John Singleton Copley (1772-1863), 1st Baron Lyndhurst [ Lord Lyndhurst ], Lord Chancellor of Great Britain
Without place or date.
On 8 x 14.5 cm panel cut from front of envelope. In good condition, lightly-aged. All in Lyndhurst's hand, it reads 'His Grace | The Duke of Wellington KG | &c &c &c | Lyndhurst'. As is customary, the signature is between two horizontal lines, in the bottom left-hand corner.
Francesco Bartolozzi (1725-1815), Italian engraver, long resident in London, Engraver to King George III [Alderman John Boydell (1720-1804), London printseller; John Singleton Copley, artist]
No place [London]. 23 January 1789.
On one side of an 8 x 18cm piece of paper, with counting house spike hole in centre. In very good condition, lightly-aged, and neatly placed in a windowpane mount of 26 x 20.5 cm. With embossed Four Pence government stamp. Neatly and elegantly written out, it reads: 'Janry: 23 1789. Recvd. of Ald: Boydell Fifty Pounds upon acct: of Engraving a Print of The Royal Children after Mr: Copley | Francis Bartolozzi | 50. 0'.
32pp., 4to, typescript (carbon copy), some closed tears, but text complete and clear, minor corrections and additions in manuscript, partly detached from paper binding, itself grubby and with minor damage, rusted staples. A well-written and entertaining account of a Mission to Sydney, describing events, scenery, activities etc, "The suggestion of a Mission Tour to Sydney and Singleton came from within the Melbourne Band Circle [...]".
Undated, but mid-nineteenth century. Printed by 'JOHN TALLIS & COMPANY, LONDON & NEW YORK'.
Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.