RUSKIN

An amusing and entertaining letter from a man destined for ‘une triste vie et une triste ministère’ (see his entry in the Oxford DNB). 3pp, 16mo. Bifolium. Thirty-seven lines of text, neatly and closely written. In fair condition, worn and grubby. Folded twice for postage. Signed ‘Fred: W: Robertson’. Begins: ‘My dear Miss Smith / Could you but see the piles of books & papers that are as yet only partially disinterred from their temporary coffins you would conceive my dismay and despair at your question. I will become a disciple of Comte to please you.

One page, 12mo, good condition, laid down on part of an album page (see note below). Text: My dear Con, | Many and many a Happy Christmas to you- & to all who love you - that's a wide wish I know. | Now - when & how do you & mama want me to come to yoy. I will be at your [underlined] orders, (provided they are peremptory-) any day after New Years day. | Thank mama for her kind note. | Ever affectionately Your | J Ruskin. Note: Item detached from Meredith family album containing letters from distinguished contemporaries such as Henry James, Thomas Hardy, Clemenceau, etc etc.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

Nine pages, folio, fold marks, browning, sl. chipped, text complete and clear. It comprises a list of paintings, drawings, lithographs , prints in many areas and rooms of the house, from the Top of Staircase to Library to Best Bedroom to Dining Room, etc. Several items are associated with the Sumner Family: a lithograph of Archbishop Sumner on the Principal Staircase; a Pastel coloured drawing - Family Group of Mrs. John Bird Sumner (four daughters and son) by Hastings, 1827; Water colour drawing - The four Miss Sumners, by Geo. Richmond, R.A.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

Two pages, 8vo, fold marks, some wear on a fold mark, grubby, bottom edge chipped, all text legible. Bottom of verso, copies obtainable from the author of from "The Hon. Sec. of the Society for the Protection of Birds, Mrs. F.E. Lemon [...]" No copy on COPAC etc.

2pp., 12mo. Bifolium. In fair condition, lightly aged and worn. The letter begins: 'My dear Johnnie - | I saw you in Marlow Church the Sunday before last & recognised you although when I saw you last you had long curls falling on your shoulders 10 years ago!' He hopes to meet with him if he is still at Marlow when he goes there again. 'Edward stayed here for a week a short time ago.' The letter concludes: 'I often think of my Whitbourne days & Barkie & the good times we had.' From the papers of the Harington baronets of Whitbourne Court. Batson was a student of theology at Oxford in 1881.

12 pp., 8vo. Modern marbled bds. In good condition, lightly aged and worn. This interesting item is of significance to Ruskin scholars, containing a whole page describing 24 drawings and engravings by him, as well as a number of interesting books from the library of a close associate. The item was previously bound by Rossetti in a volume with two, unrelated, others. It then passed into the collection of the art historian Rose Sketchley, whose sister C. J. Sketchley presented it to Fulham Public Libraries in 1949. It is scarce: no copy has been traced on either OCLC WorldCat or COPAC.

2pp., 12mo. In good condition, on lightly-aged paper, with slight traces of mount adhering at head of reverse of leaf. 40 lines of text. The letter concerns a singing instructor named 'Mr. Arnold' who has offered to teach Mrs Ruskin or a member of her family 'at half fees'. Having been asked his advice Henderson begins: 'It is extremely difficult to give an opinion about the right kind of training required. The Bel Canto singing from the point of voice production is undoubtedly the very best. It means smooth even singing.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

1p., 4to. In fair condtion, lightly aged and creased. With a few autograph corrections by Roberts. Having been unsuccessful in placing an individual with Wilson, Roberts writes: 'Of course forty years ago the advent of a bookshop like yours was a tremendous event, and we all flocked to it as something new and wonderful, as indeed it was.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

16pp., in illustrated wraps with the outer covers printed in green and brown, and three more pages of advertisements on insides and back cover. Bifoliate order form (4pp., 12mo) loosely inserted. The old stalwarts John Ruskin, Kate Greenaway, Walter Crane, Edward Lear, jumbled together with newer titles such as 'Gobbo-Bobo, The Two-Eyed Griffin', 'Prince Cheery-Heart' and 'The Bunkum Book. A Tale of Topsy Turvy Land'. Sadly no mention of Beatrix Potter ("Peter Rabbit" published 1902.). Scarce: no copy on OCLC WorldCat or COPAC.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

Booklet39pp., 12mo, original printed wraps, front one detached, wraps foxed and chipped at spine, pther minor defects, mainly fair-good, owner's signature on front wrap verso, and some pencil notes within. One copy listed by COPAC, at BL (entry says 150 copies). WorldCat lists Harvard and Yale (and BL) copies only. Scarce. Note: The Editor, Malleson, was first to translate Jules Verne's "Journey to the Centre of the Earth".

2pp., 12mo. 42 lines. Bifolium. Fair, on aged paper. Addressed on reverse of second leaf to 'I. P. Cory Esq'. The letter begins: 'A friend of mine Mr. Jackson having told Mr. Rowbotham [Ruskin's tutor John Rowbotham] that I had discovered a method of trisecting an angle that gentleman said he had done it himself, which I believe he has, upon the proposition you showed me - he says it was originally published by Professor Leslie'. Inglis considers that 'Mr. R. seems to have hit upon something he does not quite comprehend'.

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

Items One to Three: three 'Co-operative Holidays Association General Notes' pamphlets, all 4pp, on unbound 8vo bifoliums. Text clear and complete, on aged and worn paper, with a 3 cm closed tear to both leaves of the second number. Each issue ends with a long list of 'Rambling Clubs and Secretaries'. Headings of notes include 'One Shilling Literature Subscription', 'Sir William Mather', 'Canadian Guests', 'Personalia'. Also a report of the annual general meeting.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Dean of Canterbury (1831-1903). 'Dear Sir, | I am sorry that my course as Bampton Lecturer at Oxford prevents me from accepting your kind invitation. | Otherwise I wd. gladly give you a Lecture. I should be pleased to visit Sheffield & see Mr Ruskin's Museum. | I am, Dear Sir | Very faithfully yours | F W Farrar'. Farrar was Bampton Lecturer in 1886.

Poet and novelist, basketmaker and bookseller (1807-1874). One page, 4to, one nick not affecting text, fold marks and signs of having been laid down, mainly good. He has made "few alterations in the Poem, which if you think an improvement, may be adopted. I am afraid that so much practise in writing prose is creeping into and tinging my poetry. I do not truly like this 'Desolate Hall' and yet I can do nothing better at present". He has had no review in the "Literary Gazette" as yet, and comments on the "mass of new books that every corner of the columns have been crowded . . . Mr.