ELLIOTT

See his entry in the Oxford DNB. The two items were previously held together by a small dab of glue at the head of the letter. They are now separated, and traces of the glue remain, not affecting any text. Otherwise they are in good condition, lightly aged. ONE: ALS, 30 December 1932. 1p, 12mo. Signed Hugh Walpole. He thanks him for his charming ‘Carol’: ‘I have been picking it out on the piano. And I send back the photo autographed. With every good wish for 1933’.

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, with slight discoloration along central fold. Large bold signature ‘Napier’. Addressed to ‘The Honble. George Elliott’, with salutation to ‘My dear Elliott’. As he does not know where Elliott’s sister Lady Dunfermline is ‘residing at this moment’, he is placing in Elliott’s hands ‘for transmission’ a letter from the wife of the Turkish ambassador at the Hague. He expresses to Elliott’s family his sympathy at the loss of their father.

Three items, aged and somewhat creased. Scott-Elliot's book was privately printed by Douglas in 1897. Aaron Marshall Elliott was founder of the Modern Language Association and founding professor of Romance Languages at Johns Hopkins University. ONE: ALS from 'David Douglas' to Elliot. 2 October 1900s. 3pp., 12mo. Bifolium.

2pp., 8vo. In fair condition, on aged paper. She begins by thanking him for his 'altogether charming letter', before explaining that she and her husband 'expect to be in England about the middle of June if we escape capture by the Spaniards in [ Spanish-American War being waged ] and shall hope for the pleasure of welcoming you to "Jackwood" often'. She ends by sending her regards, along with those of 'Nat and the small sister'. The 'small sister' was Gertrude, and Jackwood was the Goodwins' mansion in Kent.

1p., landscape 12mo. In fair condition, on lightly aged and worn paper, with cropped margins. He begins by explaining that O'Donnell's letter has been sent to him 'from Theatre Royal, Drury Lane, on the staff of which I am and whose whose [sic] historian I am too'. He continues: 'I fear a night vigil would be of little use so far as the Ghost is concerned. He is a day time visitant. Never yet has he been seen before 9 a.m. or after six p.m. Between those hours - frequently.' He refers O'Donnell to the 'full account' in his book 'Theatre Royal'.

ONE (Elliott's letter): 3pp., 12mo. 34 lines. Bifolium. In good condition, on aged paper, loosely attached to the title-leaf of the book by a small piece of gummed paper. The letter begins: 'My dear Driberg | I ought to have acknowledged your letter sooner, but I only received it on my return from abroad, and since then I have been busy struggling with the arears which always accrue during absence.' He thanks him for sending his 'son's little volume', which he has read 'with much interest & congratulate him on the neat & modest appearance he has made in print'.

Letter One: 1p., 12mo. Signed '(Hon) Donough O'Brien'. Good, on aged paper, with a couple of short closed tears at head. Addressed to 'Elliott O'Connell Esqre of The Red House, Guilsborough, Northants.' He is sending him a copy of his 'Genealogical Table of the Princes of Ireland', 'in a cardboard-roll to see': 'The descents are from the Common Ancestor, Milesius, King of Spain and Ireland'. The price is two pounds, and he believes that 'it is the first time that the 23 lines have been set out on one Chart and in their appropriate places of Geniture, and over so distant a period of time'.

Note: 1p., 12mo. In fair condition, lightly-aged, laid down on paper with traces of glue to one margin. In response to a request for an autograph it reads: 'Novr 10/69 | 21 Beauvoir St | Portland Place | London. W. | Dear Sir | I send this in accordance with your request to Mr Lacy.' | I am | Dear Sir | Yours | R. H. Holden Esqre'. Engraving: On 14 x 10.5 cm paper, laid down within border on 21 x 14 cm paper. Good: Photogravure 11 x 8 cm image cut from a magazine. Showing a bearded Horne in old age, with velvet writing cap.

12mo, 3 pp. 42 lines of text. Clear and complete. Good, on lightly-aged paper. Small ink stain at foot of reverse of blank second leaf (not affecting text). Interesting letter, revealing of the politics surrounding appointments within nineteenth-century Harvard. The 'Lectureship' having been 'carried throough', Everett repeats his 'very special request that in some way the Undergraduates may have an opportunity of attending the course - This I regard as vital'. Reports the view of 'Mr. Eliot' on the idea that Everett 'desired to be on the staff of instructors at Harvard'.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.