DRAWING

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

Album of 95 original detailed illustrations (drawings) of antique wrought iron door knockers (70 from Switzerland and 25 from Italy and France) by the English artist Arthur Elliot, titled by him 'A Book of Knockers'. With short essay by Elliot.

Author: 
Arthur Elliot, English illustrator [Swiss door knockers; doorknobs; Switzerland; architectural hardware]
Publication details: 
The majority of the illustrations dated, and all those to 1907. Mainly taken at Berne and other Swiss cities.
£450.00

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

[ Paul Sandby, artist and engraver. ] Pencil notes by 'Paul Sandby Esqr.', over 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy'. With portrait of Sandby, engraved by H. Landseer from a drawing by W. Evans

Author: 
Paul Sandby (c.1731-1809), English artist and engraver, Chief Drawing Master at the Royal Military Academy, Woolwich [ H. Landseer; W. Evans ]
Publication details: 
Engraving 'Published Dec. 4 1809 by T. Cadell & W. Davies, Strand, London'.
£135.00

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

[ Rosalind Thuillier, sketches from Graham Sutherland. ] Sketchbook containing captioned ink sketches of 'GS paintings from museums & galleries 2008', for 'possible use in 2nd edition of Inspirations by Rosalind Thuillier'.

Author: 
Rosalind Thuillier [ Rosalind Adams ] (1939-2015), art critic and artist, authority on her friend Graham Sutherland (1903-1980)
Publication details: 
Place not stated. 2007 and 2008.
£400.00

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

[ Strawberry Hill Press. ] Engraving ('C. Grignion sculp.') depicting 'Earl Rivers presenting his Book & Caxton his Print to Edw. 4'.

Author: 
Charles Grignion the elder (1721-1810), Huguenot engraver [ William Caxton, English printer; Horace Walpole; the Strawberry Hill Press ]
Publication details: 
Frontispiece to Horace Walpole's 'Royal and Noble Authors', published by the Strawberry Hill Press, 1758 [ 1759 ].
£45.00

Printed in black ink on one side of a piece of 18 x 11 cm piece of laid paper. Dimensions of image 15.5 x 10 cm. In fair condition, lightly aged and worn. The image forms the upper part of the engraving, within a decorative border, with the caption, covering eleven lines, as the lower part, within its own lapidary border. The image is, as the caption explains, from 'a curious M.S. in the Archbishop's Library at Lambeth'.

[ The Earl of Londesborough andn the Lyric Club, Barnes. ] Engraving by Cecil Cutler, with manuscript (autograph?) invitation by the Earl of Londesborough, to 'meet the Oxford Green' [ following the Oxford and Cambridge Boat Race ].

Author: 
William Denison, 1st Earl of Londesborough (1834-1900), Liberal politician [ Oxford and Cambridge Boat Race; Lyric Club, Barnes; Cecil Cutler, engraver ]
Publication details: 
[ At the Lyric Club, Barnes, on 26 March 1890. ] Engraving: 'Cecil Cutler | Invr. et del. 1890'.
£90.00

Printed in black on one side of 15.5 x 25 cm card. In fair ondition, aged and worn, with traces of mount on reverse. The illustration, winding along the edge of the page from top left to bottom right, is a pleasing detailed line drawing, showing a fashionable crowd (men in top hats, ladies in coaches and so on) viewing the race from what is probably the Club's part of the bank of the river (a chimney and crenelated wall may serve as identifying landmarks). Among the myriad of faces may be caricatures of individuals.

[ E. R. Dibdin. ] Signed ('E R D') pencil sketch of the head of 'Mrs S. Palmer' [ Mrs Sarah Palmer of Southwold ], with brief manuscript biographical notes of the sitter.

Author: 
E. R. Dibdin [ Edward Rimbault Vere Dibdin ] (1853-1941), art critic [ Sarah Palmer [ born Woods ] (1797-1886) of Southwold, Suffolk ]
Publication details: 
Dated (in another hand?) '1884'.
£30.00

The sketch is on a 12mo page, torn from a notebook. In good condition, lightly aged. Mounted in makeshift 4to bifolium paper folder. The drawing, in grey pencil, is a capable one, showing the left profile of a bespectacled old lady in a bonnet, with Dibdin's signature at bottom right. Beneath this, perhaps in another hand is 'Mrs S. Palmer Fixed'. Beneath the leaf, on the mount, in ink, is '1884.' A note in the same hand, on the outside of the folder, reads: 'Mrs Sarah Palmer, m.s. Woods, born 26 Septr 1797. at Southwold. Died at Edinburgh 9 June 1886'.

[ Richard St John Tyrwhitt, art critic. ] Autograph Letter Signed ('R St John Tyrwhitt') to 'Miss Bosworth', presenting a copy of his 'A Handbook of Pictorial Art' to her. With inscribed copy of the book.

Author: 
Rev. R. St. John Tyrwhitt, M.A. [ Richard St John Tyrwhitt (1827-1895), English art critic, cleric and supporter of John Ruskin ]
Publication details: 
Lettter dated 29 March 1869, no place. Book published at the Clarendon Press, Oxford. 1868.
£150.00

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

[ Richard St John Tyrwhitt, art critic. ] Autograph Letter Signed ('R St John Tyrwhitt') to 'Mrs Paul', regarding his book 'Our Sketching Club. Letters and Studies on Landscape Art.' With a copy of the book.

Author: 
Rev. R. St. John Tyrwhitt, M.A. [ Richard St John Tyrwhitt (1827-1895), English art critic, cleric and supporter of John Ruskin ]
Publication details: 
Letter from Ketilley, Oxford, on cancelled letterhead of Christ Church. 25 September 1875. Book published by Macmillan and Co., London, 1874.
£150.00

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

[ Clifton Suspension Bridge under construction, by J. L. Sachs of the Illustrated London News. ] Signed watercolour wash drawing of 'The site for Hungerford Suspension Bridge', showing the towers of the bridge on the banks of the Avon Gorge.

Author: 
J. L. Sachs [ illustrator for the Illustrated London News and theatre manager ] [ Isambard Kingdom Brunel; Clifton Suspension Bridge; Avon Gorge; Bristol ]
Publication details: 
'from J Sachs, 203, Strand' [ Abbott, Barton & Co., London Advertising Agents ]. Undated [ circa 1860 ].
£250.00

17.5 x 25 cm. In good condition, on lightly-aged and worn paper. In the bottom left-hand corner, in a close contemporary hand, in ink: 'The site for Hungerford Suspension Bridge. | from J Sachs, 203, Strand'. (203 Strand was the address of Abbott, Barton & Co., advertising agents.) In pencil at bottom left: 'Clifton -', with the word 'River' in lighter pencil towards the centre. The view, in grey pencil wash, shows a pleasing view down the Avon Gorge, with the Bridge's two towers the only part of the structure completed.

[ Charles Kirkpatrick Sharpe, Scottish antiquary and artist. ] Watercolour drawing of Edinburgh murderer Mrs Mary Mackinnon with a young girl in her condemned cell, attributed to him in a contemporary hand.

Author: 
Charles Kirkpatrick Sharpe (1781-1851), Scottish antiquary, artist and collector, and friend of Sir Walter Scott
Publication details: 
Without date or place. (Mackinnon was hanged 16 April 1823.)
£400.00

A watercolour drawing in ink, coloured in yellow, blue and red, against a sepia ground. The drawing is on a 24.5 x 18.5 cm piece of thick white paper, laid down on a 28.5 x 29.5 cm piece of grey paper. In good condition, with light signs of age. In pencil in a contemporary hand on the grey-paper mount: 'Mrs Mackinnon - hanged | done by Charles K. Sharpe Esq | She had been a great beauty | murdered a man'. The drawing is not signed, but is in much the same style as other examples of his watercolours (for example those in the Victoria and Albert Museum, London).

[ Lady Eastnor. ] Autograph Letter in the third person to her drawing master Edmund Thomas Parris, with reference to two of his other clients.

Author: 
Caroline Harriet Somers-Cocks (1794-1873), Lady Eastnor [born Caroline Harriet Yorke], later Countess Somers [ Edmund Thomas Parris (1793-1873), architect and artist ]
Publication details: 
15 Berkeley Square [ London ]. 'Saturday' [no date, but on 1835 Whatman paper.]
£56.00

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

[ The Royal National Lifeboat Institution. ] Transparencies of two charming illustrations, one a ragamuffin boy fisherman, and the other his sweetheart waving goodbye to him.

Author: 
[The Royal National Lifeboat Institution; RNLI ]
Publication details: 
'Sold in aid of the R.N.L.I.' Without publishing details or date. [England. 1920s?]
£80.00

Both transparencies negatives on plastic sheets. The two images attached by a thin vertical strip of Scotch tape. On the right (22 x 14.5 cm) the image of the ragamuffin boy fisherman, with net and rod, looking to the left. On the left (22 x 16.5 cm) his young sweetheart, with fishing nets aand lace apron, waving a lace handkerchief. His image with caption (old Breton poem): 'Dear God be good to me | The sea is so wide | And my boat is so small | Sold in aid of the R.N.L.I.' Her image with the same caption, but with the word 'his' replacing 'my'.

[John Henry Batchelor, illustrator.] Autograph Letter Signed ('John H. Batchelor') to an unnamed recipient, discussing his work and terms.

Author: 
John Henry Batchelor (born 1936), MBE, English artist and 'arguably the world's foremost technical illustrator' and 'the world's premier stamp illustrator'
Publication details: 
15 St Johns Road, Boscombe, Bournemouth.
£56.00

1p., 12mo. Good, on lightly-aged paper, with water staining to a couple of words. Written in a stylish, calligraphic hand. He begins by thanking the recipient for a letter and postal order, before continuing: 'In case you are interested, I also do paintings of antique weapons. An example of my work can be seen in the August 1962 issue of "Guns Review".' He explains that such illustrations can be in either black and white or full colour, and concludes: 'If you have a particular favourite I shall be pleased to quote.'

[William Etty, artist.] Autograph Letter Signed ('Wm Etty.'), addressed both 'To Messrs Taylor and Sibley' and 'To the Curators of the St Martins Lane Academy', regarding his room there.

Author: 
William Etty (1787-1849), English painter [William Benjamin Sarsfield Taylor (1781-1850), Irish artist, curator of the St Martin's Lane Academy; Charles Sibley, artist]
Publication details: 
14 Buckingham Street, Strand [London]. 28 February 1839.
£80.00

1p., 4to. Aged and creased, mounted in windowpane on leaf removed from album. He writes: 'Gentlemen, | I beg leave to inform you, that I shall not have occasion for the Room I have taken at the St. Martins Lane Model Academy, after Michaelás Day next in the present year.' For more information on the Academy, see Sibley's 'Origin, Progress, and Present Condition of the Fine Arts in Great Britain and Ireland' (1841).

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Martin Hardie, art historian and curator.] Two Typed Letters Signed to the artist and critic Eric Hesketh Hubbard, discussing the loan and delivery of drawings.

Author: 
Martin Hardie (1875-1952), art historian and Victoria and curator at the Albert Museum [Eric Hesketh Hubbard (1892-1957), artist and critic]
Publication details: 
First letter: on letterhead of Rodbourne, Tonbridge, Kent. 3 October 1943. Second letter: from Rodbourne. 10 October 1943.
£70.00

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

[Thomas Goff Lupton, engraver.] Autograph Letter Signed ('Thomas Lupton') to 'Mrs. Osborne', the mother of his godson, denouncing his trade of engraver as 'a painful health destroying profession [...] and little short of wilful murder'.

Author: 
Thomas Goff Lupton (1791-1873), English engraver
Publication details: 
4 Keppel Street, Russell Square [London]. 2 February 1866.
£220.00

3pp., 12mo. Bifolium. Good, on lightly-aged paper. An excellent and surprising letter. Lupton begins by saying that he is happy to comply with Mrs Osbornes request for 'two of my Cartes, one for yourself, the other for your Boy! My God Son: who I am glad to know is so well placed in the world. O!

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Martin Hardie, art historian and curator.] Two Typed Letters Signed to the artist and critic Eric Hesketh Hubbard, discussing the loan and delivery of drawings.

Author: 
Martin Hardie (1875-1952), art historian and Victoria and curator at the Albert Museum [Eric Hesketh Hubbard (1892-1957), artist and critic]
Publication details: 
First letter: on letterhead of Rodbourne, Tonbridge, Kent. 3 October 1943. Second letter: from Rodbourne. 10 October 1943.
£70.00

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

Original Victorian pencil cartoon by E. R. White, titled 'Photo-"Graphic Rivalry"', depicting neighbouring photographers attempting to sell cartes de visite to a figure resembling John Bull.

Author: 
E. R. White, Victorian cartoonist [early photography; nineteenth century cartes de visite]
Publication details: 
Dated by White to January 1862.
£135.00

On 20 x 24 cm piece of thick laid paper. A spirited and highly-finished cartoon, apparently unpublished. The two photographers have emerged from neighbouring doorways to solicit a portly Englishman, attired like John Bull, who holds his hands up in a gesture of exasperation or refusal. He is accompanied by a young boy, hands in pockets. The photographer on the left is dressed in the French or Italian style, back to the viewer, waving his cartes de visite around.

Pencil sketch of George Washington's home Mount Vernon by 'G E Blenkins', with leaf from the orange tree planted by Washington, and explanatory Autograph Note by Blenkins.

Author: 
Mount Vernon, Virginia home of George Washington, first United States President [George Eleazar Blenkins (d.1894), Assistant Surgeon, Grenadier Guards, and Member of the Royal College of Surgeons?]
Publication details: 
Sketch made and leaf taken by Blenkins on a visit to Mount Vernon, Virginia, in 1840.
£450.00

While only a rough pencil sketch, the drawing is an attractive one, landscape on a piece of wove paper, 20 x 25 cm, with 'JESSUPS' watermark. In good condition, on lightly-aged and creased paper, folded into a packet for postage, with remains of red wafer. Beneath the drawing, in ink in a shaky contemporary hand: 'Lawn view from the backs of Mount Vernon | This is from the Orange Tree planted by himself.' The reverse carries the following note: 'I made the enclosed rough sketch of Mount Vernon the residence of Genl.

Humorous manuscript correspondence (13 letters) from 'Fred' [Frederick Clarke], writing from Dalston, East End of London, c.1910, to his friend 'Ted' [Edward Parkes?], with 63 pages featuring outstanding coloured pen cartoons and other flourishes.

Author: 
['Fred' [Frederick Clarke] of 74 Richmond Rd, Dalston, London, N.E.; Edward Parkes]
Humorous manuscript correspondence
Humorous manuscript correspondence
Publication details: 
Undated (circa 1910). One letter on the letterhead of, and two others addressed from, 74 Richmond Rd, Dalston, London, N.E.
£450.00
Humorous manuscript correspondence
Humorous manuscript correspondence

12mo, 64 pp, on 16 bifoliums, loosely housed in a contemporary blue-cloth binder. Eleven of the thirteen letters signed, ten of them 'your sincere friend Fred', the other two being incomplete; some of the illustrations signed 'F. C.', and one 'F. Clarke'. Fair, on aged paper. A delightful, imaginative and striking correspondence, illustrated in coloured pen by an accomplished amateur cartoonist. Suitable for display. Clearly and neatly written, with each page filled to the edge (no margins) with a combination of Pooterish text and energetic illustrations [also a la W.W. Jacobs].

Original seventeenth-century Dutch etching of man vomiting while onlookers hold their noses, attributed to Jan Both after his brother Andries Both, with caption beginning 'Seecker dat is geen Roy, wat mach dat varcken drinckien'.

Author: 
Jan Both [Jan Dirksz Both] (c. 1614-1652), Dutch engraver and painter, brother of Andries Both (c. 1612-1642)
Publication details: 
[Dutch, seventeenth century.]
£125.00

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

Album of 95 original detailed illustrations (drawings) of antique wrought iron door knockers (70 from Switzerland and 25 from Italy and France) by the English artist Arthur Elliot, titled by him 'A Book of Knockers'. With short essay by Elliot.

Author: 
Arthur Elliot, English illustrator [Swiss door knockers; Switzerland; architectural hardware]
antique wrought iron door knockers
Publication details: 
The majority of the illustrations dated, and all those to 1907. Mainly taken at Berne and other Swiss cities.
£650.00
antique wrought iron door knockers

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

Autograph Letter Signed ('Chas Landseer') to [Walter F. Stocks].

Author: 
Charles Landseer (1799-1879), R.A., English artist, elder brother of Sir Edwin Landseer
Autograph Letter Signed ('Chas Landseer')
Publication details: 
30 January [1870?]; Royal Academy, on letterhead of the Athenaeum Club.
£56.00
Autograph Letter Signed ('Chas Landseer')

12mo, 2 pp. 15 lines. Text clear and complete. Good, on aged paper. Providing a 'recommendation as a teacher' for his correspondent, 'in the neighbourhood of Leamington'. 'My observation of the progress you have made, during your studentship at the Royal Academy enables me to state, that, you are, in my opinion fully competent to undertake the teaching of the elementary branches of art'. From a small archive of Walter F. Stocks's correspondence.

Detailed pencil illustrations of nine steam engines [locomotives].

Author: 
B. Reynell [Victorian, Edwardian illustration; railway locomotives; steam engines]
Publication details: 
Without date or place [Edwardian?].
£200.00

Landscape sketchbook of twelve leaves. Dimensions of each leaf roughly 26.5 x 38 cm. Unbound and stitched. In original brown patterned wraps. Good, on lightly discoloured and spotted drawing paper, with some wear to extremities, heavy wear at head of spine, and in heavily-worn wraps. The first leaf, otherwise blank, has had a small square taken out of it, and there are stubs indicating the removal of a couple of leaves.

Engraving by H. Bond of 'THE DEATH OF MAJOR PIERSON.'

Author: 
John Singleton Copley [BATTLE OF JERSEY]
Publication details: 
Undated, but mid-nineteenth century. Printed by 'JOHN TALLIS & COMPANY, LONDON & NEW YORK'.
£25.00

Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.

Three nineteenth-century newspaper accounts, one eighteenth-century engraving and two nineteenth-century engravings.

Author: 
The Channel Islands (Guernsey and Jersey)
Publication details: 
1777, 1834. 1846, 1855; London.
£145.00

ITEM ONE: engraving of 'CASTLE CORNET, GUERNSEY. | Prinnted for S. Hooper 25 June 1777. | Sparrow Sculpt.' Landscape octavo. Dimensions of print roughly nine and a half inches by six and a half. Very good. Mounted on leaf of ruled paper. ITEM TWO: copy of the first two octavo leaves of the Saturday Magazine for 21 June 1834. Large engraving of 'HIGH-STREET, GUERNSEY' (dimensions of print roughly six inches by eight). Two pages of accompanying text describe 'THE ISLAND OF GUERNSEY'. Very good.

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