an album. Folded twice. Addressed to 'Wm. Stewart Esqr.' The letter relates to Galt's 'Autobiography', published in the same year, in which Galt states that 'a visit from Mr. William Stewart, the principal proprietor', led to his appointment as editor of the Courier.

3pp, 12mo. Bifolium. In fair condition, aged and lightly creased. Folded twice. Addressed 'To the Editor of the Courant'. Having been made Recorder of Hull in 1852, Warren begins his letter from that place: 'Sir, | Some friend has sent to me your paper of Thursday, last, containing a very kindly notice on my late Charge to the Grand Jury here.

2pp, 12mo. Bifolium. In fair condition, lightly aged, with tape staining at gutter, and traces of paper (with the device of Kipling's publishers Macmillans) stuck to the blank reverse of the second leaf. Thirty-eight lines of text in Kipling's neat and close hand. The recipient is not named. The subject of the letter is the plot of Kipling's first novel, The Light That Failed, and specifically the events of the fourteenth chapter, with Kipling jokingly addressing the question as if it were a matter of fact and not of fiction, and in the process casting light on his narrative intentions.

The letter congratulates the recipient on the engagement of her daughter Ada Maud Broadwood to the Anglo-American sculptor Thomas Waldo Story (1855-1915). Ada Maud Story was the daughter of Mary Davison and Thomas Capel Broadwood, and the granddaughter of the New Orleans jurist Alfred Hennin. In Rome in 1883 she married Story, who was the son of sculptor and writer William Wetmore Story. The couple were friends of the artist James McNeill Whistler. 3pp., 16mo. Bifolium, folded once.

Good bold signature, on 5 x 10 cm slip of paper, cut from the end of a letter. In fair condition, lightly aged. Reads: 'Believe me | Yrs. most sincerely | Charlotte E L Riddell'.

In addition to his distinguished career as a playwright, Fry had some success in Hollywood. He completely rewrote (uncredited) the screenplay of 'Ben-Hur' (1959), and was responsible for the screenplay of the Dino De Laurentiis epic 'The Bible: In the Beginning' (1966), directed by John Houston. The present item is a treatment for a film that did not make it into production. It is [1] + 71pp, 8vo. Each page on a separate loose leaf. With thin card covers, also loose, the front cover carrying a duplication of the title-page, and the back cover blank. In good condition, lightly aged.

Nine items, all in good condition. All of the letters are signed 'Anthony', and four of them (two autograph and two typed) are each 1p, 8vo. The other letter, in autograph, is 1p, 16mo. With four items of material relating to Hostage Action Worldwide. The first letter (11 May 1989) accompanies 'our first reply to our first 350 donors – we're hoping to build rapidly now'. He reports that 'The Archbishop of Canterbury has this week responded positively to us and appointed a man, John Lyttle to our Advisory Council.

3pp, 12mo. Bifolium. In good condition. Folded once. Signed with both her real name and her pseudonym: 'Ada Ellen Bayly. | “Edna Lyall.”' An interesting letter, revealing the practicalities of the Irish wool trade. Begins: 'Dear Miss McKeown, | When I was staying last month in Lunare [for 'Lurganare'?] I ordered some wool to be spun, for some frieze. I think you said the blacksmith's wife would do it, & I am afraid she may have been a little disappointed that we did not call as there had been some talk of one doing.

For two months in 1872, during his naval training, Loti 'went native' in Pape'ete, Tahiti, the inspiration for his Polynesian idyll 'Rarahu' (1880, later 'Le Mariage de Loti', and he inspiration for Delibe's 1883 opera 'Lakmé'), whose narrator explains that the name Loti was bestowed on him by the natives. For the Vernier family (also associated with Paul Gaugin), and their contribution of 'a striking missionary succession to the Society Islands' churches under French rule', see John Garrett, 'To Live Among the Stars: Christian Origins in Oceania' (1982).

The two cards are accompanied by the envelope in which the first card was sent, with stamp and postmark. All three items in good condition, lightly aged. Envelope addressed to 'Ian McPherson, Esq.' at his house on the Isles of Scilly. Both cards written in blue ink on side with letterhead, the other side being blank. ONE: 25 April 1983. She thanks him for his letter and cheque, adding: 'I have no signed copies at present, and in any case we must wait for my husband's return from a research trip during the next week before I can get him to inscribe it specifically for Andrew'.

2pp, 12mo. In fair condition, on lightly aged paper, with pin holes to one corner and a few drops of light staining. She thanks Greenwood for her letter, but does not feel that her 'Valiant Woman' has any 'chance of making a successful film, for the very reasons you say it ought to'. She explains: 'In this country there would not be a large enough public for a film setting out the Christian attitude towards divorce, as popular sympathy is mostly on the other side'. Nevertheless she is sending Greenwood's letter to her agent 'Mr. A. D.

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.

[3] + 222pp. With additional page carrying two figures to be inserted in the text (the first a 'Bezel', the second two cartouches). Each page on the recto of a separate leaf. Autograph emendations throughout, including additional text on reverse of one leaf. Housed in grey-card punch-hold binder. The typescript and leaf of illustrations are in good condition, on lightly aged thick paper, the three pages of prelims are on creased and worn thin paper; the binding is heavily worn. Typed label on cover (pasted over other labels) from 'Apex Literary Agency, 293 Grays Inn Road, W.C.1.

On one side of 7 x 11 cm slip of paper, possibly cut down. In good condition, lightly aged, with stub from mount adhering. Reads: 'Have you any engagement on Tuesday 9th. (7/30) and will you come to a masculine dinner with | Yours always | W M Thackeray'. Addressed at bottom left to 'One Two Three Park Street Esqr.' The celebrated travel writer Richard Ford, best-known for his 'Handbook for Travellers in Spain' (1845), lived at 123 Park Street, Grosvenor Square, from 1849 to his death in 1858.

1p, 12mo. In fair condition, lightly aged and folded twice. The letter reads: 'Dear Mrs. Hind. | I would if I could but I have no power to do so. I know C. C (though our intimacy is much exaggerated) and he is particularly resistant to all instructions & recommendations. | All my good wishes | H. G. Wells'. The identity of 'C. C' is unclear. From the papers of Charles Lewis Hind (1862-1927), author, journalist and art historian.

LETTER: 3pp, 4to. Bifolium addressed on reverse of second leaf, with Saint Quentin postmark, 'A Monsieur | Monsieur Mathias | pour inspecteur des Douanes.' in good condition, neatly written, with repair to corner cut off in breaking of the wafer, and with stub from mount adhering. 43 lines of closely-written text. A warm letter of good length, addressed to 'mon cher Camarade'. The handwriting is difficult.

1p, 12mo. In fair condition, lightly aged. Explaining, with 'regret', that he will not be able to accept an invitation.

1p., 12mo. In fair condition. He has 'from week to week been purposing a visit to you to express my gratitude & sincere thanks for your kindness to me & the cure you accomplished'. He can only write his thanks, having been overwhelmed by 'the arrears of work that followed my illness', and leaving for Paris the following day.

On 5 x 10 cm slip of paper. In good condition, lightly aged. Reads: 'Yours faithfully | George du Maurier'. The first line lightly inked, the signature itself bold and strong. Nothing else on the card, except for the number '92' in a contemporary hand at top left above the signature.

Four good letters, in which the author's love for his wife and grief at her death are apparent. Littleton Powys was the second-eldest of eleven, his siblings including writers John Cowper Powys, T. F. Powys and Llewelyn Powys, architect A. R. Powys, artist Gertrude Powys, lacemaker Marian Powys, and poet and novelist Philippa Powys. His autobiography 'The Joy of it' was published in 1937, with the sequel 'Still the Joy of it' appearing in 1956. The four letters are in good condition, lightly aged. They total 12pp., 12mo.

Littleton Powys was the second-eldest of eleven, his siblings including writers John Cowper Powys, T. F. Powys and Llewelyn Powys, architect A. R. Powys, artist Gertrude Powys, lacemaker Marian Powys, and poet and novelist Philippa Powys. His autobiography 'The Joy of it' was published in 1937, with the sequel 'Still the Joy of it' appearing in 1956. The three letters are in good condition, lightly aged. They total 8pp., 12mo. The main topic is the correspondence between the recipient Brooks and Powys's wife Elizabeth Myers, which would feature in Powys's 1951 edition of her letters.

1p., 12mo. On grey paper. Aged and with light discoloration and chipping along one edge. A somewhat barbed missive, reading: 'Sir, | I thank you for your offer, but I have so many subjects on hand just now that I fear I could not find room for your article even if I approved of it.' The Graphic was first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited, with Henry Sutherland Edwards (1828-1906) as editor. Locker had taken over the editorship only a few days before the writing of this note, on 1 May 1870.

1p., 12mo. In fair condition, lightly aged. Strip of glue from tape at head of page. Written in response to a request for an autograph. Centred in the page, and reading: 'Yours truly | James Payn | March 28th 1887.'

1p., 12mo. On grey paper. In fair condition, lightly aged. She is returning Cond's bookplate, which she has signed with great pleasure, and is very glad Cond has enjoyed 'A Calabash of Diamonds', which 'really was a thrilling adventure and I don't suppose we shall ever experience anything quite so exciting again'. The book was subtitled 'An African Treasure Hunt', and involved the search for a Zulu chief's burial place. Apparently 'Eileen Cond was a book collector who sent out her bookplate to her favorite authors, many of whom signed and returned them to her.'

From the papers of the family of the second wife of the geologist Alexander Henry Green (1832-1896), previously Miss Wilhelmina Maria Armstrong of Clifton. 1p., 12mo. In fair condition, lightly aged. Addressed at bottom left to 'Mrs Wilhelmina Armstrong'. The letter opens: 'Dear Madam | I heartily wish I could see my way – but the clouds of work are growing so thick I cannot see each of them - & my elasticity is failing.' He does not dare undertake anything at the present time, but feels 'grateful & flattered by the invitation'.

1p., 4to. In good condition, lightly aged. She apologises for the late reply to her 'nice letter', and has 'autographed the bookplate as you requested'. She ends with the question: 'Have you read my latest book, "A Prologue to Love"?' Note: Eileen Cond was an autograph collector who used to send her bookplate for sigining to significant contemporaries.

1p., 4to. In good condition, lightly aged. She begins by agreeing to inscribe Cond's bookplate, before continuing: 'Ye, I did know Hope Collins – not particularly well, since he was based in Glasgow, and I lived in New York and the West Indies from 1955 to 1967 and so our visits to London rarely co-incided.' She remembers Collins as 'a most kindly and courteous man', and he is 'greatly missed.

Written in blue ink and covering both sides of the card, which does not carry an address. After informing her that she is returning her bookmark with her signature she continues: 'I have been through an awful time which has killed all interest in the great success my “Perfect Wife” seems to be having. My husband has had an operation for a lobectomy (removal of part of his lung[)], which, thank God, has been successful. And all this, (for the last 3 months) while we were in the middle of a move!' She states that they have 'sold the Manor, & are living pro tem in one of our lodges.